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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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Harmonic Study I
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44
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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Crtitères actifs :
Harmonic Study I
Partitions à imprimer
39 partitions trouvées
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1
26
I sentimenti di Carl Philipp Emanuel Bach
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Orchestre à Cordes
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Classique
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Carl Philipp Emanuel Bach and
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I sentimenti di Carl Philipp E
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Schott Music - Digital
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SheetMusicPlus
Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1) Fassung für großes Kammerorchester: Fl. solo - Hfe...
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Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1) Fassung für großes Kammerorchester: Fl. solo - Hfe. solo - 2 Vl. solo · Va. solo · Vc. solo - Str. flute, harp and string orchestra - SKU: S9.Q3147 Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787). Composed by Carl Philipp Emanuel Bach and Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q3147. Published by Schott Music - Digital (S9.Q3147). I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings. Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music. - Hans Werner Henze.
$19.99
Floco de Neve I
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniel Luna de Menezes
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Floco de Neve I
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Daniel Luna de Menezes
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.914004 Composed by Daniel Luna de Menezes. Classical,Contemporary. Score and part. 8 pages. Daniel Luna de Menezes #3...
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Clarinet,Piano - Level 4 - SKU: A0.914004 Composed by Daniel Luna de Menezes. Classical,Contemporary. Score and part. 8 pages. Daniel Luna de Menezes #3463321. Published by Daniel Luna de Menezes (A0.914004). Floco de Neve I (Snowflake I) is a piece for piano and clarinet composed by the Brazilian composer Daniel Luna de Menezes in 2009. This piece uses some of the Modes of Limited Transposition (also known as Messiaen's Modes) to make a exotic harmonic and melodic character. The name comes from the Koch Snowflake, a fractal based on triangles. The harmonic progressions was organized in a system of ways that makes a geometrical structure similar to the Koch Snowflake.This is a good piece to study atonal music and unconventional scales keeping a friendly and intuitive sound, with no excess of aggressive dissonances and harmony composed with tonal-like triads and tetrads (but unconventional progressions).This piece was praised by Professor Eric Ewazen (American composer and teacher) in a masterclass in 2010.Notes:- Contains both Piano Accompaniment Part (piano part with clarinet small staff) and Clarinet in Bb Part- The Clarinet part is already transposed (this piece have no key signature)- Piano part is in Folio size. Clarinet part is in A4 size.
$9.99
Study: Dynamics
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Guitare notes et tablatures
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FACILE
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Brian Streckfus
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Study: Dynamics
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1163698 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Tablature. 1 pages...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1163698 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Tablature. 1 pages. Brian Streckfus #764039. Published by Brian Streckfus (A0.1163698). It is rare to find something that tests someones dynamics knowledge while relating to guitar, so I composed such a piece. Its genre is modern, classical and romantic. It personally reminds me of Chopin in harmonic language. Tips:1. I believe the volume indicated reflects the chord quality quite well. For example, a Gmaj7 or augmented chord sounds bad loud because they are sleepy and dreamy chords.2. The Ab/C chord in measure 15 is a Neopolitan chord in the key of G major. 3. This piece takes advantage of a key well suited for guitar: E minor. 4. This piece is a good example of a composing technique where you keep notes the same between chords, having little concern for how complex of a chord name that results.5. Rolling the chords is okay and often sounds quite good.
$1.99
Spanish Guitar Study
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classica...
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Solo Guitar - Level 3 - SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
The Dreamer that Remains
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Harry Partch
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The Dreamer that Remains
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Schott Music - Digital
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SheetMusicPlus
Speakers, singers and orchestra - difficult - SKU: S9.Q46168 A Study in Loving. Composed by Harry Partch. This edition: study score. The Harry Pa...
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Speakers, singers and orchestra - difficult - SKU: S9.Q46168 A Study in Loving. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q46168. Published by Schott Music - Digital (S9.Q46168). The last major project of his life, The Dreamer That Remains, was composed while Harry Partch was being filmed from the beginning of his work until the world premiere in 1972. The resulting documentary offers a unique insight into the technical requirements of the musicians as well as the handling of the instruments designed by Partch himself, such as the Adapted Viola, New Harmonic Canon I, New Kithara I, Boo II and Mbira Bass Dyad.Adapted Viola · Adapted Guitar II · Harmonic Canon I (clear bass) · Harmonic Canon I (blue tined bass) · Harmonic Canon III (Blue Rainbow) · Kitahra I (new, 1972) · Chromelodeon II · Cloud-Chamber Bowls · Gourd Tree · Diamond Marimba · Quadrangularis Reversum · Boo II · Eucal Blossom · Mbira Bass Dyad · Small (1-string) Ektara · Large (2-string) Ektara.
