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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
A January Summer
Partitions à imprimer
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A January Summer
Drum Set,Electric Bass Guitar,Electric Guitar,Synthesizer,Tenor Saxophone,Trombone,Trumpet…
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Drum Set,Electric Bass Guitar,Electric Guitar,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1349406 By Eugene W. Hairston. By Eugene W. Hairston. Arranged by Eugene W. Hairston. Contemporary,Jazz. Full Performance. Duration 180. Eugene W. Hairston #934158. Published by Eugene W. Hairston (A0.1349406). Song: A January SummerTime: 3:01Year: 2021Album: Polytonal FusionGenre: JazzStyle: Contemporary JazzCopyrights: Eugene W. Hairston.
$1.99
1.78 €
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Eugene W
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Eugene W
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A January Summer
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Eugene W. Hairston
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SheetMusicPlus
I Know What You Did Last Summer
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1277052 By Shawn Mendes & Camila Ca…
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Piano Solo - Level 4 - Digital Download SKU: A0.1277052 By Shawn Mendes & Camila Cabello. By Bill Withers, Camila Cabello, Ido Zmishlany, Noel Zancanella, and Shawn Mendes. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #868746. Published by John Fries (A0.1277052). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Also known as “A Day In The Life Of A Fool,†and “Manha de Carnival,†the song was first introduced in the movie “Black Orpheus in 1959. It’s one of the first jazz tunes that many players learn.  Michel Jean Legrand, 24 February 1932 – 26 January 2019) was a French musical composer, arranger, conductor, and jazz pianist. Legrand was a prolific composer, having written over 200 film and television scores, in addition to many songs. His scores for the films of French New Wave director Jacques Demy, The Umbrellas of Cherbourg (1964) and The Young Girls of Rochefort (1967), earned Legrand his first Academy Award nominations. Legrand won his first Oscar for the song The Windmills of Your Mind from The Thomas Crown Affair (1968).
$4.99
4.47 €
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Piano seul
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Shawn Mendes & Camila Cabello
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John Fries
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I Know What You Did Last Summer
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John Fries
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SheetMusicPlus
Summer Knows
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1155780 Composed by Fusik. Arrang…
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C Instrument - Level 4 - Digital Download SKU: A0.1155780 Composed by Fusik. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #756085. Published by John Fries (A0.1155780). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Michel Jean Legrand, 24 February 1932 – 26 January 2019) was a French musical composer, arranger, conductor, and jazz pianist. Legrand was a prolific composer, having written over 200 film and television scores, in addition to many songs. His scores for the films of French New Wave director Jacques Demy, The Umbrellas of Cherbourg (1964) and The Young Girls of Rochefort (1967), earned Legrand his first Academy Award nominations. Legrand won his first Oscar for the song The Windmills of Your Mind from The Thomas Crown Affair (1968).
$3.99
3.58 €
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Instruments en Do
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Fusik
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John Fries
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Summer Knows
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John Fries
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SheetMusicPlus
Summer Knows
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1155784 Composed by Fusik. Arrang…
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C Instrument - Level 4 - Digital Download SKU: A0.1155784 Composed by Fusik. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #756089. Published by John Fries (A0.1155784). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Michel Jean Legrand, 24 February 1932 – 26 January 2019) was a French musical composer, arranger, conductor, and jazz pianist. Legrand was a prolific composer, having written over 200 film and television scores, in addition to many songs. His scores for the films of French New Wave director Jacques Demy, The Umbrellas of Cherbourg (1964) and The Young Girls of Rochefort (1967), earned Legrand his first Academy Award nominations. Legrand won his first Oscar for the song The Windmills of Your Mind from The Thomas Crown Affair (1968).
$3.99
3.58 €
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Instruments en Do
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Fusik
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John Fries
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Summer Knows
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John Fries
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SheetMusicPlus
Summer Knows
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1350429 Composed by Fusik. Arranged…
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Piano Solo - Level 4 - Digital Download SKU: A0.1350429 Composed by Fusik. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 2 pages. John Fries #935231. Published by John Fries (A0.1350429). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! Michel Jean Legrand, 24 February 1932 – 26 January 2019) was a French musical composer, arranger, conductor, and jazz pianist. Legrand was a prolific composer, having written over 200 film and television scores, in addition to many songs. His scores for the films of French New Wave director Jacques Demy, The Umbrellas of Cherbourg (1964) and The Young Girls of Rochefort (1967), earned Legrand his first Academy Award nominations. Legrand won his first Oscar for the song The Windmills of Your Mind from The Thomas Crown Affair (1968).
