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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Call Across - Electric Guitar
Partitions à imprimer
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Shenandoah classical guitar fingerstyle
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.556976 Composed by Traditional. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.556976 Composed by Traditional. Arranged by PianoSheetNow. 20th Century,Classical,Contemporary,Folk,Romantic Period. Guitar Tab. 2 pages. PianoSheetNow #6565221. Published by PianoSheetNow (A0.556976). Shenandoah (also called Across the Wide Missouri, Rolling River, Oh, My Rolling River, World of Misery) is a traditional folk song, sung in the Americas, of uncertain origin, dating to the early 19th century.Guitar fingerstyle. For Guitar solo or Guitar and voice.
$2.99
2.67 €
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Guitare notes et tablatures
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Traditional
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PianoSheetNow
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Shenandoah classical guitar fingerstyle
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PianoSheetNow
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SheetMusicPlus
The story of Henry King - for clarinet and guitar
Clarinette, Guitare (duo)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.575816 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 8 pages. David Warin Solomons #2028401. Published by David Warin Solomons (A0.575816). From a series of duets for clarinet and guitar called The poem is the song The complete set, all available on the this site, comprise: Venus has left the building - inspired by the poem Venus by Gavin Ewart: a goddess has just checked out and left no forwarding address... Across a crowded room - inspired by the poem The worst of loves by Douglas Dunn: Where do they go, the faces... Being but men - inspired by the poem Being but men by Dylan Thomas: Being but men, we walked into the trees... Chantefable - based on the medieval song about Aucassin and Nicolette: Qui vauroit bons vers oïr del deport du viel antif (who would hear a fine poem from the olden days)... The Story of Henry King - inspired by the poem The chief defect of Henry King by Hilaire Belloc - The chief defect of Henry King was chewing little bits of string... Versions for flute and guitar are also available The pdf file contains score and parts. The sound sample is an electronic preview.
$7.00
6.25 €
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Clarinette, Guitare (duo)
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David Warin Solomons
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The story of Henry King - for clarinet and guitar
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David Warin Solomons
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SheetMusicPlus
Being but men - for clarinet and guitar
Clarinette, Guitare (duo)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.575814 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #2028397. Published by David Warin Solomons (A0.575814). From a series of duets for clarinet and guitar called The poem is the song The complete set, all available on the this site, comprise: Venus has left the building - inspired by the poem Venus by Gavin Ewart: a goddess has just checked out and left no forwarding address... Across a crowded room - inspired by the poem The worst of loves by Douglas Dunn: Where do they go, the faces... Being but men - inspired by the poem Being but men by Dylan Thomas: Being but men, we walked into the trees... Chantefable - based on the medieval song about Aucassin and Nicolette: Qui vauroit bons vers oïr del deport du viel antif (who would hear a fine poem from the olden days)... The Story of Henry King - inspired by the poem The chief defect of Henry King by Hilaire Belloc - The chief defect of Henry King was chewing little bits of string... Versions for flute and guitar are also available The pdf file contains score and parts. The sound sample is an electronic preview.
$7.00
6.25 €
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Clarinette, Guitare (duo)
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David Warin Solomons
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Being but men - for clarinet and guitar
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David Warin Solomons
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SheetMusicPlus
Venus has left the building - for clarinet and guitar
Clarinette, Guitare (duo)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.575812 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 8 pages. David Warin Solomons #2028381. Published by David Warin Solomons (A0.575812). From a series of duets for clarinet and guitar called The poem is the song The complete set, all available on the this site, comprise: Venus has left the building - inspired by the poem Venus by Gavin Ewart: a goddess has just checked out and left no forwarding address... Across a crowded room - inspired by the poem The worst of loves by Douglas Dunn: Where do they go, the faces... Being but men - inspired by the poem Being but men by Dylan Thomas: Being but men, we walked into the trees... Chantefable - based on the medieval song about Aucassin and Nicolette: Qui vauroit bons vers oïr del deport du viel antif (who would hear a fine poem from the olden days)... The Story of Henry King - inspired by the poem The chief defect of Henry King by Hilaire Belloc - The chief defect of Henry King was chewing little bits of string... Versions for flute and guitar are also available The pdf file contains score and parts. The sound sample is an electronic preview.
