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31
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13
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6
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6
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5
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5
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4
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3
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2
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2
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1
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1
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1
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1
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VENTS
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91
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87
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73
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71
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68
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62
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52
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48
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45
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43
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41
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41
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39
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37
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29
2 Clarinettes (duo)
28
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28
Saxophone Baryton, Piano
24
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23
Quatuor de Flûtes à bec
20
Saxophone Alto
20
Hautbois (partie séparée)
19
Ensemble de Clarinettes
19
Cor anglais, Piano
18
3 Clarinettes (trio)
16
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16
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15
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15
Saxophone Tenor
13
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13
2 Hautbois (duo)
13
Flûte, Clarinette (duo)
11
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11
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10
5 Flûtes à bec
10
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9
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9
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8
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8
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7
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7
3 Flûtes à bec (trio)
7
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7
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5
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5
Flûte à bec Alto
5
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4
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4
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4
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4
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4
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4
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3
Hautbois
3
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3
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3
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3
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3
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3
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1
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Flûte à Bec, Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
81
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46
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32
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28
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Cor et Piano
27
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21
2 Trombones (duo)
20
Tuba et Piano
18
Cor anglais, Piano
18
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16
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15
Trompette, Trombone (duo)
15
Trompette (partie séparée)
15
2 Cors (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Ensemble de Trombones
14
Trombone
13
Ensemble de Cors
13
Cor
12
Euphonium, Piano (duo)
12
Tuba
12
Quatuor de Cuivres
12
Quatuor de cuivres: 4 trombones
8
2 Tubas (duo)
8
Quatuor de cuivres: 4 trompettes
5
Trompette, Cor (duo)
5
Quatuor de cuivres: 4 cors
5
3 Tubas (trio)
4
Trompette, Saxophone (duo)
4
4 Tubas
4
3 Cors (trio)
3
Tuba (partie séparée)
3
Instruments en Sib
3
3 Trombones (trio)
3
Cor (partie séparée)
2
Bass Clef Instruments
2
Tuba et Orgue
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Trombone basse et Piano
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Trombone, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Cor anglais et Harpe (duo)
1
Trompette, Harpe
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Cor et Harpe
1
Euphonium
1
Cor Anglais
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
195
Harpe
172
Violon et Piano
84
Violoncelle, Piano
77
Alto, Piano
71
