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1701
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Four Favorite Hymns from the Movie - "Stars In My Crown"
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Musique Sacrée
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John R
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Ginny Saltzman
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Four Favorite Hymns from the M
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Ginny's House of Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robi...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
KANGAROO HOP
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Orchestre d'harmonie
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FACILE
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Contemporain
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Ron Flintjer
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KANGAROO HOP
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Ron Flintjer
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1005105 Composed by Ron Flintjer. Contemporary. Score and parts. 22 pages. Ron Flintjer #5045451. Published by Ron Flin...
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Concert Band - Level 2 - SKU: A0.1005105 Composed by Ron Flintjer. Contemporary. Score and parts. 22 pages. Ron Flintjer #5045451. Published by Ron Flintjer (A0.1005105). Danny and the Juniors had a #1 hit with a At the Hop in the 1950's. For those too young to remember that great piece of rock and roll fun, here's a contemporary take on the way they do it down under, The Kangaroo Hop. So, put on your dancing shoes for a lively, bouncy tune with an easy-to-remember melody and some rousing lower brass to keep it moving. Get out on the floor and have fun! Can't dance? Then just hop! Your audience will be snapping their fingers to this one, and your group will want to play it again and again!All parts are written within the range of young elementary grade musicians. To produce a full sound, many instruments double other instruments, i.e. Eb sax and French horn, low brass and tenor sax, flute and oboe.Includes: Full score, flute, oboe, bells, Bb clarinet, Eb alto sax, tenor sax, (baritone horn), bass clarinet, French horn, Bb cornet, trombone (baritone horn), tuba, percussion.Should you have any questions, feel free to contact the composer ronflintjer@gmail.com
$16.00
Come to the Table of the Lord
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Cloches
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FACILE
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
Handbells 3-5 octave handbell accompaniment - Level 2 - SKU: H1.2766DP Composed by Jay Althouse. Sing & Ring Series. Ring & Sing, General Worship, Commu...
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Handbells 3-5 octave handbell accompaniment - Level 2 - SKU: H1.2766DP Composed by Jay Althouse. Sing & Ring Series. Ring & Sing, General Worship, Communion, Sacred. Handbell score. 4 pages. Hope Publishing - Digital #2766DP. Published by Hope Publishing - Digital (H1.2766DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$5.95
Come to the Table of the Lord
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Choral, Handbells) - Level 2 - SKU: H1.A682DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - D...
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Choral (Choral, Handbells) - Level 2 - SKU: H1.A682DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #A682DP. Published by Hope Publishing - Digital (H1.A682DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
Come to the Table of the Lord
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Chorale 2 parties
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FACILE
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
Choral 2-part mixed choir, 3-5 octave handbells - Level 2 - SKU: H1.C6034DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 page...
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Choral 2-part mixed choir, 3-5 octave handbells - Level 2 - SKU: H1.C6034DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C6034DP. Published by Hope Publishing - Digital (H1.C6034DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
Come to the Table of the Lord
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Handbell (Choral, Handbells) - Level 2 - SKU: H1.A661DP Composed by Jay Althouse. Piano Accompaniment. Sing & Ring Series. Ring & Sing, General ...
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Choral, Handbell (Choral, Handbells) - Level 2 - SKU: H1.A661DP Composed by Jay Althouse. Piano Accompaniment. Sing & Ring Series. Ring & Sing, General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #A661DP. Published by Hope Publishing - Digital (H1.A661DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
At The Hop
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Contemporain
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Danny and the Juniors
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Andrew R
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At The Hop
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GuarrineMusic
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.785988 By Danny and the Juniors. By Arthur Singer, David White, and John Madara. Arran...
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Small Ensemble Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.785988 By Danny and the Juniors. By Arthur Singer, David White, and John Madara. Arranged by Andrew R. Guarrine. Contemporary. Score and parts. 9 pages. GuarrineMusic #5742311. Published by GuarrineMusic (A0.785988). At The Hop (Singer, White & Madara) Relive the days of poodle skirts, sock hops and sodas at the the drive-in with this adaptation of Danny and the Juniors classic hit At The Hop for string orchestra. Eighth-note patterns, pizzicato bass throughout, staccato and some hooked-bows, Bb’s in ‘cello and Vln. 1. This catchy arrangement in 4 part harmony will quickly become a favorite of your orchestras for years to come. Key of G  Grade 2Â
$14.99
I CAN PLAY CHOPIN
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Piano seul
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FACILE
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Classique
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Frederic Chopin
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Dina Pruzhansky
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I CAN PLAY CHOPIN
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Chopin Project
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.881353 Composed by Frederic Chopin. Arranged by Dina Pruzhansky. Children,Instructional,Romantic Period. Score. 19 pages....
