Come Out And Play - Partitions musicales à imprimer - Mondial de la partition numérique

7 194 partitions trouvées

....

Batterie

Drum Set,Drums - Level 3 - Digital Download SKU: A0.1215688 By Three Days Grace. By…(+)

$5.99 5.37 € #Batterie #Three Days Grace #Carlos Sanchez #I Hate Everything About You #Carlos Sanchez #SheetMusicPlus

Come Out And Play (keep 'em Separated)

Batterie

Drum Set,Drums - Level 2 - Digital Download SKU: A0.1201227 By The Offspring. By De…(+)

$5.99 5.37 € #Batterie #The Offspring #Carlos Sanchez #Come Out And Play #Carlos Sanchez #SheetMusicPlus

Come Out And Play

Guitare notes et tablatures

Guitar - Level 3 - Digital Download SKU: A0.969330 Composed by Billie Eilish O'Conn…(+)

$4.99 4.47 € #Guitare notes et tablatures #Billie Eilish O'Connell and Finneas O'Connell #Angelo #Come Out And Play #Angelo Gambatesa #SheetMusicPlus

Ten Traditional Spirituals for 8-note Bells and Boomwhackers® (with Color Coded Notes)

Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Recorde…(+)

$19.99 17.92 € #Sharon Wilson #Sharon Wilson Music #Ten Traditional Spirituals for 8-note Bells and Boomwhackers® #Sharon Wilson #SheetMusicPlus

Come and Praise the Lord for 8-note Bells and Boomwhackers® (with Color Coded Notes)

Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…(+)

$5.99 5.37 € #Sharon Wilson #Sharon Wilson #Come and Praise the Lord for 8-note Bells and Boomwhackers® #Sharon Wilson #SheetMusicPlus

Oh, Playmate, Come Out and Play With Me

Piano, Voix et Guitare

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.873382 Composed by Ha…(+)

$2.99 2.68 € #Piano, Voix et Guitare #Hal Wright #Hal Wright #Oh, Playmate, Come Out and Play With Me #Tyler Hilderbrand #SheetMusicPlus

Grandma Got Run Over By A Reindeer

Piano, Voix et Guitare

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by R…(+)

$10.99 9.85 € #Piano, Voix et Guitare #A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas Coull

Grandma Got Run Over #Randy Brooks #Michael Thomas Coull #Grandma Got Run Over By A Reindeer #MTC Publishing #SheetMusicPlus

Come Out And Play (keep 'em Separated)
Fanfare

By The Offspring. By Dexter Holland. Arranged by Carlos Sanchez. 160, Rock. Score and …(+)

By The Offspring. By Dexter Holland. Arranged by Carlos Sanchez. 160, Rock. Score and parts. 24 pages. Carlos Sanchez #706704. Published by Carlos Sanchez
$49.99 44.8 € #Fanfare #The Offspring #Carlos Sanchez #Come Out And Play # Carlos Sanchez #SheetMusicPlus

The Brass Player: Fantasy on Ich bin ein Musikant
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802). Â Â Â Â A song learned in primary school years and years ago had words something along the lines of the following:Â Â Â Â Â Â Â Â Â Oh!Â Iâ€™m a young musician,Â Â Â Â Â Â Â Â Â From distant lands I come.Â Â Â Â Â Â Â Â Â Singing and playing,Â Â Â Â Â Â Â Â Â Ever Iâ€™m straying.Â Â Â Â Also known as â€œI Am a Fine Musician,â€ â€œI Am a Gay Musicianâ€ and perhaps other titles, that song is still around and has evolved into many different versions.Â The original was probably a German folk song from the early 1800s.Â As published in an 1889 collection of childrenâ€™s songs, it bears the title, â€œIch bin ein Musikant.â€Â That translates as â€œI am a musician.â€Â In the lyrics the musician claims to be â€œfrom Schwabenlandâ€ (Swabia) and to play geige (violin: â€œDide schum schum schumâ€), flÃ¶te (flute: â€œPÃ¤de wÃ¤pp pÃ¤pp pÃ¤ppâ€) and basse (bass: â€œDide schum schum schump, pÃ¤de wÃ¤pp pÃ¤pp pÃ¤pp).Â Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of. Â Â Â Â Anyway, thatâ€™s the tune on which â€œThe Brass Playerâ€ was built.Â But here, the musician is concerned only with brass.Â Which brass?Â Well, possibly trumpet.Â Or maybe horn in F.Â Or trombone.Â Or tuba.Â Or perhaps all four; certainly, all are featured in this piece.Â Â Â Â â€œThe Brass Playerâ€ comprises four sections.Â The first is in the key of C major and is played at a moderate 2/4 tempo.Â After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme.Â Other instruments join in and play around with a variation or two.Â Â Â Â Â The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.Â Â Â Â Â In section three, the mood changes radically.Â Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor.Â All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.Â Â Â Â Section four, in G Major, clips along at a fast 4/4 time.Â It returns to the main theme and (as in â€œIch bin ein Musikantâ€ and its multitudinous derivations) presents in call-and-response form.Â The first few measures are straight, but discord quickly creeps in.Â The melody begins to include smears, flutter tonguing and off-beat rhythmic figures.Â There is even a brief section in G Minor.Â Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.Â Â Â Â This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length.Â There are four changes of key and four changes of time signature.Â Trumpet 1â€™s highest note is A above its staff; Tromboneâ€™s is F above the staff.Â Trumpet 2 has a few G-below-its-staff notes.Â Â Â Â The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.Â He would like to receive your suggestions, comments, corrections and criticisms.Â Contact him at lessmith61@bellsouth.net.Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 6.26 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #F #The Brass Player: Fantasy on Ich bin ein Musikant #Sweetwater Brass Press #SheetMusicPlus

Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Instruments en Do

C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…(+)

C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world. Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period. I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies. At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46 10.27 € #Instruments en Do #Various #Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces #Wold Meridian #SheetMusicPlus

Burnt Toast Blues - Jazz Swing - Piano Duet for 4 hands
1 Piano, 4 mains

Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.961559(+)

Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.961559 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score and parts. 5 pages. OllysPianoSheets #4800614. Published by OllysPianoSheets (A0.961559). I got the Burnt Toast Blues - oh yeah!...Burnt Toast Blues is a catchy swing number for beginner (primo) players at about the Grade 1 (ABRSM) standard.The primo player starts off the whole piece with a 3 quaver 'pickup' into the melody, which is written in treble and bass clefs - but played two octaves higher.The written quaver quarter-notes are swung in the jazz style and there are some syncopated rhythms to keep you on your toes. Try saying badoo-bedoooooo-bee-doo and you'll get the idea!Burnt Toast Blues comes with a playalong swing backing track to accompany the primo player. This track has bass, drums and guitar 'rhythm' section plus the secondo part and is also available on Sheet Music Plus.Watch out for the dynamics (mp on the repeat) and also the staccato and accented notes, which will help the swing rhythm to 'swing'. I've also written some 'Burnt Toast Blues' lyrics for a bit of fun!Hope you enjoy playing 'Burnt Toast Blues' - I'd love to hear how you get on with it! Explore more fun piano sheet music by Olly Wedgwood at https://OllysPianoSheets.com
$4.95 4.44 € #1 Piano, 4 mains #Olly Wedgwood #Burnt Toast Blues - Jazz Swing - Piano Duet for 4 hands #OllysPianoSheets #SheetMusicPlus

Dragons and Dinosaurs
Harpe

Harp - Level 1 - Digital Download SKU: A0.963932 Composed by Reba Lunsford. Childre…(+)

Harp - Level 1 - Digital Download SKU: A0.963932 Composed by Reba Lunsford. Children,Concert,Instructional,Standards. Score. 24 pages. Reba Lunsford #4844781. Published by Reba Lunsford (A0.963932). All kids love dragons and dinosaurs. And we love the concept of this book! Reba Lunsford's very easy pieces for beginning harp players are printed on the left-hand pages, and a more advanced accompaniment is printed on the right-hand page. This allows the teacher to play a nice accompaniment along with the beginning student during their lesson. The accompaniments can also be played as a duet with another harp or piano by the student's sibling, parent, or friend.This book will have the kids wanting to practice! Subtitled Fun Songs for Beginners and Friends, it is an excellent supplement for any teacher of young students. The songs are very short, usually 2 or 3 lines, and have fun lyrics about dragons or dinosaurs. The first 7 songs have fingerings and placing brackets. Each tune has a musical concept the teacher can briefly touch on to reinforce theory, such as eighth notes, placing, measures, time signatures, intervals, accents, arpeggios, glisses, tempo, thumb slides, scales, pickup measure, accidentals, ties, and more. All of the pieces are in the key of C. One piece has a pre-set G#, and another has 2 pre-set flats, but there are no sharping lever changes in the music.Contains: Glowing Orbs in Darkness, Baby Brontosaur Blues, T-Rex, Whispering Wings, Triceratops Waltz, Happy Chinese New Year, Hiding, Hannah's Dragon, The Lost World, Come Out and Play, Dragon Treasure .
$10.00 8.96 € #Harpe #Reba Lunsford #Dragons and Dinosaurs #Reba Lunsford #SheetMusicPlus

