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AUTRES INST…
BALALAIKA
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FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
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HAUTBOIS
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MANDOLINE
MARIMBA
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PERCU. ORCH…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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VIOLONCELLE
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SheetMusicPlus
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difficulté (tous)
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expert
avec audio
avec vidéo
avec play-along
Non classifié
3313
PIANO & CLAVIERS
Piano seul
2911
Piano Facile
634
Piano, Voix
457
Orgue
282
Piano, Voix et Guitare
212
Accordéon
175
Instruments en Do
99
1 Piano, 4 mains
71
Piano Trio: piano, violon, violoncelle
49
Accompagnement Piano
40
2 Pianos, 4 mains
30
Piano Quatuor: piano, violon, alto, violoncelle
8
Clavecin
8
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
7
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
1 Piano, 6 mains
2
2 Pianos, 8 mains
2
Clavier
1
Accordéon, Voix
1
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GUITARES
Guitare
622
Basse electrique
322
Guitare notes et tablatures
222
Ukulele
68
Ligne De Mélodie, (Paroles) et Accords
39
Mandoline
22
Paroles et Accords
21
Banjo
16
Dulcimer
15
Piano, Guitare (duo)
14
2 Guitares (duo)
11
4 Guitares (Quatuor)
7
Guitare (partie séparée)
6
3 Guitares (trio)
5
Ensemble de guitares
4
2 Dulcimers (duo)
3
Guitare, Quatuor à cordes
2
Ukulele Baryton
1
Guitare Pedal Steel
1
Basse électrique (partie séparée)
1
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VOIX
Chorale SATB
709
Chorale 3 parties
304
Voix seule
231
Chorale Unison
107
Chorale 2 parties
94
Chorale TTBB
63
Chorale SSAA
37
Chorale
18
Voix duo
17
Voix Soprano, Piano
13
Voix haute
10
Voix Alto, Piano
7
Voix duo, Piano
6
Chorale SSAATTBB
5
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Tenor
2
Voix basse, Piano
2
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix Tenor, Piano
1
Voix Soprano
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Voix, Guitare
1
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VENTS
Saxophone
1112
Clarinette
676
Flûte traversière
614
Flûte traversière et Piano
291
2 Flûtes traversières (duo)
210
Saxophone (partie séparée)
167
2 Saxophones (duo)
166
3 Clarinettes (trio)
143
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Quatuor de Saxophones: 4 saxophones
117
Quatuor de Clarinettes: 4 clarinettes
107
Clarinette et Piano
96
Hautbois
95
Hautbois, Piano (duo)
95
Flûte à Bec
94
Saxophone Alto et Piano
94
Flûte, Hautbois, Clarinette, Basson
89
Saxophone Tenor et Piano
81
Quatuor de Flûtes : 4 flûtes
79
2 Clarinettes (duo)
72
Trio de Flûtes: 3 flûtes
68
Quintette de Saxophone: 5 saxophones
62
Flûte à bec Soprano
59
Saxophone Tenor
47
Saxophone Alto
43
Saxophone Soprano et Piano
42
Flûte, Clarinette (duo)
40
Flûte et Guitare
40
Hautbois (partie séparée)
40
Saxophone, Clarinette (duo)
36
3 Saxophones (trio)
34
Hautbois, Basson (duo)
33
Clarinette, Violon (duo)
33
Saxophone Baryton, Piano
29
2 Hautbois (duo)
27
Flûte, Violon
27
Ensemble de Clarinettes
27
Hautbois, Flûte
22
Ensemble de saxophones
21
Clarinette (partie séparée)
21
Clarinette, Trompette (duo)
20
Hautbois, Clarinette (duo)
20
Quatuor de Flûtes à bec
19
Flûte à bec Soprano, Piano
17
Cor anglais, Piano
17
Saxophone Soprano
15
Quintette de Clarinettes: 5 clarinettes
15
Clarinette, Guitare (duo)
15
Quintette de Flûte : 5 flûtes
14
3 Flûtes à bec (trio)
14
Flûte, Saxophone (duo)
13
Flûte, Alto (duo)
13
Flûte, Hautbois, Clarinette (trio)
12
Flûte, Violon, Piano
12
Clarinette et Alto
12
Ensemble de Flûtes
12
2 Flûte à bec (duo)
12
Clarinette Basse, Piano
12
Flûte, Violoncelle
11
Flûte, Trompette (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Harmonica
9
Flûte, Clarinette, Piano (trio)
9
Flûte, Basson et Piano
9
Flûte à bec Alto
8
Flûte, Clarinette et Basson
8
Cor anglais, Guitare (duo)
8
Clarinette, Violoncelle (duo)
8
Clarinette, Basson (duo)
8
Flûte, Violon et Violoncelle
7
Flûte, Violoncelle, Piano (trio)
7
Flute (partie séparée)
6
Flûte, Hautbois (duo)
6
Flûte à Bec, Piano
6
2 Flûtes traversières, Piano
6
Saxophone et Guitare
5
Flûte, Hautbois, Piano (trio)
4
Flûte, Violoncelle, Guitare
4
2 Saxophones, Piano
4
2 Clarinettes, Basson
3
Flûte, trombone et piano
3
Clarinette, trompette et piano
3
Flute, harpe et violon
3
Flûte à bec Tenor
3
Flûte irlandaise
3
Flûte, Trombone (duo)
3
Flûte, Harpe et Violoncelle
3
Flûte à bec Alto, Piano
3
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Harpe (duo)
2
Ensemble De Flûte à bec
2
Saxophone, Violon (duo)
2
Clarinette, Trombone (duo)
2
Flûte et Trio à cordes
2
Flûte, Hautbois, Basson
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Clarinettes, Piano
2
Hautbois, violon (duo)
2
Ensemble de Hautbois
2
Clarinette, Violoncelle, Piano (trio)
2
5 Flûtes à bec
2
Hautbois, Guitare (duo)
1
Flûte de Pan
1
Clarinette, Tuba
1
Piccolo
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
