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FLUTE DE PA…
FORMATION M…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
BLUEGRASS
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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POLKA
POP ROCK - POP MUSIC
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expert
avec audio
avec vidéo
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Non classifié
3180
PIANO & CLAVIERS
Piano seul
2915
Piano Facile
641
Piano, Voix
500
Orgue
282
Piano, Voix et Guitare
228
Accordéon
176
Instruments en Do
117
Piano Trio: piano, violon, violoncelle
52
1 Piano, 4 mains
51
Accompagnement Piano
39
2 Pianos, 4 mains
30
Piano Quatuor: piano, violon, alto, violoncelle
9
Clavecin
8
Orgue, Trompette (duo)
7
1 Piano, 6 mains
7
Orgue, Piano (duo)
7
Piano grosses notes
3
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
1
Clavier
1
Accordéon, Voix
1
Instrumentations suivantes
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GUITARES
Guitare
642
Basse electrique
310
Guitare notes et tablatures
235
Ukulele
75
Ligne De Mélodie, (Paroles) et Accords
28
Mandoline
22
Paroles et Accords
22
Banjo
16
Dulcimer
15
2 Guitares (duo)
14
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
7
Ukulele Baryton
6
Guitare (partie séparée)
6
2 Dulcimers (duo)
3
3 Guitares (trio)
3
Ensemble de guitares
3
Guitare, Quatuor à cordes
2
Orchestre à Plectres
1
Basse électrique (partie séparée)
1
Guitare Pedal Steel
1
Instrumentations suivantes
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VOIX
Chorale SATB
734
Chorale 3 parties
324
Voix seule
214
Chorale Unison
107
Chorale 2 parties
99
Chorale TTBB
60
Chorale SSAA
41
Voix Soprano, Piano
21
Chorale
18
Voix duo
16
Voix duo, Piano
15
Voix Alto, Piano
15
Voix haute
11
Voix Baryton, Piano
11
Voix moyenne, Piano
3
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Male Voice
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Chorale SSATTB
1
Voix Soprano
1
Voix Tenor
1
Chorale SSATB
1
Instrumentations suivantes
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VENTS
Saxophone
1127
Clarinette
654
Flûte traversière
650
Flûte traversière et Piano
312
2 Flûtes traversières (duo)
207
3 Clarinettes (trio)
148
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
134
2 Saxophones (duo)
129
Clarinette et Piano
122
Quatuor de Saxophones: 4 saxophones
119
Quatuor de Clarinettes: 4 clarinettes
110
Saxophone Alto et Piano
102
Hautbois
98
Trio de Flûtes: 3 flûtes
98
Hautbois, Piano (duo)
97
Flûte à Bec
96
Saxophone Alto
87
Flûte, Hautbois, Clarinette, Basson
84
Saxophone Tenor et Piano
83
Saxophone Tenor
79
Quatuor de Flûtes : 4 flûtes
76
2 Clarinettes (duo)
66
Flûte à bec Soprano
62
Quintette de Saxophone: 5 saxophones
60
Saxophone (partie séparée)
55
Saxophone Soprano et Piano
44
3 Saxophones (trio)
43
Hautbois (partie séparée)
37
Flûte et Guitare
35
Flûte, Clarinette (duo)
35
Ensemble de saxophones
31
Saxophone Baryton, Piano
31
Ensemble de Clarinettes
29
Hautbois, Basson (duo)
29
Saxophone, Clarinette (duo)
27
Clarinette, Violon (duo)
24
Flûte, Violon
23
Quatuor de Flûtes à bec
22
2 Hautbois (duo)
22
Quintette de Clarinettes: 5 clarinettes
21
Hautbois, Flûte
19
Cor anglais, Piano
18
Clarinette, Guitare (duo)
16
Ensemble de Flûtes
15
Hautbois, Clarinette (duo)
15
Clarinette Basse, Piano
15
Flûte à bec Soprano, Piano
15
Quintette de Flûte : 5 flûtes
14
3 Flûtes à bec (trio)
14
Flûte, Hautbois, Clarinette (trio)
14
Ocarina
14
2 Flûte à bec (duo)
14
Clarinette (partie séparée)
13
Flûte, Violon, Piano
12
Clarinette, Trompette (duo)
12
Clarinette, Violoncelle (duo)
12
Flûte, Violoncelle
11
Saxophone Soprano
11
Clarinette, Basson (duo)
11
Flûte, Clarinette, Piano (trio)
11
Harmonica
10
Clarinette et Alto
9
Flûte, Alto (duo)
9
Flûte, Saxophone (duo)
9
Flûte, Trompette (duo)
9
Flûte, Basson et Piano
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Cor anglais, Guitare (duo)
8
