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Vous avez sélectionné:
I Have Waited
Partitions à imprimer
26 partitions trouvées
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I Have Waited
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.901621 Composed by David Thompson. A…
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Choral Choir (SATB) - Digital Download SKU: A0.901621 Composed by David Thompson. A Cappella,Christian,Contemporary,Easter,Jewish. Octavo. 5 pages. David M Thompson #4592169. Published by David M Thompson (A0.901621). I Have Waited, a setting of the beginning of Psalm 40. For a capella SATB choir. Appropriate for church use for Advent or Lent, or as a concert number. Piano reduction included in score.
$2.29
2.05 €
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Chorale SATB
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David Thompson
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For a capella SATB choir
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I Have Waited
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David M Thompson
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SheetMusicPlus
I've Been in the Storm Too Long
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.984961 Arranged by Brenda A. McGee.…
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Piano Solo - Level 2 - Digital Download SKU: A0.984961 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. Score. 6 pages. Brenda A. McGee #5747451. Published by Brenda A. McGee (A0.984961). This spiritual for piano solo is a dirge that expresses how long African Americans have waited for authentic and full freedom in America. In this spiritual prayer African Americans find strength in Psalm 27:14 KJV, Wait on the Lord: be of good courage, and he shall strengthen thine heart: wait, I say, on the Lord.
$2.25
2.02 €
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Piano seul
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Brenda A
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I've Been in the Storm Too Long
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Brenda A. McGee
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SheetMusicPlus
I Have Waited
Piano, Voix
(Tenor) - Digital Download SKU: HX.434256 Edited by Richard Walters. Classical. Pia…
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(Tenor) - Digital Download SKU: HX.434256 Edited by Richard Walters. Classical. Piano Vocal. 2 pages. Published by Hal Leonard - Digital (HX.434256).
$4.99
4.47 €
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Piano, Voix
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I Have Waited
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Hal Leonard - Digital
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SheetMusicPlus
I Have Waited from The Rake's Progress - Piano/Vocal, Singer Pro
Piano, Voix
Sheet Music for I Have Waited from The Rake's Progress arranged for Piano/Vocal;Singe…
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Sheet Music for I Have Waited from The Rake's Progress arranged for Piano/Vocal;Singer Pro in Eb Major. Digital sheet music from Musicnotes. --
$5.79
5.19 €
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Piano, Voix
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Piano/Vocal, Singer Pro
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Musicnotes
I Have Waited for So Long by Thomas Mezzo - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Performed by: Thomas Mezzo: I Have Waited for So Long Digital Sheetmusic - instantly downl…
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Performed by: Thomas Mezzo: I Have Waited for So Long Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 6 pages -- Easy Listening~~Patriotic~~Americana~~Traditional Pop~~Vocal Pop
$5.50
4.93 €
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Piano, Voix
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Thomas Mezzo
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Esperando un tren de regreso [piano solo]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.833937 By Juan MarÃa Solare. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.833937 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Latin,New Age. Score. 6 pages. Juan Maria Solare #440739. Published by Juan Maria Solare (A0.833937). Esperando un tren de regreso (Waiting for a return train) Back to where? A train back to childhood, to purity, to certainties, to paradise lost. The title comes from a fragment of Ernesto Sabato: And when life had already marked on my face the misfortunes, how many times, on a park bench, sorrowful and dejected, I have waited again for a train back. (Ernesto Sabato, Before the end, page 10). Recording (felt piano version) on Spotify (https://open.spotify.com/track/64bOGTujslPAVhscMtKuj8) and other digital platforms, released by Yellow Rose Records on their compilation for the Piano Day 2022 (25/MAR/2022). Video: https://www.youtube.com/watch?v=v7b53LOxPwo
$2.30
2.06 €
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Piano seul
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Juan MarÃa Solare
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clipboard-write
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Esperando un tren de regreso [piano solo]
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Juan Maria Solare
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SheetMusicPlus
No Tidings from Over the Sea. Song & Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11754 Composed by…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11754 Composed by James E. Stewart. Absences, Travel, Ships, Correspondence, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11754). No Tidings from Over the Sea. Song & Chorus. Words by Frank Dumont. Music by Jas. E. Stewart. Published 1874 by J.L. Peters, 599 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Absences, Travel, Ships, Correspondence, Sadness. First line reads I have waited so lonely, my darling, to hear form you day after day.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
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Chorale SATB
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James E
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No Tidings from Over the Sea. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Patiently Have I Waited (Downloadable)
Chorale SATB
SATB choir, organ, optional cello/bass instrument - Moderately Easy - Digital Download …
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SATB choir, organ, optional cello/bass instrument - Moderately Easy - Digital Download SKU: MQ.50-7550-E Composed by Camille Saint-Saens and Raymond H Haan. Advent. Instrument part. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-7550-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7550-E). This expressive piece is the third section of Saint-Saens Christmas Oratorio. Taken from Psalm 40:1, the text is suitable for both Advent and general use. The voice ranges are comfortable, and the music is not demanding. The optional cello part is included in the choral score and offers additional lyrical interest to the gentle but intense music.