Violon, Violoncelle (duo)
43
Trio à Cordes: violon, alto, violoncelle
43
Violon
43
Violoncelle
36
2 Harpes (duo)
36
2 Violons (duo)
35
2 Altos (duo)
19
2 Violoncelles (duo)
18
Violon, Alto (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto seul
13
Contrebasse, Piano (duo)
11
Harpe, Flûte (duo)
11
4 Violoncelles
11
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: 3 violoncelles
9
Contre Basse
8
Trio à cordes: 3 violins
7
Ensemble de Violons
7
Alto, Violoncelle (duo)
7
Contrebasse (partie séparée)
7
Quatuor à cordes : 4 altos
6
Violon (partie séparée)
5
Quatuor à cordes: 4 violons
5
Alto (partie séparée)
5
Trio à cordes: 3 altos
5
Ensemble d'Altos
4
Harpe, Violon (duo)
3
2 Contrebasses (duo)
3
Violoncelle , Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
5 Harpes
2
Violoncelle, Contrebasse (duo)
2
3 Harpes
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe et Piano
2
Alto et Harpe
1
2 Violons, Piano
1
Violon, Tuba (duo)
1
Violoncelle (partie séparée)
1
4 Harpes
1
Alto, Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
386
Orchestre
116
Orchestre à Cordes
92
Cloches
61
Orchestre de chambre
50
Ensemble Jazz
37
Ensemble de cuivres
36
Jazz combo
11
Marimba
8
Ensemble de Percussions
8
Batterie
4
Fanfare
4
Batterie (partie séparée)
3
Xylophone, Piano
2
Percussion (partie séparée)
2
Marimba, Piano (duo)
1
Vibraphone
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Théorie de la musique
1
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Gnossienne nº 1 - Score Only
Guitar - Level 2 - Digital Download SKU: A0.1401929 Composed by Erik Satie. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.1401929 Composed by Erik Satie. Arranged by Bisdré Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. Soul - Musical Creations #985125. Published by Soul - Musical Creations (A0.1401929). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99
1.78 €
#
purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format
#
Erik Satie
#
Bisdré Santos
#
Gnossienne nº 1 - Score Only
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Soul - Musical Creations
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SheetMusicPlus
Gnossienne nº 3 - Score Only
Guitar - Level 2 - Digital Download SKU: A0.1401937 By Erik Satie. By Erik Satie. A…
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Guitar - Level 2 - Digital Download SKU: A0.1401937 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 10 pages. Soul - Musical Creations #985135. Published by Soul - Musical Creations (A0.1401937). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99
1.78 €
#
Erik Satie
#
Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space
#
Bisdre Santos
#
Gnossienne nº 3 - Score Only
#
Soul - Musical Creations
#
SheetMusicPlus
Gnossienne nº 2 - Score Only
Guitar - Level 2 - Digital Download SKU: A0.1401936 By Erik Satie. By Erik Satie. A…
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Guitar - Level 2 - Digital Download SKU: A0.1401936 By Erik Satie. By Erik Satie. Arranged by Bisdre Santos. 20th Century,Chamber,Instructional,Standards,Wedding. 8 pages. Soul - Musical Creations #985134. Published by Soul - Musical Creations (A0.1401936). Discover the Magic of Erik Satie's Gnossienne in an Arrangement for 4 Guitars!Have you ever imagined the sensation of being transported to a world of sonic beauty, where each note is like a delicate brushstroke on an infinite canvas of emotions? Now you can experience this unique sensation with the arrangement for 4 guitars of the celebrated composition Gnossienne by Erik Satie.Why Gnossienne?Gnossienne is a timeless piece that captures the essence of music in its purest form. Composed by Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space.The Arrangement for 4 Guitars: A New Musical DimensionImagine the additional depth that four guitars can bring to this masterpiece. Each chord resonating, each melody intertwining, creating a sonic tapestry that envelops and enchants listeners. With this arrangement, you will experience Gnossienne in a completely new and exciting way.Why PDF?By purchasing the PDF score, you not only gain immediate access to the music but also enjoy the convenience of having it in digital format. There's no need to wait for the mail or worry about lost scores. You can easily access it on your preferred device, wherever you are, whenever you want.Reasons to Purchase Now:Unique Sensory Experience: Immerse yourself in the beauty and emotion of Gnossienne in an arrangement that elevates music to new heights.Convenience and Accessibility: With the PDF score, you have the freedom to practice and play Gnossienne whenever and wherever you want.Supporting the Arts: By purchasing the score, you are directly supporting the artists and musicians behind this production, enabling them to continue creating and sharing their passion for music.Don't let this unique opportunity pass you by. Purchase the PDF score of Erik Satie's Gnossienne in an arrangement for 4 guitars now and embark on a musical journey that will be etched in your soul forever.Addendum:Perfect for Student Groups of Various Levels: This arrangement is excellent for groups of students at various levels, allowing them to explore and enjoy the beauty of Gnossienne together while honing their musical skills.