$5.99
5.37 €
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Piano seul
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Fusik
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John Fries
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Summer Knows
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John Fries
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SheetMusicPlus
OF LIGHT AND SHADOW (A NEW YEAR)
Small Ensemble Drums,Flute,Piano,Violin - Digital Download SKU: A0.1012752 Composed…
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Small Ensemble Drums,Flute,Piano,Violin - Digital Download SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00
4.48 €
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Monica Bergo
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OF LIGHT AND SHADOW
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Moni Bergo
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SheetMusicPlus
MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.553348 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Contemporary,Holiday,Standards,Wedding. 10 pages. RayThompsonMusic #2081651. Published by RayThompsonMusic (A0.553348). Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches, Op. 51, is a suite of ten short piano pieces . It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscapeThe suite's first piece, To a Wild Rose, is MacDowell's best known single work according to the musicologist H. Wiley Hitchcock,and it achieved what Bomberger described as phenomenal popularity. MacDowell believed the work's popularity arose because the publisher spread its score generously across two pages.The piece begins with a spare melody, based on a simple one from the Brotherton Indians.The melody is played in short fragments and accompanied by chords and pedal points. The climax consists of a repeated dominant ninth chord, which can also be heard as a version of the Tristan chord. The piece concludes with a Scotch snap rhythm. Crawford opined that the piece's harmony saves it from blandness.Arranged for wind quintet…It could have been written for wind quintet!Other pieces are available.
$4.95
4.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Edward MacDowell
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Ray Thompson
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MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Ohne Sorgen (Without Cares), Polka schnell (Quick Polka) op. 271
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1489659 Composed by Josef Strauss…
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Concert Band - Level 4 - Digital Download SKU: A0.1489659 Composed by Josef Strauss. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 70 pages. Edition Schwalbe #1066531. Published by Edition Schwalbe (A0.1489659). Ohne Sorgen (Without Cares), a Polka schnell (Quick Polka) by Josef Strauss, younger brother of the famous king of waltz Johann jr., was composed in 1869,while passing the summer with the Strauss orchestra in Pavlovsk near St. Petersburg, Russia. It was premiered there on 10 September 1869. As a special feature of this piece, laughing by the musicians is demanded at certain points in the Trio. This is more difficult to execute with a wind band, as wind players can't laugh and play simultaneously like string players. The arrangement is kept in the original key of the composition for symphony orchestra. Is was first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2015 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria, repeated on 6 January 2023 by Salzburg Wind Philharmonic and broadcasted both times live by Austrian television. Live recordings of both concerts are available at https://www.salzburg-windphilharmonic.at/de/wien-trifft-london/ and https://www.salzburg-windphilharmonic.at/de/freunde-das-leben-ist-lebenswert/ or https://www.jpc.de/jpcng/classic/detail/-/art/freunde-das-leben-ist-lebenswert/hnum/11521748 and https://www.jpc.de/jpcng/classic/detail/-/art/wien-trifft-london/hnum/10428729?iampartner=303&subid=umr3&ref=partner.jpc.de.
$80.00
71.7 €
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Orchestre d'harmonie
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Josef Strauss
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Albert Schwarzmann
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Ohne Sorgen
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Edition Schwalbe
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SheetMusicPlus
Chiedi al vento di me
Piano seul
Piano Solo - Digital Download SKU: A0.976871 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the Ask at wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense Crow that flies, bad omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow me to stay I'll be with you in the wind ... I'm the wind that laughs It wraps you up until the summer returns ... Monica Bergo
$3.99
3.58 €
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Piano seul
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Monica Bergo
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Chiedi al vento di me
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Monica Bergo
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SheetMusicPlus
Aus den Bergen (From the Mountains), Walzer (Waltz) op. 292
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1505932 Composed by Johann Straus…
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Concert Band - Level 4 - Digital Download SKU: A0.1505932 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 289 pages. Edition Schwalbe #1081312. Published by Edition Schwalbe (A0.1505932). Aus den Bergen (From the Mountains) was composed in summer 1864 during Johann Strauss' annual concert trip to Russia. It premiered on 2 October 1864 in Pavlovsk near St. Petersburg and was dedicated to the famous Viennese music critic Eduard Hanslick. This arrangement in the original key of the orchestral version was commissioned by Salzburg Wind Philharmonic, principal conductor Hansjoerg Angerer and premiered at their Three Kings' Concert on 6 January 2020 at the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. Albert Schwarzmann had to step in at very short notice for the sick Hansjoerg Angerer, who performed this piece at the same event on 6 January 2024. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/dreikonigskonzert-2024-aus-den-bergen/ .