Flûte à bec Alto
7
2 Flûtes traversières, Piano
7
Flûte, Violoncelle, Piano (trio)
6
Flûte à Bec, Piano
6
Flute (partie séparée)
6
Flûte, Violon et Violoncelle
6
Flûte, Clarinette et Basson
6
Saxophone et Guitare
5
Flûte, Trombone (duo)
5
Flûte, Hautbois (duo)
5
2 Saxophones, Piano
4
2 Clarinettes, Piano
3
Flute, harpe et violon
3
Flûte, Harpe et Violoncelle
3
Flûte à bec Tenor
3
2 Clarinettes, Basson
3
Flûte, Hautbois, Piano (trio)
3
Flûte irlandaise
3
Flûte, trombone et piano
3
Flûte, Hautbois, Basson
3
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, trompette et piano
2
Clarinette, Harpe (duo)
2
Hautbois, violon (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois, Guitare (duo)
2
Flûte à bec Alto, Piano
2
5 Flûtes à bec
2
Ensemble de Hautbois
2
Hautbois, Violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Piccolo
1
Cor anglais et Harpe (duo)
1
Saxophone et Orgue
1
4 Hautbois
1
Flûte, Violoncelle, Guitare
1
Hautbois, Harpe
1
2 Cors Anglais Et Pianoforte
1
Ensemble De Flûte à bec
1
Flûte et Quatuor à Cordes
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Violon (duo)
1
Clarinette Basse
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte de Pan
1
Flûte et Trio à cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Alto et Piano
1
Piccolo, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette
511
Trombone
450
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
140
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Trombone et Piano
87
Trompette, Piano
83
Cor
61
Cor et Piano
48
Euphonium
41
Tuba
40
Quatuor de Cuivres
35
2 Trompettes (duo)
34
2 Trombones (duo)
33
Tuba et Piano
33
Euphonium, Piano (duo)
29
Trombone (partie séparée)
28
Trompette, Trombone (duo)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trompette, Saxophone (duo)
24
Trompette (partie séparée)
21
Quatuor de cuivres: 4 trombones
21
Ensemble de Trombones
21
2 Cors (duo)
20
Cor anglais, Piano
18
Ensemble de Trompettes
15
2 Tubas (duo)
12
Trio de Cuivres
11
Quatuor de cuivres: 4 cors
10
Cor anglais, Guitare (duo)
8
3 Trombones (trio)
8
3 Trompettes (trio)
7
Cor (partie séparée)
7
Ensemble de Cors
7
Trombone basse
6
4 Tubas
6
Quatuor de cuivres: 4 trompettes
5
Euphonium, Tuba (duo)
5
Cor, Violoncelle (duo)
4
Tuba (partie séparée)
4
Trompette, violon (duo)
4
Bass Clef Instruments
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone basse et Piano
3
2 Euphoniums (duo)
3
Trompette, Trombone, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Cor (duo)
3
Cor, Tuba (duo)
2
3 Cors (trio)
2
3 Euphoniums
2
2 Trombones, Piano
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
3 Tubas (trio)
1
Tuba et Orgue
1
Trombone, Cor (duo)
1
Trombone et orchestre
1
2 Euphoniums et 2 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2099
Violon
774
Trio à Cordes: violon, alto, violoncelle
583
Violoncelle
448
Alto seul
376
Violon et Piano
253
Trio à cordes: 3 violins
237
Quintette à cordes: 2 violons, alto, violoncelle, basse
138
Trio à Cordes: 2 violons, violoncelle
115
Alto, Piano
108
Harpe
105
Violoncelle, Piano
105
Violon, Violoncelle (duo)
88
Trio à Cordes: 3 violoncelles
68
2 Violons (duo)
67
Violon, Alto (duo)
53
2 Violoncelles (duo)
46
2 Altos (duo)
40
Contre Basse
37
Quatuor à cordes: 4 violons
32
Violon (partie séparée)
27
4 Violoncelles
26
Trio à cordes: 3 altos
23
2 Harpes (duo)
19
Contrebasse, Piano (duo)
19
Quatuor à cordes : 4 altos
16
Trio à Cordes: 2 violons, alto
16
Trio à cordes
14
Violon, Guitare (duo)
14
Alto (partie séparée)
14
Contrebasse (partie séparée)
14
Violoncelle, Contrebasse (duo)
11
Harpe, Flûte (duo)
10
Alto, Violoncelle (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe et Piano
9
2 Contrebasses (duo)
8
Ensemble de Violons
8
Violoncelle , Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
7
Ensemble d'Altos
6
Alto, Guitare (duo)
5
Violon, Clarinette, Piano (trio)
5
Harpe, Voix
5
4 Contrebasses
4
Flûte, Contrebasse (duo)
4