$7.00
6.25 €
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Clarinette, Guitare (duo)
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David Warin Solomons
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Venus has left the building - for clarinet and guitar
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David Warin Solomons
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SheetMusicPlus
Crazy Little Thing Called Love
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.997759 By Queen. By F…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.997759 By Queen. By Freddie Mercury. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score. 11 pages. Jim Farley arrangementsone.com #603432. Published by Jim Farley arrangementsone.com (A0.997759). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$4.99
4.46 €
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Piano, Voix et Guitare
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Queen
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Jim Farley - www
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Crazy Little Thing Called Love
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Jim Farley arrangementsone.com
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SheetMusicPlus
Crazy Little Thing Called Love
Small Ensemble Alto Saxophone,Bass Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Tru…
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Small Ensemble Alto Saxophone,Bass Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.997757 By Queen. By Freddie Mercury. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score and parts. 46 pages. Jim Farley arrangementsone.com #603430. Published by Jim Farley arrangementsone.com (A0.997757). Arranged for 7 piece horn band including: Conductor Score, Piano/Vocal/Chords, Lead Sheet, Guitar, Bass Guitar, Alto Sax, Tenor Sax (identical to Alto), Trumpet & Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$40.00
35.73 €
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Queen
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Jim Farley - www
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Crazy Little Thing Called Love
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Jim Farley arrangementsone.com
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SheetMusicPlus
A Little Baby - Christmas song solo and piano composed by Connie Boss
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1287819 Composed by C…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1287819 Composed by Connie Boss. Christmas. Score. 4 pages. Connie Boss #878897. Published by Connie Boss (A0.1287819). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for melody and piano. I have this in other versions as well on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$5.99
5.35 €
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Piano, Voix et Guitare
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Connie Boss
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A Little Baby - Christmas song solo and piano composed by Connie Boss
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Connie Boss
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SheetMusicPlus
Gödel, Escher, Bach (2023)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1377044 Composed by T…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1377044 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. Score. 61 pages. Thomas Oboe Lee #961650. Published by Thomas Oboe Lee (A0.1377044). I came across Douglas R. Hofstadter's book Gödel, Escher, Bach when I was a doctoral student at Harvard University, 1977-81. I guess I bought it because I saw the name Bach on its cover. I have to confess however that I was unable to go through it all; the Gödel theorems and others were beyond my elementary knowledge of math and science. Early this summer I accidentally found an article in The Atlantic about a conversation between Sami Al-Suwailem and Professor Hofstadter regarding a question that the former presented to the LLM (large-language-model), ChatGPT: Why Did I Write GEB? NB: GEB is an acronym of Gödel, Escher, Bach. The conversation between them about ChatGPT was hilarious; basically Hofstadter said ChatGPT is ridiculously clumsy and inept. I, on the other hand, immediately thought: wouldn't it be fun to set excerpts of the GEB text in a song cycle for tenor and piano?I wrote to Prof. Hofstadter and he was enthusiastic about my idea of a GEB song cycle and encouraged me to go ahead.After reading through the tome of 700-plus pages (and skimming through the over my head mathematical parts), I came up with eight paragraphs of texts which I set to music.1. A Fugue is ...2. Fishes and Scales ...3. Bach and Cage ...4. The Carroll Dialogue ...5. Crab Canon ...6. The Brain's Ants ...7. Is 15 wondrous, or unwondrous?8. The Origin of Life ...
$9.99
8.92 €
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Piano, Voix et Guitare
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Thomas Oboe Lee
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Gödel, Escher, Bach
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Thomas Oboe Lee
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SheetMusicPlus
Father's Day Song
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1028870 Composed by Darrell Han…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1028870 Composed by Darrell Hansen. Arranged by Darrell Hansen. Holiday. Score. 10 pages. Darrell Hansen #4352773. Published by Darrell Hansen (A0.1028870). I wrote this song for my dad, as I reflected on my final visit with him on this earth. He had done some drinking, he had smoked like a chimney for many years. As a result of some bad choices, he had to undergo quadruple bypass heart surgery, from which he never really came back fully. I remember my last visit was on the porch swing at dad and mom's place. He was really down on himself, very dissatisfied with his life, and basically considered himself a failure. I tried to assure him that I was proud of him. After all, he stayed with mom, ran a small business, left a paid off house, always kept us fed, and even took us on some wild journeys across the country. I thought about dad after he passed and the thought came to me that even though he was down on himself, in my eyes he was a king. The rest is history. .
