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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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25648
PIANO & CLAVIERS
Accompagnement Piano
460
Orgue, Trompette (duo)
429
Piano seul
409
Orgue
351
Piano (partie séparée)
278
Piano, Voix
177
Piano, Voix et Guitare
176
Instruments en Do
137
Piano Facile
85
2 Pianos, 4 mains
25
1 Piano, 4 mains
14
Fake Book
13
Piano Trio: piano, violon, violoncelle
7
Accordéon
6
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon et Orchestre
2
Clavier
2
Clavecin
2
Piano grosses notes
2
1 Piano, 6 mains
1
Instrument seul et Orgue
1
Ligne De Mélodie, Piano
1
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GUITARES
Guitare (partie séparée)
572
Ligne De Mélodie, (Paroles) et Accords
49
Guitare
27
Guitare notes et tablatures
23
Basse electrique
6
Banjo
3
Ukulele
3
Partitions De Groupes
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
2 Guitares (duo)
1
Basse électrique (partie séparée)
1
Mandoline
1
3 Guitares (trio)
1
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VOIX
Pack Instrumental pour Chorale
2167
Chorale SATB
1077
Chorale 2 parties
213
Chorale 3 parties
199
Chorale Unison
93
Chorale TTBB
78
Voix duo, Piano
51
Voix duo
24
Chorale
18
Chorale SSAA
10
Voix Soprano, Piano
8
Voix Tenor, Piano
8
Voix moyenne, Piano
8
Voix haute
4
Voix Alto, Piano
4
Chorale SSATB
4
Voix d'Enfants
3
Chorale SSAATTBB
3
Soli, choeur mixte et accompagnement
3
Voix Baryton, Piano
3
Voix seule
2
Voix basse, Piano
1
Voix Soprano
1
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VENTS
Saxophone (partie séparée)
1528
Flûte, Hautbois, Clarinette, Basson
726
Clarinette (partie séparée)
359
Clarinette, Trompette (duo)
351
Flûte, Trompette (duo)
338
Flute (partie séparée)
224
Saxophone Alto et Piano
164
Saxophone Tenor et Piano
150
Clarinette et Piano
147
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
Flûte traversière et Piano
116
2 Saxophones (duo)
114
Quintette de Saxophone: 5 saxophones
113
Hautbois, Trompette (duo)
102
Hautbois, Piano (duo)
88
Quatuor de Saxophones: 4 saxophones
78
Saxophone Alto
69
Ensemble de saxophones
64
2 Clarinettes (duo)
63
2 Flûtes traversières (duo)
48
Quatuor de Clarinettes: 4 clarinettes
47
Saxophone Soprano et Piano
46
Clarinette
44
Ensemble de Clarinettes
39
Flûte, trombone et piano
33
Hautbois (partie séparée)
28
2 Hautbois (duo)
27
Flûte traversière
27
Saxophone Tenor
25
Clarinette, trompette et piano
25
3 Clarinettes (trio)
23
3 Saxophones (trio)
21
Flûte, Clarinette (duo)
18
Ensemble de Flûtes
17
Quatuor de Flûtes : 4 flûtes
17
Trio de Flûtes: 3 flûtes
16
Clarinette Basse, Piano
16
Saxophone Baryton, Piano
15
Quintette de Flûte : 5 flûtes
15
Flûte, Violon
11
Quintette de Clarinettes: 5 clarinettes
10
4 Hautbois
8
3 Hautbois
7
Cor anglais, Piano
6
2 Saxophones, Piano
6
Hautbois, Clarinette (duo)
6
Clarinette, Violon (duo)
6
Hautbois, Basson (duo)
6
Hautbois, Flûte
5
2 Flûte à bec (duo)
5
Saxophone, Clarinette (duo)
5
Clarinette, Harpe (duo)
4
Hautbois, Harpe
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Basson (duo)
4
Flûte à bec Soprano
3
Saxophone
3
Flûte, Saxophone (duo)
3
Flûte, Clarinette et Basson
3
3 Flûtes à bec (trio)
3
Quatuor de Flûtes à bec
3
Flûte et Guitare
2
Clarinette, Trombone (duo)
2
Hautbois, violon (duo)
2
Flûte, Alto et Piano
2
Clarinette, Guitare (duo)
2
Flûte à Bec
2
Ensemble à vent
2
Flûte à bec Tenor
2
Flûte à bec Alto
2
Flûte, Violoncelle
2
Ensemble De Flûte à bec
2
Flûte, Violon, Piano
2
2 Clarinettes, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Piano
1
Saxophone Soprano
1
Hautbois, Guitare (duo)
1
Flûte, alto et harpe
1
Flûte, Alto (duo)
1
Instruments en Mib
1
5 Flûtes à bec
1
Ensemble de Hautbois
1
Clarinette, Orgue
1
Saxophone et Harpe
1
Piccolo
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Soprano, Piano
1
Clarinette et Alto
1
Cor Anglais
1
Flûte, Trombone (duo)
1
Hautbois
1
2 Clarinettes, Basson
1
Harmonica
1
Piccolo, Piano
1
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CUIVRES