$1.99
1.78 €
#
Erik Satie
#
Erik Satie, one of the most revered musical geniuses in history, this masterpiece is an auditory journey that transcends time and space
#
Bisdre Santos
#
Gnossienne nº 2 - Score Only
#
Soul - Musical Creations
#
SheetMusicPlus
Here Comes The Sun- lever harp
Harpe
Lever Harp - Intermediate - Digital Download By The Beatles. Arranged by Debbie Vinick. …
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Lever Harp - Intermediate - Digital Download By The Beatles. Arranged by Debbie Vinick. Solo Part. 2 pages. Published by Debbie Vinick
Debbie Vinick's arrangement of Here Comes the Sun is for the fully-levered harp with at least 34 strings tuned in E Flat Major. (With all the levers down, tune B's, E's, and A's to flat). Only two pages, it fits well into a gig book or music notebook. It is very playable and lever changes are written in red. It is best printed in color. Debbie Vinick is a harpist, pianist, arranger, andteacher. Her music has a wide range of style including Celtic, classical andpopular. She plays and arranges music for the lap, folk, and pedal harp, andpiano. Debbie loves arranging music that is suited to each instrument and isboth enjoyable to play and to hear. A graduate of Eastman and Yale Schools ofMusic, Debbie has played with orchestras throughout the U.S. and in Europe. Shehas an active studio of harp and piano students and performs throughout theNortheast U.S. Please search her name for more arrangements!
$5.99
5.37 €
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Harpe
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The Beatles
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Debbie Vinick
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Here Comes The Sun- lever harp
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Debbie Vinick
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SheetMusicPlus
Nobody Ever (Only You)
Paroles et Accords
Guitar (chords only) - Digital Download SKU: HX.171004 By Steven Curtis Chapman. Ch…
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Guitar (chords only) - Digital Download SKU: HX.171004 By Steven Curtis Chapman. Christian,Pop. 3 pages. Published by Hal Leonard - Digital (HX.171004).
$1.99
1.78 €
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Paroles et Accords
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Steven Curtis Chapman
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Nobody Ever
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Hal Leonard - Digital
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SheetMusicPlus
Believer
About Interact…
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About Interactive Downloads Interactive Downloads are dynamic sheet music files that can be viewed and altered directly in My Digital Library from any device. Interactive features include: playback, tempo control, transposition, melody instrument selection, adjustable note size, and full-screen viewing. Once you download your personalized sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: All Interactive Downloads will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students). Song List (1) Believer Reviews Don't miss out! Access exclusive content and coupons, and be the first to know about new releases
Song List: Believer
$4.99
4.47 €
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Believer
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SheetMusicPlus
Diamonds Are Forever (from "Diamonds Are Forever")
Guitare notes et tablatures
Guitar TAB - Digital Download SKU: AX.00-PS-0013915 Composed by John Barry. Pop. 3 …
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Guitar TAB - Digital Download SKU: AX.00-PS-0013915 Composed by John Barry. Pop. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0013915. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013915). ISBN 9780739094563. UPC: 038081455587. Don Black.In 1962, the staccato attack of Vic Flick's guitar shot out from the film Dr. No as if from the barrel of Bond's own Walther PPK, and it's been the signature sound of Bond ever since. This book features 12 classic James Bond themes in easy-to-play melody and guitar arrangements. The included DVD-ROM contains sound-alike and play-along MP3s with full orchestration, and our exclusive TNT 2 Custom Mix software, which allows you to alter the instrument mixes, loop sections, and change tempos and keys. Titles: Diamonds Are Forever * For Your Eyes Only * From Russia with Love * Goldfinger * James Bond Theme * Live and Let Die * Nobody Does It Better * On Her Majesty's Secret Service * Thunderball * Tomorrow Never Dies * A View to a Kill * You Only Live Twice.
$2.99
2.68 €
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Guitare notes et tablatures
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John Barry
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Diamonds Are Forever
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You Only Live Twice
Guitare notes et tablatures
Guitar TAB - Digital Download SKU: AX.00-PS-0013920 Composed by John Barry and Lesl…
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Guitar TAB - Digital Download SKU: AX.00-PS-0013920 Composed by John Barry and Leslie Bricusse. Pop. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0013920. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013920). ISBN 9780739094563. UPC: 038081455587.In 1962, the staccato attack of Vic Flick's guitar shot out from the film Dr. No as if from the barrel of Bond's own Walther PPK, and it's been the signature sound of Bond ever since. This book features 12 classic James Bond themes in easy-to-play melody and guitar arrangements. The included DVD-ROM contains sound-alike and play-along MP3s with full orchestration, and our exclusive TNT 2 Custom Mix software, which allows you to alter the instrument mixes, loop sections, and change tempos and keys. Titles: Diamonds Are Forever * For Your Eyes Only * From Russia with Love * Goldfinger * James Bond Theme * Live and Let Die * Nobody Does It Better * On Her Majesty's Secret Service * Thunderball * Tomorrow Never Dies * A View to a Kill * You Only Live Twice.