$3.99
3.56 €
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Piano, Voix et Guitare
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Darrell Hansen
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Darrell Hansen
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place
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Father's Day Song
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Darrell Hansen
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SheetMusicPlus
Caledonia
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1077729 By Dougie Maclean. By Douglas M…
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Guitar - Level 1 - Digital Download SKU: A0.1077729 By Dougie Maclean. By Douglas Menzies MacLean. Arranged by Calum Wood. Celtic,Folk,Irish,Traditional. Guitar Tab. 2 pages. Calum Wood #681927. Published by Calum Wood (A0.1077729). Calling all fans of Scottish folk music! We are thrilled to offer our guitar score of the classic tune Caledonia by Dougie MacLean - a song that captures the spirit of Scotland and its rich cultural heritage.Our Caledonia guitar score is written in both TAB and music notation, making it accessible to players of all levels. This tune is perfect for intermediate to advanced players looking to challenge themselves with a complex and nuanced piece of music.Caledonia is a unique and powerful song that speaks to the heart and soul of Scotland. The song's lyrics paint a vivid picture of the Scottish landscape and its people, and the melody captures the spirit of the country's rich musical heritage. The song has become a beloved classic in the folk music canon, and its timeless appeal has made it a favorite of audiences around the world.The history of Caledonia dates back to the 1970s, when Dougie MacLean wrote the song while homesick for his native Scotland while living in France. The song became an instant hit when it was first released in 1979, and has since been covered by countless artists across a wide range of genres.Our guitar score of Caledonia is the perfect way to pay tribute to this classic song and showcase your guitar skills. From the intricate fingerpicking patterns to the soaring melody, our score captures the essence of this iconic tune and allows you to recreate it in your own unique style.Don't miss out on this opportunity to add Caledonia to your repertoire and showcase your love of Scottish folk music. Order your guitar score today and take your first step toward becoming a folk music legend!
$4.99
4.46 €
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Guitare notes et tablatures
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Dougie Maclean
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Calum Wood
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Caledonia
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Calum Wood
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.25 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.25 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.25 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.25 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Cygnus X-1 Book Ii: Hemispheres
Basse electrique
Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, …
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Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99
5.35 €
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Basse electrique
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemispheres
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Tracy Dean McCallum
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SheetMusicPlus
Miserable and Sorrow. (Pearl Harbor after attack)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1006983 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1006983 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Contemporary,Halloween,World. Score. 178 pages. Johnson Gao #3372607. Published by Johnson Gao (A0.1006983). The title of Miserable and Sorrow. (Pearl Harbor after attack) is a new name to the song previously called as Wondering along a Raided Harbor. Since it did not specify which harbor, you can say it is Pearl Harbor; or, any harbors or cities after bombardment in a war, such that Hiroshima, Berlin, etc. The theme of the song is to express the miserable and sorrow feeling caused by a war, and induce people to hate the war. The song was collected in Gao's Harbor Music. which contains 12 pieces of songs: Sun Rises from the Japanese Ocean (Tokyo’s Morning); Night Light Cast over the Huangpu River, Shanghai; Sea Breeze over the Harbor of Qingdao; Gulangyu (Short Version and Chinese Lyrics); Gulangyu (Long Version with more Instruments); Water Ski Show at Darling Harbor, Sydney; Blue Hong Kong Waltz Bon Voyage; Wondering along a Raided Harbor (A Waltz that Blames the War); Suzhou – The Eastern Venice (Sitting in a Boat across many Bridges); A Salute to the Cruiser Aurora on the Neva River (St. Petersburg’s Evening) and A lullaby for the Statue of liberty. Page 99 to 125 is this song with a sound track attached. Other music sheets of 11 songs are as a bonus to this current music sheet purchase. Totally 174 pages.