Trompette
18437
Trompette (partie séparée)
18009
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10177
Trompette, Piano
7325
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4495
Trombone (partie séparée)
3361
2 Trompettes (duo)
3189
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1860
Quatuor de Cuivres
1624
Trompette, Trombone (duo)
1459
Trio de Cuivres
587
Trompette, Saxophone (duo)
566
Trompette, Cor (duo)
566
Instruments en Sib
426
3 Trompettes (trio)
400
Quatuor de cuivres: 4 trompettes
308
Ensemble de Trompettes
272
Trompette, Tuba (duo)
244
Trombone et Piano
238
Cor (partie séparée)
231
Tuba (partie séparée)
218
2 Trompettes, Clavier (piano ou orgue)
153
Trompette, violon (duo)
135
Trompette, Basson (duo)
119
Quatuor de cuivres: 2 trompettes, 2 trombones
114
Trompette, Violoncelle (duo)
88
Cor et Piano
71
2 Trombones (duo)
59
Quatuor de cuivres: 4 trombones
58
Trompette, Trombone, Piano
49
Trompette, Violoncelle et Piano
45
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
Trompette, Harpe
39
Trombone
36
Trompette et Guitare
36
2 Cors (duo)
35
Ensemble de Trombones
33
Cor
29
2 Tubas (duo)
21
Tuba et Piano
20
Cor, Trompette, Trombone (trio)
20
Trompette, Orchestre
18
Tuba
17
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Quatuor de cuivres: 4 cors
13
Euphonium, Piano (duo)
13
Ensemble de Cors
10
Trombone, Orgue
7
Cor anglais, Piano
6
Euphonium
6
Trombone, Tuba (duo)
5
4 Tubas
5
Tuba et Orgue
5
2 Euphoniums (duo)
4
Bass Clef Instruments
3
Cor et Harpe
3
Trombone, Cor (duo)
3
Trombone, violoncelle (duo)
2
2 Euphoniums et 2 Tubas
2
Cornet et Piano
2
3 Trombones (trio)
2
2 Trombones, Piano
2
Trombone et orchestre
2
3 Tubas (trio)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Instruments en Fa
1
2 Cors, Piano
1
Euphonium (partie séparée)
1
Cor Anglais
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Contrebasse (partie séparée)
309
Violon et Piano
155
Quatuor à cordes: 2 violons, alto, violoncelle
148
Violoncelle, Piano
106
Violon
102
Alto, Piano
98
2 Violons (duo)
52
2 Violoncelles (duo)
40
2 Altos (duo)
33
Harpe
30
Violoncelle
30
Violon, Violoncelle (duo)
29
Trio à Cordes: violon, alto, violoncelle
27
Harpe, Flûte (duo)
22
2 Contrebasses (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Harpe, Violon (duo)
19
Alto seul
18
Alto et Harpe
18
Violon (partie séparée)
16
Ensemble de Violons
15
Contrebasse, Piano (duo)
15
Harpe, Violoncelle (duo)
14
Violon, Alto (duo)
14
Violon, Trompette et Piano
14
Ensemble d'Altos
13
2 Harpes (duo)
13
Trio à cordes: 3 violins
10
Trio à cordes: 3 altos
9
Alto (partie séparée)
8
Trio à Cordes: 3 violoncelles
7
Contre Basse
7
Trio à cordes
6
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
5
4 Violoncelles
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Violoncelles, Piano
2
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Violoncelle, Clarinette
1
Violon, Orgue
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
6515
Ensemble Jazz
3824
Fanfare
1853
Ensemble de cuivres
1680
Orchestre
1451
Jazz combo
576
Orchestre de chambre
286
Batterie (partie séparée)
284
Orchestre à Cordes
106
Cloches
87
Percussion (partie séparée)
43
Ensemble de Percussions
42
Batterie
22
Vibraphone
20
Marimba
16
Piano et Orchestre
13
Big band
12
Xylophone, Piano
11
Timbales (partie séparée)
9
Quintette de Cuivres: autres combinaisons
7
Ensemble d'École
7
Xylophone
2
Instrumentation Flexible
1
Orchestre, Violon
1
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AUTRES
Vous avez sélectionné:
TRUMPET
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
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Clarke: Trumpet Voluntary, or Prince of Denmark's March: Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.721582…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.721582 Composed by Jeremiah Clarke. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Sacred,Wedding. 9 pages. Music-Scores.com #4807807. Published by Music-Scores.com (A0.721582). Trumpet Voluntary, or Prince of Denmark's March, is perfect at weddings, at the entry of the bride.For 4 Bb Clarinets and 1 Bass Clarinet.Duration: 2 minutes, 30 seconds.Arranged by Anne Christopherson at www.music-scores.com