$17.99
Delusion of the Fury
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having specially designed inst
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Harry Partch
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Delusion of the Fury
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q21969 A Ritual of Dream and Delusion. Composed by Harry Partch. This edition: study score. Downloadable, Study score. Duration 75' 0. Sc...
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SKU: S9.Q21969 A Ritual of Dream and Delusion. Composed by Harry Partch. This edition: study score. Downloadable, Study score. Duration 75' 0. Schott Music - Digital #Q21969. Published by Schott Music - Digital (S9.Q21969). English.Now, one of most unusual works of our time is available as study score in a facsimile edition: 'Delusion of the Fury'. At the time of creation, the great experimenter and sound researcher Harry Partch had fully developed his special scale system. By having specially designed instruments made, he created the prerequisites to bring his ideas of sound and harmony onto the stage. Using 25 of these special instruments, 'Delusion of the Fury' provides the opportunity to experience the musical universe of one of the most extraordinary American composers of the 20th century in all its nuances and hypnotic power.1. Small Hand Instruments: Alpha - Ugumbo, copy of a Zulu instrument · Beta - Bolivian double flute · Gamma - Rotating drum · Delta - First waving drum · Phi - Second waving drum · Epsilon - Six bamboo claves · Zeta - First bamboo ceremonial pole · Eta - Second bamboo ceremonial pole · Theta - Third bamboo ceremonial pole · Iota - First pair of eucal claves · Kappa - Second pair of eucal claves · Lambda - Third pair of eucal claves · Psi - Fourth pair of eucal claves · Xi - Thumb piano · Omicron - First belly drum · Pi - Second belly drum · Rho - Gourd drum · Sigma - Fiji rhythm boat · Omega - Gubagubi - 2. Stage Left and Center: Harmonic Canon I · Adapted Guitar I und II · Koto · Kithara I und II · Chromelodeon I und II · Blo-Boy · Castor & Pollux (Harmonic Canon II) · Blue Rainbow (Harmonic Canon III) · Surrogate Kithara · Crychord · Cloud-Chamber-Bowls · Spoils of war · Gourd Tree · Cone Gongs - 3. Stage Right: Mazda Marimba · Zyno-Xyl · Diamond Marimba · Quadrangularis Reversum · Eucal Blossom · Boo (Bamboo Marimba) · Bass Marimba · Marimba Eroica · Bass Drum.
$55.99
And on the Seventh Day Petals Fell in Petaluma (Version 1964)
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Orchestre
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Harry Partch
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And on the Seventh Day Petals
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q47442 23 One-Minute Duets which later become 5 Quartets, 3 Sextets and 1 Octet. Composed by Harry Partch. This edition: stud...
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Orchestra - SKU: S9.Q47442 23 One-Minute Duets which later become 5 Quartets, 3 Sextets and 1 Octet. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 35 minutes. Schott Music - Digital #Q47442. Published by Schott Music - Digital (S9.Q47442). And on the Seventh Day Petals Fell in Petaluma ist Harry Partchs Hommage an seine kalifornische Heimat. Vier Jahrzehnte verbrachte der Komponist – mit zwei jeweils sechsjährigen Unterbrechungen – in der Bucht von San Francisco, stets auf der Suche nach neuen Klangexperimenten. Die 23 Duett-Studien lassen sich zu größer besetzten kammermusikalischen Werken zusammenstellen und eignen sie sich auch als Konzertstücke – voll origineller Polyrhythmik, Polymetrik und Polytonalität.Zymo-Xyl · Bass Marimba · Mazda Marimba · Diamond Marimba · Marimba Eroica · Crychord · Harmonic Canon I · Harmonic Canon II (Castor & Pollux) · Chromelodeon I and II · Surrogate Kithara · Kithara I and II · Guitar II · Adapted Viola · Koto · Cloud-Chamber-Bowls · Spoils of War · Drone Devil · Boo.
