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--INSTRUMENTS--
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ALTO
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Caprice For Three
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Crtitères actifs :
Caprice For Three
avancé
Partitions à imprimer
8 partitions trouvées
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1
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Auguste Franchomme - Three Cello Pieces Arranged for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Auguste Franchomme
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Eric J Roth
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Auguste Franchomme - Three Cel
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. ...
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Solo Guitar - Level 4 - SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. Eric J Roth #5178787. Published by Eric J Roth (A0.914746). Auguste Franchomme was one of the most well-known and respected cellists in 19th century France. He was born in 1808 in Lille and went on to have a long, celebrated career in Paris as a performer, teacher and composer. Of the three pieces arranged here for guitar, one is drawn from the Twelve Caprices, Op. 7 and two are from the Twelve Etudes, Op. 35. The Caprice, No. 9, Larghetto con dolore, retains its original key of B minor. Etudes, No. 5, Allegretto, and No. 6, Andante con moto, have been transposed to new keys. All transfer well to the guitar, offering novel textures while still seeming idiomatic to the instrument. .
$5.99
Three Improvisations (for piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alan Bullard
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Three Improvisations
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Colne Edition / BullardMusic
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1190156 Composed by Alan Bullard. 20th Century,Contemporary. Score. 12 pages. Colne Edition / BullardMusic #789776. Publi...
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Piano Solo - Level 4 - SKU: A0.1190156 Composed by Alan Bullard. 20th Century,Contemporary. Score. 12 pages. Colne Edition / BullardMusic #789776. Published by Colne Edition / BullardMusic (A0.1190156). These three pieces, although not technically improvisations as they are completely notated, are improvisatory in character, and explore a wide range of colour within an accessible style. They are of around ABRSM Grade 6  standard. The Caprice, mostly light and delicate, leads to a slower and expressive Lament, and the set concludes with a lively gigue-like Dance.Duration: 7 minutes Published by Colne Edition www.colneedition.co.uk  or  https://www.alanbullard.co.uk/score/three-improvisations-piano-solo/
$5.99
PAGANINI CAPRICE - VARIATIONS FOR THREE VIOLINS, CELLO AND PIANO
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Nicolo Paganini
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Helen Marple-Horvat
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PAGANINI CAPRICE - VARIATIONS
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Helen Marple-Horvat
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SheetMusicPlus
Composed by Nicolo Paganini (1782-1840). Arranged by Helen Marple-Horvat. Score, Set of Parts. 47 pages. Published by Helen Marple-Horvat...
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Composed by Nicolo Paganini (1782-1840). Arranged by Helen Marple-Horvat. Score, Set of Parts. 47 pages. Published by Helen Marple-Horvat
$20.00
Variations on Paganini Caprice 24 for Guitar with staff notation and tab
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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David F Wainwright, theme by
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Variations on Paganini Caprice
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D F Wainwright
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SheetMusicPlus
Guitar Tab - Advanced Intermediate - Digital Download Composed by David F Wainwright, theme by Niccolo Paganini. Contemporary Classical, Repertoire, Gradu...
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Guitar Tab - Advanced Intermediate - Digital Download Composed by David F Wainwright, theme by Niccolo Paganini. Contemporary Classical, Repertoire, Graduation, Recital. Set of Parts. 3 pages. Published by D F Wainwright
If you're looking for a piece to shine with in your music exam or maybe need a short (1min 30sec) encore to surprise the audience, this set of theme and three variations will do the trick. The 1st and 2nd variations integrate some rock/jazz figures, while the 3rd variation quotes (briefly) Rachmaninov's famous Variation 18. david@springquartet.co.uk
$9.99
Three Caprices for Solo Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Radivoj Lazic
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Three Caprices for Solo Clarin
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Fine Music Publishing
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SheetMusicPlus
Composed by Radivoj Lazic. For Clarinet. Classical Period, Romantic Period. Advanced Intermediate. Sheet Music Single, Score. Published by Fine Music Publishing...
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Composed by Radivoj Lazic. For Clarinet. Classical Period, Romantic Period. Advanced Intermediate. Sheet Music Single, Score. Published by Fine Music Publishing
$4.80
Fanfare and Dance
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Daniel Elder
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Fanfare and Dance
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS155-S Composed by Daniel Elder. Score. 13 pages. Imagine Music - Digital #CBS155-S. Published by Imagine Music - Dig...
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Concert band - Grade 4 - SKU: IZ.CBS155-S Composed by Daniel Elder. Score. 13 pages. Imagine Music - Digital #CBS155-S. Published by Imagine Music - Digital (IZ.CBS155-S). 9 x 12 in inches.Fanfare and Dance functions as a dual arrangement of two traditional Irish folk tunes, The Girl I Left Behind Me and Be Thou My Vision, combining them as a multi-themed up-tempo work. It is designed to be the third of a set of three folksong arrangements including March and Caprice, a setting of two sea shanties, and Chorale and Intermezzo, an exploration into two early American tunes. Featuring a fanfare, march, and chorale, Fanfare and Dance exploits the multi-faceted nature of the concert band in a riveting juxtaposition of themes. It may be programmed alongside its two counterpart arrangements or performed separately to equal effect.
$10.00
Fanfare and Dance
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Daniel Elder
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Fanfare and Dance
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS155 Composed by Daniel Elder. Score and Parts. 64 pages. Imagine Music - Digital #CBS155. Published by Imagine Music...
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Concert band - Grade 4 - SKU: IZ.CBS155 Composed by Daniel Elder. Score and Parts. 64 pages. Imagine Music - Digital #CBS155. Published by Imagine Music - Digital (IZ.CBS155). 9 x 12 in inches.Fanfare and Dance functions as a dual arrangement of two traditional Irish folk tunes, The Girl I Left Behind Me and Be Thou My Vision, combining them as a multi-themed up-tempo work. It is designed to be the third of a set of three folksong arrangements including March and Caprice, a setting of two sea shanties, and Chorale and Intermezzo, an exploration into two early American tunes. Featuring a fanfare, march, and chorale, Fanfare and Dance exploits the multi-faceted nature of the concert band in a riveting juxtaposition of themes. It may be programmed alongside its two counterpart arrangements or performed separately to equal effect.
$80.00
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Caprice For Three