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Theme with Variations No. 4
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Crtitères actifs :
Theme with Variations No. 4
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Partitions à imprimer
34 partitions trouvées
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Theme with Variations No. 4
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jean Baptiste Charles Dancla
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Mourey
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Theme with Variations No. 4
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Editions Marc Reift - Digital
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SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - SKU: R0.24385 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. A...
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Alto Saxophone & Piano - Grade 4 - SKU: R0.24385 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Alto Saxophone & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24385. Published by Editions Marc Reift - Digital (R0.24385).
$6.95
Theme with Variations No. 4
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jean Baptiste Charles Dancla
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Mourey
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Theme with Variations No. 4
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.24386 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. ...
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.24386 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Tenor Saxophone & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24386. Published by Editions Marc Reift - Digital (R0.24386).
$6.95
Theme with Variations No. 4
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jean Baptiste Charles Dancla
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Mourey
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Theme with Variations No. 4
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Editions Marc Reift - Digital
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SheetMusicPlus
Soprano Saxophone & Piano - Grade 4 - SKU: R0.24384 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey...
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Soprano Saxophone & Piano - Grade 4 - SKU: R0.24384 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Soprano Saxophone & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24384. Published by Editions Marc Reift - Digital (R0.24384).
$6.95
Theme with Variations No. 4
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jean Baptiste Charles Dancla
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Mourey
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Theme with Variations No. 4
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Editions Marc Reift - Digital
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SheetMusicPlus
Violin & Piano - Grade 4 - SKU: R0.24391 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Violin & ...
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Violin & Piano - Grade 4 - SKU: R0.24391 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Violin & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24391. Published by Editions Marc Reift - Digital (R0.24391).
$6.95
Theme with Variations No. 6
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Charles Dancla
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Colette Mourey
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Theme with Variations No. 6
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - SKU: R0.24411 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Tenor S...
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Tenor Saxophone & Piano - Grade 4 - SKU: R0.24411 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Tenor Saxophone & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24411. Published by Editions Marc Reift - Digital (R0.24411).
$8.95
Theme with Variations No. 6
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Charles Dancla
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Colette Mourey
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Theme with Variations No. 6
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Editions Marc Reift - Digital
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SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - SKU: R0.24410 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Alto Sax...
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Alto Saxophone & Piano - Grade 4 - SKU: R0.24410 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Alto Saxophone & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24410. Published by Editions Marc Reift - Digital (R0.24410).
$8.95
Andante, Theme with Variations
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Gioachino Rossini
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Tony BC Huang
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Andante, Theme with Variations
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Tony BC Huang
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - SKU: A0.1267904 Composed by Gioachino Rossini. Arranged by Tony ...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - SKU: A0.1267904 Composed by Gioachino Rossini. Arranged by Tony BC Huang. 19th Century,Chamber. 27 pages. Tony BC Huang #860455. Published by Tony BC Huang (A0.1267904). This is a showpiece for Woodwind Quartet (Flute or Oboe, Clarinet, Horn, and Bassoon) by Rossini, often known as Quartet No.6. It is also good to show each memeber's virtuosity of the clarinet quartet, and is arranged for E-Flat Clarinet, B-Flat Clarinet, Basset Horn(or Alto Clarinet), and Bass Clarinet. Enjoy it.
$15.00
Thème et Variations, 2nd variation, Op.73 in C♯ minor
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Faure
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Zellev
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Thème et Variations, 2n
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1508683 Composed by Gabriel Faure. Arranged by Zellev. 19th Century,Classical,Contemporary,Instructional,Romantic Period....
