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Symphony No. 4: Finale
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Crtitères actifs :
Symphony No. 4: Finale
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Partitions à imprimer
15 partitions trouvées
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1
Symphony No. 88 Finale (4th Movement) for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Ted R
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Symphony No. 88 Finale
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Ted R. Marcus
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.840499 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Chamber,Classical...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.840499 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Chamber,Classical,Contest,Festival. 22 pages. Ted R. Marcus #6204303. Published by Ted R. Marcus (A0.840499). The complete ebullient finale of Haydn's Symphony No. 88 in an Advanced-level arrangement for 3 B-flat Clarinets and Bass Clarinet. Transposed to F major from the original G major. It's a fun piece for clarinetists and audiences alike, and a joyful selection appropriate for any concert program.Duration: approx. 3:45Please visit my Web site to explore more classics for adventurous wind ensembles.
$15.00
Symphony No. 4 Finale for 12-part Trombone Choir
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Classique
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Johannes Brahms
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Bob Burnham
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Symphony No. 4 Finale for 12-p
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1265234 Composed by Johannes Brahms. Arranged by Bob Burnham. 19th Century,Romantic Period. 110 pages. ...
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Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1265234 Composed by Johannes Brahms. Arranged by Bob Burnham. 19th Century,Romantic Period. 110 pages. Gordon Cherry #858080. Published by Gordon Cherry (A0.1265234). The Finale to Brahms Symphony No. 4 is written in the form of an 8-bar Baroque-style Passacaglia with thirty variations in a 3/4 meter in the key of E minor. The contrast between the rich, powerful harmonies and rhythms and soft, delicate, transparent musings is almost too much emotional strain for the listener...a purposeful compositional device by the composer. The movement careens like this to an inevitable tragic ending where the powerful and tragic wins out in the end.This 9-minute magnificent arrangement for advanced performers by Bob Burnham is scored for a 12-part Trombone Choir of 8 Tenor Trombones (top two parts are optional for altos) and 4 Bass Trombones.
$45.00
Symphony No. 4: Finale
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Classique
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P
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David Lang
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Symphony No. 4: Finale
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David Lang
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.534845 Composed by P. I. Tschaikovsky. Arranged by David Lang. Classical. Score and parts. 43 pages. D...
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Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.534845 Composed by P. I. Tschaikovsky. Arranged by David Lang. Classical. Score and parts. 43 pages. David Lang #145042. Published by David Lang (A0.534845). This is an exciting arrangement of the finale movement of P. I. Tchaikovsky's Symphony No. 4.
$25.00
Mahler - Symphony No. 7, V. Rondo-Finale
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, V. Ro
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389355 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 9...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389355 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 96 pages. Barry Mortichesky #972939. Published by Barry Mortichesky (A0.1389355). This is my version of the last of five movements, the Rondo-Finale, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 4 "Homage to
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
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Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
Symphony No 4 for large orchestra - Score Only
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Orchestre
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AVANCÉ
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Malcolm D Robertson
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the start of July 2023
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Symphony No 4 for large orches
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1322867 Composed by Malcolm D Robertson. 21st Century,Classical,Contemporary. 111 pages. Mr Malcolm D Robertson #9111...
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Full Orchestra - Level 5 - SKU: A0.1322867 Composed by Malcolm D Robertson. 21st Century,Classical,Contemporary. 111 pages. Mr Malcolm D Robertson #911135. Published by Mr Malcolm D Robertson (A0.1322867). Composed between the end of December 2022 & the start of July 2023. The Symphony is in 4 movements following a more classical ordering and is a little under 35 minutes in length. The initial rising scale idea with 'missing' notes pervades much of the material in the symphony The symphony took longer to compose than is normal for me as it was composed during the difficult period of my father's swiftly evolving final illness, death & dealing with the aftermath. The shadow of my father's final illness & witnessing his swift decline particularly hangs over the slow 2nd movement. The first movement after a broad but forward moving introduction, is energetic with a continual forward momentum. The 3rd movement is a deliberately elusive scherzo movement with a strange inconclusive coda. The finale, after a reserved opening is surprisingly optimistic pushing to a sonorous conclusion. As is the norm for me, I composed directly into full score.Orchestral parts can be supplied upon request.
