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PIANO & CLAVIERS
Piano seul
2972
Piano Facile
674
Piano, Voix
485
Orgue
287
Piano, Voix et Guitare
217
Accordéon
176
Instruments en Do
104
1 Piano, 4 mains
76
Piano Trio: piano, violon, violoncelle
52
Accompagnement Piano
43
2 Pianos, 4 mains
30
Piano Quatuor: piano, violon, alto, violoncelle
11
Clavecin
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
7
Orgue, Piano (duo)
7
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
2 Pianos, 8 mains
2
Clavier
1
Accordéon, Voix
1
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GUITARES
Guitare
628
Basse electrique
325
Guitare notes et tablatures
242
Ukulele
69
Ligne De Mélodie, (Paroles) et Accords
39
Mandoline
22
Paroles et Accords
22
Banjo
16
Dulcimer
15
Piano, Guitare (duo)
14
2 Guitares (duo)
11
4 Guitares (Quatuor)
7
Guitare (partie séparée)
6
3 Guitares (trio)
5
Ensemble de guitares
4
2 Dulcimers (duo)
3
Guitare, Quatuor à cordes
2
Guitare Pedal Steel
1
Basse électrique (partie séparée)
1
Ukulele Baryton
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
719
Chorale 3 parties
310
Voix seule
232
Chorale Unison
107
Chorale 2 parties
99
Chorale TTBB
63
Chorale SSAA
38
Chorale
18
Voix duo
17
Voix duo, Piano
13
Voix Soprano, Piano
13
Voix haute
10
Voix Alto, Piano
7
Chorale SSAATTBB
5
Voix moyenne, Piano
4
Voix Mezzo-Soprano, Piano
2
Voix Tenor, Piano
2
Voix basse, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Voix Baryton, Piano
1
Chorale SSATB
1
Chorale SSATTB
1
Voix Tenor
1
Voix, Guitare
1
Voix Soprano
1
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VENTS
Saxophone
1112
Clarinette
677
Flûte traversière
630
Flûte traversière et Piano
302
2 Flûtes traversières (duo)
219
2 Saxophones (duo)
170
3 Clarinettes (trio)
148
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
130
Quatuor de Saxophones: 4 saxophones
121
Saxophone (partie séparée)
111
Quatuor de Clarinettes: 4 clarinettes
107
Saxophone Alto
100
Clarinette et Piano
97
Trio de Flûtes: 3 flûtes
97
Saxophone Alto et Piano
96
Hautbois, Piano (duo)
96
Flûte à Bec
96
Hautbois
95
Flûte, Hautbois, Clarinette, Basson
90
Saxophone Tenor et Piano
83
Quatuor de Flûtes : 4 flûtes
80
2 Clarinettes (duo)
77
Quintette de Saxophone: 5 saxophones
63
Flûte à bec Soprano
59
Saxophone Tenor
48
Flûte, Clarinette (duo)
42
Saxophone Soprano et Piano
42
Hautbois (partie séparée)
40
Flûte et Guitare
39
3 Saxophones (trio)
37
Saxophone, Clarinette (duo)
36
Clarinette, Violon (duo)
34
Hautbois, Basson (duo)
34
2 Hautbois (duo)
30
Saxophone Baryton, Piano
29
Flûte, Violon
28
Ensemble de Clarinettes
27
Ensemble de saxophones
23
Hautbois, Flûte
22
Quatuor de Flûtes à bec
21
Clarinette (partie séparée)
21
Clarinette, Trompette (duo)
20
Hautbois, Clarinette (duo)
20
Flûte à bec Soprano, Piano
17
Cor anglais, Piano
17
Quintette de Clarinettes: 5 clarinettes
16
Clarinette, Guitare (duo)
15
Saxophone Soprano
15
2 Flûte à bec (duo)
15
Quintette de Flûte : 5 flûtes
14
3 Flûtes à bec (trio)
14
Ensemble de Flûtes
13
Flûte, Alto (duo)
13
Clarinette, Basson (duo)
13
Flûte, Saxophone (duo)
13
Clarinette Basse, Piano
12
Flûte, Hautbois, Clarinette (trio)
12
Flûte, Violon, Piano
12
Clarinette et Alto
12
Flûte, Violoncelle
11
Hautbois, Clarinette, Basson (trio d'anches)
10
Clarinette, Violoncelle (duo)
10
Flûte, Trompette (duo)
10
Harmonica
10
Flûte, Basson et Piano
9
Flûte, Clarinette, Piano (trio)
9
Flûte, Clarinette et Basson
8
Flûte à bec Alto
8
Cor anglais, Guitare (duo)
8
Flûte, Violon et Violoncelle
7
2 Flûtes traversières, Piano
7
Flûte, Violoncelle, Piano (trio)
7
Flûte, Hautbois (duo)
6
Flute (partie séparée)
6
Flûte à Bec, Piano
6
Saxophone et Guitare
5
Flûte, Hautbois, Piano (trio)
4
Flûte, Violoncelle, Guitare
4
2 Saxophones, Piano
4
Flûte, Trombone (duo)
3
Flute, harpe et violon
3
Flûte, Hautbois, Basson
3
Flûte, Harpe et Violoncelle
3
Clarinette, trompette et piano
3
Flûte à bec Alto, Piano
3
Flûte, trombone et piano
3
Flûte à bec Tenor
3
2 Clarinettes, Basson
3
Flûte irlandaise
3
Flûte et Trio à cordes
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Trombone (duo)
2
Hautbois, violon (duo)
2
Ensemble De Flûte à bec
2
Saxophone, Violon (duo)
2
Ensemble de Hautbois
2
Clarinette, Harpe (duo)
2
2 Clarinettes, Piano
2
5 Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte de Pan
1
Clarinette, Contrebasse (duo)
1
Flûte à bec, Guitare (duo)
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Piccolo, Piano
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Clarinette Basse
1
Saxophone et Orgue
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2 Cors Anglais Et Pianoforte
1
Hautbois, Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Piccolo
1
Flûte, Alto et Piano
1
Hautbois, Violoncelle
1
4 Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte et Quatuor à Cordes
1
Clarinette, Tuba
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CUIVRES
Trompette
513
Trombone
458
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
149
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Trombone et Piano
78