La Tomatina for Symphonic Band
Orchestre d'harmonie

Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze.…(+)

Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in BuÃ±ol, Spain while I was researching Spanish band music. BuÃ±ol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spainâ€™s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.BuÃ±ol also has a rich tradition of having two very good concert bands â€“ the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershingâ€™s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of SinfonÃa de Valencia, a three- movement composition that was premiered in BuÃ±ol by the band of Centro Instructivo Musical El Litro BuÃ±ol, conducted by Francisco Tamarit in August 1997. SinfonÃa de Valencia is recorded by the band of Centro Instructivo Musical El Litro BuÃ±ol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition â€“ Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia MontaÃ±Ã©s in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times.
$60.00 53.77 € #Orchestre d'harmonie #GregoryFritze #La Tomatina for Symphonic Band #Musica Nova USA #SheetMusicPlus

Scenes from a Parisian café - 14 beautiful pieces for Eb saxophone and piano. Includes audio tracks
Saxophone Alto et Piano

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1166899 By Chris Lawry. B…(+)

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1166899 By Chris Lawry. By Chris Lawry. Blues,Chamber,Folk,Jazz,Multicultural,World. Score and part. 48 pages. Masquerade Music #767278. Published by Masquerade Music (A0.1166899). A delightful collection of 14 pieces for grades 2-6 Alto Saxophone & PianoDepicts the goings on outside and around a Parisian cafe.Includes audio tracks. Currently features on the Trinity College London Eb saxophone syllabus (November 2022 - ongoing).Â Written in 2013, Scenes from a Parisian Cafe isÂ a beautiful collection of 14 concert and educational pieces for beginner to intermediate (roughly grades 2 - 6) by UK composer Chris Lawry.The pieces cover the events of a day from the viewpoint of the cafe, from morning to night, and covers a range of tempos and styles with something to suit any occasion and mood. Witness a couple dancing in the rain, a bandoneon player busking, a marching band passing by, and the stars emerging as the evening comes to a close (and much more). With a total length of 27 mins, this is a very good value for money and exciting addition to any concert, educational, or general repertoire.Â The 38 page score (with 18 page part booklet) comes with an accompanying full demonstration tracks (Sax with piano) and a piano-only backing tracks for each piece. These are accessed via the printed download code printed in the publication.Piece Listing:Â 1. (9 a.m.) Morning on the SquareÂ 2. (10 a.m.) Bandoneon DancesÂ 3. (11 a.m.) WanderingÂ 4. (12 p.m.) ...And the Band Pass ByÂ 5. (1 p.m.) Poco LocoÂ 6. (2 p.m.) Hither ThitherÂ 7. (3 p.m.) Then the Rains CameÂ 8. (4 p.m.) Whispers in the RainÂ 9. (5 p.m.) One Sixty SixÂ 10. (6 p.m.) The Lady of the LakeÂ 11. (7 p.m.) On The TerraceÂ 12. (8 p.m.) Clear the Decks!Â 13. (9 p.m.) The Jazz SingerÂ 14. (10 p.m.) When the Stars Came OutÂ A sample video of excerpts from the sheet music book can be seen on YouTube here: https://youtube.com/playlist?list=PLeZzm2W58OO97Visih-AH3At2_J88Ttsu.
$16.99 15.23 € #Saxophone Alto et Piano #Chris Lawry #Scenes from a Parisian café - 14 beautiful pieces for Eb saxophone and piano. Includes audio tracks #Masquerade Music #SheetMusicPlus

O Come, O Come, Emmanuel (for One Octave Handbell Choir with Piano accompaniment)
Accompagnement Piano

Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.56596…(+)

Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.565969 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Advent,Christmas,Classical,Renaissance,Sacred. 10 pages. Sharon Wilson #6606809. Published by Sharon Wilson (A0.565969). This sheet music is arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. The piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. An optional repeat and second ending is included in case a longer song is desired. Included in this set of scores is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). A color-coded note chart is also provided showing the Handbell notes used for this arrangement as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. The color-coded score is enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). As noted above, one of the Handbell scores is color-coded for easier note reading for beginning ringers. This separate color-coded score uses the Chroma-Notesâ„¢ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbells with Piano).A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: O Come, O Come, Emmanuel (Piano Accompaniment Track for One Octave Handbell Choir). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99 5.37 € #Accompagnement Piano #Sharon Wilson #Sharon Wilson #O Come, O Come, Emmanuel #Sharon Wilson #SheetMusicPlus

Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet

Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and…(+)

Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also includedâ€œPopular Orchestral Excerpt Etudes For Double Bassâ€ is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 â€œGreatâ€, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet.Â Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
$5.00 4.48 € #Andrew Cody Williams and Jeff Bradetich #Popular Orchestral Excerpt Etudes For Double Bass: Expanded Ensemble Packet #Andrew Cody Williams #SheetMusicPlus

Sunday Candy
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1461722 By Donnie Trumpet & The Social Experiment. By Chancelor Bennett, Greg Landfair, Jamila Woods, Marvin Winans, Nate Fox, Nico Segal, and Peter Wilkins. Arranged by Sarah Cellobat Chaffee. Contemporary,Hip-Hop,Pop,R & B,Wedding. 19 pages. Sarah Cellobat Chaffee #1040471. Published by Sarah Cellobat Chaffee (A0.1461722). Released by Chance the Rapper and his frequent collaborative team Donnie Trumpet & The Social Experiment in 2015, Sunday Candy is a cheerful piano-driven song paying homage to Chance's grandmother and the love and support she's given to him over the years. The song's nostalgic vibes and gospel influences touched the hearts of audiences around the globe, earning it a Grammy nomination and a featured performance on Saturday Night Live, and it has since become a popular request for weddings and events. So you can't go wrong adding this one to your gig books! Maintaining the upbeat positivity, catchy choruses, and intricate rap verses of the original, this Cellobat arrangement for your string quartet will definitely be as much fun to play as it is to listen to. Rated advanced-intermediate mainly for some tricky rhythms in the violin parts; this will be learnable for more advanced students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$16.99 15.23 € #Quatuor à cordes: 2 violons, alto, violoncelle #Donnie Trumpet & The Social Experiment #Sarah Cellobat Chaffee #Sunday Candy #Sarah Cellobat Chaffee #SheetMusicPlus

Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…(+)

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 7.17 € #Trio à Cordes: violon, alto, violoncelle #David Warin Solomons #Mysterious Moment for alto flute and string trio #David Warin Solomons #SheetMusicPlus

Mysterious Moment for oboe and string trio

Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …(+)

Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 7.17 € #David Warin Solomons #Mysterious Moment for oboe and string trio #David Warin Solomons #SheetMusicPlus

100 Tunes from O'Neill's Music of Ireland for Mandolin
Mandoline

Selected and Arranged in Sets for Mandolin. Composed by Kevin Allison. Tunebooks. So…(+)

Selected and Arranged in Sets for Mandolin. Composed by Kevin Allison. Tunebooks. Solos and Duets. E-book. Mel Bay Publications - Digital Sheet Music #30601EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117242. Anyone who is serious about learning Irish traditional music will eventually come across O'Neill's Music of Ireland, a collection of well over 1000 tunes. This book contains a selection of one hundred tunes from this collection, arranged into sets for mandolin which can be used at sessions, and for dancing. The book includes hints, tips and comments for playing the tunes and some of the tunes also have alternative melodies and harmonies for added variety and interest. At the back of the book, there are guitar chords with standard and open D tuning, and a mandolin fretboard chart that you might find useful.
$17.99 16.12 € #Mandoline # Kevin Allison #100 Tunes from O'Neill's Music of Ireland for Mandolin #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

When He Cometh (for 8-note Bells and Boomwhackers® with Black and White Notes)

Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone…(+)

Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565362 By Sharon Wilson. By George Frederick Root. Arranged by Sharon Wilson. Children,Instructional,Romantic Period,Sacred. 12 pages. Sharon Wilson #4268949. Published by Sharon Wilson (A0.565362). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and BoomwhackersÂ®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and BoomwhackersÂ® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment (first verse only). Â For the first verse, Handbells play the melody while the BoomwhackersÂ® keep a steady beat with three-note chords. For the second verse, the BoomwhackersÂ® play the melody while the Handbells play single note harmony. If you want to learn (practice) only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and BoomwhackersÂ®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only BoomwhackersÂ® Â Â * form a choir using multiple sets of bells and/or BoomwhackersÂ® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few BoomwhackersÂ® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 5.37 € #Sharon Wilson #Sharon Wilson #When He Cometh #Sharon Wilson #SheetMusicPlus