$35.00
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Finale from Symphony No. 2 for Brass Ensemble, Timpani & Organ
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Ensemble de cuivres
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AVANCÉ
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Wilhelm Stenhammar
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Ross Holcombe
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Finale from Symphony No. 2 for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792762 Composed by Wilhelm Stenhammar. Arranged by Ross Holcombe. 20th Century,Romantic Period. Score and parts. 202 ...
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Brass Ensemble - Level 5 - SKU: A0.792762 Composed by Wilhelm Stenhammar. Arranged by Ross Holcombe. 20th Century,Romantic Period. Score and parts. 202 pages. Gordon Cherry #6274105. Published by Gordon Cherry (A0.792762). Symphony No. 2 by Wilhelm Stenhammar was composed between 1910 and 1915. It was a personal struggle for him, and it is now considered one of the great Nordic symphonies of the era.The Finale from Symphony No. 2 for Brass Ensemble, Timpani & Organ features a grandiose double fugue, displaying Stenhammar's preoccupation with counterpoint as a way of overcoming his doubts about his compositional knowledge.Ross Holcombe has done an amazing job arranging this mammoth movement for large Brass Ensemble, Timpani, and Organ. The instrumentation is for: 4 Horns in F, 5 Trumpets in C, 3 Trombones, Bass Trombone, Euphonium, Tuba, Timpani & Organ.The 16 ½-minute work is appropriate for advanced performers.
$60.00
Finale and Maestoso from Organ Symphony No. 3 for Trombone Ensemble & opt. Timpani & Organ
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Ensemble de Trombones
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AVANCÉ
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Classique
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Saint-Saëns
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Kempton, Jeremy Niles
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Finale and Maestoso from Organ
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Organ,Timpani,Trombone - Level 5 - SKU: A0.810768 Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Kempton, Jeremy Niles. R...
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Small Ensemble Organ,Timpani,Trombone - Level 5 - SKU: A0.810768 Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Kempton, Jeremy Niles. Romantic Period. Score and parts. 26 pages. Gordon Cherry #2928571. Published by Gordon Cherry (A0.810768). The dramatic Finale and Maestoso from the Saint-Saens Organ Symphony No. 3 has been brilliantly arranged for 6-part Trombone Ensemble by Jeremy Niles Kempton. This 4 minute work is appropriate for advanced performers. Instrumentation is: 6 Trombones with optional Timpani and Organ
$35.00
Finale from Symphony No. 1 (62-Piece Digital Pack)
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Vasily Kalinnikov
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Glenn Cliffe Bainum
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Finale from Symphony No. 1
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Tuba - Level 5 - SKU: HX.198754 Composed by Vasily Kalinnikov. Edited by Christopher Heidenreich. Arranged by Glenn Cliffe Bainum. Classica...
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Concert band Tuba - Level 5 - SKU: HX.198754 Composed by Vasily Kalinnikov. Edited by Christopher Heidenreich. Arranged by Glenn Cliffe Bainum. Classical,Contest,Festival. Individual instrument part. 1 pages. Duration 540. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.198754).
Digital Pack includes
:
Finale from Symphony No. 1 - Full Score
Finale from Symphony No. 1 - Piccolo/Flute
Finale from Symphony No. 1 - Flute 1
Finale from Symphony No. 1 - Flute 2
Finale from Symphony No. 1 - Oboe 1
Finale from Symphony No. 1 - Oboe 2
Finale from Symphony No. 1 - English Horn
Finale from Symphony No. 1 - Bassoon 1
Finale from Symphony No. 1 - Bassoon 2
Finale from Symphony No. 1 - Bb Clarinet 1
Finale from Symphony No. 1 - Bb Clarinet 2
Finale from Symphony No. 1 - Bb Clarinet 3
Finale from Symphony No. 1 - Eb Alto Clarinet
Finale from Symphony No. 1 - Bb Bass Clarinet
Finale from Symphony No. 1 - Bb Contra Bass Clarinet
Finale from Symphony No. 1 - Eb Alto Saxophone 1
Finale from Symphony No. 1 - Eb Alto Saxophone 2
Finale from Symphony No. 1 - Bb Tenor Saxophone
Finale from Symphony No. 1 - Eb Baritone Sax
Finale from Symphony No. 1 - Bb Cornet 1
Finale from Symphony No. 1 - Bb Cornet 2
Finale from Symphony No. 1 - Bb Cornet 3
Finale from Symphony No. 1 - Bb Trumpet 1
Finale from Symphony No. 1 - Bb Trumpet 2
Finale from Symphony No. 1 - F Horn 1
Finale from Symphony No. 1 - F Horn 2
Finale from Symphony No. 1 - F Horn 3
Finale from Symphony No. 1 - F Horn 4
Finale from Symphony No. 1 - Trombone 1
Finale from Symphony No. 1 - Trombone 2
Finale from Symphony No. 1 - Bass Trombone
Finale from Symphony No. 1 - Baritone B.C.
