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Muni Long
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Solang der alte Peter – Oktoberfest – Munich City anthem - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.567541 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,World. 8 pages. Thomas Graf - the-hit-factory.com #58899. Published by Thomas Graf - the-hit-factory.com (A0.567541). Back to School 2015 The folk song Solang der alte Peter (As long as the old Peter) is known as the city anthem of Munich. The melody of the first line of the song is taken up again in the chorus of the famous Hofbräuhaus song. (In München steht ein Hofbräuhaus / In Munich stands a Hofbräuhaus). A must for every Oktoberfest! This composition is available in specially adapted arrangements for many different ensembles like saxophone quartet, brass quartet, string quartet, wind quintet, concert band … Check out our other compositions and arrangements! Any individual arrangement is available on request for reasonable price. Call +49 (0) 172 2515987 www.the-hit-factory.com Visit us on Facebook: facebook.com/hitfactorymusic Das Volkslied „Solang der alte Peter ist bekannt als „Stadthymne Münchens. Die Tonfolge der ersten Zeile des Liedes wird in dem Refrain des bekannten Hofbräuhaus-Liedes wieder aufgegriffen. („In München steht ein Hofbräuhaus). Ein Muss für jedes Oktoberfest!
$12.99
11.64 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Traditional
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Thomas Graf
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Solang der alte Peter – Oktoberfest – Munich City anthem - Wind Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.41 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Sweet Child O' Mine
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.868290 By G…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.868290 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Wayne Neilson (APRA/AMCOS/MAGA). Metal,Rock. 34 pages. Wayne Neilson #3530419. Published by Wayne Neilson (A0.868290). Expect the unexpected. This arrangement is a driving and energetic rendition of the Guns N' Roses original. Material is treated true to the original with energy, excitement, and rhythmic vitality. An exciting piece to play. Whilst the material is classed advanced intermediate, the Solo material is virtuosic and advanced. Various articulations help to emulate the driving rock sound typical of Guns N' Roses. The main melodic and harmonic themes are seamlessly shared by each of the instruments, along with new counter melodies and embellishments. The arrangement and voicing captures the variety of tones that a Woodwind Quintet can produce. A great arrangement for Corporate events, Motivational Seminars, Ceremonies, School, College, or Community ensembles. Visit my website and subscribe to stay up to date with the latest arrangements. Website: https://www.wayne-neilson.com
$15.00
13.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Guns N' Roses
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Sweet Child O' Mine
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Wayne Neilson
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SheetMusicPlus
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