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3689
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Piano seul
3327
Piano, Voix et Guitare
1685
Piano Facile
1263
Piano, Voix
698
Piano grosses notes
257
Instruments en Do
251
Accordéon
166
1 Piano, 4 mains
145
Accompagnement Piano
94
Orgue
74
Piano (partie séparée)
39
Piano Trio: piano, violon, violoncelle
37
Piano Quatuor: piano, violon, alto, violoncelle
15
Accordéon, Voix
9
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
4
Clavecin
4
1 Piano, 6 mains
3
Ligne De Mélodie, Piano
2
Instrument seul et Orgue
1
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1
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1
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1
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Guitare notes et tablatures
1717
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724
Basse electrique
548
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58
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54
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38
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31
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24
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24
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20
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18
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204
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55
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18
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15
Voix Soprano, Piano
11
Voix Tenor, Piano
8
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4
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Clarinette
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323
2 Saxophones (duo)
274
Saxophone
222
Flûte, Hautbois, Clarinette, Basson
212
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
174
2 Flûtes traversières (duo)
169
2 Clarinettes (duo)
162
Quatuor de Clarinettes: 4 clarinettes
143
Flûte traversière et Piano
139
Clarinette et Piano
115
Clarinette (partie séparée)
108
Hautbois
102
Saxophone, Clarinette (duo)
101
Saxophone Alto et Piano
96
Saxophone Soprano
94
Hautbois, Piano (duo)
85
Hautbois (partie séparée)
81
Saxophone Tenor et Piano
75
Quintette de Saxophone: 5 saxophones
74
Harmonica
74
Clarinette, Violon (duo)
70
Quatuor de Flûtes : 4 flûtes
54
Flûte, Clarinette (duo)
52
Quintette de Clarinettes: 5 clarinettes
48
Ensemble de Flûtes
47
Clarinette, Trompette (duo)
43
Flute (partie séparée)
42
2 Hautbois (duo)
42
Hautbois, Clarinette (duo)
41
Ocarina
41
Trio de Flûtes: 3 flûtes
39
Flûte à Bec
38
Hautbois, Basson (duo)
38
Flûte, Saxophone (duo)
37
Flûte, Violon
37
Hautbois, Flûte
35
Saxophone Soprano et Piano
34
Clarinette et Alto
33
Ensemble de Clarinettes
33
3 Clarinettes (trio)
33
Ensemble de saxophones
31
Flûte et Guitare
31
3 Saxophones (trio)
28
Flûte, Trompette (duo)
27
Flûte, Alto (duo)
20
Saxophone Baryton, Piano
18
2 Flûte à bec (duo)
17
Instruments en Mib
14
Hautbois, Guitare (duo)
12
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette, Basson (trio d'anches)
9
Clarinette, Violoncelle (duo)
8
Cor anglais, Piano
7
Saxophone et Guitare
7
Clarinette Basse, Piano
7
Clarinette, Basson (duo)
7
Clarinette Basse
6
Saxophone Baryton
6
Flûte, Violon, Piano
6
Cor Anglais
5
Clarinette, Guitare (duo)
5
3 Flûtes à bec (trio)
5
Flûte, Clarinette et Basson
5
Ensemble De Flûte à bec
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Violon et Violoncelle
5
Flûte, Hautbois (duo)
5
Flûte à bec Soprano
5
Flûte, Violoncelle
4
Quatuor de Flûtes à bec
4
Clarinette, Trombone (duo)
3
4 Hautbois
3
Hautbois, Violoncelle
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto, Piano
2
2 Flûtes traversières, Piano
2
Clarinette, Harpe (duo)
2
Flûte à bec Alto
2
Hautbois et alto (duo)
2
Flûte, Hautbois, Basson
2
Hautbois, violon (duo)
2
Flûte et Trio à cordes
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Trombone (duo)
2
Flûte, Clarinette, Piano (trio)
1
Clarinette, Orgue
1
2 Saxophones, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Harpe
1
Clarinette, Contrebasse (duo)
1
Piccolo
1
Flute, harpe et violon
1
Flûte à bec Tenor
1
Clarinette, Tuba
1
Flûte, Hautbois, Violon
1
Saxophone et Piano
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Orgue (duo)
1
5 Flûtes à bec
1
Cor anglais, Guitare (duo)
1
Clarinette, Basson, Piano (trio)
1
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CUIVRES
Trompette
600
Trombone
569
Cor
350
Trompette (partie séparée)
297
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
212
Trombone (partie séparée)
203