Finale from Symphony No. 1 - Baritone T.C.
Finale from Symphony No. 1 - Tuba
Finale from Symphony No. 1 - String Bass
Finale from Symphony No. 1 - Percussion
Finale from Symphony No. 1 - Timpani
Finale from Symphony No. 1 - Harp
Finale from Symphony No. 1 - Left Ant. Choir - Trumpet 1
Finale from Symphony No. 1 - Left Ant. Choir - Trumpet 2
Finale from Symphony No. 1 - Left Ant. Choir - Trumpet 3
Finale from Symphony No. 1 - Left Ant. Choir - F Horn 1
Finale from Symphony No. 1 - Left Ant. Choir - F Horn 2
Finale from Symphony No. 1 - Left Ant. Choir - F Horn 3
Finale from Symphony No. 1 - Left Ant. Choir - Trombone 1
Finale from Symphony No. 1 - Left Ant. Choir - Trombone 2
Finale from Symphony No. 1 - Left Ant. Choir - Trombone 3
Finale from Symphony No. 1 - Left Ant. Choir - Baritone BC
Finale from Symphony No. 1 - Left Ant. Choir - Baritone TC
Finale from Symphony No. 1 - Left Ant. Choir - Tuba
Finale from Symphony No. 1 - Right Ant. Choir - Trumpet 1
Finale from Symphony No. 1 - Right Ant. Choir - Trumpet 2
Finale from Symphony No. 1 - Right Ant. Choir - Trumpet 3
Finale from Symphony No. 1 - Right Ant. Choir - F Horn 1
Finale from Symphony No. 1 - Right Ant. Choir - F Horn 2
Finale from Symphony No. 1 - Right Ant. Choir - F Horn 3
Finale from Symphony No. 1 - Right Ant. Choir - Trombone 1
Finale from Symphony No. 1 - Right Ant. Choir - Trombone 2
Finale from Symphony No. 1 - Right Ant. Choir - Trombone 3
Finale from Symphony No. 1 - Right Ant. Choir - Baritone BC
Finale from Symphony No. 1 - Right Ant. Choir - Baritone TC
Finale from Symphony No. 1 - Right Ant. Choir - Tuba
$125.00
Commencement Prelude
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Orchestre à Cordes
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AVANCÉ
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Various
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Mark W
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Commencement Prelude
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Mark Wayne Music, LLC
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.808210 Composed by Various. Arranged by Mark W. Huxhold. Graduation,Romantic Period,Standards. Score and parts. 12 ...
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String Orchestra - Level 5 - SKU: A0.808210 Composed by Various. Arranged by Mark W. Huxhold. Graduation,Romantic Period,Standards. Score and parts. 12 pages. Mark Wayne Music, LLC #3507241. Published by Mark Wayne Music, LLC (A0.808210). This piece was arranged to provide pre-procession background music for a large commencement ceremony. The pieces used in this medley are all of a stately or majestic style and include in order: Promenade from Pictures at an Exhibition by Mussorgsky Jupiter from The Planets by Holst Finale from Symphony No. 1 by Brahms Academic Festival Overture by Brahms The Great Great of Kiev from Pictures at an Exhibition by Mussorgsky The arrangement is flexible: The cello part in Jupiter is for advanced players and is in tenor clef. The player has a choice between a clean part, a part with suggested fingerings, or a simplified part which substitutes the bass part in the Jupiter section. Because there are no elaborate transitions or cadences connecting the pieces, selections may be omitted to suit individual situations without compromising musical integrity. Length: 197 measures Performance time approximately 7:57 Permission: 4 copies
$6.95
Pure Viola Volume 2: Ten More Concert Pieces for Unaccompanied Viola (solo viola)
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Alto seul
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AVANCÉ
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Classique
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Various
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Pure Viola Volume 2: Ten More
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Custom Chamber Music
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SheetMusicPlus
Viola Solo - Advanced - Composed by Various. Arranged by Randy Calistri-Yeh. Classical Period, Wedding, Recital, Patriotic. Solo Part. 24 pages. Pub...