$142.40
127.62 €
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Orchestre d'harmonie
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Johann Strauss Jr
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Albert Schwarzmann
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Aus den Bergen
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Edition Schwalbe
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.41 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.41 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.41 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
The Best Dam Trombone Quintet Ever
Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.810982 Composed b…
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Small Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.810982 Composed by Wolking, Henry. 20th Century,Contemporary,Jazz. Score and parts. 23 pages. Gordon Cherry #4580703. Published by Gordon Cherry (A0.810982). Henry Wolking's The Best Dam Trombone Quintet Ever may just be! It is a fun, feel-good piece to perform and to listen to. The undulating rhythms and close harmonies produce a pleasing mood with a hint of a jazz feel. The music gives you a big hug. Here is a description of the work by the composer: In the summer of 2017 my wife and I moved to the Nevada Dam town of Boulder City. The town began as a construction camp in early 1930s for the workers of the Boulder Dam (later renamed the Hoover Dam). The dam is one of the worlds great construction projects of the 20th century and has over a million yearly visitors. My house is less than ten minutes away from the dam, and because the dam in one way or another affects everyone living in this unique Nevada town, my newest trombone quintet (composed in January 2018) is the best, well you get the picture. It is a high energy single movement work inspired by the Hoover Dam and Lake Mead. Ranges are fairly moderate with a high C# in the first trombone at the end. This is a fun romp for five dam fine trombonists. The 4 1/2 minute work is appropriate for advanced performers.
$27.50
24.65 €
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Wolking, Henry
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The Best Dam Trombone Quintet Ever
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Gordon Cherry
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SheetMusicPlus
"Seven Guitar Solos from Space and Time"
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1429935 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
13.43 €
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Guitare
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Keith Gehle
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"Seven Guitar Solos from Space and Time"
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Keith Gehle
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SheetMusicPlus
Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
31.37 €
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
"Seven Guitar Solos from Space and Time"
Guitar - Level 3 - Digital Download SKU: A0.1429932 By Keith Gehle. By Keith W. Geh…
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Guitar - Level 3 - Digital Download SKU: A0.1429932 By Keith Gehle. By Keith W. Gehle. New Age. Guitar Tab. 31 pages. Keith Gehle #1010567. Published by Keith Gehle (A0.1429932). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation along with TAB for ease of learning.Some reviews of the Space and Time Album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended!- Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
13.43 €
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Keith Gehle
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"Seven Guitar Solos from Space and Time"
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Keith Gehle
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SheetMusicPlus
Farewell Celebration (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic. 30 pages. Https://gildedmusicpress.com/ #758696. Published by https://gildedmusicpress.com/ (A0.1158678). The opening of this 4-minute piece is dance-like, intimating a celebratory mood up front—alone at first, but shared with the ensemble throughout the piece. After much celebration, the piece ends solemnly, as if giving each other final hugs and good-byes. Every Airman has a story to tell. “Farewell Celebration†is part of my story as an Airman musician. It is a fitting farewell to the Heartland of America Band stationed at Offutt Air Force Base in Bellevue, Nebraska, and to the entire American Midwest, as my family and I finalized our plans to uproot for an extraordinary three-year adventure in Asia. Work on this composition began toward the end of July and beginning of August 2021 as a melody with instructions to be the opening of a brass quintet piece, beginning with trumpet alone. It remained in that state until January 2022 when I entered this sketch into the computer to be worked on sporadically along with several other works in progress. When I contracted Covid-19 in July 2022, all of these works and other incipient pieces received attention, but this one more than most others. In the fall, I felt an urgency to complete it as a sentimental gesture of enthusiastic good-byes due to many life changes taking place. In particular, my fourth son, Paul, was departing for two years for Brazil. I was compelled to complete this work before he left on October 17, 2022, which I accomplished the day prior to his departure. In addition to Paul’s farewell, two co-workers with whom I had worked closely in the Air Force brass quintet called “Offutt Brass,†were also moving on with new exciting chapters in their lives. MSgt Ben Kadow, our fantastic trombonist, had received an assignment to move to Germany, leaving us on November 8. And MSgt Ryan Heseltine, our unparalleled French horn player, retired at the end of the year. On top of all that, in September I was given an assignment to move to Japan the following summer. Some farewells are more difficult to endure than others, though all seem to have varied brands of profound emotion. In contrast to saying good-bye to a loved one who passes away, all of these farewells were joyful, albeit poignant. “Farewell Celebration†is dedicated to my son Paul, to my outstanding professional colleagues, Ben Kadow and Ryan Heseltine, and to all our friends and family members who we left behind as we moved to Japan.