Quatuor de Cuivres : 2 trompettes, trombone, tuba
195
2 Trombones (duo)
108
2 Trompettes (duo)
99
Trompette, Piano
91
Trombone et Piano
87
Trompette, Saxophone (duo)
77
Cor (partie séparée)
69
Quatuor de Cuivres
53
Trompette, Trombone (duo)
52
Cor et Piano
50
Tuba
49
Tuba (partie séparée)
36
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Tuba et Piano
36
2 Euphoniums et 2 Tubas
19
Quatuor de cuivres: 4 trombones
17
4 Tubas
15
Quatuor de cuivres: 4 cors
14
Instruments en Sib
13
2 Cors (duo)
10
Trio de Cuivres
9
Bass Clef Instruments
9
Euphonium, Piano (duo)
9
Cor anglais, Piano
7
3 Trompettes (trio)
6
Cor Anglais
5
Ensemble de Trombones
5
Euphonium
4
Trompette, Tuba (duo)
4
Trompette, Cor (duo)
4
Trompette, Violoncelle et Piano
3
Instruments en Fa
3
Ensemble de Trompettes
3
Trompette, Trombone, Piano
2
Ensemble de Cors
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Cor et Harpe
2
Trompette, Harpe
2
Cornet et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
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Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
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Tuba ou Euphonium ou Saxhorn
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Trombone, Tuba (duo)
1
Trombone, Violon (duo)
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Tuba et Orgue
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3 Trombones (trio)
1
Trompette et Guitare
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Trombone basse
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Cor anglais, Guitare (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1012
Violon
617
Violoncelle
545
Alto seul
464
2 Violons (duo)
251
Violon, Violoncelle (duo)
204
Trio à Cordes: violon, alto, violoncelle
181
Violon et Piano
179
Harpe
166
2 Violoncelles (duo)
147
Violoncelle, Piano
120
Alto, Piano
92
Violon (partie séparée)
91
Violon, Alto (duo)
82
Contrebasse (partie séparée)
76
Trio à Cordes: 2 violons, violoncelle
68
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
2 Altos (duo)
54
Alto (partie séparée)
52
Contre Basse
43
Contrebasse, Piano (duo)
30
Trio à cordes
24
Violon, Guitare (duo)
23
4 Violoncelles
22
2 Harpes (duo)
21
Violoncelle , Guitare (duo)
19
Violoncelle (partie séparée)
18
Alto, Violoncelle (duo)
17
Trio à cordes: 3 violins
16
Piano Trio: Violon, Alto, Piano
10
Harpe, Flûte (duo)
9
Violoncelle, Contrebasse (duo)
7
Alto, Guitare (duo)
7
Trio à Cordes: 2 violons, alto
6
Quatuor à cordes : 4 altos
5
Trio à Cordes: 3 violoncelles
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Basson (duo)
3
Violon, Contrebasse (duo)
3
Harpe, Violon (duo)
3
Harpe, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Alto et Harpe
2
Trio à cordes: 3 altos
2
2 Violons, Piano
2
2 Contrebasses (duo)
1
Violon, Orgue
1
Violon, Tuba (duo)
1
Violoncelle, Orgue
1
Violon, Trompette et Piano
1
Flûte, Contrebasse (duo)
1
Harpe, Violon, Violoncelle
1
Ensemble de Violoncelles
1
Harpe (partie séparée)
1
Alto et Basson
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1202
Ensemble Jazz
284
Batterie
277
Orchestre
212
Orchestre à Cordes
187
Cloches
180
Fanfare
122
Ensemble de cuivres
111
Ensemble de Percussions
102
Percussion (partie séparée)
98
Batterie (partie séparée)
93
Xylophone
55
Jazz combo
44
Orchestre de chambre
30
Percussion
18
Marimba
12
Timbales (partie séparée)
8
Vibraphone
7
Quintette à Vent
5
Caisse Claire
4
2 Xylophones
2
Vibraphone et Marimba
2
Quintette de Cuivres: autres combinaisons
2
Xylophone, Piano
2
Cajon
2
Timbales
2
Vibraphone (partie séparée)
1
Bodhran
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Beat the Beat
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9976
DrumBeat Groove
Batterie
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1475420 By Tracy Dean McCallum.…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1475420 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 21st Century,Jazz,Rock. Score. 4 pages. Tracy Dean McCallum #1052971. Published by Tracy Dean McCallum (A0.1475420). https://tracymccallum.com/The Offbeat Shuffle: A Drun Beat DisruptionThis disrupts the Drun Beat Groove by shifting the emphasis to the off-beats, creating a more playful and unpredictable feel.Tempo: Maintain the original tempo (around 100-120 BPM) to keep the foundation steady.Feel: Instead of the classic swing with a focus on the downbeat and upbeat, the Offbeat Shuffle emphasizes the backbeat (snare) and the spaces between. Think of a laid-back, almost nonchalant groove.Articulation: Keep a clean and tight sound. Ghost notes can be used sparingly for subtle accents.Groove Breakdown:Kick Drum: Play a steady pattern on the kick drum, but slightly