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Piano Solo - Level 4 - SKU: A0.1508683 Composed by Gabriel Faure. Arranged by Zellev. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Score. 3 pages. Zellev Music #1083948. Published by Zellev Music (A0.1508683). Key Signature: C♯ minorTime Signature: 4/4Tempo: Piu mosso (recommended at 88bpm. i choose 105bpm for the audio, to make it more interesting.)Difficulty: Advanced IntermediateThème et variations, for piano in C sharp minor, Op. 73 composed around 1895.Description by Robert Cummings,The Thème et variations here is a large piece, usually having a duration well over a quarter-hour. It came a year after Fauré's Nocturne in D flat major No. 6, which ended a six-year hiatus from writing piano music for the composer. Fauré was also in the process of evolving his keyboard style toward bolder harmonic and thematic means of expression, but this work is largely conservative, even exhibiting hints of Schumann, especially in the main theme. That theme, marked Quasi adagio, is stately and presented in short, somewhat repetitive-sounding phrases. It has an expressive depth in its mixture of the noble and gloomy, of elegance and splendor. The first variation does not stray far in mood or in thematic change, but the second is lively and playful, exuding brilliant, almost Rachmaninovian colors. The ensuing variant is moderately paced, but still quite playful in its greater muscle. The music in the Molto Adagio sixth variation may offer the greatest depth here, and that in the Andante molto moderato eighth variation, the dreamiest and most serene. With the tenth variation, the music turns quite lively and colorful, and in the concluding 11th, the mood shifts to a quiet, reserved manner at the outset to a serenely triumphant one at the end.
$5.99
Trombone Trio No. 3
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Trombone basse
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INTERMÉDIAIRE/AVANCÉ
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P
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Trombone Trio No. 3
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Pete Strohm Music
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SheetMusicPlus
Bass Trombone - Level 4 - SKU: A0.1315615 Composed by P. F. Strohm. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. 48 pages. Pete Stro...
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Bass Trombone - Level 4 - SKU: A0.1315615 Composed by P. F. Strohm. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. 48 pages. Pete Strohm Music #904357. Published by Pete Strohm Music (A0.1315615). Trombone Trio No. 3, by American composer P. F. Strohm, is a tonal work for Medium-Advanced trombonists (two tenor and one bass trombone). The piece is an original theme with six variations. The variations all build on the first four notes of the theme and range in mood from passion to whimsy. The work was written for Peter Ellefson and the trombonists of the Jacob School of Music at Indiana University. It is just the right level of difficulty (medium-advanced) to challenge highly accomplished high school players and beyond. Audiences and players will enjoy the sound, energy and showmanship of the piece. It is perfect for contest, concert or recital. Performance time for the whole work is 13:05. Member, ASCAP.
$12.00
Ascension (Meditation no. 1 for Solo Piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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far, this piece took me the lo
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Ben Dockery
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Ascension
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.693019 Composed by Ben Dockery. 20th Century,Contemporary,Standards. Score. 3 pages. Ben Dockery #3460695. Published by B...
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Piano Solo - Level 4 - SKU: A0.693019 Composed by Ben Dockery. 20th Century,Contemporary,Standards. Score. 3 pages. Ben Dockery #3460695. Published by Ben Dockery (A0.693019). This is the first in a set of twelve meditations for solo piano. This advanced composition (4:15) is a slow build, starting with a whisper but ending in an all-out roar. The composition is patterned around the chaconne, a form similar to the more familiar theme and variations. But instead of a melodic theme, the chaconne uses either a repeated bass line or chord progression to build upon.The first few iterations of this piece are rather simple, but by the last two iterations, the performer must make large leaps with both hands, playing dense chord clusters. By far, this piece took me the longest to learn to play, though the composition came to me quickly.
$3.99
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Symphony No.1
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Symphony No.1
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-...
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Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 “KangKangSullae†Symphony No. 1 has the name “KangKangSullaeâ€, and the composer is like any other korean composer. “What does it mean to be Korean?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of “Ganggangsullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00
Guthrie: Sonata No. 1 for Solo Cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Sonata No. 1 for Solo
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 ...