$2.99
2.68 €
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Guitare notes et tablatures
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John Barry and Leslie Bricusse
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You Only Live Twice
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Merry Christmas Everyone
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1496604 By Shakin' Stevens. By …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1496604 By Shakin' Stevens. By Bob Heatlie. Arranged by Kevin Riley. 20th Century,Christmas,Pop. 54 pages. Kevin Riley #1073126. Published by Kevin Riley (A0.1496604). Merry Christmas Everyone is a festive song recorded by Welsh singer-songwriter Shakin' Stevens. Written by Bob Heatlie and produced by Dave Edmunds, it is the fourth and to date last number one single for Shakin' Stevens on the UK Singles Chart.It was released on 25 November 1985 and was the Christmas number one for that year.Ever since it has been included on many top-selling Christmas collections and received frequent airplay every Christmas. In 2007, the song re-entered the UK top 30 and reached number 22 on the Christmas chart. This is because downloads are now included in the UK Singles Chart; whereas in past years this would have been impossible unless there was a physical re-release of the song. From 2007 to 2017, the song charted in the UK at peak positions 22, 36, 47, 68, 42, 46, 54, 38, 26, 17, and 10. Originally only in the chart for eight weeks, it has since amassed over 70 weeks.In December 2018 it reached No. 9 in the UK chart, its highest position since 1985.In both December 2019 and December 2020, it reached No. 6.
$70.00
62.74 €
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Orchestre
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Shakin' Stevens
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Kevin Riley
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Merry Christmas Everyone
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Kevin Riley
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SheetMusicPlus
Walking In The Air (Lever harp)
Harpe
Harp, Lever harp - Advanced Intermediate - Digital Download By Howard Blake. Arranged…
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Harp, Lever harp - Advanced Intermediate - Digital Download By Howard Blake. Arranged by Cecile-Marie Lissens. Individual Part, Sheet Music Single, Solo Part. 4 pages. Published by Cecile-Marie Lissens
Item Number: H0.826997-897640<br> <br> Harp arrangement of Walking in the Air, written by Howard Blake from 'The Snowman'. The harp part was specifically arranged for a small lever harp with 22 strings and contains some rather quick lever changes. The piece can be played on a pedal harp as well, but only the lever changes are indicated. The range is from A below the small C (C3) to A above the treble staff (A2-A4).
$5.99
5.37 €
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Harpe
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Howard Blake
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Cecile-Marie Lissens
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Walking In The Air
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Cecile-Marie Lissens
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SheetMusicPlus
La Source (paraphrase for lever harp)
Harpe
Harp, lever harp - Advanced Intermediate - Digital Download Composed by Alphonse Hassel…
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Harp, lever harp - Advanced Intermediate - Digital Download Composed by Alphonse Hasselmans. Arranged by Alessandro Palazzani. Romantic Period, Etudes and Exercises, Repertoire, Technique Training, Recital. Score, Sheet Music Single, Solo Part. 33 pages. Published by A work by Alessandro Palazzani
"La Source" is a cornerstone in the pedal harp literature. Written in 1898 by the Belgian-born French composer Alphonse Hasselmans, this etude has become a favorite of all harpists, thanks to its tender melody and its rich and luscious harmonies.Now you can also play it on a lever harp. This paraphrase preserves the two principal themes, the first in F major and the second in D minor. The sections with the wider modulations are rewritten using original fragments rearranged in a new order. The accompaniment is slightly simplified into arpeggiated triplets. Very few lever changes are required. Inside the book you will also find a reduced score (melody with chords symbols) printed on only two pages. This is a useful reminder tool for your study sessions and performances.