悲慘兮憂傷（çç 港襲擊後） 的標題是以å‰è¢«ç¨±ç‚º 沿著çªè¥²æ¸¯å£çš„怨念 çš„æŒæ›²çš„æ–°åå—。既然沒有指定哪個港å£ï¼Œå¯ä»¥èªªæ˜¯çç 港，或者在戰çˆä¸è½Ÿç‚¸ä¹‹å¾Œçš„任何港å£æˆ–城市，如廣島，æŸæž—ç‰ã€‚這首æŒæ›²çš„主題是表é”戰çˆé€ æˆçš„痛苦和悲傷的感覺，並引起人們討åŽæˆ°çˆã€‚這首æŒæ”¶è—在 高æ°æµ·æ¸¯éŸ³æ¨‚ ä¸ã€‚å…¶ä¸åŒ…å«12首æŒæ›²ï¼šå¤ªé™½å‡èµ·æ—¥æœ¬æµ·æ´‹ï¼ˆæ±äº¬æ—©æ™¨ï¼‰; 上海黃浦江夜燈; é’島港ç£æµ·é¢¨; 鼓浪嶼（簡體ä¸æ–‡æŒè©žï¼‰; 鼓浪嶼（長版更多樂器）; 悉尼é”ä»¤æ¸¯æ°´ä¸Šæ»‘æ°´å ´; è—色香港è¯çˆ¾èŒ²; ä¸€å¸†é¢¨é †; 惆悵於一個çªè¥²çš„港å£ï¼ˆæŒ‡è²¬æˆ°çˆè¯çˆ¾èŒ²ï¼‰; 蘇州 - æ±æ–¹çš„å¨å°¼æ–¯ï¼ˆå在跨越許多橋的船上）; å‘涅瓦河上的巡洋艦致敬（è–å½¼å¾—å ¡å¤œæ™šï¼‰å’Œè‡ªç”±å¥³ç¥žåƒæ–籃曲。這是一首附有è²è»Œçš„æŒæ›²ã€‚ 11首æŒæ›²çš„其他樂èœä½œç‚ºè³¼è²·ç•¶å‰æŒèœçš„çŽè³žã€‚å…±174é 。
$1.99
1.78 €
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Piano, Voix et Guitare
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Johnson K
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e-Pllination Inc
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Miserable and Sorrow.
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Johnson Gao
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SheetMusicPlus
Lady Hammond's Alman
Mandoline, Guitare (duo)
Instrumental Duet Guitar,Instrumental Duet,Mandolin - Digital Download SKU: A0.1017679
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - Digital Download SKU: A0.1017679 Composed by John Dowland. Arranged by Gordon Jackson. Celtic,Classical,Folk,Irish,Multicultural,Renaissance,World. Score and parts. 2 pages. Gordon Jackson #6437115. Published by Gordon Jackson (A0.1017679). Lady Hammond’s Alman(Lady Laiton’s Alman)I first came across a tune called Lady Hammond’s Alman in a book of country dances. It comprised just a melody. As I played it on mandolin I was adding plenty of double stops, and I wrote these down. I then added a bass line. Later, I discovered the piece to be a composition of the Elizabethan lutenist, John Dowland. Later still, I found the piece under the name, Lady Laiton’s Alman, but I have retained the Lady Hammond title simply because that is how I first encountered it!An alman (aka almand, almand, allemande etc) is a dance in duple time. Thoinot Arbeau, in his Orchesography of 1589, states that ‘The Alman is a simple, rather sedate dance, familiar to the Germans, and, I believe, one of our oldest since we are descended from them.’ (‘Allemande’ means ‘German’ in French.)
$4.99
4.46 €
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Mandoline, Guitare (duo)
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John Dowland
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Gordon Jackson
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Lady Hammond's Alman
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Gordon Jackson
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SheetMusicPlus
Cry Cry ('Til the Sun Shines)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PSP-000398 By Martina McBride. Cou…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PSP-000398 By Martina McBride. Country. 6 pages. Alfred Music - Digital Sheet Music #00-PSP-000398. Published by Alfred Music - Digital Sheet Music (AX.00-PSP-000398). ISBN 9780739049051. UPC: 038081309484.Martina McBride has been performing her vocally stunning country songs since 1992, when she performed the opening set for the legendary Garth Brooks after being discovered only two weeks prior. Her nine-album total makes her something of a country music legend, as do her nearly 50 top singles to hit the charts. A role model to her three young daughters at home, an idol to young stars like American Idol's Carrie Underwood, and winner of multiple awards from the Country Music Association and the Academy of Country Music, Martina's strong soprano voice continues to move country music fans across the nation. Alfred presents a song from the album-matching folio to her album, Waking Up Laughing. The hit album debuted at the top of both the Top Country Albums chart and the Billboard 200 chart, and now you can play and sing along! Includes lyrics, melody line, and chord changes with professionally arranged piano accompaniment.