$21.99
And on the Seventh Day Petals Fell in Petaluma (Version 1966)
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Harry Partch
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And on the Seventh Day Petals
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Schott Music - Digital
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SheetMusicPlus
Ensemble - SKU: S9.Q47353 23 One-Minute Duets and Trios which later become 10 Quartets and Quintets and 1 Septet. Composed by Harry Partch. This ...
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Ensemble - SKU: S9.Q47353 23 One-Minute Duets and Trios which later become 10 Quartets and Quintets and 1 Septet. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 36 minutes. Schott Music - Digital #Q47353. Published by Schott Music - Digital (S9.Q47353). Partchs Titel And on the Seventh Day Petals Fell in Petaluma ist eine Hommage an seine kalifornische Heimat. 4 Jahrzehnte verbrachte der Komponist – mit 2 jeweils 6-jährigen Unterbrechungen – in der Bucht von San Francisco, stets auf der Suche nach neuen Klangexperimenten. Die 23 Duett-Studien lassen sich zu größer besetzten kammermusikalischen Werken zusammenstellen und eignen sie sich auch als Konzertstücke - voll origineller Polyrhythmik, Polymetrik und Polytonalität.Zymo-Xyl · Mazda Marimba · Diamond Marimba · Bass Marimba · Boo · Marimba Eroica · Cloud-Chamber Bowls · Blue Rainbow · Crychord · Harmonic Canon I · Harmonic Canon II (Castor & Pollux) · Chromelodeon I & II · Kithara I & Kithara II · Surrogate Kithara · Guitar II · Adapted Viola · Koto · Spoils of War · Drone Devils · Gubagubi · Bloboy · Gourd Tree · Cone Gongs.
$21.99
Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿· (Glory to God in the Highest)
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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Hark the Herald Angels Sing wi
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen R Dalrymple. Adv...
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Piano Solo - Level 3 - SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen R Dalrymple. Advent,Sacred. Score. 17 pages. Stephen R Dalrymple #913719. Published by Stephen R Dalrymple (A0.1325492). Hark the Herald Angels Sing♫ by Charles Wesley (1739) and Felix Mendelsohn (adapted by W H Cummings (1857) ♫ with  Δόξα á¼Î½ ὑψίστοις θεῷ (Glory to God in the Highest) ♫ original song © 2023 Stephen R Dalrymple♫ piano solo arrangement by Stephen R Dalrymple♫ performed by the arranger♫ music © 2023 Stephen R Dalrymple ♫ recording â„—  2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ Charles Wesley started his poem with ‘Listen to the angels !’ This started me wondering, what did the angels’ voices sound like ? ♫ Prosody is study of the intonation, stress, and rhythm of the speech of a language (contrasted with the sounds of the vowels and consonants.) Could I replicate the angel’s basic speech patterns? My study of Greek in seminary has given me a pretty good idea of how to pronounce the consonants and vowels of the Greek language. But I would want to listen to someone who actually speaks Greek as their mother tongue to have an idea of the prosody. After further study, I have rewritten the angels’ music; this update represents my latest understanding.♫ Although Latin was the language of the Roman conquerors, Greek was the lingua franca of the Mediterranean world of the first century. Some scholars want us to believe that most of the Jews were not erudite enough to speak Greek. ♫ Yet those of us who have travelled to countries like Haiti, are not surprised that many people there speak Kreyòl, French, English and Spanish!♫ I began searching for someone who actually spoke Greek conversationally to pronounce Luke 2 :14 in Greek. After I found a reliable source, I reduced the rhythm and the accented sylables to simpified music notation. I pulled from my knowledge of ancient modes and used my imagination to add pitches and repetitions of phrases. The melodic and harmonic result is completely inventive, but I believe the basic rhythm of the speech is fairly accurate.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate YouTube Video is available in French (Écoutez le chant des anges) https://youtu.be/9_equasuWR4YouTube Channel: @DalrympleDesigns.