behind the beat. This creates a sense of pushing the groove forward.Snare Drum: The snare becomes the main focus, landing primarily on the off-beats (between the kick drum hits). This creates a syncopated feel that disrupts the original swing.Hi-Hat: Instead of a steady eighth-note pattern, try a closed hi-hat on the quarter notes with open hi-hats on the off-beats. This adds a rhythmic counterpoint to the snare.Adding Variation:Fills: Introduce short, syncopated fills that land on the off-beats. These can be based on simple rolls or flams on the snare and toms.Cymbal Accents: Crash cymbals can be strategically placed on accents or at the end of phrases, adding punctuation to the groove.Overall Effect:The Offbeat Shuffle disrupts the Drun Beat Groove by creating a playful and unpredictable feel. It retains the basic tempo and keeps the groove danceable, but adds a layer of rhythmic tension and surprise. This showcases the drummer's creativity within the established framework.pen_spark tuneshare more_vert
$5.55
4.97 €
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Batterie
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Tracy Dean McCallum
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Tracy Dean McCallum
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DrumBeat Groove
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Tracy Dean McCallum
#
SheetMusicPlus
We Gather Together (for Voice and 8-note Boomwhackers®)
Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565102 …
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565102 By Sharon Wilson. By Folk Song and Netherlands Folk Song. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Christian,Folk,Holiday,Sacred. 10 pages. Sharon Wilson #3416477. Published by Sharon Wilson (A0.565102). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: *  chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: *  have the melody played by other instruments with a range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse * use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes*  use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.37 €
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Sharon Wilson
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We Gather Together
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Sharon Wilson
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.47 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Beatitude V: Beati qui persecutionem (Blessed are the persecuted) (Downloadable)
Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - Digital Down…
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Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - Digital Download SKU: MQ.56-0027-E Composed by Howard Goodall. 8 pages. Duration 6 minutes, 4 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0027-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0027-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus (there are two measures of SSA divisi), organ, and handbells, the music has a light, ethereal feeling. The cello begins on a chant-like melody which the soloist repeats. Then all voices take up the melody. The length of the perhaps unfamiliar Latin text is offset by the simplicity of the beautiful vocal line. Duration 6:04Instrumentalists play from the choral score.
$2.75
2.46 €
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Howard Goodall
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Beatitude V: Beati qui persecutionem
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.78 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Beatitude VII: Beati mites (Blessed are the meek) (Downloadable)
Chorale Unison
Solo, unison voices, cello, and organ - Moderately Easy - Digital Download SKU: MQ.56-0…
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Solo, unison voices, cello, and organ - Moderately Easy - Digital Download SKU: MQ.56-0029-E Composed by Howard Goodall. 5 pages. Duration 4 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0029-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0029-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For solo and unison voices, cello, and organ, the music has a light, ethereal feeling. The text is in Latin. Appropriately for the title, this movement has the simplest construction of any of the Beatitude pieces. An angular but comfortable vocal line is sung first by the soloist and then by an increasing number of voices. The organ and muted cello accompany with a sustained, almost cantus-firmus-like line. Peaceful, legato, and sublime. Duration 4:30Instrumentalists play from the choral score.