O Come, All Ye Faithful (for One Octave Handbell Choir with Piano accompaniment)
Accompagnement Piano

Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.56596…(+)

Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.565968 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson Music. Children,Christmas,Folk,Instructional,Sacred. 10 pages. Sharon Wilson #6606803. Published by Sharon Wilson (A0.565968). This sheet music is arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. The piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. An optional repeat and second ending is included in case a longer song is desired. Included in this set of scores is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). A color-coded note chart is also provided showing the Handbell notes used for this arrangement as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. The color-coded score is enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). As noted above, one of the Handbell scores is color-coded for easier note reading for beginning ringers. This separate color-coded score uses the Chroma-Notesâ„¢ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbells with Piano).A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: O Come, All Ye Faithful (Piano Accompaniment Track for One Octave Handbell Choir). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99 5.37 € #Accompagnement Piano #Sharon Wilson #Sharon Wilson Music #O Come, All Ye Faithful #Sharon Wilson #SheetMusicPlus

Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
Piano Facile

Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Ar…(+)

Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 106 pages. Jolea Jensen #128632. Published by Jolea Jensen (A0.517906). Learn folk songs and singing games from around the world in this early elementary book. This series features a solo melody line accompanied by I, IV, and V7 chords, making it perfect for a general classroom setting or for private lessons. Level One (Book 1, Part 1) begins with basic rhythms (quarter, half, dotted half, and whole) in the keys of C, G, D. Each key begins with several songs in the basic five-finger position, then adds either one note above or one note below, then adds 3/4 time, then adds songs in which the hand is not in the basic five-finger position for that key. Level One (Book 1, Part 2) continues with the keys of A, E, B. Eighth notes are introduced in the key of E. Level One (Book 1, Part 3) contains the keys of F#, Db, and Ab. Level One (Book 1, Part 4) contains the keys of Eb, Bb, and F. I have been teaching several of my students with this book, and they are often eager to begin their lessons by playing their assignment out of this book. The feedback I've received from parents is that their child loves the songs because they are fun and easy to understand. Children often love coloring in the black and white pictures on each page. I hope your students also enjoy these songs. Scope and Sequence for Level One songs: Introduction to I and V Simple with LH thumb melody note I and V More leaps I and V I and IV and V extend pinky I IV V extend thumb I IV V three four time simple move hand Alphabetical Song Index with Key and Pg Number: A Ram Sam Sam Ab 67 AijÄ, Å½Å«Å¾Å«, LÄÄa BÄ“rni E 32 Ainsi Font Bb 82 Alle Meine Entchen C 5 Ambos a Dos B 37 Ang Pato Ko Eb 70 Arroz con Leche F# 47-48 Au Clair de la Lune E 34 Bells in the Steeple Bb 83 Bill Grogan's Goat Bb 84 BjÃ¶rnen Sover Bb 81 Boil Them Cabbage Down C 4 Brinca la Tablita F 88 Buttercup G 8 Button, You Must Wander Ab 64 Chase the Squirrel C 1 Chopsticks C 6 Clap, Clap, Clap Your Hands D 15 Closet Key F# 42 Cobbler, Cobbler F 85 Cradle Hymn Db 52 Down by the Station F 86 Down in the Valley G 12 Five Fat Turkeys F# 45 Five Little Chickadees G 11 Frog in the Meadow Ab 59 Frogs in the Pond C 2 Go Tell Aunt Rhody D 14 Goodbye, Old Paint F 91 Grandma Grunts F 87 Ha' Sukkah Mah Yafah Ab 60 Hob Ich a Por Oksn Ab 61-62 Hop, Old Squirrel B 35 Hush-A-Bye G 10 Hush, Little Baby G 9 I'm a Nut Eb 75 Johnny's Hammer E 30 Journey of the Leaves E 33 Juan Pirulero B 40 Kangaroo Skippy Roo Bb 76 King's Land Eb 73 Kolyada A 24 Kuckuck Db 57 Lady Come A 22 Lavender's Blue Eb 74 Lightly Row C 3 Limerick Song D 19 Long-Legged Sailor F# 43 Love Somebody G 10 Mmm, Ahh, Went the Little Green Frog Bb 77-78 Mon Petit Lapin a Bien du Chagrin Ab 63 My Horses Ain't Hungry G 13 Naughty Kitty Cat F# 46 O wie wohl ist mir am Abend Db 58 Old King Cole B 38 On Top of Old Smokey D 20 One, Two, Three, Aleerie F 92 Over in the Meadow F 89-90 Pak Pak Ka-ak A 21 Passa, Passa, GaviÃ£o Db 51 Pease Porridge Hot A 25 Piva, Piva l'oli d'uliva Ab 65-66 Promenons-nous dans les Bois Eb 71-72 Sandy McNab A 26 Sasara ang Bulaklak Bb 79-80 Scotland's Burning B 36 Seashell Eb 68 Sleep, Baby, Sleep D 16 Tallis' Canon A 27 Ten in the Bed Eb 69 The Deaf Woman's Courtship A 23 The Elfin Knight Db 55-56 The Frog in the Bog D 17 The Noble Duke of York E 31 The Old Sow Took the Measles Db 53-54 The Sandman Comes D 18 Three Jolly Fishermen E 29 There's a Hole in the Bucket F# 49 Twinkle, Twinkle, Little Star B 41 Ulo Abaga B 39 Vamos a la Mar F# 44 Who's That Tapping at the Window Db 50 Yoo Hoo! E 28 Zhao Peng You C 7.
$20.00 17.92 € #Piano Facile #Jolea Jensen #Arr #Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One #Jolea Jensen #SheetMusicPlus