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Cello Solo - Level 4 - SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 #3479669. Published by jmsgu3 (A0.549259). I. Moderato, II. Lento misterioso, III. Rondo Spirito The Moderato unfolds in the standard sonata-allegro form. It explores some divergent elements: a lyrical Dorian principal theme, a terse Phrygian subordinate theme subjected to extreme compression in an asymmetrical meter, and a brief closing theme - again in Dorian. The development section presents fragmented variations of the themes and a new theme essentially extracted from the transition. The recapitulation proceeds as usual, with the secondary theme appearing in tonic - in this case, G Dorian. The principal theme's final statements appear in the closing theme's rhythm. A coda based on a fragment of the closing theme ends the movement. The Lento misterioso is an elegiac ternary construction that introduces quartal/quintal harmony and modal exploration. The contrasting B section involves an agitato passage that investigates Phrygian relations. The Rondo Spirito is a simple Rondo: ABACABA. The impetus of the movement derives from elements of the previous two movements: quartal/quintal harmony from the Lento and asymmetrical meter from the Moderato. Other elements appearing in this piece are cycles of thirds, modal explorations, and extended range. Â
$32.95
String Quartet No 2 (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 2
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938383 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 30 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938383 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 30 pages. Colin Bayliss #6121. Published by Colin Bayliss (A0.938383). (B33) was first written as Piano Sonata No.1 [B12] in late 1981. It was revised into a string quartet in January 1990. There are four movements, and all the thematic material, whether tonal, atonal or serial is derived from the music of the first seven bars. After this opening, the first movement is written in a straightforward sonata form, using a mixture of tonal and serial themes in constantly changing rhythms. The second movement Adagio also contrasts tonal and serial themes, while the third movement is a short scherzo and trio, with an atonal motif in the scherzo being treated in simple rhythms. A lyrical variation of the main theme of the slow movement is used for the trio, and develops further into a simple diatonic tune. The last movement is a kaleidoscopic treatment of the preceding thematic material, together with further variations and short contrapuntal passages, to give the effect of a rondo. The motif from the beginning of the whole work then returns as a coda to unify the quartet. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this particular quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573541672.
$8.00
String Quartet No 2 (Parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 2
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938382 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 42 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938382 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 42 pages. Colin Bayliss #6123. Published by Colin Bayliss (A0.938382). (B33) was first written as Piano Sonata No.1 [B12] in late 1981. It was revised into a string quartet in January 1990. There are four movements, and all the thematic material, whether tonal, atonal or serial is derived from the music of the first seven bars. After this opening, the first movement is written in a straightforward sonata form, using a mixture of tonal and serial themes in constantly changing rhythms. The second movement Adagio also contrasts tonal and serial themes, while the third movement is a short scherzo and trio, with an atonal motif in the scherzo being treated in simple rhythms. A lyrical variation of the main theme of the slow movement is used for the trio, and develops further into a simple diatonic tune. The last movement is a kaleidoscopic treatment of the preceding thematic material, together with further variations and short contrapuntal passages, to give the effect of a rondo. The motif from the beginning of the whole work then returns as a coda to unify the quartet. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this particular quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573541672.
$10.00
Variations on a Theme By Paganini
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Nicolo Paganini
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Fiona Hickie
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Variations on a Theme By Pagan
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Fiona Alice Hickie
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.738315 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Blues,Celtic,Classical,Folk,Irish,Romantic Period. S...
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French Horn,Piano - Level 4 - SKU: A0.738315 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Blues,Celtic,Classical,Folk,Irish,Romantic Period. Score and part. 14 pages. Fiona Alice Hickie #6477451. Published by Fiona Alice Hickie (A0.738315). Variations on a Theme by Niccolo Paganini arranged for French Horn and Piano by Fiona Hickie with a few new variations. It incudes Theme – Caprice No. 24 (Paganini/Leopold Auer) Variation 1 - Triplet (Paganini/Leopold Auer) Variation 2 - Semiquaver (Paganini/Leopold Auer) Variation 3 – Swing (Fiona Hickie) Variation 4 – Jazz Waltz (Fiona Hickie) Variation 5 – Hornpipe (Fiona Hickie) Variation 6 - Theme (Paganini/Fiona Hickie) Arranged Fiona Hickie (2021)
$5.99
Local Hero - Wild Theme
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2 Guitares (duo)
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Dire Straits
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Derek Hasted
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Local Hero - Wild Theme
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet - Level 4 - SKU: A0.1275335 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 14 pages. Derek Hasted #8...