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Piano Solo - Level 2 - SKU: A0.881353 Composed by Frederic Chopin. Arranged by Dina Pruzhansky. Children,Instructional,Romantic Period. Score. 19 pages. Chopin Project #58801. Published by Chopin Project (A0.881353). Back to School 2015 I Can Play Chopin is a wonderful compilation of TEN ARRANGEMENTS of well-known Chopin masterpieces for Late beginner progressing through Early Intermediate and then to Late Intermediate levels. Arranged by composer, pianist and educator, Dina Pruzhansky, this collection of easy, fun, and high-quality arrangements provides the perfect introduction to the best of Chopin's music. Why? According to Chopin Project Founder and Publisher, Frederick Slutsky, I Can Play Chopin gives students something they've never before been able to experience -- early access to Chopin's works allowing them to develop greater familiarity with his music as they work toward playing the originals. Depending on their level of accomplishment, our resources include appropriate cues and comprehensive pedaling notation as well as optional arpeggiatos for smaller hands. I Can Play Chopin makes even the most complex etudes approachable for less experienced players with their style and brevity. As an example, Etude Opus 10, No. 3 has been rendered as a lovely duet for Late Beginner (Primo), and Intermediate (Secondo). Begin your journey with the inspiration of Chopin, and revel in masterful works from the start! The incremental progression from Late Beginner and Early Intermediate will encourage numerous years of enjoyment by all ages. Features: Easy to play, accessible and sensitive arrangements of well-known Chopin masterpieces; Arranged by a pianist, composer and teacher; Gradual progression in difficulty; User-friendly, Easy to read layout; Introductory note about each genre; Glossary of terminology. Contact us at: Email: chopinproject@gmail.com Chopin Project Website: www.chopinproject.com Facebook: www.facebook.com/chopinproject Twitter: @chopinproject.
$18.99
Round Me Falls the Night [Lead Sheet E Minor]
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Instruments en Do
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FACILE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Round Me Falls the Night [Lead
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Anastace
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1374102 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 2 - SKU: A0.1374102 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #958677. Published by Anastace (A0.1374102). Here is the full lead sheet version in an easier key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Full piano accompaniment in F Minor [original key]Lead sheet in F MinorEasy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
The Star Spangled Banner (Marching Band)
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Fanfare
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FACILE
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Americana
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Patriotique
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Francis Scott Key, John Staffo
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Christopher Durigg
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The Star Spangled Banner
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Christopher Durigg
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SheetMusicPlus
Marching Band - Level 2 - SKU: A0.934825 Composed by Francis Scott Key, John Stafford Smith. Arranged by Christopher Durigg. Folk,Holiday,Patriotic. Sco...
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Marching Band - Level 2 - SKU: A0.934825 Composed by Francis Scott Key, John Stafford Smith. Arranged by Christopher Durigg. Folk,Holiday,Patriotic. Score and parts. 21 pages. Christopher Durigg #6437539. Published by Christopher Durigg (A0.934825). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING: www.cdurigg.com/cdmb001C. DURIGG MUSIC ID FOR THIS PIECE: CDMB-001GRADE LEVEL: EMERGING and SOARING BAND SERIES (Grade Range of 1.5-2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Some school and community bands have limited size or instrumentation. This arrangement has been written to work as both a traditional marching band arrangement or a flex marching band arrangement. It was written to sound great for both traditional and limited ensembles, both large and small. It is accessible for student musicians at various playing levels. I sincerely hope you enjoy my arrangement, and I hope that it helps to make your musicians successful!Important Compositional ElementsKey: The Key of Ab lends itself more to limited-range playing than the Key of Bb does. While this is not the traditional philosophy, my experience has shown me that most students can learn to play successfully in the Key of Ab even if they are still working on their extended range.Range: Players have the option to play the extended ranges. However, parts are doubled at the octave where necessary for players with more beginning/limited ranges. THIS ALLOWS FOR A WIDER RANGE OF ABILITY LEVELS IN SMALLER BANDS TO SUCCESSFULLY PLAY TOGETHER.
$25.00
The Complete Instrumentalist Book One
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DaCapo Primary Music
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The Complete Instrumentalist B
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DaCapo Primary Music
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SheetMusicPlus
Level 2 - SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler and Tracey Mathias. Classical,Contemporary,Instructional,Multicultural,Traditional,Wor...