$4.50
I want you
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Gabriele Guercio
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I want you
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Gabriele Guercio Jazz Violinist
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1420302 By Gabriele Guercio. By Gabriele Guercio. Film/TV,Jazz. 3 pages. Gabriele G...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1420302 By Gabriele Guercio. By Gabriele Guercio. Film/TV,Jazz. 3 pages. Gabriele Guercio Jazz Violinist #1001769. Published by Gabriele Guercio Jazz Violinist (A0.1420302). This is a piece wrote by me for my String Quartet, i study and work with jazz and this piece use some typical harmonic jazz/cinematic elements.
$9.00
Melodies
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Orchestre
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Contemporain
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Gyorgy Ligeti
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Melodies
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Schott Music - Digital
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SheetMusicPlus
Orchestra - Composed by Gyorgy Ligeti (1923-2006). This edition: study score. Music Of Our Time. Downloadable. Duration 12 minutes. Schott Music - D...
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Orchestra - Composed by Gyorgy Ligeti (1923-2006). This edition: study score. Music Of Our Time. Downloadable. Duration 12 minutes. Schott Music - Digital #Q23904. Published by Schott Music - Digital
I composed the orchestral piece Melodien in 1971. I tried to loosen up the dense micropolyphony of my musical language, to make it more transparent. Basically, I stayed true to my earlier style: the musical form unfolds like a stretched fabric in the continuously flowing time, but the individual voices no longer merge (as in my earlier music), rather they can be heard individually in their overlapping and interweaving . The voices become individual melodies, with their own style, their own tempo, rhythm and interval structure. If you listen to the work for the first time, it appears as a chaos of discrepant melodies - but if you know the music better, the internal connections become tangible, the hidden harmonic skeleton of the form becomes tangible. (Gyorgy Ligeti)
This facsimile edition offers an impressive access to the composer's work. A study score in modern notation is also available.
$22.99
Harmonic Study I
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Piano seul
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Contemporain
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Daniel Alexander Apatiga
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Harmonic Study I
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SheetMusicPlus
Composed by Daniel Alexander Apatiga. 21st Century, Movies, Latin, Wedding, Funeral. 12 pages. Published by Published by Daniel Alexander Apátiga (S0.269743). ...
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Composed by Daniel Alexander Apatiga. 21st Century, Movies, Latin, Wedding, Funeral. 12 pages. Published by Published by Daniel Alexander Apátiga (S0.269743). - - 21st Century,Movies,Latin,Wedding,Funeral - Published by Daniel Alexander Apátiga
$1.99
Heinrich Schenker - Four Two Voice Inventions, op. 5
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Piano seul
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Contemporain
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Heinrich Schenker
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Benjamin Ayotte
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Heinrich Schenker - Four Two V
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Piano Solo - SKU: A0.733166 Composed by Heinrich Schenker (1868-1935). Arranged by Benjamin Ayotte. 20th Century. Score. 10 pages. Ayotte Custom Musical...
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Piano Solo - SKU: A0.733166 Composed by Heinrich Schenker (1868-1935). Arranged by Benjamin Ayotte. 20th Century. Score. 10 pages. Ayotte Custom Musical Engravings #3424921. Published by Ayotte Custom Musical Engravings (A0.733166). Schenker is known to have sent Julius Röntgen a copy of his Zweistimmige Inventionen. He seems to have been particularly fond on no. 2 of the set of four. He wrote to Röntgen on 13 April 1901, I hope that Invention No. 2, of which I am very proud, interests you. It is indeed rather quick-I mean passionate, deliberate, very expressive! It is here, primarily, where I’ve breached modernism. It would make me very happy if this invention pleased you. Patrick Miller offers this assessment of these works vis-à -vis Scheker’s other published output:The four pieces in this set seemingly mark a departure from the dense harmonic and rhythmic textures of Schenker’s previously published piano compositions. The intricate melodic lines of these pieces, however, imply a texture rich with harmonic and rhythmic details. … The first invention is a delicate chromatic study, while the second invention is an intense chromatic piece based on the B–A–C–H motive, Bb–A–C–B. With regard to thematic material and texture, the third invention is the most transparent of the set and is an exacting study in finger articulation. The fourth invention is a canon and, according to a printed footnote, is ‘a study after JS Bach’s Invention no. 2 (C minor) .
$29.99
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Orchestre
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AVANCÉ
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Classique
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doing so, you will be able to
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Various
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Takahiro Kim
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Orchestral Excerpts for Tuba w
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Gordon Cherry
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon ...