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Viola Solo - Advanced - Composed by Various. Arranged by Randy Calistri-Yeh. Classical Period, Wedding, Recital, Patriotic. Solo Part. 24 pages. Published by Custom Chamber Music
If you enjoyed Volume 1, you'll love Volume 2. Here are 10 more great pieces arranged for pure solo viola - no piano required! This collection has more than 30 minutes of classical and patriotic songs ideally suited for formal recitals, wedding celebrations, and background music gigs.
These are not just lame copies of the melody line; they are all fully worked out arrangements designed to be as rich as possible and to highlight the viola. These are direct transcriptions of the original "Pure Cello" series, now available for viola. As a professional cellist, I originally arranged these pieces for my personal use, and I have performed every one of them in public.
These are fairly challenging pieces; I would compare their difficulty to Bach Cello Suite #2 on the easy side and Bruch Cello Concerto on the harder side. But with some practice you will have some amazing additions to your solo repertoire.
Each of the songs in this collection is also available separately, but buying the full volume saves you over 60%.
Volume 2 contains the following:
1. Bach Toccata in D Minor
2. Brahms Hungarian Dance #5
3. Bizet Carmen Medley
4. Tchaikovsky Romeo and Juliet Introduction & Love Theme
5. Tchaikovsky Symphony #5, Finale (excerpt)
6. Debussy Clair de Lune
7. Sousa Washington Post March
8. Vieuxtemp Variations on "Yankee Doodle"
9. Meacham American Patrol
10. Smith The Star-Spangled Banner
$19.99
Pure Cello Volume 2: Ten More Concert Pieces for Unaccompanied Cello (solo cello)
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Violoncelle
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AVANCÉ
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Classique
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Various
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Pure Cello Volume 2: Ten More
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Custom Chamber Music
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SheetMusicPlus
Cello Solo - Advanced - Composed by Various. Arranged by Randy Calistri-Yeh. Classical Period, Wedding, Recital, Patriotic. Solo Part. 24 pages. Pub...
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Cello Solo - Advanced - Composed by Various. Arranged by Randy Calistri-Yeh. Classical Period, Wedding, Recital, Patriotic. Solo Part. 24 pages. Published by Custom Chamber Music
If you enjoyed Volume 1, you'll love Volume 2. Here are 10 more great pieces arranged for pure solo cello - no piano required! This collection has more than 30 minutes of classical and patriotic songs ideally suited for formal recitals, wedding celebrations, and background music gigs.
These are not just lame copies of the melody line; they are all fully worked out arrangements designed to be as rich as possible and to highlight the cello. As a professional cellist, I originally arranged these pieces for my personal use, and I have performed every one of them in public.
These are fairly challenging pieces; I would compare their difficulty to Bach Cello Suite #2 on the easy side and Bruch Cello Concerto on the harder side. But with some practice you will have some amazing additions to your solo repertoire.
Each of the songs in this collection is also available separately, but buying the full volume saves you over 60%.
Volume 2 contains the following:
1. Bach Toccata in D Minor
2. Brahms Hungarian Dance #5
3. Bizet Carmen Medley
4. Tchaikovsky Romeo and Juliet Introduction & Love Theme
5. Tchaikovsky Symphony #5, Finale (excerpt)
6. Debussy Clair de Lune
7. Sousa Washington Post March
8. Vieuxtemp Variations on "Yankee Doodle"
9. Meacham American Patrol
10. Smith The Star-Spangled Banner
Please check out the other two volumes in this series:
Pure Cello Volume 1: Ten Concert Pieces for Unaccompanied Cello (S0.853829)
Pure Cello Volume 3: Thirty Christmas Carols for Unaccompanied Cello (S0.853851)
$19.99
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Symphony No. 4: Finale