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Vous avez sélectionné:
Antonio Cano
Partitions à imprimer
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Cano Selected works for guitar
Guitare notes et tablatures
Composed by Antonio Cano. Arranged by PianoSheetNow. 21st Century, 20th Century, Rom…
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Composed by Antonio Cano. Arranged by PianoSheetNow. 21st Century, 20th Century, Romantic Period, Classical Period, Recital. Sheet Music Single, Tablature. 11 pages. Published by PianoSheetNow
$5.99
5.54 €
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Guitare notes et tablatures
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Antonio Cano
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PianoSheetNow
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Cano Selected works for guitar
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PianoSheetNow
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SheetMusicPlus
Antonio Cano: Andantino cantabile, Estudio o.op. Nr. 7 - guitar solo
Guitare
Instantly printable sheet music by Antonio Cano for guitar solo of EASY/MEDIUM skill level…
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Instantly printable sheet music by Antonio Cano for guitar solo of EASY/MEDIUM skill level. Contents: Romantic Miniatures, 45 Pieces for Guitar / classical
$5.99
5.54 €
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Guitare
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Antonio Cano
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Virtualsheetmusic
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
13.41 €
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Trio à Cordes: violon, alto, violoncelle
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
Antonio Cano - Andantino Cantabile - (Estudio o. opus No. 7) - (Digital Download)
Guitare
Antonio Cano - Andantino Cantabile - (Estudio o. opus No. 7) Digital Sheetmusic - instantl…
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Antonio Cano - Andantino Cantabile - (Estudio o. opus No. 7) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages --
$2.99
2.77 €
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Guitare
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Andantino Cantabile
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Musicnotes
Vals
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46932 From: Metodo Abr…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46932 From: Metodo Abreviado de Guitarra. Composed by Antonio Cano. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46932. Published by Schott Music - Digital (S9.Q46932). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99
2.77 €
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Guitare
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Antonio Cano
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Vals
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Schott Music - Digital
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SheetMusicPlus
Andantino cantabile
Guitare
Guitar - intermediate - Digital Download SKU: S9.Q53203 Estudio o.op. Nr. 7.…
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Guitar - intermediate - Digital Download SKU: S9.Q53203 Estudio o.op. Nr. 7. Composed by Antonio Cano. Edited by Bruno Szordikowski and Peter Ansorge. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 2 pages. Schott Music - Digital #Q53203. Published by Schott Music - Digital (S9.Q53203). German ⢠English.Digital publication of the piece found in the following print music collection: Romantic Miniatures - 45 Pieces for Guitar.
$2.99
2.77 €
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Guitare
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Antonio Cano
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Andantino cantabile
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Schott Music - Digital
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SheetMusicPlus
Divertimento
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1219144 Composed by Ant…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1219144 Composed by Antonio Cano-Curriela. Arranged by Pedro Rocha. 19th Century,Instructional,Romantic Period. Tablature. 1 pages. Pedrorochaguitar #815565. Published by pedrorochaguitar (A0.1219144).