$2.65
2.37 €
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Chorale SATB
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Camille Saint-Saens and Raymond H Haan
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Patiently Have I Waited
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Triste
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1196640 Composed by Antonio Carlo…
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C Instrument - Level 4 - Digital Download SKU: A0.1196640 Composed by Antonio Carlos Jobim. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #795803. Published by John Fries (A0.1196640). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Triste (meaning Sad in English) is a bossa nova song composed in 1966 by Antônio Carlos Jobim, who also wrote lyrics for it in both English and Portuguese.  Jobim wrote the song in late 1966 while staying at the Sunset Marquis Hotel in Los Angeles, as he waited for Frank Sinatra to return from a holiday in Barbados so they could begin recording their album Francis Albert Sinatra & Antônio Carlos Jobim (1967).  The first recording of the song was an instrumental version by Jobim for his 1967 album Wave. Sinatra recorded it with Jobim two years later on the sessions for their planned second album.
$3.99
3.58 €
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Instruments en Do
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Antonio Carlos Jobim
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John Fries
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Triste
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John Fries
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SheetMusicPlus
Trieste
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.500097 Composed by Audu Obaje, Jo…
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C Instrument - Level 4 - Digital Download SKU: A0.500097 Composed by Audu Obaje, Jon Mattock, and Josephine Wiggs. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113293. Published by John Fries (A0.500097). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Triste (meaning Sad in English) is a bossa nova song composed in 1966 by Antônio Carlos Jobim, who also wrote lyrics for it in both English and Portuguese. Jobim wrote the song in late 1966 while staying at the Sunset Marquis Hotel in Los Angeles, as he waited for Frank Sinatra to return from a holiday in Barbados so they could begin recording their album Francis Albert Sinatra & Antônio Carlos Jobim (1967). The first recording of the song was an instrumental version by Jobim for his 1967 album Wave. Sinatra recorded it with Jobim two years later on the sessions for their planned second album, SinatraJobim, which was ultimately released as Side A of Sinatra & Company (1971).
$2.99
2.68 €
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Instruments en Do
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Audu Obaje, Jon Mattock, and Josephine Wiggs
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John Fries
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Trieste
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John Fries
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SheetMusicPlus
Trieste
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1147345 Composed by John Lewis an…
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C Instrument - Level 4 - Digital Download SKU: A0.1147345 Composed by John Lewis and Judy Spencer. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #747548. Published by John Fries (A0.1147345). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Triste (meaning Sad in English) is a bossa nova song composed in 1966 by Antônio Carlos Jobim, who also wrote lyrics for it in both English and Portuguese. Jobim wrote the song in late 1966 while staying at the Sunset Marquis Hotel in Los Angeles, as he waited for Frank Sinatra to return from a holiday in Barbados so they could begin recording their album Francis Albert Sinatra & Antônio Carlos Jobim (1967). The first recording of the song was an instrumental version by Jobim for his 1967 album Wave. Sinatra recorded it with Jobim two years later on the sessions for their planned second album, SinatraJobim, which was ultimately released as Side A of Sinatra & Company (1971).
