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Vous avez sélectionné:
Cryin' Time
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Partitions à imprimer
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Cryin' Time
Piano, Voix et Guitare
By Buck Owens and Ray Charles. Blues; Country. Piano/Vocal/Guitar. 5 pages. Published by H…
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By Buck Owens and Ray Charles. Blues; Country. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Piano, Voix et Guitare
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Buck Owens and Ray Charles
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Country
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Cryin' Time
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Cryin' Time
Ligne De Mélodie, (Paroles) et Accords
C Instrument,Guitar,Keyboard,Piano - Interactive Download SKU: HX.375419 By Buck Ow…
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C Instrument,Guitar,Keyboard,Piano - Interactive Download SKU: HX.375419 By Buck Owens and Ray Charles. This edition: Interactive Download,scorch. Country,Pop. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #173737. Published by Hal Leonard - Digital (HX.375419).
$3.99
3.74 €
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Ligne De Mélodie, (Paroles) et Accords
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Buck Owens and Ray Charles
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Cryin' Time
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Hal Leonard - Digital
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SheetMusicPlus
Cryin' Time
Voix seule
Digital Download SKU: HX.376146 By Buck Owens and Ray Charles. Country,Pop,Standard…
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Digital Download SKU: HX.376146 By Buck Owens and Ray Charles. Country,Pop,Standards. Pro Vocal. 4 pages. Published by Hal Leonard - Digital (HX.376146).
$4.99
4.67 €
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Voix seule
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Buck Owens and Ray Charles
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Cryin' Time
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Hal Leonard - Digital
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SheetMusicPlus
Cryin' Time
Ligne De Mélodie, (Paroles) et Accords
Guitar,Piano and Keyboard,Voice - Digital Download SKU: HX.384324 By Buck Owens. Th…
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Guitar,Piano and Keyboard,Voice - Digital Download SKU: HX.384324 By Buck Owens. This edition: scorch. Country. Easy Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #173737. Published by Hal Leonard - Digital (HX.384324).
$3.99
3.74 €
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Ligne De Mélodie, (Paroles) et Accords
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Buck Owens
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Cryin' Time
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Hal Leonard - Digital
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SheetMusicPlus
Cryin' Time
Piano grosses notes
Digital Download SKU: HX.459944 By Buck Owens. Country. E-Z Play Today. 2 pages. Pu…
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Digital Download SKU: HX.459944 By Buck Owens. Country. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.459944). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.8 €
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Piano grosses notes
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Buck Owens
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Cryin' Time
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Hal Leonard - Digital
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SheetMusicPlus
Cryin' Time
Ligne De Mélodie, (Paroles) et Accords
C Instrument,Voice - Digital Download SKU: HX.789094 By Buck Owens and Ray Charles.…
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C Instrument,Voice - Digital Download SKU: HX.789094 By Buck Owens and Ray Charles. This edition: scorch. Country. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #173737. Published by Hal Leonard - Digital (HX.789094).
$1.99
1.86 €
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Ligne De Mélodie, (Paroles) et Accords
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Buck Owens and Ray Charles
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Cryin' Time
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Hal Leonard - Digital
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SheetMusicPlus
Cryin' Time
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1170244 By Buck Owens…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1170244 By Buck Owens. By Buck Owens. Arranged by Bernie Schweickart. Barbershop,Blues,Country. Score. 2 pages. Dogwooddigs #770608. Published by Dogwooddigs (A0.1170244). Great old country tune. FUN TO PLAY!
