As an accompaniment in the home of people's lives during the 50's onwards, music between the stoves was a common activity and made the task of cooking more enjoyable, adding culinary art to the musical art. Even in the flamenco melodies, some secret recipes or ingredients were noted, perhaps to perpetuate the tradition and passing between generations of culinary ideas, thus preserving the essence of typical stews in musical styles such as tanguillo, tango, rumba or rancheras. In this album, as a continuation of the previous one, we present the transcription for piano of seven flamenco songs with gastronomic content.

ISBN 9781513455709. 8.75 x 11.75 inches.

These Juan Martin compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, virtuosic guajiras and the mysteriously beautiful rondena, dissonant and deep. If you master these 8 solos, you will be well on the way to becoming a concert soloist. Includes access to online audio. Estas composiciones de Juan Martin son para guitarristas flamencos, clasicos y de cualquier tipo en niveles intermedios y mas avanzados que ya tienen experiencia en instrumentos y tecnicas como arpegios, tremolo y digitacion correcta de la mano izquierda, pero desean ampliar su conocimiento de las tecnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondena, disonante y profunda. Si dominas estos 8 solos, estaras en camino de convertirte en solista de concierto. Incluye acceso a audio en linea.

ISBN 9781513455693. 8.75 x 11.75 inches.

These Juan Martin compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, virtuosic guajiras and the mysteriously beautiful rondena, dissonant and deep. If you master these 8 solos, you will be well on the way to becoming a concert soloist. Includes access to online audio. Estas composiciones de Juan Martin son para guitarristas flamencos, clasicos y de cualquier tipo en niveles intermedios y mas avanzados que ya tienen experiencia en instrumentos y tecnicas como arpegios, tremolo y digitacion correcta de la mano izquierda, pero desean ampliar su conocimiento de las tecnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondena, disonante y profunda. Si dominas etros 8 solos, estaras en camino de convertirte en solista de concierto. Incluye acceso a audio en linea.

The The music of Spain came to the new world and returned brimming with new flavors generating the ?Cantes de Ida y Vuelta.?

The Colombiana, unlike inferred by its name, is a jovial flamenco style that incorporates the beauty and flirtatious quality of the Cuban Guajira and the festive air of the rumba. ?Zalamera,? or flatterer, unites these melodic and rhythmical influences.

Los ?12 estudios flamencos para piano? son una síntesis entre el pianismo virtuoso romántico y las sonoridades y armonías flamencas y españolas. Su objetivo va más allá de las aproximaciones basadas en copiar los estereotipos propios de la guitarra flamenca y sus patrones típicos, pues musicalmente no se trata ni de flamenco puro, ni de simples estudios técnicos de mecanismo: se trata más bien hablar a través del lenguaje flamenco y español para dar libertad a las dificultades típicas del piano: octavas, arpegios, notas dobles, escalas, acordes y figuraciones varias, pretendiendo crear un lenguaje propio, natural, adaptado al piano y a sus posibilidades. Se pueden considerar pues, 12 estudios de concierto, cada uno con su propia personalidad, su sonoridad particular y su carácter diferenciado.

The ?12 flamenco studies for piano? are a synthesis between romantic virtuoso pianism and flamenco and Spanish sounds and harmonies. Its objective goes beyond the approaches based on copying the stereotypes typical of flamenco guitar and its typical patterns, since musically it is not about pure flamenco, nor about simple technical studies of mechanism: it is rather about speaking through language. flamenco and Spanish to give freedom to the typical difficulties of the piano: octaves, arpeggios, double notes, scales, chords and various figurations, trying to create their own, natural language, adapted to the piano and its possibilities. Thus, 12 concert studios can be considered, each one with its own personality, its particular sound and its distinctive character.

Este segundo libro de estudios flamencos para piano sigue la estela del primer volumen, siendo una síntesis entre el pianismo virtuoso romántico y las sonoridades y armonías flamencas y españolas, "hablando" a través del lenguaje flamenco y español para dar libertad a las dificultades típicas del piano: octavas, arpegios, etc., pretendiendo crear un lenguaje propio, natural, adaptado al piano y a sus posibilidades. Se pueden considerar pues, 12 estudios de concierto, cada uno con su propia personalidad, su sonoridad particular y su carácter diferenciado.
Nivel de dificultad alto.
40 min. aprox.


This second book of flamenco studies for piano follows the wake of the first volume, being a synthesis between romantic virtuoso pianism and flamenco and Spanish sounds and harmonies, "speaking" through the flamenco and Spanish language to give freedom to the typical difficulties of the piano: octaves, arpeggios, etc., trying to create its own natural language, adapted to the piano and its possibilities. Thus, 12 concert studios can be considered, each with its own personality, its particular sound and its differentiated character.High difficulty level.40 min. approx.

Famous flamenco guitar composition from Paco De Lucia's repertoire arranged for two guitars by Eugen Sedko. Notes + tablature + fingering details.

ISBN 9781513455761. 8.75 x 11.75 inches.

Designed as a comprehensive multimedia teaching set, this book with online audio/video present 42 solos, progressively graded in 6 levels from absolute beginners to more advanced, to suit players of all levels. It contains examples of eighteen different palos (rhythmic forms) of flamenco, with a wealth of melodic falsetas and rhythms. The music for all these is accurately written in notation and flamenco tab (cifra) in the book, and is also recorded on the online audio. The online video contains over 57 minutes of solo music, and also includes introduction by Juan Martin and brief scenes of Andalucia today, which help to place this profoundly exciting and deeply felt music in the landscape of its origins. Juan Martin has succeeded here in showing how even music which is simple and very easy to start with can express the essential sound and emotion of flamenco, to build step by step the skills necessary for the performance of concert solos. Written in English and Spanish. Includes access to online audio and video.

David Chesky's Concerto for Two Guitars and Orchestra is a new flamenco inspired concerto dedicated to Paco De Lucia.
The premiere recording was performed by Angel and Pepe Romero.

This is a flamenco guitar arrangement of Malagueña, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona?s invention but was taken from the ?Malagueña? flamencoform, originating out of Málaga, Spain, in the 19th century. ?Malagueña,? andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is ?in the style of Sabicas,? a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona?sMalagueña is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.

This arrangement of Wishing Well, From one Buckethead's most popular albums, Colma, features flute and flamenco guitar. Includes a transcription of the original solo for flute (or guitar). Full score and individual parts with guitar tablature.

This is my fingerstyle arrangement of the classic Red Hot Chili Peppers song ?Under the Bridge?. I left out the intro on purpose to get right into the verse. There are some flamenco elements in the last bit. It?s a great arrangement for cocktail hours, wedding dinners, and concerts.

Transcription of the flamenco tune for oboe d'amore.

Transcription of the flamenco tune for clarinet in Bb.

Transcription of the flamenco tune for clarinet in A.