$24.95
22.36 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Farewell Celebration
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https://gildedmusicpress.com/
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SheetMusicPlus
Five Hungarian Folk Songs
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1164163 Composed by Dennis Ba…
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String Orchestra - Level 4 - Digital Download SKU: A0.1164163 Composed by Dennis Bathory-Kitsz. Arranged by Dennis Bathory-Kitsz. Classical,Folk,Historic,Traditional. Score and Parts. 89 pages. Westleaf Edition #764511. Published by Westleaf Edition (A0.1164163). These Five Hungarian Folks Songs were transcribed and arranged from 78rpm records issued about 1915.Király ErnÅ‘ sings several as Old Folk Songs (“Régi Népdalokâ€), even though Megugrattak Hortobágyon A Karámból Egy Csikót was composed by Vajda József and remains an often recorded song. Megy A GÅ‘zös Lefelé on the Munkacsy recording was composed by Rózsa S. Lajos, but composers of the remaining songs are unidentified.The records were purchased by József Báthory in Manhattan in the early 20th century, and remained in the family until the 21st century. All the records were transferred to digital form in January 2013, with the original transfer stored in exact condition, after which they were passed on to historian David Neal Lewis for archiving. Files were restored from the digital transfers (rumble, clicks, pops removed as much as possible, noise reduction, and some remastering) and are available for download at:http://maltedmedia.com/people/bathory/hungarian.htmlSpecial thanks to composer Ãdám Kondor for translations of the Régi Népdalok texts, and to Dr. A. S. Weinstangel for noting errors in the score. The bowings in this edition are by violinist John Lindsey, who directed the premiere of this set with Vermont’s Eleva Chamber Players.Katika Csárdásoriginal performed by unidentified “Military Bandâ€, Columbia 10-inch E920Nyári este furulyázom sokáig(‘I play the flute all summer eve’)original performed by Király ErnÅ‘ on “Régi Népdalokâ€, Columbia 12-inch E5077BÃhari Hatarszélén – Megy A GÅ‘zös Lefelé – Csárdás(‘At the Bihari border’ - ‘The steamer goes down’ - Csárdás)original performed by the Olga B. Munkacsy Orchestra, Columbia 10-inch E2858Megugrattak Hortobágyon A Karámból Egy Csikót(‘Bringing the pony to the Hortobágyon Woods’)original performed by Király ErnÅ‘ on “Régi Népdalokâ€, Columbia 12-inch E5077Debreczeni Csárdás Friss(‘New Debreczen Csárdás’)original performed by unidentified “Military Bandâ€, Columbia 10-inch E920.
$20.00
17.92 €
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Orchestre à Cordes
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Dennis Bathory-Kitsz
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Dennis Bathory-Kitsz
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Five Hungarian Folk Songs
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Westleaf Edition
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SheetMusicPlus
MacDowell: Woodland Sketches Op.51 No.4 "In Autumn" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553350 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 10 pages. RayThompsonMusic #2081725. Published by RayThompsonMusic (A0.553350). Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches, Op. 51, is a suite of ten short piano pieces . It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscape.The best known piece is no.1 To a Wild RoseThis is No.4 In Autumn. It begins with a brisk, staccato theme followed by chromatic runs. The music shifts to a mysterious and questioning tone in the middle section before returning to the joyous opening theme.Arranged wind quintet.... Clarinet in Bb provided also.