$3.99
3.56 €
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Piano, Voix et Guitare
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Martina McBride
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Cry Cry
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Out Of Exile
Basse electrique
Bass Guitar TAB - Level 4 - Digital Download SKU: A0.1393485 By Audioslave. By Audi…
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Bass Guitar TAB - Level 4 - Digital Download SKU: A0.1393485 By Audioslave. By Audioslave and Chris Cornell. Arranged by Jared Plane. Contemporary,Rock. Score. 4 pages. Jared Plane #976968. Published by Jared Plane (A0.1393485). Tim Commerford's original bass line as played on the Audioslave song, Out Of Exile released on their 2005 album of the same name, Out Of Exile. This bass line features a fun, percussive bass technique called muted strumming. Simply lay the fingers of your fretting hand down across the strings and strum in time with notated rhythm as if you're playing guitar chords. This transcription comes with Standard Notation and bass TAB.
$5.00
4.47 €
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Basse electrique
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Audioslave
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Jared Plane
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Out Of Exile
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Jared Plane
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SheetMusicPlus
Fuck You
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voi…
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.765324 By Cee Lo Green. By Ari Levine, Bruno Mars, Philip Lawrence, and Thomas Calloway. Arranged by Jim Farley www.arrangementsone.com. Film/TV. Score and parts. 42 pages. Jim Farley arrangementsone.com #5743441. Published by Jim Farley arrangementsone.com (A0.765324). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$29.99
26.79 €
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Cee Lo Green
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Jim Farley www
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Fuck You
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Jim Farley arrangementsone.com
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SheetMusicPlus
Santa Claus Is Comin' To Town
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bass Guitar,Bassoon,Clarinet,English Hor…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bass Guitar,Bassoon,Clarinet,English Horn,Flute,Harpsichord,High Voice,Low Voice,Medium Voice,Oboe,Organ,Piano Accompaniment,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin - Digital Download SKU: A0.858684 By Steve Tyrell. By John Frederick Coots. Arranged by Stephen Bulat. Jazz. Score and parts. 20 pages. Stephen Bulat Publishing #5754209. Published by Stephen Bulat Publishing (A0.858684). The sheet music for Santa Claus Is Coming To Town; the classic Christmas song in the style of Bruce Springsteen & The East Street Band. It includes both a lead sheet with melody, lyrics and chords (and some cue markings) and a rhythm chart with more detailed cues written out. This is the Bandleader Gig Pack which has both the lead sheet and rhythm chart for C, Bb and Eb instruments; perfect if you have a sax or trumpet player wanting to play along with the band. Every chart has rehearsal markings that match across all parts; ideal for making notes and calling out sections of the song. As well, sheet music with no key signature and empty bars but with rehearsal markings is included for any musician (eg: drummer) wanting a blank template to write in their parts in sheet music that lines up with the other musicians.A Holiday songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to fit on one page. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (e.g. violin, flute, singer)Please click on the publisher to view this song in other keys as well as to purchase other popular Christmas songs in the Christmas Classics Fake Book compilation.Christmas Classics Fake Book (C Instruments): https://www.sheetmusicplus.com/title/20936007 - Item Number: S0.440923Christmas Classics Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/20940166 - Item Number: S0.444845Christmas Classics Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/20940155 - Item Number: S0.444839Christmas Classics Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/20953727 - Item Number: S0.453973SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 - Stephen Bulat PublishingOnline: http://stephenbulat.com
$9.99
8.92 €
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Steve Tyrell
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Stephen Bulat
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Santa Claus Is Comin' To Town
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Stephen Bulat Publishing
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SheetMusicPlus
East St. Louis Toodle-oo
Large Ensemble Bass Guitar,Clarinet,Drum Set,Piano Accompaniment,Soprano Saxophone,Tenor S…
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Large Ensemble Bass Guitar,Clarinet,Drum Set,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.944878 By Duke Ellington. By Bub Miley and Duke Ellington. Arranged by Craig Peaslee. Jazz. Score and parts. 47 pages. Craig Peaslee Music #5718751. Published by Craig Peaslee Music (A0.944878). A classic song from the Duke Ellington Orchestra arranged for a four horn jazz ensemble: Clarinet, Tenor Saxophone (doubling on Soprano Saxophone), Trumpet, Trombone and Rhythm Section (Guitar, Piano, Drums and Bass or Tuba).Famous for the Bubber Miley distorted - talking - Trumpet parts, the arrangement boils down what Ellington's full ensemble was performing to just the four horns plus rhythm section. The original Baritone Saxophone solo is written out for Trombone and the Clarinet solo is also written (both include chords for improvisation).Features the Soprano Saxophone trio-soli (written out here for Clarinet, Soprano Sax and muted Trumpet).Tempo marking calls for a much slower pace than in Ellington's original in order to get across the sexiness of the harmonies and lead lines.