2 Hautbois, 2 Cors et 2 Bassons
1
Piccolo, Piano
1
Clarinette Basse
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Contrebasse (duo)
1
Flûte, Alto et Piano
1
Flûte à bec, Guitare (duo)
1
Hautbois, Harpe
1
4 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte et Quatuor à Cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
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CUIVRES
Trompette
512
Trombone
459
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
147
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Trombone et Piano
77
Trompette, Piano
76
Cor
64
Tuba
45
Cor et Piano
41
Euphonium
41
2 Trompettes (duo)
39
2 Trombones (duo)
38
Tuba et Piano
36
Trombone (partie séparée)
36
Trompette, Saxophone (duo)
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Quatuor de Cuivres
28
Trompette (partie séparée)
26
Quatuor de cuivres: 4 trombones
26
Euphonium, Piano (duo)
25
Trompette, Trombone (duo)
25
Ensemble de Trombones
21
2 Cors (duo)
21
Cor anglais, Piano
17
Ensemble de Trompettes
15
Quatuor de cuivres: 4 cors
14
Cor (partie séparée)
14
2 Tubas (duo)
12
Trio de Cuivres
11
Cor anglais, Guitare (duo)
8
Quatuor de cuivres: 4 trompettes
8
Tuba (partie séparée)
7
Euphonium, Tuba (duo)
6
Ensemble de Cors
6
4 Tubas
6
3 Trompettes (trio)
6
3 Trombones (trio)
5
Trombone basse
5
Bass Clef Instruments
4
Trombone basse et Piano
4
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Trombone, Piano
3
Cor, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Cor (duo)
3
Tuba et Orgue
2
3 Euphoniums
2
Trompette, violon (duo)
2
Cor, Violoncelle (duo)
2
3 Cors (trio)
2
Trompette, Violoncelle (duo)
2
Ensemble de Tubas
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
Trombone et orchestre
1
2 Trombones, Piano
1
3 Tubas (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2039
Violon
781
Trio à Cordes: violon, alto, violoncelle
538
Violoncelle
368
Alto seul
365
Violon et Piano
213
Trio à cordes: 3 violins
188
Quintette à cordes: 2 violons, alto, violoncelle, basse
150
Alto, Piano
106
Trio à Cordes: 2 violons, violoncelle
104
Harpe
100
Violoncelle, Piano
98
Violon, Violoncelle (duo)
90
Violoncelle (partie séparée)
77
2 Violons (duo)
69
Trio à Cordes: 3 violoncelles
65
Violon, Alto (duo)
60
2 Violoncelles (duo)
49
2 Altos (duo)
42
Contre Basse
35
Violon (partie séparée)
32
4 Violoncelles
27
Contrebasse, Piano (duo)
19
Quatuor à cordes: 4 violons
19
Alto (partie séparée)
18
Violon, Guitare (duo)
18
Quatuor à cordes : 4 altos
17
Trio à Cordes: 2 violons, alto
17
Trio à cordes
15
Contrebasse (partie séparée)
15
2 Harpes (duo)
13
Alto, Violoncelle (duo)
11
Violoncelle, Contrebasse (duo)
11
Harpe, Flûte (duo)
11
Violoncelle , Guitare (duo)
10
2 Contrebasses (duo)
10
Harpe et Piano
10
Trio à cordes: 3 altos
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Ensemble de Violons
8
Piano Trio: Violon, Alto, Piano
7
Ensemble d'Altos
6
Harpe, Voix
5
Violon, Clarinette, Piano (trio)
5
Flûte, Contrebasse (duo)
5
Alto, Guitare (duo)
4
Alto et Basson
3
Harpe, Violoncelle (duo)
3
4 Contrebasses
3
Violon, Violoncelle, Clarinette
2
2 Violoncelles, Piano
2
Harpe et mandoline
2
2 Altos, Piano
2
Harpe, Violon (duo)
2
Violon, Basson (duo)
1
Violon, Tuba (duo)
1
4 Harpes
1
2 Violons, Piano
1
Autoharp
1
Ensemble de Violoncelles
1
3 Contrebasses
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Quatuor à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
1032
Orchestre d'harmonie
782
Batterie
396
Orchestre
201
Ensemble de cuivres
124
Ensemble Jazz
119
Cloches
95
Orchestre de chambre
61
Jazz combo
59
Ensemble de Percussions
40
Fanfare
17
Percussion (partie séparée)
12
Marimba
10
Percussion
10
Batterie (partie séparée)
8
Vibraphone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Orchestre, Violon
2
Piano et Orchestre
1
Xylophone, Piano
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
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Clarinette Basse, Piano
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1
Entry Of The Gladiators
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.37236 Einzug der Glad…
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Bass Clarinet & Piano - Grade 3 - Digital Download SKU: R0.37236 Einzug der Gladiatoren / L'entree des Gladiateurs. Composed by Julius Fucik. Arranged by Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 2'43. Editions Marc Reift - Digital #37236. Published by Editions Marc Reift - Digital (R0.37236).
$5.95
5.5 €
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Clarinette Basse, Piano
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Julius Fucik
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Jirka Kadlec
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Entry Of The Gladiators
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Editions Marc Reift - Digital
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.44 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Simple Gifts for Bass Clarinet solo with piano accompaniment
Clarinette Basse, Piano
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.971183 Composed by Traditio…
