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Dik'duk
Partitions à imprimer
6 partitions trouvées
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Dik'duk
Ligne De Mélodie, (Paroles) et Accords
By Debbie Friedman. Jewish. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Mu…
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By Debbie Friedman. Jewish. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.324673). - Fakebook - Jewish - Hal Leonard - Digital Sheet Music
$3.99
3.72 €
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Ligne De Mélodie, (Paroles) et Accords
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Debbie Friedman
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Dik'duk
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Debbie Friedman: Dik'duk - voice & other instruments (fake book)
Ligne De Mélodie, (Paroles) et Accords
Instantly printable sheet music by Debbie Friedman for voice & other instruments (fake…
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Instantly printable sheet music by Debbie Friedman for voice & other instruments (fake book) of MEDIUM skill level. / jewish
$5.97
5.57 €
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Ligne De Mélodie, (Paroles) et Accords
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Debbie Friedman
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Virtualsheetmusic
Tondu' Majâng
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247408 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247408 Composed by R. Amiruddin Tjitraprawira. Arranged by Otniel Simangunsong. 19th Century,A Cappella,Contest,Festival,Folk,Traditional. 14 pages. Otniel Simangunsong #842045. Published by Otniel Simangunsong (A0.1247408). Tondu' Majâng is a Madurese song composed by R. Amiruddin Tjitraprawira. R. Amiruddin Tjitraprawira, a figure who hails from Bangkalan Madura, is not widely known in his current condition. He was born on May 18, 1920 and died on December 17, 1975. A number of songs created by R. Amiruddin Tjitraprawira, circulated a lot like the song; Pangèran Trunodjojo, Madhurâ O Madhurâ, Asta Aermata, Kerrabhân Sape, Djoko Tole, Tera' Bulân, à Pasèsèr, Kè' Lèsap, Kembhângnga Naghârâ, Tondu' Majâng, Aèng Tantja 'Torowan, Orèng Matrol and others. This song is a regional Madurese song because it really describes the lives of the coastal communities of Madura who work as fishermen. The song Tondu' Majâng tells the life of a Madurese fisherman. Their life is described as very hard because they have to deal with many dangers at sea (atemmo bhâbhâjâ). They also have to risk their lives (abhândhâ nyabâ) to support their families who are left at home. Sometimes to catch a lot of fish they have to stay for days on the boat so they become used to the sea and rely on the waves as a pillow and the wind as their blanket (abhântal ombâ' sapo' angèn salanjhânga). Many write this song from Madura with Tanduk Majeng, even though the word tanduk or tandu' means horn in Indonesian. Meanwhile, when paired with the context and lyrics of this song, it is true that there is tondu' which means arrived. So it is appropriate to use tondu' instead of horns because what is told in this song is the arrival of the fishermen when they are looking for fish. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. Tondu' Majâng is arranged a capella with soprano, alto, tenor, baritone and bass voices. This arrangement shows the accompaniment of acoustic musical instruments such as guitar, bass and drums.
$4.20
3.92 €
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Chorale SATB
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R
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Otniel Simangunsong
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Tondu' Majâng
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Otniel Simangunsong
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SheetMusicPlus
Sonata Hymnica No. 1
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at Kingâs College and electronic music at Goldsmithsâ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.87 €
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Piano seul
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Sonata Hymnica No. 2
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at Kingâs College and electronic music at Goldsmithsâ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.87 €
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Piano seul
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Sonata Hymnica No. 3
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Bartonâs Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Bartonâs Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at Kingâs College and electronic music at Goldsmithsâ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.87 €
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Piano seul
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
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