$20.00
17.86 €
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Duke Ellington
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Craig Peaslee
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East St. Louis Toodle-oo
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Craig Peaslee Music
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SheetMusicPlus
8 Note Modified Minor Scale For Bass Players
Bass Voice - Digital Download SKU: A0.1329201 By Shane McDonald. By Shane McDonald.…
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Bass Voice - Digital Download SKU: A0.1329201 By Shane McDonald. By Shane McDonald. Arranged by Shane McDonald. Instructional. Educational Method. 32 pages. Electrafuzz #917135. Published by Electrafuzz (A0.1329201). THE ONE SCALE THAT COVERS IT ALL - CALLING ALL BASS PLAYERS SWIMMING IN A POOL OF SCALESWhat if I told you that there is an 8 note scale that covers most of the common chord types you will come across including Major, Minor, Dominant 7, Half Diminished and beyond - for you to incorporate into your grooves, fills and improvising. This scale idea with chromatics is designed for the bass guitar neck to fit comfortably and fluently, and to move into any position up and down the neck with ease, and without the need for crazy stretching and fingering.What I have here is an 8 note minor scale that you can incorporate into your playing. It has chromaticism and musicality and will add interest to your playing beyond just diatonic scales, pentatonics and blues scales. I started looking into this scale so as to create more interesting ideas for soloing over funk, R&B or pop tunes - but I also found I could use it in jazz too.
$9.99
8.92 €
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Shane McDonald
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Shane McDonald
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8 Note Modified Minor Scale For Bass Players
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Electrafuzz
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SheetMusicPlus
Mr. Tambourine Man
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1425872 By Bob Dylan. By Bob Dylan.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1425872 By Bob Dylan. By Bob Dylan. Arranged by J.Palacius. 20th Century,Folk,Multicultural,Rock,Singer/Songwriter,World. Score. 3 pages. Jhavilah #1006638. Published by Jhavilah (A0.1425872). Mr. Tambourine Man by Bob Dylan is a timeless classic that transcends generations with its poetic lyrics and mesmerizing melody. Released in 1965 as the opening track of Dylan's fifth studio album, Bringing It All Back Home, the song quickly became an anthem of the 1960s counterculture movement and remains a staple in Dylan's extensive repertoire.At its core, Mr. Tambourine Man is a surreal journey through the mind, filled with vivid imagery and dreamlike scenes. Dylan's lyrics evoke a sense of wanderlust and yearning for escape, as he addresses a mysterious figure - the Tambourine Man - who holds the key to unlocking a world of imagination and freedom.The tambourine, often associated with folk music and mysticism, serves as a symbol of the transformative power of music and creativity. Dylan's poetic verses invite listeners to join him on a transcendental voyage, where the boundaries between reality and fantasy blur, and the promise of liberation beckons.Musically, Mr. Tambourine Man captivates with its simple yet enchanting melody, driven by Dylan's distinctive vocal delivery and accompanied by acoustic guitar. The song's gentle rhythm and ethereal atmosphere create a sense of ethereal longing, perfectly complementing the introspective nature of the lyrics.Over the years, Mr. Tambourine Man has been covered by numerous artists, further cementing its status as a folk-rock classic. From The Byrds' iconic jangly rendition to interpretations by artists spanning various genres, the song's enduring appeal lies in its universal themes of escapism, inspiration, and the transformative power of music.In essence, Mr. Tambourine Man stands as a testament to Bob Dylan's unparalleled ability to craft songs that resonate deeply with audiences across generations. Its poetic lyricism and timeless melody continue to captivate listeners, making it a cornerstone of not only Dylan's illustrious career but also the broader landscape of popular music.
$5.99
5.35 €
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Piano seul
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Bob Dylan
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J
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Mr. Tambourine Man
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Jhavilah
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SheetMusicPlus
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