$4.99
4.67 €
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Piano, Voix et Guitare
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Buck Owens
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Bernie Schweickart
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Cryin' Time
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Dogwooddigs
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SheetMusicPlus
You See Me Cryin'
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.711674 By Aerosmith. By Don Solomon…
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Easy Piano - Level 3 - Digital Download SKU: A0.711674 By Aerosmith. By Don Solomon and Steven Tyler. Arranged by Tsuyoshi Yoroiguma. Pop,Rock. Score. 5 pages. Tsuyoshi Yoroiguma #6704525. Published by Tsuyoshi Yoroiguma (A0.711674). Let's play your favorite pop,rock,jazz etc. by piano(or keyboard).Short EZ Piano is a easy piano sheet music series that arranged by Tsuyoshi Yoroiguma.The PDF file includes 5 pages of sheet music.Playing time :3min40sec.Please visit arranger's blog to listen full sound samplehttp://yoroiguma.seesaa.net/page of 2022-2-8
$9.50
8.9 €
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Piano Facile
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Aerosmith
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Tsuyoshi Yoroiguma
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You See Me Cryin'
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Tsuyoshi Yoroiguma
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SheetMusicPlus
You Hear The Lambs a-Cryin'
Chorale SATB
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1377650 Composed by…
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1377650 Composed by Negro Spiritual. Arranged by Daniel L. Ridout, Jr. Christian,Folk,Historic,Sacred,Spiritual. 1 pages. Daniel L. Ridout, Jr. #945278. Published by Daniel L. Ridout, Jr. (A0.1377650). Simple SATB arrangement of a timeless spiritual in two verses. Suitable for introit, interlude, prelude, or other liturgical placements.
$1.99
1.86 €
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Chorale SATB
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Negro Spiritual
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Daniel L
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You Hear The Lambs a-Cryin'
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Daniel L. Ridout, Jr.
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SheetMusicPlus
Mother's Gone Crusading. A Temperance Song & Chorus of the Times
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.687 Composed by H…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.687 Composed by Harry Birch. Domestic life, Fathers & children, Children crying, Kitchens, Cats, Distress, Protest movements, Alcoholic beverages. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.687). Mother's Gone Crusading. A Temperance Song & Chorus of the Times. Words by Mrs. M.A. Kidder. Music By Harry Birch. Published 1874 by White, Smith & Company, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Domestic life, Fathers & children, Children crying, Kitchens, Cats, Distress, Protest movements, Alcoholic beverages. First line reads 'Tis a happy little fellow, that sings this temp'rance song.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Chorale SATB
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Harry Birch
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Harry Birch
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Mother's Gone Crusading. A Temperance Song & Chorus of the Times
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Rosecrans' Battle March
Piano seul
Piano - Digital Download SKU: LV.22946 Arranged by William Cumming. Portraits, Mili…
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Piano - Digital Download SKU: LV.22946 Arranged by William Cumming. Portraits, Military officers, Civil War--Union. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22946). Rosecrans' [sic] Battle March. Adapted and Arranged by William Cummin. Published 1863 by A.C. Peters & Bro., No. 94 West Fourth Str., opposite the Post Office in Cincinnati. Composition of da capo with piano instrumentation. Subject headings for this piece include Portraits, Military officers, Civil War--Union. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Piano seul
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William Cumming
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Rosecrans' Battle March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Crying In The Rain
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1416471 By The Everly Brothers. By …
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Easy Piano - Level 2 - Digital Download SKU: A0.1416471 By The Everly Brothers. By Carole King and Howard Greenfield. Arranged by Andres M. Bascar, Jr. 20th Century,A Cappella,Contemporary,Country,Pop. Score. 2 pages. Clem & Jun Bascar #998151. Published by Clem & Jun Bascar (A0.1416471). One of the best duet songs of all time. Now we can have the prei viledge od playing this meaningful and unique song in the piano.