Trompette, Piano
77
Cor
65
Tuba
45
Cor et Piano
43
Euphonium
41
2 Trompettes (duo)
39
2 Trombones (duo)
39
Trombone (partie séparée)
38
Tuba et Piano
36
Trompette, Saxophone (duo)
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Quatuor de Cuivres
28
Trompette, Trombone (duo)
27
Trompette (partie séparée)
26
Quatuor de cuivres: 4 trombones
26
Euphonium, Piano (duo)
25
2 Cors (duo)
22
Ensemble de Trombones
21
Cor anglais, Piano
17
2 Tubas (duo)
16
Ensemble de Trompettes
15
Cor (partie séparée)
14
Quatuor de cuivres: 4 cors
14
Trio de Cuivres
11
3 Trompettes (trio)
9
Quatuor de cuivres: 4 trompettes
8
Cor anglais, Guitare (duo)
8
Tuba (partie séparée)
7
Ensemble de Cors
6
4 Tubas
6
3 Trombones (trio)
6
Euphonium, Tuba (duo)
6
Trombone basse
5
Bass Clef Instruments
4
Trombone basse et Piano
4
Trompette, violon (duo)
3
Trompette, Cor (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Trombone, Piano
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor, Tuba (duo)
3
2 Euphoniums (duo)
3
3 Cors (trio)
2
Cor, Violoncelle (duo)
2
Tuba et Orgue
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3 Euphoniums
2
Trompette, Violoncelle (duo)
2
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
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2 Trombones, Piano
1
Trombone et orchestre
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Trombone, Cor (duo)
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Cor anglais et Harpe (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2061
Violon
780
Trio à Cordes: violon, alto, violoncelle
546
Violoncelle
373
Alto seul
367
Violon et Piano
250
Trio à cordes: 3 violins
192
Quintette à cordes: 2 violons, alto, violoncelle, basse
158
Harpe
107
Trio à Cordes: 2 violons, violoncelle
106
Alto, Piano
106
Violoncelle, Piano
99
Violon, Violoncelle (duo)
94
Violoncelle (partie séparée)
75
2 Violons (duo)
74
Trio à Cordes: 3 violoncelles
68
Violon, Alto (duo)
60
2 Violoncelles (duo)
52
2 Altos (duo)
49
Quatuor à cordes: 4 violons
36
Contre Basse
34
Violon (partie séparée)
30
4 Violoncelles
30
Trio à Cordes: 2 violons, alto
19
Contrebasse, Piano (duo)
19
Quatuor à cordes : 4 altos
18
Alto (partie séparée)
18
Violon, Guitare (duo)
18
Trio à cordes
15
Contrebasse (partie séparée)
15
2 Harpes (duo)
14
Alto, Violoncelle (duo)
12
Trio à cordes: 3 altos
12
Violoncelle, Contrebasse (duo)
12
2 Contrebasses (duo)
11
Harpe, Flûte (duo)
11
Violoncelle , Guitare (duo)
10
Harpe et Piano
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Ensemble de Violons
8
Piano Trio: Violon, Alto, Piano
7
Ensemble d'Altos
6
Harpe, Voix
5
Violon, Clarinette, Piano (trio)
5
Flûte, Contrebasse (duo)
5
4 Contrebasses
4
Alto, Guitare (duo)
4
Harpe, Violoncelle (duo)
3
Harpe et mandoline
2
2 Violoncelles, Piano
2
Alto et Basson
2
Violon, Violoncelle, Clarinette
2
Harpe, Violon (duo)
2
Violon, Tuba (duo)
1
Ensemble de Violoncelles
1
3 Contrebasses
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Harpes
1
Violon, Basson (duo)
1
Harpe, Quatuor à cordes
1
Autoharp
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
1040
Orchestre d'harmonie
790
Batterie
396
Orchestre
333
Ensemble de cuivres
124
Ensemble Jazz
118
Cloches
97
Jazz combo
61
Orchestre de chambre
60
Ensemble de Percussions
40
Fanfare
18
Percussion (partie séparée)
12
Percussion
10
Marimba
10
Batterie (partie séparée)
8
Vibraphone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Orchestre, Violon
2
Xylophone
1
Piano et Orchestre
1
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
Formation musicale - Solfège
6
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Clarinette Basse, Piano
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1
Entry Of The Gladiators
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.37236 Einzug der Glad…
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Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.37236 Einzug der Gladiatoren / L'entree des Gladiateurs. Composed by Julius Fucik. Arranged by Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 2'43. Editions Marc Reift - Digital #37236. Published by Editions Marc Reift - Digital (R0.37236).
$5.95
5.55 €
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Clarinette Basse, Piano
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Julius Fucik
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Jirka Kadlec
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Entry Of The Gladiators
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Editions Marc Reift - Digital
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.61 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Simple Gifts for Bass Clarinet solo with piano accompaniment
Clarinette Basse, Piano
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.971183 Composed by Traditio…