$1.99
1.84 €
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Guitare notes et tablatures
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Antonio Cano-Curriela
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Pedro Rocha
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Divertimento
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pedrorochaguitar
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SheetMusicPlus
Amémonos. Vals por: Manuel María Flores y Antonio Tormo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.958736 Composed by Manuel MarÃa Fl…
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Piano Solo - Level 3 - Digital Download SKU: A0.958736 Composed by Manuel MarÃa Flores y Antonio Tormo. Arranged by Juan Carlos Cortés A. Concert,Holiday,Love,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6117929. Published by Juan Carlos Cortés Aguirre (A0.958736). Transcripción para Piano Solo por:JUAN CARLOS CORTÃS A. Basado en la versión original del compositor Antonio Tormo y su grupo de guitarras. ...Amémonos, una bella poesÃa romántica de este extraordinario creador mexicano (Manuel MarÃa Flores), fue musicalizada por Antonio Tormo en 1948, convirtiéndose en el vals Dos que se Aman, tal vez una de las más bellas piezas del género, con la particularidad que autor y compositor, jamás se conocieron, ya que ni siquiera fueron contemporáneos....La letra de este vals es del compositor mejicano Manuel MarÃa Flores (el mismo autor de Dos que se aman). Antonio Tormo, usando el seudónimo Mburucuyá, registró la música en SADAIC como recopilación y arreglo, porque era una antigua composición mendocina que no estaba registrada. Los versos originales de Amémonos comprenden doce cuartetas, pero Tormo las redujo primero a seis y luego agregó una séptima, que es la versión presentada aquÃ. En SADAIC también está registrada una recopilación de Carlos Montbrun Ocampo y otra de Alfredo Gobbi, ambas con letra de Manuel MarÃa Flores, probablemente con arreglos diferentes.Texto:Amémonos.Vals por: Manuel MarÃa Flores y Antonio TormoIntroducción:Buscaba mi alma, con afán tu alma,buscaba yo, la virgen que mi frente,tocaba con su labio dulcemente,en el febril insomnio del amor.Buscaba yo, la mujer pálida y bella,que en sueños me visita desde niño,para partir, con ella mi cariño,para partir con ella mi dolor.Como en la sacra soledad del templo,sin ver a Dios, se siente su presencia,yo presentà en el mundo tu existencia,y como a Dios, sin verte, te adoré.Interludio:No preguntaba, ni sabÃa tu nombre,¿en dónde iba a encontrarlo? lo ignoraba,pero tu alma cerca de mi alma estaba,mas bién presentimiento que ilusión.Amémonos mi bien que en este mundodonde lágrimas tantas se derraman,las que vierten quizás los que se amantienen un no se qué de bendición.Amar... es empapar... el pensamiento,en la fragancia del Edén perdido,amar, amar es llevar herido,con un dardo celeste el corazón.Es tocar los dinteles de la gloria,es ver tus ojos, es escuchar tu acento,es en el alma llevar el firmamento,y es morir a tus pies... de adoración.
$7.99
7.39 €
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Piano seul
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Manuel MarÃa Flores y Antonio Tormo
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Juan Carlos Cortés A
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Amémonos. Vals por: Manuel María Flores y Antonio Tormo
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Llora campana, llora. Canción por: Antonio Placencia
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.958823 Composed by Antonio Placenci…
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Piano Solo - Level 3 - Digital Download SKU: A0.958823 Composed by Antonio Placencia. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional. Score. 2 pages. Juan Carlos Cortés Aguirre #6873841. Published by Juan Carlos Cortés Aguirre (A0.958823). Transcripción para piano solo por:JUAN CARLOS CORTÃS A.Basado en la versión grabada por el célebre cantante y médico mexicano Doctor Alfonso Ortiz Tirado.Llora campana, llora.Canción por: Antonio Placencia.Introducción: (Lento)Llora campana, llora, llora con mi dolor, el corazón te implora, muerto mi santo amor. (Bis)(Bolero):Cuando en las noches plateadas, ciego de amor la esperaba,y que en sus brazos hallaba, todo un poema de amor.Yo le pedà al Dios bueno, solo su amor en la vida,pero una noche plateada, ya nunca más regresó.(Lento)Llora campana, llora, llora con mi dolor,que el corazón lo implora, muerto mi santo amor.Muerto mi santo amor.
$7.99
7.39 €
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Piano seul
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Antonio Placencia
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Juan Carlos Cortés A
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Llora campana, llora. Canción por: Antonio Placencia
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Antonio Rotta Intabolatura de Lauto Lute Music of the Renaissance Transcribed for Baritone Ukulele a
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.810031 Composed by Antonio Rotta. Arra…
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Ukulele - Level 2 - Digital Download SKU: A0.810031 Composed by Antonio Rotta. Arranged by Michael P. Walker. Renaissance. Score. 182 pages. Michael P Walker #6071635. Published by Michael P Walker (A0.810031). Here are 48 lute compositions from the Renaissance by Antonio Rotta, (1495-1549) who was an Italian lutenist, composer, and music teacher of the Renaissance period in Padua which was part of the Republic of Venice and renowned for its university. Canon Scardeonius of Padua wrote in 1560 that Rotta was not only virtually unrivaled in Italy as a lutenist, but was also an excellent teacher and had grown quite rich by giving lessons on the lute. These pieces have been transcribed for the baritone ukulele, Renaissance guitar, low G ukelele, and many other four-course instruments. Of course, they may all be played on the guitar.