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Full Orchestra - Level 5 - SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
Eleven Intrusions
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Harry Partch
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Eleven Intrusions
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Schott Music - Digital
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SheetMusicPlus
Solo Parts, Choir and Instruments - difficult - SKU: S9.Q46172 For voices, choir and ensemble. Composed by Harry Partch. This edition: study scor...
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Solo Parts, Choir and Instruments - difficult - SKU: S9.Q46172 For voices, choir and ensemble. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, study score. Duration 14 minutes. Schott Music - Digital #Q46172. Published by Schott Music - Digital (S9.Q46172). English.In 1950, Harry Partch completed his eleven-part collection, setting to music texts by his literary contemporaries, including Ella Young, Willard Motley, George Leite and Giuseppe Ungaretti, as well as old writings by Ki No Tsurayuki and Lao-Tse. His intention was that every word should be heard and understood clearly; he supports the text with evocative passages of the instruments many of which had only recently been built by him.1. Harmonic Canon · Bass Marimba - 2. Harmonic Canon · Bass Marimba - 3. Singstimme · Guitar II ·Diamond Marimba - 4. Singstimme · Guitar · Diamond Marimba - 5. The Waterfall Singstimme · Guitar · Diamond Marimba - 6. Singstimme · Harmonic Canon · Bass Marimba - 7. Singstimme · Harmonic Canon · Bass Marimba - 8. Singstimme · Soprano (Chrom.) · Guitar II + III · Cloud Chamber Bowls · Bass Marimba - 9. Singstimme · Harmonic Canon · Diamond Marimba · Bowls · Bass Marimba - 10. Singstimme · Guitar I,II,III - 11. Singstimme · Bass solo · Chor · Bowls · Adapted Viola · Guitar III · Kithara · Diamond Marimba · Bass Marimba · Indian deer-hoof rattlle.
$15.99
Wesendonck-Lieder
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Orchestre de chambre
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Hans Werner Henze and Richard
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Wesendonck-Lieder
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Schott Music - Digital
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SheetMusicPlus
1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamb...
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1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamber orchestra - SKU: S9.Q2899 Fünf Lieder für eine Frauenstimme auf Gedichte von Mathilde Wesendonck von Richard Wagner. Composed by Hans Werner Henze and Richard Wagner. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 15 minutes. Schott Music - Digital #Q2899. Published by Schott Music - Digital (S9.Q2899). German.During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze’s focal point of interest. In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.' - Hans Werner Henze.
$45.99
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
Ring around the Moon
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Harry Partch
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Ring around the Moon
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Schott Music - Digital
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SheetMusicPlus
Sprechstimme (auf Töne) · Guitar II · Kithara · Harmonic Canon · Chromelodeon I · Chromelodeon sub-bass · Bowls & 9/8 Eroica · Diamond M...
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Sprechstimme (auf Töne) · Guitar II · Kithara · Harmonic Canon · Chromelodeon I · Chromelodeon sub-bass · Bowls & 9/8 Eroica · Diamond Marimba · Bass Marimba spoken voice and ensemble - difficult - SKU: S9.Q47315 A Dance Fantasm for Here and Now. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q47315. Published by Schott Music - Digital (S9.Q47315). English.Ring Around the Moon ist eine in jeder Hinsicht ungewöhnliche Komposition, die Partchs satirische und ernsthafte Absichten ineinander vermischt und absurde, unsinnige Einwürfe der Sprechstimme intensiven und komplizierten Harmoniesequenzen gegenüberstellt. Obwohl Partch dieses Stück erst 1952 beendete, arbeitete er schon seit 1949 daran, wobei er jeweils verschiedene Titel benutzte. Zur ersten Fassung Tonality Flux sind keine Entwürfe überliefert; die zweite Fassung unter dem Titel Sonata Dementia wurde 1951 eingespielt.
$15.99
Daphne of the Dunes
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Harry Partch
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Daphne of the Dunes
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Schott Music - Digital
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SheetMusicPlus
Adapted Viola · Kithara II (played from opposite side) · Surrogate Kithara · Harmonic Canons II and III · Chromelodeon I · Cloude-Chamber Bowls ...