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Level 2 - SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler and Tracey Mathias. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 94 pages. DaCapo Primary Music #904114. Published by DaCapo Primary Music (A0.1315388). This Book Contains 68 songs for the instrumentalist.This new edition of the DaCapo Complete Instrumentalist contains the same material as when first published in 2000, with one big change - many of the songs have been re-worded by our writer in residence, Tracey Mathias, to make them more engaging for very young children.Singing is the foundation of all musical skills.The book concentrates on the building of musicianship, is not clef specific and is therefore suitable for ANY instrument. It has been written on a reduced stave of 1, 2 or 3 lines in order to develop the skill of hearing the music from the page. The songs are classified by their note range, using solfa symbols and handsigns to identify relative pitches.The collection starts with the  so  mi interval and moves progressively to cover the complete major pentatonic scale. These intervals are easier to pitch accurately and you have the added advantage of working in canon. You may find another section more appropriate for the early stages of your instrument. A violinist or cellist may find the  so  do section better as a starting point for example, whilst  la  so might be more comfortable on a fife or recorder.Each section starts with a list of ideas for very simple activities used to teach a song and establish it in the pupil's mind. There follows a variety of more complex and creative ideas which will enhance their musicianship. The activities are at three levels and we suggest that first you learn lots of the songs and then return to them later, tackling some of the more challenging suggestions.Whilst every attempt has been made to research the source material, if you think we have not credited an original song please let us know.We hope that you enjoy becoming a Complete Instrumentalist. Jane CutlerYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Melchioro de Barberis & Giacomo Gorzanis: Music of the Italian Renaissance For the Low G Ukulele
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Ukulele
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FACILE
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Michael P Walker
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Michael P Walker
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Melchioro de Barberis & Gi
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Michael P Walker
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SheetMusicPlus
Ukulele - Level 2 - SKU: A0.1148100 By Michael P Walker. By Melchioro de Barberis and Giacomo Gorzanis. Arranged by Michael P Walker. Classical,Renaissa...
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Ukulele - Level 2 - SKU: A0.1148100 By Michael P Walker. By Melchioro de Barberis and Giacomo Gorzanis. Arranged by Michael P Walker. Classical,Renaissance. Score. 33 pages. Michael P Walker #748290. Published by Michael P Walker (A0.1148100). Melchior de Barberis (1500-1549) was an Italian lutenist and composer.His book Opera Intitolata Contina was published in Venice in 1549. Most of the book is dedicated to the lute, but the final few pages of the book contain 4 pieces (fantasias) for the renaissance guitar. Barberis refers to the instrument as the chitara da sette corde (guitar with seven strings). Giacomo Gorzanis, (1525 – 1578), was a lute virtuoso, blind, and possibly a member of the nobility. He was born in Apulia, near Naples, and probably trained at the Spanish court in Bari. Gorzanis traveled to Austria where he became a citizen and where he published four collections of lute tablature and two collections of Neapolitan lute songs. About Michael P Walker I studied guitar at Birmingham-Southern College under David Walpert who was a student of Andre Segovia and I have been playing guitar, ukulele, Baroque guitar, and the lute for more than fifty years. Just as Adrian Le Roy published these pieces to expand the repertoire of the Renaissance guitar, I have transcribed these compositions with the hope of exposing this rich, beautiful music from the Renaissance to a wider audience of guitar and ukulele players. Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Thirty-Five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.
$19.95
Prelude No. 8 in F major “O God my Father”, Op. 20 by Juozas Naujalis (1869–1934)
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Orgue
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FACILE
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Audra TelksnytÄ—
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Balys Vaitkus
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Prelude No. 8 in F major &ldqu
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Nacionaline vargonininku asociacija
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1251258 By Audra TelksnytÄ—. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Roma...
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Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1251258 By Audra Telksnytė. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845535. Published by Nacionaline vargonininku asociacija (A0.1251258). 14 Preludes, Op. 20. Fourteen pieces for organ, dedicated to a “beloved friend, Fr. Teodoras Brazys,†presents the largest collection of works for this instrument in Naujalis’ oeuvre. Like Naujalis, Brazys was the graduate of the Church Music School in Regensburg. These fourteen preludes for organ appear to be written in expression of deep affinity and gratitude to a like-minded friend who shared similar values. Some of Naujalis’ organ preludes have been included in music collections abroad – by Mieczysław Surzyński in Warsaw and Joseph Joubert in Paris. Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.
$4.99
Last Of The Summer Wine Theme
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Flûte et Guitare
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FACILE
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Contemporain
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Ronald Hazlehurst and Ronnie H
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Derek Hasted
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Last Of The Summer Wine Theme
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.797798 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Haste...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.797798 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemporary. Score and parts. 6 pages. Derek Hasted #6109033. Published by Derek Hasted (A0.797798). LAST OF THE SUMMER WINE - FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s longest running comedies.The music elegantly captures the calm of country life and the simplicity of times gone by, and makes for a refreshing and accessible concert item whether you know the original music or not.The guitar part is all in first position with just a few straightforward barré chords that are comfortable and easy to reach. The rather scary-looking Gb major chord at the end is enharmonically correct - it’s based on a flattened second to the final key of F. But guitarists will probably prefer to think of it as F# major, which is a familiar chord in guitar repertoire, and there’s no need for a barré for this one either!This music is set in the key of the original TV soundtrack. I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
My Faith Looks Up to Thee
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Cloches
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FACILE
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Kevin McChesney
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My Faith Looks Up to Thee
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Hope Publishing - Digital
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SheetMusicPlus
Handbells 3 Octave handbells - Level 2 - SKU: H1.1637DP Arranged by Kevin McChesney. General Worship. Handbell score. 6 pages. Hope Publishing - Digital...
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Handbells 3 Octave handbells - Level 2 - SKU: H1.1637DP Arranged by Kevin McChesney. General Worship. Handbell score. 6 pages. Hope Publishing - Digital #1637DP. Published by Hope Publishing - Digital (H1.1637DP). This is a sweet, easy-to-learn setting that allows the handbell choir to participate in concert or worship at their musical best. Perfect for a slower number in festivals, and great youth and less experienced choirs.
$4.50
To God Be the Glory
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Cloches
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FACILE
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Musique Sacrée
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Joel Raney
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To God Be the Glory
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Hope Publishing - Digital
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SheetMusicPlus
Duet handbell choir (3-5 octaves) - Level 2 - SKU: H1.8380HBDP Arranged by Joel Raney. Moderate. Piano & Organ Worship Openers. General Worship, Sacred....
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Duet handbell choir (3-5 octaves) - Level 2 - SKU: H1.8380HBDP Arranged by Joel Raney. Moderate. Piano & Organ Worship Openers. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #8380HBDP. Published by Hope Publishing - Digital (H1.8380HBDP). Psalms 29:1 - Psalms 29:2 - Psalms 29:3 - Psalms 29:4 - Psalms 29:5 - Psalms 29:6 - Psalms 29:7 - Psalms 29:8 - Psalms 29:9 - Psalms 29:10 - Psalms 29:11 - Psalms 34:1 - Psalms 34:2 - Psalms 34:3 - Psalms 34:4 - Psalms 34:5 - Psalms .A prelude based on powerful popular tunes This festive worship opener is the latest addition to Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion of the prelude for an optional choral introit. Drawing on the theme of glory, this setting includes both the rousing title hymn To God Be the Glory, as well the powerful Austrian Hymn Glorious Things of Thee Are Spoken. Both keyboard parts and a reproducible page for the choir are included. An optional 3-5 octave handbell part and a full conductor's score, are available separately.
$6.25
To God Be the Glory
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Musique Sacrée
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Joel Raney
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To God Be the Glory
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Hope Publishing - Digital
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SheetMusicPlus
None Handbells, Keyboard - Level 2 - SKU: H1.8380DP Arranged by Joel Raney. Moderate. Piano & Organ Worship Openers. General Worship, Sacred. Organ/pian...
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None Handbells, Keyboard - Level 2 - SKU: H1.8380DP Arranged by Joel Raney. Moderate. Piano & Organ Worship Openers. General Worship, Sacred. Organ/piano book part. 36 pages. Hope Publishing - Digital #8380DP. Published by Hope Publishing - Digital (H1.8380DP). Psalms 29:1 - Psalms 29:2 - Psalms 29:3 - Psalms 29:4 - Psalms 29:5 - Psalms 29:6 - Psalms 29:7 - Psalms 29:8 - Psalms 29:9 - Psalms 29:10 - Psalms 29:11 - Psalms 34:1 - Psalms 34:2 - Psalms 34:3 - Psalms 34:4 - Psalms 34:5 - Psalms .A prelude based on powerful popular tunes This festive worship opener is the latest addition to Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion of the prelude for an optional choral introit. Drawing on the theme of glory, this setting includes both the rousing title hymn To God Be the Glory, as well the powerful Austrian Hymn Glorious Things of Thee Are Spoken. Both keyboard parts and a reproducible page for the choir are included. An optional 3-5 octave handbell part and a full conductor's score, are available separately.