$19.95
18.45 €
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Ukulele
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Antonio Rotta
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Michael P
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Antonio Rotta Intabolatura de Lauto Lute Music of the Renaissance Transcribed for Baritone Ukulele a
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Michael P Walker
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SheetMusicPlus
"Canon" by Pachelbel - Version for OBOE SOLO.
Hautbois
Oboe Solo - Level 3 - Digital Download SKU: A0.1387494 Composed by Antonio Vivaldi.…
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Oboe Solo - Level 3 - Digital Download SKU: A0.1387494 Composed by Antonio Vivaldi. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,Wedding,World. Individual part. 3 pages. Iury Cardoso #971348. Published by Iury Cardoso (A0.1387494). OBOE SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for OBOE SOLO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and with the piano on this website.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for oboe solocanon pachelbel sheet musiccanon in D pachelbel for oboe solocanon pachelbel oboe sheet musiccanon oboe solocanon but on the oboe oboe baroque sheet musicpachelbel sheet musiccanon pachelbel best arrangement for oboe solocanon arrangement for oboe solocanon pachelbel for solo oboeclassic sheet music for oboe.
$4.99
4.62 €
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Hautbois
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Antonio Vivaldi
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Iury Cardoso
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"Canon" by Pachelbel - Version for OBOE SOLO.
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Iury Cardoso
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO.
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1385677 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1385677 Composed by Antonio Vivaldi. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Individual part. 2 pages. Iury Cardoso #969614. Published by Iury Cardoso (A0.1385677). Easy DOUBLE BASS SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for DOUBLE BASS SOLO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and with the piano on this website.- ADVANCED VERSION available: there is also an advanced version of this arrangement on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for double bass solocanon pachelbel easy sheet musiccanon in D pachelbel for easy string bass solocanon pachelbel easy double bass sheet musiccanon easy string bass solocanon but on the double bass easy double bass baroque sheet musicpachelbel sheet musiccanon pachelbel best easy arrangement for double bass solocanon arrangement for string bass solocanon pachelbel for solo double bass easy classic sheet music for double bass.
$2.99
2.77 €
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Antonio Vivaldi
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Iury Cardoso
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"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO.
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Iury Cardoso
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SheetMusicPlus
Antoniotti Giorgio-Canon pour 2 violoncelles
String Ensemble - Level 2 - Digital Download SKU: A0.942788 Composed by Antoniotti,…
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String Ensemble - Level 2 - Digital Download SKU: A0.942788 Composed by Antoniotti, Giorgio (1682-1746). Arranged by Cumant Micheline. Standards. Score and parts. 3 pages. Micheline Cumant #5713567. Published by Micheline Cumant (A0.942788). A small music for two cellos, baroque style. Easy to play.
$1.99
1.84 €
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Antoniotti, Giorgio
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Cumant Micheline
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Antoniotti Giorgio-Canon pour 2 violoncelles
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Micheline Cumant
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SheetMusicPlus
Antonio Cano : Divertissement
Guitare notes et tablatures
Téléchargez les tablatures et la partition Guitare Divertissement de Cano. T…
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Téléchargez les tablatures et la partition Guitare Divertissement de Cano. Tablatures et partition pour Guitare seule -- Musique du monde
2.99 €
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Guitare notes et tablatures
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Tomplay
Vivaldi - Spring (The Four Seasons) for Flute and Harp Duet
Harpe, Flûte (duo)
Flute, Harp - Advanced Intermediate - Digital Download Composed by Antonio Vivaldi …
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Flute, Harp - Advanced Intermediate - Digital Download Composed by Antonio Vivaldi (1678-1741). Arranged by Myriam Darme, Maia Darme. Classical Period, Baroque Period, Early Music, Repertoire, Recital. Individual Part, Score, Set of Parts. 8 pages. Published by Myriam & Maia Darme
Antonio Vivaldis Four Seasons need no introduction: it is the Italian composers best known and most loved work. Myriam and Maia Darme arranged this baroque masterpiece for flute and pedal harp.<br> <br> This is the sheet music for the third movement of Spring, a joyous pastoral dance illustrating the following sonnet: "Led by the festive sound of rustic bagpipes, nymphs and shepherds lightly dance beneath the brilliant canopy of spring."<br> <br> The PDF file includes both the score and parts. Intermediate-advanced level. Performance time: ca. 340.<br> <br> Note that the sound clip was digitally produced as a reference : the piece will sound much better on real instruments!