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.971183 Composed by Traditional. Arranged by Cheryl Bray Jackson. Christian,Praise and Worship,Sacred. Individual part. 5 pages. Cheryl Bray Jackson #6460505. Published by Cheryl Bray Jackson (A0.971183). Especially designed to showcase the bass clarinet timbre, this arrangement will work for church, school, or community. If used to church, Simple Gifts may be used all during the year for any portion of the service. The arrangement is three minutes in length. Please visit https://www.sheetmusicplus.com/publishers/cheryl-bray-jackson/18028.for additional arrangements. .
$4.99
4.65 €
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Clarinette Basse, Piano
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Traditional
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Cheryl Bray Jackson
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Simple Gifts for Bass Clarinet solo with piano accompaniment
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Cheryl Bray Jackson
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâs Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâs version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.74 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sonatina for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part. 36 pages. Dacker Music #3049201. Published by Dacker Music (A0.814740). As the title indicates, Sonatina for Bass Clarinet and Piano closely follows sonata form on a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form, and in this sonatina, the tonal relationships within the movements are all based on seconds, while the second movement is in the relative major of the sonatina's home key. The first movement, Allegro appassionato, is a fairly strict sonata-allegro in F minor. The second movement, Adagio cantabile, is a theme and variations in Ab major. The finale, Allegretto giocoso, is an abridged sonata-rondo in F minor. The B episode is derived from the inverted second subject of the first movement.Although not obvious on casual listening, this provides a degree of thematic unity to the composition.Grade 4+ Duration:7:40
$14.00
13.06 €
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Clarinette Basse, Piano
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Richard E Brown
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the composition
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Sonatina for Bass Clarinet and Piano
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Dacker Music
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.74 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Claire de Lune for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550107 Composed by Claude …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550107 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595923. Published by jmsgu3 (A0.550107). Moonlight * лÑннÑй ÑÐ²ÐµÑ * æå * ΣεληνÏÏÏÏο * MÄsÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
30.74 €
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Clarinette Basse, Piano
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Claude Debussy
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James M
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Debussy: Claire de Lune for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
The Spooky Castle! for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1190191 Composed by David …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1190191 Composed by David Burndrett. Contemporary,Halloween. Score and part. 8 pages. David Burndrett #789801. Published by David Burndrett (A0.1190191). This works well as a concert piece or just for fun!It is about grade three standard and upwards.Download includes the score and both of the parts.
$4.95
4.62 €
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Clarinette Basse, Piano
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David Burndrett
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The Spooky Castle! for Bass Clarinet and Piano
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David Burndrett
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 â1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâs whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.27 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 â1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâs whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.27 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 â1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâs whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.27 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!
Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.
Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).
In Quebec the song has been used for several decades in commercials for Sico paint.
In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.
This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.
In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.
The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.
Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
12.12 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
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