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3 partitions trouvées
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Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
Spandex-Hendrix (for Guitar and Piano)
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Piano, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Emiliano Brunetti
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Spandex-Hendrix
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Emiliano Brunetti
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SheetMusicPlus
Guitar,Piano - Level 4 - SKU: A0.1371176 Composed by Emiliano Brunetti. Chamber,Contemporary. Score and part. 12 pages. Emiliano Brunetti #955426. Publi...
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Guitar,Piano - Level 4 - SKU: A0.1371176 Composed by Emiliano Brunetti. Chamber,Contemporary. Score and part. 12 pages. Emiliano Brunetti #955426. Published by Emiliano Brunetti (A0.1371176). Spandex-Hendrix is a celebration of both my origins as a performing musician and who I am now as a composer. I used to be ashamed of not being classically trained since my childhood – but now I celebrate those experiences by embracing and celebrating my culture and influences. Spandex-Hendrix serves as a portrait to my teenage years, being able to enjoy from the loudest version of Voodoo Child (Hendrix) to the magical experience of Because (Beatles). This piece is my first attempt to explore atonality through the use of the pitch class set theory. I took the Hendrix Chord (C – E – Bb – Eb), inverted its direction starting from the same root (A – D – Ab – C) and mixed the result in a new scale (C – D – Eb – E – Ab – A – Bb).
$5.00
Clarinet Sonatina mostly in the style of Mozart
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joseph Romeo
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Clarinet Sonatina mostly in th
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Blind Can See Music
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1015162 Composed by Joseph Romeo. 20th Century,Classical. Score and part. 33 pages. Blind Can See Music #68534...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1015162 Composed by Joseph Romeo. 20th Century,Classical. Score and part. 33 pages. Blind Can See Music #6853439. Published by Blind Can See Music (A0.1015162). A three-movement piece for Bb Clarinet and Piano, unashamedly in the classical style, being a fan of Mozart, I have included his name in the title. I am not directly copying any particular piece as far as I am aware. There are some chords and styles that are not in Mozart's style.
$12.00
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I Am Not Ashamed