$12.00
10.75 €
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Harpe
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Alphonse Hasselmans
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Alessandro Palazzani
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La Source
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A work by Alessandro Palazzani
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
60.94 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.58 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Harp 3 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264880 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - Digital Download SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857718. Published by Blue Steer Studios (A0.1264880). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.78 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Easy Harp 5 part only
Harpe
Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By La…
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Celtic Harp,Folk Harp,Pedal Harp - Level 1 - Digital Download SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857722. Published by Blue Steer Studios (A0.1264883). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
1.78 €
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Harpe
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor) - Score Only
Level 4 - Digital Download SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged…
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Level 4 - Digital Download SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Blue Steer Studios #857714. Published by Blue Steer Studios (A0.1264876). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$4.99
4.47 €
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn for Harp Ensemble
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Blue Steer Studios
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SheetMusicPlus
Sakura Sakura for lever harp - no levers required!
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1379987 By Kim Kirkman. By Traditio…
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Lever Harp - Level 2 - Digital Download SKU: A0.1379987 By Kim Kirkman. By Traditional Japanese. Arranged by Kim Kirkman. Folk,Multicultural,Traditional,World. Score. 2 pages. Kim Kirkman #964696. Published by Kim Kirkman (A0.1379987). Sakura or Cherry blossoms arranged for lever harp no levers required.I've only used the notes from the melody to harmonise the tune hence keeping with the traditional scale etc.Two unique variations.
$1.99
1.78 €
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Harpe
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Kim Kirkman
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Kim Kirkman
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Sakura Sakura for lever harp - no levers required!
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Kim Kirkman
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SheetMusicPlus
Fever
Cor anglais, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.798043 By Peggy Lee. By Edd…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.798043 By Peggy Lee. By Eddie Cooley and John Davenport. Arranged by Gail Ford. Pop. Score and part. 4 pages. Gail Ford #6434373. Published by Gail Ford (A0.798043). OK. So it's only taken me (ahem) years to realise that if oboes can do jazz and swing, then so can the English Horn, or cor anglais, if you prefer. This is one of the sultriest songs (IMHO), with one of the sultriest intro's ever. There you go, reasoned musical judgement. Great for encores, jazz evenings (just watch their faces when you walk onto the platform carrying what looks like a pregnant oboe), school/college music events (see comments in brackets above).....
$5.99
5.37 €
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Cor anglais, Piano
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Peggy Lee
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Gail Ford
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Fever
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Gail Ford
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
8.96 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
8.96 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
17.88 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Six Songs of Everett Maxwell for Baritone Voice and Piano
Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.8…
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Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.836719 Composed by Brian Joyce. Arranged by Brian Joyce. Contemporary. Score and parts. 18 pages. Brian Joyce #6567925. Published by Brian Joyce (A0.836719). Even very well-versed singers can be forgiven if they have never heard of Everett Maxwell (1858-1940). He was simply one of millions in the vast American workingclass, one who was known to jot down a poem or two now and then.Here we have six examples of his work, poems which he wrote for his childhood sweetheart whom he waited fifty years to marry. Maxwell’s great grandson asked me to set these poems to music saying, the poems illuminate a picture of life in the American midwest during the late nineteenth and early twentieth centuries. His poetry serves as a lens through which we can view his . . . youthful romantic view of nineteenth-century prairie life.Since the poems are so imbued with nostalgia and 19th century romanticism, I endeavored to set them with an equally strong sense of the classic art song tradition.Curiously, these songs feel longer than they actually are. There are many pieces about which one could say the same thing with less charity, but in this case it’s a good thing: the poems are quite short (the longest is only twelve lines, the shortest only four!)The entire cycle lasts just under 12 minutes. The audio sample includes most of one song (A June Night) and all of a second (Have You Found a Place?). These are enough to give you a sense of the whole cycle.
$6.95
6.23 €
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Brian Joyce
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Brian Joyce
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Six Songs of Everett Maxwell for Baritone Voice and Piano
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Brian Joyce
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SheetMusicPlus
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