$3.99
3.69 €
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Harpe, Flûte (duo)
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Antonio Vivaldi (1678-1741)
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Myriam Darme, Maia Darme
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Maia Darme
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Vivaldi - Spring
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SheetMusicPlus
The Violin and Viola Duet Book - 21 Traditional and Classical Melodies for Violin and Viola
Violon, Alto (duo)
Composed by Anon., Neefe, Antonio Vivaldi (1678-1741), Jean-Philippe Rameau (1683- 17…
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Composed by Anon., Neefe, Antonio Vivaldi (1678-1741), Jean-Philippe Rameau (1683- 1764), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Franz Schubert (1797-1828), Georges Bizet (1838-1875), Peter Ilyich Tchaikovsky (1840- 1893), George Frideric Handel (1685-1759), and Traditional. Arranged by Elin Korneliussen. Baroque, Classical, Concert, Romantic Period, Wedding. Score and parts. 28 pages. Elin Korneliussen #5770687. Published by Elin Korneliussen
A whole book of duets for violin and viola, ready to download and enjoy!<br> <br> 21 beautiful melodies, arranged especially to sound good on the violin and viola, without being too difficult. These duets are great to play at students\' recitals, wedding gigs, graduation, or just for fun!<br> <br> Level: from very easy to intermediate.<br> <br> <br> Contents:<br> Anon.: Polonaise from the music book of Anna Magdalena Bach<br> <br> L. v. Beethoven: An die Freude from Symphony no. 9<br> <br> L. v. Beethoven: Sonatina<br> <br> G. F. Händel: Lascia chio pianga from Rinaldo<br> <br> G. F. Händel: Sarabande<br> <br> W. A. Mozart: Komm, lieber Mai<br> <br> W. A. Mozart: Horn duet<br> <br> W. A. Mozart: Papagenos Aria from The Magic Flute<br> <br> G. Bizet: Habanera from Carmen<br> <br> C. G. Neefe: Allegretto<br> <br> J. P. Rameau: Menuet<br> <br> F. Schubert: Willkommen, lieber schöner Mai (canon)<br> <br> Trad.: May Song (Alle Vögel sind schon da)<br> <br> Trad.: Wedding March from Lødingen, Norway<br> <br> Trad.: Wedding March from Seljord, Norway<br> <br> Trad.: Wedding March from Øre, Norway<br> <br> Trad.: Dudlebska, Czech polka<br> <br> Trad: The Beautiful Waltz from Helgeland, Norway<br> <br> P. I. Tchaikovsky: Waltz from Sleeping Beauty<br> <br> A. Vivaldi: Theme from Autumn<br> <br> A. Vivaldi: Theme from Spring
$6.99
6.47 €
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Violon, Alto (duo)
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Anon
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Elin Korneliussen
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The Violin and Viola Duet Book - 21 Traditional and Classical Melodies for Violin and Viola
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Elin Korneliussen
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SheetMusicPlus
Anthology of 19th Century Studies
Guitare
(For Five Fingers of the Right Hand). Composed by Leonhard Beck. Edited by Charles Postlew…
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(For Five Fingers of the Right Hand). Composed by Leonhard Beck. Edited by Charles Postlewate. For Guitar (Classical). Classic. Multiple Levels. E-book. 56 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781619110601. This is an anthology of beautiful easy-to-moderate level pieces by 19th century masters of the guitar: Dionisio Aguado, Antonio Cano, Federico Cano, Matteo Carcassi, Fernando Sor, and Francisco Terrega, adapted for a modern right-hand technique that includes the little finger. German Professor of Guitar Leonhard Beck has compiled this collection with the assistance of Charles Postlewate, pioneer of the use of the right hand little finger. It shows the advantage of using the little finger in the playing of scales, chords, arpeggios, tremolos and harmonics for speed, accuracy, strength and balance. These studies make good repertoire pieces for the beginning guitarist or for the advanced guitarist who wishes to add the little finger to an already-developed right-hand technique. They are graded in three levels of Easy (7 studies), Easy-Intermediate (9 studies) and Intermediate (11 studies) for the progressive development of the right hand. An ideal companion to MB98710 - Right Hand Studies for Five Fingers: Using Chords, Arpeggios, Tremolos and Harmonics by Charles Postlewate. Standard notation only.