Scenes from a Parisian café - Bb clarinet and piano - 14 beautiful pieces. Includes audio tracks
Clarinette et Piano

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1166920 By Chris Lawry. …(+)

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1166920 By Chris Lawry. By Chris Lawry. Blues,Chamber,Folk,Jazz,Multicultural,World. Score and part. 48 pages. Masquerade Music #767299. Published by Masquerade Music (A0.1166920). A delightful collection of 14 pieces for grades 2-6 Bb clarinet & pianoDepicts the goings on outside and around a Parisian cafe.Â Several pieces in the collection currently feature on the Trinity College London Bb clarinet syllabus (November 2022 - ongoing).Â Written in 2013, Scenes from a Parisian Cafe is a beautiful collection of 14 concert and educational pieces for beginner to intermediate (roughly grades 2 - 6) by UK composer Chris Lawry.The pieces cover the events of a day from the viewpoint of the cafe, from morning to night, and covers a range of tempos and styles with something to suit any occasion and mood. Witness a couple dancing in the rain, a bandoneon player busking, a marching band passing by, and the stars emerging as the evening comes to a close (and much more). With a total length of 27 mins, this is a very good value for money and exciting addition to any concert, educational, or general repertoire.Â The 38 page score (with 18 page part booklet) comes with an accompanying full demonstration tracks (Sax with piano) and a piano-only backing tracks for each piece. These are accessed via the printed download code printed in the publication.Piece Listing:Â 1. (9 a.m.) Morning on the SquareÂ 2. (10 a.m.) Bandoneon DancesÂ 3. (11 a.m.) WanderingÂ 4. (12 p.m.) ...And the Band Pass ByÂ 5. (1 p.m.) Poco LocoÂ 6. (2 p.m.) Hither ThitherÂ 7. (3 p.m.) Then the Rains CameÂ 8. (4 p.m.) Whispers in the RainÂ 9. (5 p.m.) One Sixty SixÂ 10. (6 p.m.) The Lady of the LakeÂ 11. (7 p.m.) On The TerraceÂ 12. (8 p.m.) Clear the Decks!Â 13. (9 p.m.) The Jazz SingerÂ 14. (10 p.m.) When the Stars Came OutÂ A video of the full collection (all 14 pieces - full length with sheet music) from the sheet music book can be seen on YouTube here: https://youtu.be/_Ien3iXsMsU.
$16.99 15.23 € #Clarinette et Piano #Chris Lawry #Scenes from a Parisian café - Bb clarinet and piano - 14 beautiful pieces. Includes audio tracks #Masquerade Music #SheetMusicPlus

The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie

Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…(+)

Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 26.89 € #Orchestre d'harmonie #E #Brendan Elliget MAGA 537 #The Home Coming March #BJE Music #SheetMusicPlus

<

1
26

51
....
7176