$3.99
3.58 €
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Instruments en Do
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John Lewis and Judy Spencer
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John Fries
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Trieste
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John Fries
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SheetMusicPlus
Triste
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196639 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196639 Composed by Antonio Carlos Jobim. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Score. 1 pages. John Fries #795802. Published by John Fries (A0.1196639). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Triste (meaning Sad in English) is a bossa nova song composed in 1966 by Antônio Carlos Jobim, who also wrote lyrics for it in both English and Portuguese. Jobim wrote the song in late 1966 while staying at the Sunset Marquis Hotel in Los Angeles, as he waited for Frank Sinatra to return from a holiday in Barbados so they could begin recording their album Francis Albert Sinatra & Antônio Carlos Jobim (1967). The first recording of the song was an instrumental version by Jobim for his 1967 album Wave. Sinatra recorded it with Jobim two years later on the sessions for their planned second album.
$4.99
4.47 €
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Piano, Voix et Guitare
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Antonio Carlos Jobim
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John Fries
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Triste
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John Fries
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SheetMusicPlus
She Walks in Beauty
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.873020 Composed by Sally W…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.873020 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3867167. Published by Sally Whitwell (A0.873020). Composer’s Note - She Walks in BeautyIn the summer of 2007, I fell in love. I was living in what she and I now refer to as The Fairy Treehouse, a top floor studio in a shabby chic Art Deco block in Sydney’s Kings Cross. The block was too old to have a door buzzer (!) so she’d phone when she was on her way. With great excitement I would tear down three flights of stairs (the block was also too old to have a lift) and out the front door. Whilst I waited breathlessly on the cool slate doorstep, a frisky midnight breeze would tease the edges of my swishy summer frock and... See? I can’t talk about this time without lapsing into sickeningly sugary, nostalgic language. Forgive me, I was in love. And still am.She Walks in Beauty i​s the first thing I ever composed and is inspired by our nocturnal courtship.-- Sally Whitwell
$1.99
1.78 €
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Chorale SATB
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Sally Whitwell
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She Walks in Beauty
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Sally Whitwell
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SheetMusicPlus
My Flight for Heaven
Wind Ensemble - Grade 3 - Digital Download SKU: IZ.WES141-S Composed by Blake R. He…
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Wind Ensemble - Grade 3 - Digital Download SKU: IZ.WES141-S Composed by Blake R. Henson. Arranged by Frederick Umar. Score. 10 pages. Imagine Music - Digital #WES141-S. Published by Imagine Music - Digital (IZ.WES141-S). 9 x 12 in inches.As an arranger and transcriber of choral works for the wind orchestra, the most important responsibility I find is setting a storyline through instrumental textures. Several times I tried to embrace the depth of this work through its text. And though I thoroughly enjoyed its choral setting, I could not find the musical language that invited its instrumental conveyance. Then, on December 14th of 2012, while playing with my 8-year old daughter, I learned of the details surrounding Sandy Hook Elementary in Newtown, CT. There I sat, listening as a commentator told of the some 600 children at the school and their parents, who waited outside in a despair I cannot begin to imagine, hoping that their child was not one of the victims. Little by little, the children were released into the arms of their waiting loved ones. But nothing could have prepared me for the emotions that arose when I learned that the parents and grandparents of 20 children learned of their loss when they did not return to them. There are nowords to describe what this picture conveyed in my mind in that moment. But musically, what you are about to perform is the result. I deeply thank Blake R. Henson and GIA Publications for the right to transcribe this work on their behalf.