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.971183 Composed by Traditional. Arranged by Cheryl Bray Jackson. Christian,Praise and Worship,Sacred. Individual part. 5 pages. Cheryl Bray Jackson #6460505. Published by Cheryl Bray Jackson (A0.971183). Especially designed to showcase the bass clarinet timbre, this arrangement will work for church, school, or community. If used to church, Simple Gifts may be used all during the year for any portion of the service. The arrangement is three minutes in length. Please visit https://www.sheetmusicplus.com/publishers/cheryl-bray-jackson/18028.for additional arrangements. .
$4.99
4.61 €
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Clarinette Basse, Piano
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Traditional
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Cheryl Bray Jackson
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Simple Gifts for Bass Clarinet solo with piano accompaniment
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Cheryl Bray Jackson
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâs Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâs version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.46 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sonatina for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 C…
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Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part. 36 pages. Dacker Music #3049201. Published by Dacker Music (A0.814740). As the title indicates, Sonatina for Bass Clarinet and Piano closely follows sonata form on a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form, and in this sonatina, the tonal relationships within the movements are all based on seconds, while the second movement is in the relative major of the sonatina's home key. The first movement, Allegro appassionato, is a fairly strict sonata-allegro in F minor. The second movement, Adagio cantabile, is a theme and variations in Ab major. The finale, Allegretto giocoso, is an abridged sonata-rondo in F minor. The B episode is derived from the inverted second subject of the first movement.Although not obvious on casual listening, this provides a degree of thematic unity to the composition.Grade 4+ Duration:7:40
$14.00
12.94 €
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Clarinette Basse, Piano
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Richard E Brown
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the composition
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Sonatina for Bass Clarinet and Piano
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Dacker Music
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.46 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Claire de Lune for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550107 Composed by Claude …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.550107 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595923. Published by jmsgu3 (A0.550107). Moonlight * лÑннÑй ÑÐ²ÐµÑ * æå * ΣεληνÏÏÏÏο * MÄsÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
30.46 €
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Clarinette Basse, Piano
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Claude Debussy
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James M
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Debussy: Claire de Lune for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
The Spooky Castle! for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1190191 Composed by David …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1190191 Composed by David Burndrett. Contemporary,Halloween. Score and part. 8 pages. David Burndrett #789801. Published by David Burndrett (A0.1190191). This works well as a concert piece or just for fun!It is about grade three standard and upwards.Download includes the score and both of the parts.
$4.95
4.58 €
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Clarinette Basse, Piano
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David Burndrett
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The Spooky Castle! for Bass Clarinet and Piano
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David Burndrett
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 â1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâs whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 â1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâs whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 â1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâs whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!
Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.
Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).
In Quebec the song has been used for several decades in commercials for Sico paint.
In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.
This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.
In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.
The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.
Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
12.01 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
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