$8.95
8.15 €
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Quintette de Clarinettes: 5 clarinettes
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Jeremiah Clarke
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Clarke: Trumpet Voluntary, or Prince of Denmark's March: Clarinet Quintet
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Music-Scores.com
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SheetMusicPlus
Canon in D (Brass Trio for Trumpet)
Quintette de Clarinettes: 5 clarinettes
Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Cl…
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Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classical Period, Baroque Period, Wedding, Recital. Score, Set of Parts. 15 pages. Published by John A. Dempsey (S0.148929). - Score,Set of Parts - Romantic Period,Classical Period,Baroque Period,Wedding,Recital - John A. Dempsey
$9.99
9.1 €
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Quintette de Clarinettes: 5 clarinettes
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Johann Pachelbel
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John A
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Canon in D
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John A. Dempsey
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SheetMusicPlus
Largo from New Word Symphony
Quintette de Clarinettes: 5 clarinettes
By Antonin Dvorak (1841-1904). Arranged by Pascal Bouton. Brass quartet. For 2 Trumpets, T…
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By Antonin Dvorak (1841-1904). Arranged by Pascal Bouton. Brass quartet. For 2 Trumpets, Trombone, Tuba. Classical, Chamber Music. Grade 3. Score and Set of Parts. 4 pages (score); 5 pages (parts). Published by FLEX Editions - Digital Sheet Music (FX.FX07
$8.95
8.15 €
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Quintette de Clarinettes: 5 clarinettes
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Antonin Dvorak
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Pascal Bouton
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5 pages (parts)
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Largo from New Word Symphony
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
C Jam Blues for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
10.92 €
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Quintette de Clarinettes: 5 clarinettes
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Duke Ellington/Barney Bigard
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Keith Terrett
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Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quintet
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Keith Terrett
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SheetMusicPlus
Louisiana Fairy Tale
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1268326 Com…
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Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1268326 Composed by Fred Coots J, Haven Gillespie, and Mitchell Parish. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Pop,Standards. 12 pages. Chicory Music #860722. Published by Chicory Music (A0.1268326). Louisiana Fairy Tale (or Louisiana Fairytale) is a song written in 1935 by Haven Gillespie, with lyrics by Mitchell Parish and J. Fred Coots, and was originally popularized by Fats Waller. Waller's version opens with him playing a four-bar solo piano lead-in to a clarinet melody backed by drums, guitar, clarinet, trumpet and piano. A muted trumpet bridge precedes Waller's vocal verses, and a Dixieland-style improvisational instrumental jam closes the recording. This arrangement for Clarinet Quintet (SSSSB) plus optional Acoustic Bass and Drum Set, at the Intermediate Level, is written at a slow swing tempo featuring 1st Clarinet.