Harpe, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Harpe et mandoline
2
2 Violoncelles, Piano
2
Violon, Violoncelle, Clarinette
2
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
Harpe, Quatuor à cordes
1
Harpe, Violon (duo)
1
Alto et Basson
1
Autoharp
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Harpes
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
1179
Orchestre d'harmonie
848
Batterie
388
Orchestre
364
Ensemble Jazz
124
Ensemble de cuivres
118
Cloches
92
Jazz combo
63
Orchestre de chambre
59
Ensemble de Percussions
36
Fanfare
32
Marimba
10
Percussion
10
Batterie (partie séparée)
8
Percussion (partie séparée)
8
Vibraphone
4
Xylophone, Piano
2
Orchestre, Violon
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
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Orchestre de chambre
Partitions à imprimer
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Des Pas Sur La Neige
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1503452 Composed by Claude Debussy. Ar…
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Chamber Orchestra - Digital Download SKU: A0.1503452 Composed by Claude Debussy. Arranged by Harry Rees. 20th Century,Classical,Romantic Period. 24 pages. Harry Rees #1078901. Published by Harry Rees (A0.1503452). The famous sixth prelude of Debussy's 12 preludes for piano, book one - Des Pas Sur La Neige - or Footsteps in the Snow, has been arranged here for a medium-sized orchestra.
$10.00
8.99 €
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Orchestre de chambre
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Claude Debussy
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Harry Rees
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Des Pas Sur La Neige
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Harry Rees
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SheetMusicPlus
Sergei Lyapunov - Rondo des Sylphes, Op. 11, Orchestrated by Arkady Leytush - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1419016 Composed by Sergei L…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1419016 Composed by Sergei Lyapunov. Arranged by Arkady Leytush. 20th Century. 45 pages. Arkady Leytush #1000457. Published by Arkady Leytush (A0.1419016). This new job was not easy. Firstly, this is an original part of his most virtuosic etudes-pictures transferring it to the orchestra, you are faced with many technical difficulties purely for the piano, which should be adapted for the orchestra, and secondly, I had to finish composing something, in particular many counterpoints (horn, bass clarinet, harp, etc.). In addition to all this, using the orchestra, try to paint a fantastic picture of the Selphid breeder, describe their character and playfulness.
$40.00
35.96 €
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Orchestre de chambre
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Sergei Lyapunov
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Arkady Leytush
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Sergei Lyapunov - Rondo des Sylphes, Op. 11, Orchestrated by Arkady Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
89.9 €
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Orchestre de chambre
#
Dosia McKay
#
Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Entree d'Abaris (from Les Boreádes)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.820215 Composed by Jean-Phil…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.820215 Composed by Jean-Philippe Rameau. Arranged by Enrique Llorens. Baroque,Classical,Opera. Score and parts. 7 pages. Llorens #3863197. Published by Llorens (A0.820215). Beautiful piece from Rameau's opera les Boréades. Very relaxed and calm, is suitable for weddings and other solemnal occasions. Scoring: Violins I-II, Violas, Bassi (bassoons optional). Also works as a String Quartet piece. Urtext edition based on the 1764 manuscript.