$10.00
8.96 €
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Blake R
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Frederick Umar
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My Flight for Heaven
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Imagine Music - Digital
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SheetMusicPlus
My Flight for Heaven
Wind Ensemble - Grade 3 - Digital Download SKU: IZ.WES141 Composed by Blake R. Hens…
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Wind Ensemble - Grade 3 - Digital Download SKU: IZ.WES141 Composed by Blake R. Henson. Arranged by Frederick Umar. Score and Parts. 45 pages. Imagine Music - Digital #WES141. Published by Imagine Music - Digital (IZ.WES141). 9 x 12 in inches.As an arranger and transcriber of choral works for the wind orchestra, the most important responsibility I find is setting a storyline through instrumental textures. Several times I tried to embrace the depth of this work through its text. And though I thoroughly enjoyed its choral setting, I could not find the musical language that invited its instrumental conveyance. Then, on December 14th of 2012, while playing with my 8-year old daughter, I learned of the details surrounding Sandy Hook Elementary in Newtown, CT. There I sat, listening as a commentator told of the some 600 children at the school and their parents, who waited outside in a despair I cannot begin to imagine, hoping that their child was not one of the victims. Little by little, the children were released into the arms of their waiting loved ones. But nothing could have prepared me for the emotions that arose when I learned that the parents and grandparents of 20 children learned of their loss when they did not return to them. There are nowords to describe what this picture conveyed in my mind in that moment. But musically, what you are about to perform is the result. I deeply thank Blake R. Henson and GIA Publications for the right to transcribe this work on their behalf.
$70.00
62.74 €
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Blake R
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Frederick Umar
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My Flight for Heaven
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Imagine Music - Digital
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SheetMusicPlus
Six Songs of Everett Maxwell for Baritone Voice and Piano
Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.8…
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Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.836719 Composed by Brian Joyce. Arranged by Brian Joyce. Contemporary. Score and parts. 18 pages. Brian Joyce #6567925. Published by Brian Joyce (A0.836719). Even very well-versed singers can be forgiven if they have never heard of Everett Maxwell (1858-1940). He was simply one of millions in the vast American workingclass, one who was known to jot down a poem or two now and then.Here we have six examples of his work, poems which he wrote for his childhood sweetheart whom he waited fifty years to marry. Maxwell’s great grandson asked me to set these poems to music saying, the poems illuminate a picture of life in the American midwest during the late nineteenth and early twentieth centuries. His poetry serves as a lens through which we can view his . . . youthful romantic view of nineteenth-century prairie life.Since the poems are so imbued with nostalgia and 19th century romanticism, I endeavored to set them with an equally strong sense of the classic art song tradition.Curiously, these songs feel longer than they actually are. There are many pieces about which one could say the same thing with less charity, but in this case it’s a good thing: the poems are quite short (the longest is only twelve lines, the shortest only four!)The entire cycle lasts just under 12 minutes. The audio sample includes most of one song (A June Night) and all of a second (Have You Found a Place?). These are enough to give you a sense of the whole cycle.
$6.95
6.23 €
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Brian Joyce
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Brian Joyce
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Six Songs of Everett Maxwell for Baritone Voice and Piano
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Brian Joyce
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.18 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Sonatina For Clarinet And Bass Clarinet (Originally for clarinet and bassoon)
2 Clarinettes (duo)
B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.13…
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B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.1313715 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 46 pages. Geraldine (Denny) Green at Oakmountmusic #902441. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1313715). ALL PURCHASES COME WITH SCORE AND PARTSPlease note: This is the arrangement for clarinet and bass clarinet!The Sonatina For Bflat Clarinet And Bassoon was written between March and June 2018 and is dedicated to my good bassoonist friend Jane Thompson and her family. It was her husband, Astley Jones, who asked me to write the piece as a way of showing her how much we all loved her! I thought that was the sweetest thing and the rest is history!We hoped to give this piece its world premiere at some point in 2018 or 2019, with Jane herself playing the bassoon and myself on clarinet. However, the first major hurdle was Jane having an operation on each hand to cure her Carpal Tunnel Syndrome, and the second big hurdle was Covid-19! Due to life’s normal pressures, the work still awaits its long awaited for premiere.It has three movements, fast, slow, fast, and a total duration of approximately 15 minutes.I have also transcribed the bassoon part for bass clarinet so the piece can be played by either combination. It could even be played by two bass clarinets, which would be hilarious!I feel, as a player myself, that its main challenge is in sheer breathing and playing stamina as it certainly gets you working up a sweat by the end, but its comical, quirky character will hopefully make it great fun for players and audience alike.
$24.00
21.51 €
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2 Clarinettes (duo)
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Geraldine Green
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Sonatina For Clarinet And Bass Clarinet
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Geraldine
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SheetMusicPlus
Sonatina For Clarinet And Bassoon
Clarinette, Basson (duo)
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 5 - