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Vous avez sélectionné:
A Question Of Lust
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A Question Of Lust
Small Ensemble - Digital Download SKU: A0.932803 Composed by Martin Gore. Arranged …
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Small Ensemble - Digital Download SKU: A0.932803 Composed by Martin Gore. Arranged by CHajp. Contemporary. Score and parts. 4 pages. CHajp #6202283. Published by CHajp (A0.932803).
$9.99
9.01 €
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Martin Gore
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CHajp
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A Question Of Lust
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CHajp
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SheetMusicPlus
Sonata in a Simple Scale for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.22 €
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Alto, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
Lustwins Wijsa for Trombone or Low Brass Quartet
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.508312 …
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.508312 Arranged by Eric Burger Music. 20th Century. Score and parts. 6 pages. Eric Burger Music #3563777. Published by Eric Burger Music (A0.508312). View the score with playback at: https://youtu.be/-Jn9FomppYg Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Quartet works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$7.00
6.31 €
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Eric Burger Music
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Lustwins Wijsa for Trombone or Low Brass Quartet
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Eric Burger Music
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SheetMusicPlus
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa So…
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Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00
1.8 €
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Piano seul
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Juan MarÃa Solare
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Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
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Juan Maria Solare
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SheetMusicPlus
Love
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.502704 By Lana Del …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.502704 By Lana Del Rey. By Benjamin Levin, Elizabeth Grant, Emile Haynie, and Richard Nowels, Jr. Arranged by Vincent Frank. A Cappella,Pop. 10 pages. Vincent Frank Music #115061. Published by Vincent Frank Music (A0.502704). Choral arrangement of Love, by Lana Del Rey, for SATB A Cappella choir with soloist. From 2017 album Lust for Life. 10 pages, original key of C major. 4:50 in length.Have a question or a song request? Email me at vincentfrankmusic@gmail.com.
$3.99
3.6 €
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Chorale SATB
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Lana Del Rey
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Vincent Frank
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Love
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Vincent Frank Music
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.14 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Maiden Voyage
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1285702 By Herbie …
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1285702 By Herbie Hancock. By Herbie Hancock. Arranged by John Yao. Instructional,Jazz,Latin. 70 pages. Yaotones Music #800645. Published by Yaotones Music (A0.1285702). This big band arrangement keeps the flavor of Herbie Hancock's classic tune with a few minor twists and turns added by composer, arranger John Yao.  The chart begins with a rubato chorale introduction that weaves in and out of several interesting reharmonizations.  The melody features a variety of colorful orchestrations, countermelodies and textures that lead to the solo section.  Solos in the Tenor Sax and Trumpet are followed by a vamp with ample space for a drum solo that builds to a soaring tutti out chorus.  The chart closes out with colorful cluster voicings that culminate in a light, understated pyramid.  This chart works well if you're looking to slow things down or need a change of pace in your program.Trumpet Range - Bb5Trombone Range - A4The YT Link track is performed by NYC based big band John Yao and His 17-piece Instrument.To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook and subscribe to my You Tube Channel.
$50.00
45.1 €
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Ensemble Jazz
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Herbie Hancock
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John Yao
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Maiden Voyage
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Yaotones Music
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SheetMusicPlus
Three Pieces for Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.933374 Composed by Michael S. Bryso…
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Piano Solo - Level 5 - Digital Download SKU: A0.933374 Composed by Michael S. Bryson. 20th Century,Contemporary,Standards. Score. 13 pages. Bryson Music #495011. Published by Bryson Music (A0.933374). An exciting advanced piano solo. Duration: approx. 8 min. 1. Marche Humoresque - an energetic march that includes LH tone clusters. Inspired by the finale of Ravel's Piano Concerto for the LH. People often comment that this movement reminds them of a parade of cartoon characters. 2. Nocturne - begins as a gentle lullaby that builds to a majestic climax before fading away into mysterious chords. The return of the tender opening melody will bring tears to your listeners' eyes. 3. Presto - blurring and frantically playful with a bombastic conclusion to the set. Michael S. Bryson (ASCAP) www.michaelsbryson.com Contact me with any questions: michaelsbryson@gmail.com.
$6.95
6.27 €
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Piano seul
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Michael S
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Three Pieces for Piano
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Bryson Music
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SheetMusicPlus
The High Priestess (for flute, violin, horn in F, & piano)
Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by Jo…
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Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00
36.08 €
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
Pure Imagination
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1357674 By Mormon T…
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Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1357674 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Timorell. A Cappella,Barbershop,Christmas,Film/TV,Standards. 16 pages. Timorell #942213. Published by Timorell (A0.1357674). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An advanced level, TTTBB cover of the popular original song from the 70's movie, Willy Wonka & the Chocolate Factory. Intended to be earnest and magical, and even slightly worrisome in later sections, just like our imaginations can be. It is not sad or pensive, though. Multiple meters: 4|4 5|4 6|4 Opening melody could be cast as a solo through measure 16. Run time is 2:45. Note the third verse from the original song is not included in this arrangement. A piano reduction is provided for rehearsals as the chord structure is heavily jazz influenced (6ths, 9ths, 11ths and cluster chords abound). Vocal percussion, a key component, is not notated but encourage between measures 17 & 48. Range: low - (tessitura) - highT1: F3 - (G4) - D5T2: C3 - (F4) - Bb4T3: C3 - (D4) - Bb4Bari: C3 - (A3) - F4Bass: Eb2 - (D3) -Bb3
$2.00
1.8 €
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Chorale TTBB
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Mormon Tabernacle Choir
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Timorell
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Pure Imagination
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Timorell
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SheetMusicPlus
Monster Music Journal by Pearl and Eddie Lewis
Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis,…
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Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by Tiger Music (A0.750321). The MONSTER MUSIC JOURNAL is a wild and whacky, monster-infested space for you to fill with music compositions, transcriptions of your favorite songs, music theory exercises, and other monstrous things that mean something to you (or your music instructor). The MONSTER MUSIC JOURNAL is a musical playground. The generously spaced staff lines make writing musical notes easy for beginners (or for those who like to live life BIG - and let's be honest: who doesn't like to live life really BIG). Plus, there is plenty of boxed-off writing space for non-musical notes, so you can include song lyrics, love letters, homework assignments, thoughts, poems, or questions to ask your teacher. Hey, there is even space for you to scribble or to doodle your own family of monsters. The MONSTER MUSIC JOURNAL is heavily illustrated with line art monster characters that will tickle the imagination of kids and adults. Every turn of the page presents you with new monsters. Naturally, they are all trying to look grim, but rest assured - they are all very docile. And because the illustrations in the book are simple line art, you are free to add color to the manuscript or note pages. This is a music journal and not a coloring book, but there is no shortage of things (well, creatures actually) that you can color, if you so wish. Created by the musician and illustrator husband-and-wife team, Eddie Lewis and Pearl Lewis, this music journal has many uses. Let it turn dull, repetitive music theory exercises into an adventure at every turn of the page. Suggest the illustrations as prompts for improvised music. Gift it to your teacher or your student or your musician buddy. Or use the journal to introduce young musicians to composition and transcription. Music homework just got a MAJOR upgrade on the fun scale.
$9.99
9.01 €
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Pearl Lewis, Eddie Lewis
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Monster Music Journal by Pearl and Eddie Lewis
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Tiger Music
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SheetMusicPlus
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