$4.95
4.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Edward MacDowell
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Ray Thompson
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MacDowell: Woodland Sketches Op.51 No.4 "In Autumn" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35
9.28 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mineola Waltz: 2nd B-flat Clarinet
Clarinette (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0001012_C2 2nd B-flat Clarinet
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Full Orchestra - Digital Download SKU: AX.00-PC-0001012_C2 2nd B-flat Clarinet. Composed by John W. Hawd. Arranged by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001012_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001012_C2). UPC: 038081276649.The Mineola was written in 1890 by John W. Hawd and arranged for full orchestra for the Centennial Celebration of the Villlage of Mineola, New York (1906 - 2006). Located approximately 25 miles East of New York City on Long Island, Mineola is the governing seat of Nassau County. The name Mineola was derived from the Algonquin Meniolagamika which means a friendly and pleasant village. The Mineola Waltz was premiered on January 29, 2006 by the Nassau Pops Symphony Orchestra. Founded in 1984 by its director, Louis Panacciulli, the NPSO continues to maintain a year round performance schedule. This charming, lilting waltz will be a welcome addition to any concert setting and in particular that Spring Pops and summer in the park in the under the gazebo concert. The Mineola has a light, Viennese quality that will delight audiences of all ages.Concert/Contest.
$3.00
2.69 €
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Clarinette (partie séparée)
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John W
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Carl Strommen
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Mineola Waltz: 2nd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mineola Waltz: 2nd Oboe
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0001012_O2 2nd Oboe. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0001012_O2 2nd Oboe. Composed by John W. Hawd. Arranged by Carl Strommen. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001012_O2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001012_O2). UPC: 038081276649.The Mineola was written in 1890 by John W. Hawd and arranged for full orchestra for the Centennial Celebration of the Villlage of Mineola, New York (1906 - 2006). Located approximately 25 miles East of New York City on Long Island, Mineola is the governing seat of Nassau County. The name Mineola was derived from the Algonquin Meniolagamika which means a friendly and pleasant village. The Mineola Waltz was premiered on January 29, 2006 by the Nassau Pops Symphony Orchestra. Founded in 1984 by its director, Louis Panacciulli, the NPSO continues to maintain a year round performance schedule. This charming, lilting waltz will be a welcome addition to any concert setting and in particular that Spring Pops and summer in the park in the under the gazebo concert. The Mineola has a light, Viennese quality that will delight audiences of all ages.Concert/Contest.
$3.00
2.69 €
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Orchestre
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John W
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Carl Strommen
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Mineola Waltz: 2nd Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Beetles' Wings for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1266184 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1266184 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 204. David Warin Solomons #858929. Published by David Warin Solomons (A0.1266184). Setting by David W Solomons of a poem by Audrey Vaughan about the glories of nature and her religious love for it. Effective guitar rolls emulating the buzzing of beetle's wings in the summer sun. The score has been edited and fingered by the guitarist Alessandro Balsimini The performance is by the composerMy love for you grows beetle's wingsBlack pearls sparking firedropsUnder the low’ring September sunMy love for you sends a winter flashOf radiant blueBetween frost silver banksIn the sunset time of January’s afternoonMy love for you blows heather scent upon the windAnd tosses the cries of flying grouseAnd wings to beat a moorland skyMy love finds wind-flowers by a Cranham laneAnd black bright eyessafe and wideunder frets of golden fernMy love for you paints God across the earthIn clouds like flowersAnd rain like fishes’ scalesIn waters blue of skyAnd birds like flakes of snowMy love sings anthems with the moonAnd writes symphonies with rainbowsMy love is life and breathAnd breath is praise…© Audrey Vaughan.
$4.50
4.03 €
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David Warin Solomons
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Beetles' Wings for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Debussy/Orledge: Toomai des éléphants for violin and piano, score and part
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534738 Composed by Claude Debussy…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534738 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards,World. 19 pages. Musik Fabrik Music Publishing #6606487. Published by Musik Fabrik Music Publishing (A0.534738). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book 2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€, which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kipling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$11.95
10.71 €
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Violon et Piano
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Claude Debussy/Robert Orledge
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Debussy/Orledge: Toomai des éléphants for violin and piano, score and part
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Musik Fabrik Music Publishing
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SheetMusicPlus
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