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4 partitions trouvées
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The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
Gimme! Gimme! Gimme! (a Man After Midnight)
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1 Piano, 4 mains
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FACILE
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ABBA
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Maria João Maia
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Gimme! Gimme! Gimme!
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Maria João Maia
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1232192 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. ...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1232192 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. Score. 4 pages. Maria João Maia #827876. Published by Maria João Maia (A0.1232192). 4 Hands version, intermediate level, perfect to motivate teenagers in the piano lesson :) Personally tested with my own students! When you don't know what piece to give for 2 friends who want to play together, whose taste is more directed for pop music....why not some good oldies?Being a classical pianist, it's difficult to find good material for students who prefer to play pop music. So I decided to go for the amazing 70's and arrange some songs myself. They came out so good, that I needed to share them with the world!
$14.99
Money, Money, Money
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1 Piano, 4 mains
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FACILE
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ABBA
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Maria João Maia
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Money, Money, Money
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Maria João Maia
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1207953 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. ...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1207953 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. Score. 3 pages. Maria João Maia #806078. Published by Maria João Maia (A0.1207953). 4 Hands version, intermediate level, perfect to motivate teenagers in the piano lesson :) Personally tested with my own students! When you don't know what piece to give for 2 friends who want to play together, who's taste is more directed for pop music....why not some good oldies?Being a classical pianist, it's difficult to find good material for students who prefer to play pop music. So I decided to go for the amazing 70's and arrange some songs myself. They came out so good, that I needed to share them with the world!
$9.99
Highlands [2 violins]
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2 Violons (duo)
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FACILE
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Ir...
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Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
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Hands To Myself