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Adapted Viola · Kithara II (played from opposite side) · Surrogate Kithara · Harmonic Canons II and III · Chromelodeon I · Cloude-Chamber Bowls · Spoils of War · Gourd Tree · Diamond Marimba, Boo · Bass Marimba and Pre-recorded Tape ensemble - difficult - SKU: S9.Q46317 Soundtrack for Madeline Tourtelot’s film “Windsongâ€. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q46317. Published by Schott Music - Digital (S9.Q46317). Partch composed and produced the music for the film Windsong by Madeline Tourtelot in 1958. In this film, the ancient legend of Daphne and Apollo was transferred to the dunes of Lake Michigan – as a reference to the sexual ethics of the Puritans in the USA. Later, the film music was turned into the ballet music Daphne of the Dunes. Contrasting tonalities and frequent changes of mood correspond to the fast cuts in the film. The music equally recalls images of nature including sand, water, snakes, and seagulls.
$15.99
The Bewitched
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Harry Partch
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The Bewitched
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Schott Music - Digital
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SheetMusicPlus
Tiefe Frauenstimme · B-Klarinette · Adapted Viola · Adapted Guitar II · Kithara II · Twin Harmonic Canons · Surrogate Kithara · Chromelodeo...
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Tiefe Frauenstimme · B-Klarinette · Adapted Viola · Adapted Guitar II · Kithara II · Twin Harmonic Canons · Surrogate Kithara · Chromelodeon I · Spoils of war (including Whang Gun) · Diamond Marimba · Bass Marimba · Marimba Eroica female voice and ensemble - SKU: S9.Q49146 A Ballet Satire. Composed by Harry Partch. This edition: study score. Ballet - esoteric - ethnology - magic - ritual - satire - dance. The Harry Partch Edition. Downloadable, Study score. Duration 30 minutes. Schott Music - Digital #Q49146. Published by Schott Music - Digital (S9.Q49146). English.Fasziniert von der Idee, es könne eine allwissende Hexe geben, schrieb Partch diese zehn Szenen für eine Sängerin und Ensemble. Dabei sind die Musiker und ihre Bewegungen Teil der Handlung, in der die Menschen durch eine Hexe von verschiedenen Problemen befreit werden. Die meisten der benötigten Instrumente sowie das verwendete Tonsystem wurden von Partch selbst entwickelt.
$22.99
Locke's Theatre
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Matthew Locke and Ryan Wiggles
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Ryan Wigglesworth
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Locke's Theatre
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Schott Music - Digital
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SheetMusicPlus
Pic.2.2.3.2.cbsn-4.3.3.1-timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., t...
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Pic.2.2.3.2.cbsn-4.3.3.1-timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., tamb, 4templeblck, 2 anvils, whip)-2hp.cel-str(12.10.8.6.6 min) orchestra - SKU: S9.Q45639 For orchestra. Composed by Matthew Locke and Ryan Wigglesworth. Arranged by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q45639. Published by Schott Music - Digital (S9.Q45639). Locke’s Theatre, an orchestral work in three short movements, takes as its departure point incidental music written for Shakespeare’s The Tempest by the seventeenth-century English composer Matthew Locke. Aspects of Locke’s idiosyncratic and daringly advanced harmonic and rhythmic language were to be adopted (some might say perfected) by his younger friend and protégé Henry Purcell. But it is the very rawness and directness of Locke’s theatre music that I wished to acknowledge and emulate. In each of my work's three movements – entitled respectively ‘The First Music’, ‘Rustic Music’, and ‘Curtain Music (with Storm)’ – the baroque originals, though very often submerged, remain a constant, shadowy presence. Locke’s Theatre was commissioned by the Aldeburgh Festival to mark the centenary of Benjamin Britten’s birth. Ryan Wigglesworth.
$23.99
Oedipus
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Orchestre
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Harry Partch
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Oedipus
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q49198 Music-Dance-Drama. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study ...