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Guitar,Instrumental Duet - Level 4 - SKU: A0.1275335 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 14 pages. Derek Hasted #867218. Published by Derek Hasted (A0.1275335). LOCAL HERO - WILD THEME - 2 GUITARS Performance Version Primarily for classical guitar but also suits acoustic or electric guitars.Derek Hasted writes Rightly described as an astonishingly beautiful piece, this music from the film Local Hero actually features twice on the soundtrack album, in different keys with different solo instruments.My arrangement for classical guitar exploits the soft tones of the nylon strings and works well at a slightly more modest pace compared to the original. I’ve taken the theme from the closing soundtrack version, where the melody is clear and powerful. Each player takes the lead part in turn, and my arrangement includes one or two little bits of Mark Knopfler’s quasi-improvised variations on the tune.There’s left hand fingering in a few places where the accompaniment is only comfortable in one position. There are no dynamics, but the changing texture of the accompaniment creates the illusion of dynamic changes and you are welcome to add phrasing and dynamics to make the performance “yoursâ€.This enjoyable concert item has a wonderfully captivating melody that the audience will be humming all the way home...My duet arrangement comes in 2 formats... This one is a performance version (in which the workload is shared equally and there’s an effortless switching of parts in the middle), set in score only, for two advanced intermediate players.A separate arrangement (for student and teacher) comprises a student melody line (set in score and score+tab) and an arpeggio teacher's accompaniment, set in score only.The student line is early intermediate, and the teacher's part is advanced intermediate.To find the other version easily, visit my website (below) and look for my list of guitar duets.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Concerto grosso in B minor op. 6 no. 12
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Adrian Gagiu
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Concerto grosso in B minor op.
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1156597 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 44 pages. Adria...
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String Quartet String Quartet - Level 4 - SKU: A0.1156597 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 44 pages. Adrian Gagiu #756921. Published by Adrian Gagiu (A0.1156597). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in B minor, op. 6 no. 12: 1. Largo-Allegro moderato – dramatic introduction, like in a French overture, then agitated and brilliant; 2. Aria (Larghetto) – soothing, with 2 variations; 3. Largo-Allegro – brief, tragic transition, then an animated fugue on a gigue-like theme. The mp3 audio clip is the final movement (Allegro). Total duration: 11 min. Performing Rights Organization: SOCAN.
$20.00
Canzon XV a 10 - No. 208
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon XV a 10 - No. 208
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870415 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 77 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870415 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 77 pages. Randy A. Steinberg #2040179. Published by Randy A. Steinberg (A0.870415). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a wonderful Canzona published around 1615 for 10 brass with substitute parts for trumpets and trombones. The 4th Trombone part can also be played with Tuba if so desired. A great representative work of Gabrieli’s, this piece presents a 1 bar dance-like rhythm that is repeated and underscored throughout. After many variations, a chanson-like dance theme can be heard followed by a final presentation of the original melody that heads to a grand conclusion. An impressive and fun work for almost any church or concert setting.
$9.99
Canzon VIII a 8 - No. 202
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giovanni Gabrieli
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Randy A
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Canzon VIII a 8 - No. 202
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Randy A. Steinberg
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870402 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 45 pages. Randy A. St...
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Brass Ensemble - Level 4 - SKU: A0.870402 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 45 pages. Randy A. Steinberg #1989221. Published by Randy A. Steinberg (A0.870402). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 8 brass divided into 2 choirs. A variety of substitute parts are also included to handle the trombone parts with French horns and tuba. An exciting work that alternates between light chanson melodies and darker themes in a minor key. Add in the variations that occur in 3/4 time that separate each set of themes and you have a piece that delights audiences everywhere.
$8.99
Beethoven's Symphony No.5 in C minor (1st movement)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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performing this version, piani
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Ludwig van Beethoven
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Beethoven's Symphony No.5 in C
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Samuel Sequeira
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1244980 Composed by Ludwig van Beethoven. Arranged by Ernst Pauer and Samuel Sequeira. 19th Century,Classical,Historic,Ro...