$2.65
2.37 €
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Chorale Unison
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Howard Goodall
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Beatitude VII: Beati mites
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Beatitude IV: Beati qui lugent (Blessed are they that grieve) (Downloadable)
Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - Digital Down…
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Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - Digital Download SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0026-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0026-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. The text is entirely in Latin and begins with a chant-like melody in unison. The cello begins to dialogue with this melody offset by a measure. The soloist is heard next in music that also dialogues with the cello, both a bit more complex than the beginning. All voices take up the solo passage, the cello commenting. The voices go into canon at the half measure, the cello continues with its own melody. The piece returns to unison and ends quietly. Duration 7:10Instrumentalists play from the choral score.
$3.15
2.82 €
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Howard Goodall
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Beatitude IV: Beati qui lugent
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Beatitude III: Beati qui esuriunt (Blessed are the hungry) (Downloadable)
2 treble choir, cello, organ, and handbells - Easy - Digital Download SKU: MQ.56-0025-E…
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2 treble choir, cello, organ, and handbells - Easy - Digital Download SKU: MQ.56-0025-E Composed by Howard Goodall. Instrument parts. 5 pages. Duration 5 minutes, 2 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0025-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0025-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two-part treble chorus, cello, organ, and handbells, the music has a light, ethereal feeling. The piece begins in unison on a lyrical theme, which the cello echoes next in a 30-measure solo. The voices enter again with the theme, expanded to two parts. After brief restatement in the cello, the piece returns to a quiet, unison ending. Duration 5:02Instrumentalists play from the choral score.
$2.75
2.46 €
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Howard Goodall
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Beatitude III: Beati qui esuriunt
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Offbeat in Two - Trumpet Quartet
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412055. Published by Phil Beaman (A0.844476). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trumpet Quartet; 4 Bb Trumpets. Go for it!
$7.99
7.16 €
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Phil Beaman
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Offbeat in Two - Trumpet Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.844477…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.844477 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412079. Published by Phil Beaman (A0.844477). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Clarinet Quartet. Go for it!
$7.99
7.16 €
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Quatuor de Clarinettes: 4 clarinettes
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Phil Beaman
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Offbeat in Two - Clarinet Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - French Horn Quartet
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Be…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412099. Published by Phil Beaman (A0.844478). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for French Horn Quartet. Go for it!
$7.99
7.16 €
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Phil Beaman
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Offbeat in Two - French Horn Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.844479
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.844479 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3414541. Published by Phil Beaman (A0.844479). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Flute Quartet. Go for it!
$7.99
7.16 €
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Quatuor de Flûtes : 4 flûtes
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Phil Beaman
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Offbeat in Two - Flute Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Bassoon Quartet
4 Bassons
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.844480
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.844480 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3414545. Published by Phil Beaman (A0.844480). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Bassoon Quartet. Go for it!
$7.99
7.16 €
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4 Bassons
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Phil Beaman
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Offbeat in Two - Bassoon Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Trombone Quartet
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phi…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414557. Published by Phil Beaman (A0.844481). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trombone Quartet. Go for it!
$7.99
7.16 €
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Phil Beaman
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Offbeat in Two - Trombone Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Baritone Horn Quartet
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Ph…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414561. Published by Phil Beaman (A0.844483). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Baritone Horn Quartet. Go for it!
$7.99
7.16 €
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Phil Beaman
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Offbeat in Two - Baritone Horn Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.844475 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.844475 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412051. Published by Phil Beaman (A0.844475). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Saxophone Quartet; 4 Altos or 4 Tenors, or even 4 Sopranos or 4 Baris. Go for it!
$7.99
7.16 €
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Quatuor de Saxophones: 4 saxophones
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Phil Beaman
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Offbeat in Two - Saxophone Quartet
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Phil Beaman
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SheetMusicPlus
Beatitude VIII: Beati pacifici (Blessed are the peacemakers) (Downloadable)
Solo, SS choir divisi, cello, organ, and handbells - Moderately Easy - Digital Download
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Solo, SS choir divisi, cello, organ, and handbells - Moderately Easy - Digital Download SKU: MQ.56-0030-E Composed by Howard Goodall. Instrument parts. 9 pages. Duration 5 minutes, 58 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0030-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0030-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soloist, SS chorus (divisi), organ, cello, and handbells, the music has a light, ethereal feeling. A unison chant-line begins the piece unaccompanied. The organ enters with a drone as the chant continues. At the text “vocabuntur (called)†the voices split into three parts in a beautiful moment of radiance. There is a cello solo (13 measures) which restates the chant melody. The voice enter wordlessly as the cello continues. Finally, the chant melody reappears in the voices, in canon, as the music ends. Duration 5:58Instrumentalists play from the choral score.
