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Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.26 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
58.21 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Agape for Marimba Quartet
Marimba
Marimba Solo - Digital Download SKU: A0.976910 Composed by Sabrina Pena Young. Chri…
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Marimba Solo - Digital Download SKU: A0.976910 Composed by Sabrina Pena Young. Christian,Contemporary,Easter,Standards,World. Individual part. 14 pages. Sabrina Peña Young #3425591. Published by Sabrina Peña Young (A0.976910). Agape Marimba Quartet . A lively 21st century world music marimba quartet work inspired by the music of Israel and the Middle East based on sacred text of the crucifixion and resurrection. Includes extended techniques. For advanced high school, college, amateur, and professional marimba ensembles. First premiered by the University of South Florida Marimba Quartet under the direction of percussionist Bob McCormick. Written primarily in aeolian mode. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$10.99
9.85 €
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Marimba
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Sabrina Pena Young
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Agape for Marimba Quartet
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Sabrina Peña Young
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SheetMusicPlus
Agnus Dei from Reconciliation
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.782530 Composed by Tyler M…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.782530 Composed by Tyler Merideth. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 7 pages. Tyler Merideth #4810437. Published by Tyler Merideth (A0.782530). Agnus Dei is the tenth movement from a larger work entitled Reconciliation, a set of 12 Latin prayers. Each movement takes it's inspiration from individual postcards containing pictures of St. Michael's Cathedral in Coventry, England. When performed in sequence, Reconciliation can serve as a worship service however, the individual movements also can stand alone. Although the tenth movement in Reconciliation, Agnus Dei was the initial small seed catalyst that grew into the idea to write a 12 movement work. The idea came to me when I first visited Coventry Cathedral and saw a statue entitled Reconciliation by Josefina de Vasconcellos. The statue depicts two figures kneeling in an embrace. What makes this statue so powerful is that the placement of the statue is among the ruins of the original Cathedral after the bombing by German Aircraft in WWII. I immediately sketched an idea for this movement on the bus after my college choir rehearsed in the cathedral. When I returned to the United States, I wrote a rough vocal line and string orchestra accompaniment. The composition then lay dormant for more than a decade with no major changes. It was only this past week (almost fifteen years later) that I rewrote the accompaniment for piano and cleaned up the choral part. The opening unison vocal line can be timeshared among the voice parts. Since it covers a wide range, let the lower voices sing what range they sing well and the higher voices reciprocate. Please feel free to vary the tempo with rubato throughout the piece to allow for proper breath support. Do not be shy leaning into the dissonances found in the suspensions as the ultimate resolution in the grant us peace
$3.99
3.58 €
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Chorale SATB
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Tyler Merideth
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Agnus Dei from Reconciliation
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Tyler Merideth
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SheetMusicPlus
Meditation for Wind Ensemble
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.866377 Composed by Evan G. Chance…
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Concert Band - Level 3 - Digital Download SKU: A0.866377 Composed by Evan G. Chancellor. Contemporary,Sacred. Score and parts. 28 pages. Solitarius Press #7777. Published by Solitarius Press (A0.866377). This piece is an adaptation of a choral work by Chancellor, which is a meditation on I John 4:10. This version is set for young band. The harmony is conceived in 4 parts as in the choral work and is divided throughout the ensemble with a fair amount of doubling. The plaintive lyric melody begins in the clarinets and is passed to the brass and then to the flutes. After featuring individual instrument groups, the piece culminates in a closing tutti section.
$45.00
40.33 €
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Orchestre d'harmonie
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Evan G
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Meditation for Wind Ensemble
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Solitarius Press
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SheetMusicPlus
Dies irae, full score
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.942870 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.942870 Composed by James W. Knox. Contemporary,Sacred. Octavo. 30 pages. Knox Music #4846647. Published by Knox Music (A0.942870). Dies irae, is one of the most famous melodies of the Gregorian Chant, and was traditionally ascribed to Thomas of Celano (d 1260), but now is usually attributed to an unknown Franciscan of that period. The piece is based upon the prophet, Zephaniah 1:14-16, a reflection upon the final judgment.Many have caviled about the depressing nature of the opening verses, but while the piece is certainly sobering, there is a note of hope as well later in the text. Judgment, which is eternal, is indeed a fearsome prospect for all who have fallen short of the Glory of God. For those who believe in the Christian faith, as sinners, there is grace to be found through Jesus Christ as our Savior of all mankind.Dies irae, written for SSAATTBB, piano and bass drums, is a powerful and gripping rendition of the day of wrath! Your choir and audience will be transformed after hearing this dramatic work.