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Orchestra - SKU: S9.Q49198 Music-Dance-Drama. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 80' 0. Schott Music - Digital #Q49198. Published by Schott Music - Digital (S9.Q49198). Schon 1933 zeigte Partch Interesse, eine dramatische Vertonung des Oedipus zu komponieren. Eine erste Fassung beendete er am 31. Juli 1951 und das Werk wurde im März des folgenden Jahres uraufgeführt. Für diese zweite Fassung nahm Partch weitere Instrumente hinzu und veränderte die Rolle des „Spokesman. In der dritten und letzten Fassung von 1967 änderte Partch die Instrumentierung nochmals geringfügig – insbesondere kamen seine Gourd Tree und Cone Gongs hinzu.Klar. · Adapted Viola · Guitars II und III · Double Bass (with Ratio Fingerboard Covering) · Kithara · Harmonic Canons · Chromelodeon I · Chromelodeon Sub-bass · Cloud-Chamber Bowls · Cone Gongs · Gourd Tree · Diamond Marimba · Marimba Eroica · Bass Marimba · Hypo-bass Marimba · Castor & Pollux · Cymbal.
$72.99
Chord Progression Generator for Guitar
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Brian Streckfus
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Chord Progression Generator fo
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Brian Streckfus
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SheetMusicPlus
Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 page...
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Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99
Mauro Giuliani Op.1- Studies for the guitar 120 Studies Reimagined and Harmonically Restructured
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Guitare
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INTERMÉDIAIRE
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Eric Charles Mokotoff
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Eric Charles Mokotoff
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Mauro Giuliani Op.1- Studies f
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eric mokotoff
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1292897 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 19th Century,20th Century,Classical,Instru...
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Solo Guitar - Level 3 - SKU: A0.1292897 Composed by Eric Charles Mokotoff. Arranged by Eric Charles Mokotoff. 19th Century,20th Century,Classical,Instructional,Traditional. Individual part. 32 pages. Eric mokotoff #883493. Published by eric mokotoff (A0.1292897). Mauro Giuliani's Op. 1 Right Hand 120 Studies is now available in this newly reimagined and harmonically restructured format.All 120 studies have been rewritten for both Left and Right Hand progressively moving from 1st position to 10th position.This new course will take you through both Major and Minor Keys traveling through chord structures that will teach you the entirety of the guitars neck and frets.Each study recreates the RH fingering and retains the original rhythms while offering new chord progressions in more keys.The original studies focused on two chords to accomplish the Right Hand focus, but both hands are essential in understanding the connection of the strings, frets, and chord structures.This is an exciting, and compelling project that any serious Classical Guitarist should take advantage of.Now learn and play all 120 Mauro Giuliani Studies with a whole new Harmonic journey. Each Major key expresses a I IV I vi ii V7 I progression and each minor key expresses a i iv i V7 i progression.Teachers, professors, and Universities will be excited to introduce students to a whole new reimagined modern look at these essential pedagogic lessons.
$19.99
Alleluia
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Chorale SATB
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Henrik Dahlgren
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Alleluia
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus a cappella - SKU: BJ.1444 Composed by Henrik Dahlgren. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1444. Published by Bo Ejeby Fo...
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SATB chorus a cappella - SKU: BJ.1444 Composed by Henrik Dahlgren. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1444. Published by Bo Ejeby Forlag - Digital (BJ.1444). 8.27 x 11.7 inches.The single word alleluia is used as the basis for harmonic exploration as the slowly moving pulsed a cappella harmonies build and diminish. Feature a soprano soloist or the section on an ethereal descant that elevates the texture to sublime heights.This piece came about for two different reasons. The initial musical idea evolved while I was working on a short study for piano, so the piece was strictly instrumental.The other idea stemmed from a discussion with my friend and mentor Dr Phillip Cooke, about why the word “Alleluia is so commonly used in choral music. Apart from the obvious reasons – “Alleluia being a significant word in the sacred music tradition, and so on – we discussed the multiple possibilities a composer has with a word like that, in the sense that different syllables can be stressed, such as alleluia, alleluia or alleluia.This was something I used as the other structural building block in the composition, and I added “Alleluia as the only word, but with the emphasis moving to different syllables throughout the piece. For me, the setting of a single word like “Alleluia is far from any texts I usually set. The word, however, has a strong anchorage in musical tradition and composers have always set this word in all kinds of different ways.In this composition, I am interested in the word itself, the build-up of the word, the structure of the music, and adding something to the musical tradition of setting this famous word to music.This piece was premiered by the University of Aberdeen Chapel Choir at King’s College Chapel in Aberdeen, Scotland. The performance was conducted by their Director of Chapel and Ceremonial Music, Stuart Muir. – Henrik Dahlgren.
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Harmonic Study I