$12.99
11.83 €
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Quintette de Clarinettes: 5 clarinettes
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Fred Coots J, Haven Gillespie, and Mitchell Parish
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Dennis Ruello
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(or "
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Louisiana Fairy Tale
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Chicory Music
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SheetMusicPlus
Pennsylvania 6-5000
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Jerry Gray, Carl Sigma
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Carl Sigman and Jerry Gray
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Keith Terrett
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Pennsylvania 6-5000
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Keith Terrett
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SheetMusicPlus
Jesu, joy of man's desiring by Bach for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957231…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957231 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 11 pages. Woods Only, Arrangements #6744901. Published by Woods Only, Arrangements (A0.957231). This easy arrangement for clarinet quintet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$9.99
9.1 €
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Quintette de Clarinettes: 5 clarinettes
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by Bach for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Abide with Me (Eventide) & The Last Post - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.9…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.937268 Composed by W H Monk and Traditional. Arranged by Hugh Levey. Contemporary,Patriotic,Praise & Worship,Romantic Period,Sacred. 19 pages. Woodwindly.com #6255461. Published by woodwindly.com (A0.937268). Clarinet Quintet - 4 x Bb Clarinets and Bass Clarinet (Clarinet 1 as a soloist can be replaced by Bb Cornet or Trumpet) This publication is also available as a Clarinet Quartet (3 x Bb Clarinets and Bass Clarinet). This arrangement combines two emotionally charged pieces of music. The 19th century hymn Abide with Me, set to the tune Eventide, is often used for funerals. The 18th century bugle call The Last Post is often played to commemorate those who have lost their lives in armed conflict and is played at annual Remembrance Day services in much of the English speaking world. Here the come together in a lovely arrangement where the soloist plays the bugle call while the clarinet quartet play the hymn. In the version without soloist, clarinet 1 plays a hymn line as well as the bugle call. This work is suitable for funerals, other solemn occasions, military events and recitals.
$10.50
9.56 €
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Quintette de Clarinettes: 5 clarinettes
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W H Monk and Traditional
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Hugh Levey
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Abide with Me
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woodwindly.com
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Mi Pescadito - Salsa - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Composed by Thomas Graf. Arranged by Thomas Graf. Latin. 32 pages. Thomas Graf - the…
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Composed by Thomas Graf. Arranged by Thomas Graf. Latin. 32 pages. Thomas Graf - the-hit-factory.com #128647. Published by Thomas Graf - the-hit-factory.com
Salsa tune - dance! A great challenge for your ensemble! – Powerful arrangement and very ambitious melody. This composition features solos on trumpet; trombone and saxophone. The rhythm group is especially in charge to provide powerful salsa groove which makes the audience dance.Instrumentation: Full Score, Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb, Clarinet 4 in Bb, Bass Clarinet in Bb, ClavesListen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts.Any individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.Salsa tune - dance! A great challenge for your ensemble! – Powerful arrangement and very ambitious melody. This composition features solos on trumpet; trombone and saxophone. The rhythm group is especially in charge to provide powerful salsa groove which makes the audience dance.Instrumentation: Full Score, Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb, Clarinet 4 in Bb, Bass Clarinet in Bb, ClavesListen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts.Any individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$20.00
18.21 €
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Quintette de Clarinettes: 5 clarinettes
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Thomas Graf
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Thomas Graf
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Mi Pescadito - Salsa - Clarinet Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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