$2.75
2.46 €
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Howard Goodall
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Beatitude VIII: Beati pacifici
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
I Sing the Mighty Power of God (for Voice and 8-note Boomwhackers®)
Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565097 …
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565097 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,Instructional,Praise & Worship,Sacred,Traditional. 10 pages. Sharon Wilson #3409393. Published by Sharon Wilson (A0.565097). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other instruments with a chromatic scale range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.37 €
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Sharon Wilson
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Sharon Wilson
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I Sing the Mighty Power of God
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Sharon Wilson
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SheetMusicPlus
Eleanor Rigby - String Quartet - Beatles arr. Cellobat - Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By The Beatles. Arranged by Sarah Cell…
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String Quartet - Intermediate - Digital Download By The Beatles. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 15 pages. Published by Sarah Chaffee
Everyone loves the Beatles - and since we all get Beatles requests so often, the more in your repertoire the better! This arrangement of "Eleanor Rigby" for string quartet is one of the first charts I ever wrote, so it has a special place in my heart. Taking a Phil Spector/"Wall of Sound" type approach, this is unlike any version of Eleanor Rigby you've ever heard before; it's packed with layers of exciting harmonies, countermelodies, and melodic tradeoffs between the parts. This arrangement is as fun to play as it is to listen to, and it will be great for pop concerts, weddings, receptions, cocktail parties, solo and ensemble contests, and any other event that needs some vintage rock and roll! Intermediate-level arrangement with a handful of tied notes and first-position double stops. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "Eleanor Rigby." Crowd pleasing guaranteed. Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Beatles
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Sarah Cellobat Chaffee
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Eleanor Rigby - String Quartet - Beatles arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
Beati II: Pro alios curantibus (For those that care for others) (Downloadable)
Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU:…
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Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0022-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0022-E). Latin. Luke 10:33; Isaiah 66:13.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44Instrumentalists play from the choral score.
$3.15
2.82 €
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Howard Goodall
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Isaiah 66:13
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Beati II: Pro alios curantibus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Beatitude VI: Beati misericordes (Blessed are the merciful) (Downloadable)
SS choir, organ, cello, and handbells - Moderately Easy - Digital Download SKU: MQ.56-0…
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SS choir, organ, cello, and handbells - Moderately Easy - Digital Download SKU: MQ.56-0028-E Composed by Howard Goodall. Instrument parts. 5 pages. Duration 3 minutes, 9 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0028-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0028-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. Set entirely in Latin, the music is a flowing, melismatic chant melody sung largely in unison. Two-thirds of the way through, the vocal texture goes into two parts, the cello doubling the lower vocal line at first. The vocal parts return to unison for the final melisma. Duration 3:09Instrumentalists play from the choral score.
$2.65
2.37 €
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Howard Goodall
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Beatitude VI: Beati misericordes
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Beatitude I: Beati pauperes (Blessed are the poor) (Downloadable)
2 soloists, SSA choir, cello, organ, and synthesizer - Moderately Easy - Digital Download …
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2 soloists, SSA choir, cello, organ, and synthesizer - Moderately Easy - Digital Download SKU: MQ.56-0023-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0023-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0023-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two soprano soloists and SA treble chorus (marked Soprano I and Soprano II in the score), cello, organ, and synthesizer, the music has a light, ethereal feeling. The Beatitudes text is set here entirely in Latin. Beginning in a meditative chant-like style, the music moves to a sort of dialogue duet, sometimes between the two soprano sections and sometimes between the two soloists. The music is sweet, lyrical, and calm. Duration 4:10Instrumentalists play from the choral score.
$3.15
2.82 €
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Howard Goodall
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Beatitude I: Beati pauperes
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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