$9.99
8.98 €
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Orchestre de chambre
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Jean-Philippe Rameau
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Enrique Llorens
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Entree d'Abaris
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Llorens
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SheetMusicPlus
[Greenbaum] The Jig Is Up
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.953035 Composed by Matthew Greenbaum. …
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Chamber Orchestra - Digital Download SKU: A0.953035 Composed by Matthew Greenbaum. Contemporary. Score and parts. 62 pages. American Composers Alliance Inc. #4634707. Published by American Composers Alliance Inc. (A0.953035). A concerto for oboe and string orchestra (violin 1+2, viola, cello 1+2, bass). PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$25.95
23.33 €
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Orchestre de chambre
#
Matthew Greenbaum
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[Greenbaum] The Jig Is Up
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American Composers Alliance Inc.
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SheetMusicPlus
Adeste Fideles
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1140452 By Marco Simoncini. …
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1140452 By Marco Simoncini. By Traditional. Arranged by Marco Simoncini. Christian,Christmas,Praise & Worship,Religious,Traditional. Score and Parts. 15 pages. MaestroSimoncini #740694. Published by MaestroSimoncini (A0.1140452). A Christmas evergreen for mixed choir, flute, bassoon and strings.
$20.00
17.98 €
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Orchestre de chambre
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Marco Simoncini
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Marco Simoncini
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Adeste Fideles
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MaestroSimoncini
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SheetMusicPlus
Three Gnossiennes for Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1418391 Composed by Erik Sai…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Published by Andrew Middleton (A0.1418391). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Three Gnossiennes for Orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$29.99
26.96 €
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Orchestre de chambre
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Erik Saite
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Andrew Middleton
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Three Gnossiennes for Orchestra
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Andrew Middleton
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SheetMusicPlus
Tie A Yellow Ribbon Round The Ole Oak Tree
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1492400 By Dawn Featuring To…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1492400 By Dawn Featuring Tony Orlando. By Irwin Levine and L. Russell Brown. Arranged by Yunhee Cho. 20th Century,Chamber,Contest,Country,Festival,Pop. 24 pages. Yunhee Cho #1069072. Published by Yunhee Cho (A0.1492400). Tie A Yellow Ribbon Round The Ole Oak Tree is arranged for small orchestra. The instrumentation includes Fl.1,2 Ob., Cla.1,2, Tp.Bb, Tb., Vin.1,2, Vc. and piano accompaniment. The performance level of the piece is intermediate.
$49.99
44.94 €
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Orchestre de chambre
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Dawn Featuring Tony Orlando
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Yunhee Cho
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Tie A Yellow Ribbon Round The Ole Oak Tree
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Yunhee Cho
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SheetMusicPlus
[Kim] Green
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.953174 Composed by Sunbin Kim. Contemp…
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Chamber Orchestra - Digital Download SKU: A0.953174 Composed by Sunbin Kim. Contemporary. Score and parts. 27 pages. American Composers Alliance Inc. #4642041. Published by American Composers Alliance Inc. (A0.953174). Scored for chamber orchestra - instrumentation: 223(3=bcl)1(s.sax+t.sax)2(2+cbsn) - 2211 - 2 perc - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$17.95
16.14 €
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Orchestre de chambre
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Sunbin Kim
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[Kim] Green
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American Composers Alliance Inc.
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SheetMusicPlus
Three Winter Movements from The Seasons, Op. 37
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1163542 Composed by Peter Il…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1163542 Composed by Peter Ilyich Tchaikovsky. Arranged by James Bicigo. 19th Century,Chamber,Christmas,Classical,Holiday. Score and Parts. 133 pages. Polar Publications #763883. Published by Polar Publications (A0.1163542). Here are three winter movements from Tchaikovsky's The Seasons, Op. 37 for piano. This arrangement for Chamber Orchestra (1,1,1,1 1,2,0,0 Percussion, Piano, Strings) includes Snowdrop, On the Troika (Sleighride), and Christmas Waltz. Arranged for the Central Alberta Chamber Orchestra, this is a lovely alternative to the Nutcracker Suite.
$100.00
89.9 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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James Bicigo
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Three Winter Movements from The Seasons, Op. 37
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Polar Publications
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SheetMusicPlus
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885866 Composed by Tradition…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
8.98 €
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Orchestre de chambre
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Traditional children's music from America, France and Germany
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Lauri Hämäläinen
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Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
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Suomi Music
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SheetMusicPlus
Three Essays
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.503611 Composed by Patrick Riley. Clas…
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Chamber Orchestra - Digital Download SKU: A0.503611 Composed by Patrick Riley. Classical,Contemporary,Contest,Festival,Multicultural,Traditional,World. 128 pages. ASCAP-PDR Music-0075567 #115693. Published by ASCAP-PDR Music-0075567 (A0.503611). Instrumental (3 movements) with english horn, bassoon, timpani, percussion, violin I, violin II, viola, cello, and contrabass. One merged pdf file download includes the full score and all parts. Performance time 00:07:12. MIDI recording available.
