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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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A Little Piece Of Heaven for Flute Choir
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, Flute Choir - Advanced Intermediate - Digital Dow…
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Flute, Woodwind Choir or Ensemble, Flute Choir - Advanced Intermediate - Digital Download By Avenged Sevenfold. Arranged by Lisa Ochoco. Score, Set of Parts. 31 pages. Published by Lisa Ochoco
Flute choir meets heavy metal!<br> <br> Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.<br> <br> If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.<br> <br> This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.<br> <br> This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!<br> <br> I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!
$17.00
15.95 €
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Ensemble de Flûtes
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Avenged Sevenfold
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Lisa Ochoco
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A Little Piece Of Heaven for Flute Choir
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Lisa Ochoco
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SheetMusicPlus
Everything Stays
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.918233 Composed by Rebecca Rea …
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Brass Ensemble - Level 4 - Digital Download SKU: A0.918233 Composed by Rebecca Rea Sugar and Rebecca Sugar. Arranged by Samantha Hogan. Contemporary. Score and parts. 10 pages. Coffee Seal Music #6117737. Published by Coffee Seal Music (A0.918233). This beautiful tune is from the Cartoon Network Show Adventure time and is sung by Marceline The Vampire Queen's mom during the miniseries Stakes.Difficulty: Advanced Intermediate- due to the fact that much of it is exposed part-writing. (ie. solos with only the tuba playing the bass). The parts themselves, for the most part, lie in the intermediate range on their own. It would certainly be accessible to a very good High school group or college level ensemble willing to own their parts.This arrangement for Brass Quintet clocks in at about 2'15'' plus depending on how many times you take the repeat.Purchase includes a Score and Set of Parts,For More Music or to ask questions about this arrangement, please contact me atwww.SamanthaHogan.com
$12.99
12.19 €
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Ensemble de cuivres
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Rebecca Rea Sugar and Rebecca Sugar
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Samantha Hogan
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Everything Stays
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Coffee Seal Music
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SheetMusicPlus
Rise Up, Shepherd, and Follow
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1243402 Composed by African Ame…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1243402 Composed by African American Spiritual. Arranged by David Lantz. Chamber,Christmas,Jazz,Sacred,Spiritual. Score and Parts. 19 pages. Lantz Choral Publications #838364. Published by Lantz Choral Publications (A0.1243402). A fun, jazzy feel, including stride, makes this arrangement fun to play and fun to listen to. Scored for two B flat trumpets, F horn, two trombones and tuba, this piece is fun from beginning to end. Suitable for church, school and concert performance during the Christmas season, this piece clocks in at approximately 2:30.
$15.00
14.08 €
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Ensemble de cuivres
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African American Spiritual
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David Lantz
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Rise Up, Shepherd, and Follow
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Lantz Choral Publications
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.88 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.88 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
Antonin Dvorak - Symphony no 9, op.95, "From the New World" - Largo - lead sheet
Ligne De Mélodie, (Paroles) et Accords
Large Ensemble C Instrument - Digital Download SKU: A0.601853 Composed by Antonin D…
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Large Ensemble C Instrument - Digital Download SKU: A0.601853 Composed by Antonin Dvorak. Arranged by Andre Maaker. Romantic Period,Standards. Lead Sheet / Fake Book. 5 pages. SheetMusicHub #6690843. Published by SheetMusicHub (A0.601853). This is a lead sheet style (melody + chords) notation of Antonin Dvorak's symphony no. 9, pt. II - Largo. The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll Z nového svÄta), popularly known as the New World Symphony, was composed by AntonÃn DvoÅák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered in New York City on 16 December 1893. It has been described as one of the most popular of all symphonies. In older literature and recordings, this symphony was â as for its first publication â numbered as Symphony No. 5. Astronaut Neil Armstrong took a tape recording of the New World Symphony along during the Apollo 11 mission, the first Moon landing, in 1969. The symphony was completed in the building that now houses the Bily Clocks Museum. Sample video performed by Berliner Philharmoniker, (cond. Claudio Abbado).
$8.00
7.51 €
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Ligne De Mélodie, (Paroles) et Accords
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Antonin Dvorak
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Andre Maaker
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Antonin Dvorak - Symphony no 9, op.95, "From the New World" - Largo - lead sheet
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SheetMusicHub
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SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.88 €
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Trio à Cordes: violon, alto, violoncelle
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Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
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SheetMusicPlus
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