$3.50
3.14 €
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Chorale SATB
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James W
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Dies irae, full score
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Knox Music
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SheetMusicPlus
Brass Band - Ave Maris Stella
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.767267 Composed by Mike Lyons. Contemporary,Sacred. Brass Band. 38 pages. Lyons Music Services #3139447. Published by Lyons Music Services (A0.767267). Ave Maris Stella - Hail Star of the Sea. This is a hymn to the Virgin Mary from the catholic liturgy. I was inspired to write it after a combiation of teaching species counterpoint and a watching a rather poignant documentary about some of the rituals surrounding the Virgin Mary in several parts of the world, especially in Italy. The piece has an Incipit in the euphonium at the start, which can be omitted if you aren't using it in church, but it sets the tone of the piece rather well. This incipit is based on a plainchant melody from the 16th century. The music evolves in a polyphonic style, using the rules of counterpoint until the fanfares, which I see as proclaiming the role of the Mother of Jesus, which break with the mediaeval traditions and use modern harmonic structures to bring the work to a rousing finish. All the parts are A5, landscape format to match the common hymn book size for UK bands.
$15.00
13.44 €
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Mike Lyons
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Brass Band - Ave Maris Stella
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Lyons Music Services
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SheetMusicPlus
Kyrie for Ten Voices
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.933469 Composed by Mark K…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.933469 Composed by Mark Kline. Christian,Contemporary,Easter,Holiday,Sacred. Octavo. 8 pages. Mark Kline #2332297. Published by Mark Kline (A0.933469). One of the most ancient, beloved, and enduring prayers of the Christian Faith is the Kyrie. In the language of the New Testament, Koine Greek, the simple phrase Kyrie Eleison, Christe Eleison means Lord, have mercy; Christ have mercy. By utilizing close harmonies and a fluid increase of intensity, Mark Kline’s composition is meant to suggest the heavenl-like sounds of grace in the hearts of penitents. At two minutes in length, this Kyrie works well in both church and concert settings, engaging a listening audience or aiding in reflective prayer and meditation. In the context of the Mass, the liturgical form used is three Kyrie’s, three Christe’s, and three Kyrie’s. This arrangement can also function in the Mass as a song of thanksgiving after Communion or as an opening or closing piece. Mark Kline's Kyrie is written in ten indispensable parts, and can benefit greatly from multiple singers on each part (especially the men’s continuo with its close harmonies).
$5.95
5.33 €
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Chorale SATB
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utilizing close harmonies and a fluid increase of intensity, Mark Kline’s composition is meant to suggest the heavenl-like sounds of grace in the hearts of penitents
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Mark Kline
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Christ have mercy
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Kyrie for Ten Voices
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Mark Kline
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SheetMusicPlus
Hosanna to the Son of David
Chorale 3 parties
Choir, SAB - Advanced Intermediate - Digital Download Composed by Philip Le Bas. Ch…
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Choir, SAB - Advanced Intermediate - Digital Download Composed by Philip Le Bas. Christian, Contemporary Christian, Sacred, Praise & Worship, General Worship. Score. 8 pages. Published by Philip Le Bas
An acclamation for Palm Sunday: Jesus is entering Jerusalem riding on a donkey and the people acclaim him as the long-awaited Messiah (the "Son of David".) We, in hindsight, know that they will turn on him within a few days and will have him crucified. It is a moment of excitement and celebration, as the people see all their hopes fulfilled. The Christian liturgy reflects this, often with a congregational procession into the church accompanied by the words below.<br> <br> The music is simple and joyful, and is scored for just three different voices (SABar/SAMen), typical of those available in parish churches. After an initial syncopated section, there follows a middle section of dotted rhythms, before returning to the syncopated theme, and ending in a glorious rising Tierce de Picardie. The work is short, breathless and exciting, matching the mood of that early moment in the Palm Sunday celebration.<br> <br> A piano reduction is included for practice purposes.
$1.99
1.78 €
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Chorale 3 parties
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Philip Le Bas
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Worship, General Worship
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Hosanna to the Son of David
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Philip Le Bas
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SheetMusicPlus
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