$17.99
16.64 €
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Guitare
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Leonhard Beck
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Anthology of 19th Century Studies
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Josquin: 22 Duets for French Horn & Bass Trombone
Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 C…
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Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular âcircular canonâ and the more complex âstrict canon.â He was also an early adopter of the âinverted canonâ form, in which the same melody is repeated but in an inverted form. Josquinâs use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.48 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for French Horn & Bass Trombone
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Trombone & Tuba
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 …
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular âcircular canonâ and the more complex âstrict canon.â He was also an early adopter of the âinverted canonâ form, in which the same melody is repeated but in an inverted form. Josquinâs use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.48 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone & Tuba
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Clarinet & Bass Clarinet
2 Clarinettes (duo)
Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1074017 Composed b…
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Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1074017 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 2 scores. 50 pages. Jmsgu3 #678286. Published by jmsgu3 (A0.1074017). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular âcircular canonâ and the more complex âstrict canon.â He was also an early adopter of the âinverted canonâ form, in which the same melody is repeated but in an inverted form. Josquinâs use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.48 €
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2 Clarinettes (duo)
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Josquin des Prez
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James M
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Josquin: 22 Duets for Clarinet & Bass Clarinet
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Bassoon & Contrabassoon
Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Compos…
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Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular âcircular canonâ and the more complex âstrict canon.â He was also an early adopter of the âinverted canonâ form, in which the same melody is repeated but in an inverted form. Josquinâs use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.48 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon & Contrabassoon
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Trumpet & Bass Trombone
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular âcircular canonâ and the more complex âstrict canon.â He was also an early adopter of the âinverted canonâ form, in which the same melody is repeated but in an inverted form. Josquinâs use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.48 €
#
Josquin des Prez
#
James M
#
Josquin: 22 Duets for Trumpet & Bass Trombone
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Baritone Horn & Bass Trombone
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1…
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular âcircular canonâ and the more complex âstrict canon.â He was also an early adopter of the âinverted canonâ form, in which the same melody is repeated but in an inverted form. Josquinâs use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.48 €
#
Josquin des Prez
#
James M
#
Josquin: 22 Duets for Baritone Horn & Bass Trombone
#
jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Clarinet & Cello
Clarinette, Violoncelle (duo)
B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074010
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B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074010 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678278. Published by jmsgu3 (A0.1074010). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular âcircular canonâ and the more complex âstrict canon.â He was also an early adopter of the âinverted canonâ form, in which the same melody is repeated but in an inverted form. Josquinâs use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.48 €
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Clarinette, Violoncelle (duo)
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Josquin des Prez
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James M
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Josquin: 22 Duets for Clarinet & Cello
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Alto & Tenor Sax
2 Saxophones (duo)
Alto Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074056 Compo…
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Alto Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074056 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678327. Published by jmsgu3 (A0.1074056). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular âcircular canonâ and the more complex âstrict canon.â He was also an early adopter of the âinverted canonâ form, in which the same melody is repeated but in an inverted form. Josquinâs use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.48 €
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2 Saxophones (duo)
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Josquin des Prez
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James M
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Josquin: 22 Duets for Alto & Tenor Sax
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jmsgu3
#
SheetMusicPlus
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