$39.99
35.95 €
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Orchestre de chambre
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Patrick Riley
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Three Essays
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ASCAP-PDR Music-0075567
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SheetMusicPlus
Legacy for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
35.96 €
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Orchestre de chambre
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.33 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.24 €
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Orchestre de chambre
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Carson Cooman
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Symphony No. 2, "Litanies of Love and Rain"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Symphony No. 8, after Beethoven's sketches, op. 80
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1038395 Composed by Adrian G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1038395 Composed by Adrian Gagiu. Classical. 451 pages. Adrian Gagiu #643336. Published by Adrian Gagiu (A0.1038395). Throughout his career, Beethoven made dozens of concept sketches for many movements of symphonies, besides those for the completed nine compositions of that genre. In the period 1812-1816, mainly during the composition of the Seventh and Eighth Symphonies, there were three recurring such projected works in his sketchbooks, namely in D minor, E minor and E flat major respectively, and remarkably with sketches for more than one of their movements. The present symphony in late Classical style is based on those projects, making use of all their themes in a „combined†symphony in D minor and thus with peculiar tonal relationships. The incentive for this new work in the Classical idiom was in the quality and potential of some of the sketches, especially the one included now in the main theme of the slow movement. Some of the sketched material was subject to transpositions and adaptations to fit the formal outlook, and to editorial choices for the unclear pitches and durations. This publication includes the score and parts. The sketchbook sources for each passage are mentioned at the bottom of the score. Total duration: 36 min. Performing Rights Organization: SOCAN. The mp3 recording is the third, slow movement.
$100.00
89.9 €
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Orchestre de chambre
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Adrian Gagiu
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Symphony No. 8, after Beethoven's sketches, op. 80
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Adrian Gagiu
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SheetMusicPlus
Druantia's Dance
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Sm…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith #31125. Published by Andrew M. Smith (A0.938726). Druantia is an eternal Mother Goddess and Queen of the Druids in ancient Celtic folklore. She was known as the protector of forests, and a patron of knowledge, creativity, passion, sex, and fertility of both plants and animals. She is often portrayed as a beautiful, red-headed, slender woman with elven features, draped in forest-green robes. As the protector of forests, she was also guardian of forest spirits and sprites. These spirits are said to inhabit trees, a belief that spans across many cultures, like the Kodoma in Japanese folklore. Druantia’s Dance, a pizzicato string orchestra piece, depicts a joyous ritual of Druantia and her forest spirits; they scurry through the forest, dancing together, while creating new life and blessing the plants and animals around them, aiding in their growth.
$9.99
8.98 €
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Orchestre de chambre
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Andrew Smith
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Druantia's Dance
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Andrew M. Smith
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SheetMusicPlus
Concerto Grosso Opus 6 No 1 HWV 319
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Fr…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
44.95 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso Opus 6 No 1 HWV 319
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Arte Nova Music Lab
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
143.82 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Pájaros (Birds) for solo flute and strings
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
8.08 €
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Orchestre de chambre
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Concerto Grosso (2017) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
8.98 €
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Orchestre de chambre
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.33 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Symphony No.1
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1283934 Composed by Joseph B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1283934 Composed by Joseph Bologne. Arranged by Surenyan. Classical. Score and Parts. 89 pages. Avid Reeder Music #875113. Published by Avid Reeder Music (A0.1283934). This is the original orchestration by Bologne. Â The modifiction has been made in the Horns to be performed by modern French Horns in F. Â Orchestation: 2 Oboes, 2 French Horns, Strings. Â Includes score and parts.
$95.00
85.4 €
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Orchestre de chambre
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Joseph Bologne
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Surenyan
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Symphony No.1
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Avid Reeder Music
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
67.42 €
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Orchestre de chambre
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
Concert Overture
Orchestre de chambre
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (…
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - Digital Download SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
23.36 €
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
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