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Piano Solo - Level 4 - SKU: A0.1244980 Composed by Ludwig van Beethoven. Arranged by Ernst Pauer and Samuel Sequeira. 19th Century,Classical,Historic,Romantic Period. Score. 15 pages. Samuel Sequeira #839901. Published by Samuel Sequeira (A0.1244980). Symphony No.5 in C minor (1st movement) - Ludwig van Beethoven  - PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you an adaptation for piano of the first movement of Beethoven's famous Fifth Symphony.In this adaptation, the piano takes on the challenge of depicting the grandeur and intensity of the original orchestral work. Through careful arrangement, the piano seeks to capture the emotional essence and key themes of the symphony.At the beginning of the piece, the piano introduces the iconic melody with the distinctive four-note motif. With powerful chords and appropriate execution techniques, the piano conveys the energy and tension present in the original composition.Throughout the movement, the piano explores the different voices and orchestral textures, bringing to life the melodic and contrapuntal elements of Beethoven's work. Through arpeggios, virtuosic passages, and subtle dynamic variations, the piano seeks to convey the expressiveness and drama of the symphony.The piano adaptation of Beethoven's Fifth Symphony offers pianists the opportunity to delve into the nuances and complexity of this masterpiece through the possibilities of the instrument. By performing this version, pianists can challenge themselves to reproduce the emotional intensity and majesty of the symphony in a solo setting.This piano adaptation allows lovers of classical music to experience the richness and depth of Beethoven's Fifth Symphony in a more intimate and personal way, through the unique colors and expressiveness of the piano.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$9.99
String Quartet No. 1, op. 12
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrian Gagiu
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String Quartet No. 1, op. 12
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1004707 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 132 pages. Adrian Gagiu ...
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String Quartet String Quartet - Level 4 - SKU: A0.1004707 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 132 pages. Adrian Gagiu #5038243. Published by Adrian Gagiu (A0.1004707). String Quartet No. 1 in A minor, op. 12 (1999), a cyclic composition in Neo-Classical style, partly influenced by Romanian folk music, Shostakovich and Bartok. Its compositional language, while not avant-garde and not exceedingly difficult, might help students with some aspects of modern music and liberties taken with classical forms. The first movement (Larghetto - Allegro non troppo) presents first dramatically and mysteriously the core motifs and themes of the entire composition, followed by a surprisingly relaxed sonata movement in the relative key of C major. The following Scherzo (Allegro assai), in E major, plays humorously and vigorously with derived motifs, and the third movement (Adagio assai), in F sharp minor, is treated in variations on the Romanian Christmas carol La Vitleem colo jos ('Down at Bethlehem'). The dramatic and expanding sonata form of the fourth movement (Allegro con brio - Larghetto) returns finally to the A minor of the introduction, then dissolving into the transcendent, slow coda. The mp3 audio clip is a recording of the finale. Total duration 26 min. Performing Rights Organization: SOCAN.
$27.95
Variations on a Theme by Paganini
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Nicolo Paganini
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Fiona Hickie
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Variations on a Theme by Pagan
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Fiona Hickie
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SheetMusicPlus
Piano Accompaniment, Trumpet - Advanced Intermediate - Composed by Nicolo Paganini (1782-1840). Arranged by Fiona Hickie. Romantic Period, Blues, Fo...
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Piano Accompaniment, Trumpet - Advanced Intermediate - Composed by Nicolo Paganini (1782-1840). Arranged by Fiona Hickie. Romantic Period, Blues, Folk, Recital. Score, Solo Part. 14 pages. Published by Fiona Hickie
Variations on a Theme by Niccolo Paganini arranged for Trumpet and Piano by Fiona Hickie with a few new variations. It incudes
Theme ? Caprice No. 24 (Paganini/Leopold Auer)
Variation 1 - Triplet (Paganini/Leopold Auer)
Variation 2 - Semiquaver (Paganini/Leopold Auer)
Variation 3 ? Swing (Fiona Hickie)
Variation 4 ? Jazz Waltz (Fiona Hickie)
Variation 5 ? Hornpipe (Fiona Hickie)
Variation 6 - Theme (Paganini/Fiona Hickie)
Arranged Fiona Hickie (2021)
$5.99
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
Mozart: Sonata K. 284 “Durnitz” for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,C...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95
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Theme with Variations No. 4