$4.99
4.67 €
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Piano Facile
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The Everly Brothers
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Andres M
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Crying In The Rain
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Clem & Jun Bascar
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SheetMusicPlus
Mother's Gone Crusading. A Temperance Song & Chorus of the Times
Chorale SATB
Composed by Harry Birch. Domestic life, Fathers & children, Children crying, Kitchens, Cat…
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Composed by Harry Birch. Domestic life, Fathers & children, Children crying, Kitchens, Cats, Distress, Protest movements, Alcoholic beverages. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.688). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.61 €
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Chorale SATB
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Harry Birch
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Mother's Gone Crusading. A Temperance Song & Chorus of the Times
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.45 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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English Folk Song by way of American Appalachians
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. âIs that you kids?â It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship⦠You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâthem pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.74 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Cryin' Time
Dulcimer
By Ray Charles. Arranged by Larry Conger. Tablature. 3 pages. Published by Larry Conger/Du…
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By Ray Charles. Arranged by Larry Conger. Tablature. 3 pages. Published by Larry Conger/Dulcimerican Music (H0.364011-SC000006502). - Tablature - - Larry Conger/Dulcimerican Music
$4.99
4.67 €
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Dulcimer
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Ray Charles
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Larry Conger
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Cryin' Time
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Larry Conger/Dulcimerican Music
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SheetMusicPlus
Cryin' Time
Piano Facile
By Buck Owens. For easy piano. Country. 3 pages. Published by Hal Leonard - Digital Sheet …
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By Buck Owens. For easy piano. Country. 3 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
3.74 €
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Piano Facile
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Buck Owens
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Cryin' Time
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Cryin' Time
Piano, Voix et Guitare
By Buck Owens. For piano, voice, and guitar (chords only). Country. 3 pages. Published by …
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By Buck Owens. For piano, voice, and guitar (chords only). Country. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Piano, Voix et Guitare
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Buck Owens
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Cryin' Time
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Cryin' Time
Guitare notes et tablatures
By Buck Owens. For easy guitar. Easy Guitar with TAB. Country. Easy Guitar with TAB. Stand…
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By Buck Owens. For easy guitar. Easy Guitar with TAB. Country. Easy Guitar with TAB. Standard notation with tablature. 2 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
3.74 €
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Guitare notes et tablatures
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Buck Owens
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Cryin' Time
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Don't cry
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.958003 By Helen Park. By Helen Park…
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Piano Solo - Level 3 - Digital Download SKU: A0.958003 By Helen Park. By Helen Park. Classical,Contemporary,Multicultural,Religious,Spiritual,World. Score. 12 pages. HELEN PARK #1984479. Published by HELEN PARK (A0.958003). Are you crying? What makes you so sad? Dont cry. When time has passed, the sad memory may also be gone. When you are sad, my heart aches too. When you are upset, I'm upset too. When you are lonely and times are hard, just call me. I will always stand by you. Are you crying? The tears flow from your eyes, just like the raindrops fall. Please don't cry. Close your eyes for a while. Close the door of sadness behind you. Woo...... When you are beaten down, I will carry you. You don't have to suffer alone. You can lean on me.
$4.99
4.67 €
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Piano seul
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Helen Park
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Don't cry
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HELEN PARK
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SheetMusicPlus
HELP!
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1379251 Composed by Jonathan L Ne…
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Concert Band - Level 2 - Digital Download SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelson (A0.1379251). - When we have episodes of tremendous sadness and loss of interest in things that weâve loved for a lifetime â sometimes itâs a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be âanger issuesâ - sometimes it may be a cry for HELP!- When we feel as if we donât have the energy to make it through the day, and thinking, âI am worthless, nothing in my life is going to get betterâ - sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!
$65.00
60.9 €
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Orchestre d'harmonie
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Jonathan L Nelson
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HELP!
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Jonathan Nelson
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Womenâs Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of womenâs rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Womenâs Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poetâs own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The cityâs reflection on the riverâs surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that itâs not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ] sound and llanto begins with the [Ê] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Womenâs Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.74 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
"I vants to go home," or, Maximillian's Lament. Song & Chorus
Piano and voice (duet) - Digital Download SKU: LV.13410 Composed by T.M. Brown. Car…
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Piano and voice (duet) - Digital Download SKU: LV.13410 Composed by T.M. Brown. Caricatures, Toys, Children crying, Charles Louis Napoleon Bonaparte, Ferdinand Maximilian Joseph, Campaigns & battles. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13410). I vants to go home, or, Maximillian's Lament. Song & Chorus. By Bob. Barkis. Music by T. M. Brown. Published 1865 by n.p in n.p. Composition of strophic with chorus with piano and voice (duet) instrumentation. Subject headings for this piece include Caricatures, Toys, Children crying, Charles Louis Napoleon Bonaparte, Ferdinand Maximilian Joseph, Campaigns & battles. First line reads Oh! I vants to go home was the doleful cry, That came mournfully o'er the sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Bob
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T
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"I vants to go home," or, Maximillian's Lament. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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