$22.95
To God Be the Glory
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Cloches
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FACILE
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Musique Sacrée
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Joel Raney
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To God Be the Glory
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Hope Publishing - Digital
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SheetMusicPlus
Duet Handbells, Keyboard - Level 2 - SKU: H1.8380CSDP Arranged by Joel Raney. Moderate. Piano & Organ Worship Openers. General Worship, Sacred. Conducto...
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Duet Handbells, Keyboard - Level 2 - SKU: H1.8380CSDP Arranged by Joel Raney. Moderate. Piano & Organ Worship Openers. General Worship, Sacred. Conductor's Score. 20 pages. Hope Publishing - Digital #8380CSDP. Published by Hope Publishing - Digital (H1.8380CSDP). Psalms 29:1 - Psalms 29:2 - Psalms 29:3 - Psalms 29:4 - Psalms 29:5 - Psalms 29:6 - Psalms 29:7 - Psalms 29:8 - Psalms 29:9 - Psalms 29:10 - Psalms 29:11 - Psalms 34:1 - Psalms 34:2 - Psalms 34:3 - Psalms 34:4 - Psalms 34:5 - Psalms .A prelude based on powerful popular tunes This festive worship opener is the latest addition to Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion of the prelude for an optional choral introit. Drawing on the theme of glory, this setting includes both the rousing title hymn To God Be the Glory, as well the powerful Austrian Hymn Glorious Things of Thee Are Spoken. Both keyboard parts and a reproducible page for the choir are included. An optional 3-5 octave handbell part and a full conductor's score, are available separately.
$22.95
Father of my Heart - A Father's Day Song [vocals/piano]
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Piano, Voix
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FACILE
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by Australian composer, Rebecc
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Father of my Heart - A Father'
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Rebecca Summers
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1007857 Composed by by Australian composer, Rebecca Summers. Children,Holiday,Pop. Score. 6 pages. Rebecca Summers...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1007857 Composed by by Australian composer, Rebecca Summers. Children,Holiday,Pop. Score. 6 pages. Rebecca Summers #3884837. Published by Rebecca Summers (A0.1007857). Perfect for a school Father's Day ceremony, uplifting lyrics, intermediate keyboard part.LyricsCan't you understand you're number one?Important as the moonshine, essential as the sunthat shines so bright when we're togetherI hate when we're apartYou're in my soul forever, the father of my heart.You're in my soul forever, the father of my heart.Can't you understand you matter morethan any other person, it's you I'm searching foramongst the crowded rows of peopleat the finish and the start.I'll look to you forever, the father of my heart.I'll look to you forever, the father of my heart.ChorusIt's not too late. It's not too late.It's not too late we've got the day together.It's not too late I don't care 'bout the weather.It's not too late and some day when we're older my baby sitting on your shoulderI hope I'm wonderin' if she feels the same.Don't you understand it's not too lateTo throw out your 'to-do' list and to celebratea Happy Father's Day together this year's our brand new start.Do you hear my wishes, the father of my heart.Do you hear my wishes, the father of my heart.
$12.99
Together
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Piano seul
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FACILE
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New Age
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Contemporain
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Emma Theresa
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Together
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Emma Theresa
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.492090 By Emma Theresa. By Emma Theresa. Classical,Contemporary,New Age. Score. 6 pages. Emma Theresa #107464. Published ...
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Piano Solo - Level 2 - SKU: A0.492090 By Emma Theresa. By Emma Theresa. Classical,Contemporary,New Age. Score. 6 pages. Emma Theresa #107464. Published by Emma Theresa (A0.492090). This piece begins with the same note played an octave apart. This is meant to represent two hearts that long to be together but are separated by things such as distance, time, fear, and pride. Loneliness can sink its claws into you, it can eat away at you till you feel empty and hopeless. It is better to be together. Alone, you have only yourself for comfort and encouragement and in all honesty, our attempts at this can be rather pathetic sometimes. Together you can lift each other up when you fall, you can laugh together, you can cry together, you can dance together, you can mourn together, you can fight together, you can love together. It is better to be together.
$2.29
The Volcano`s Lake
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Harpe
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FACILE
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....
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Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79
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At The Hop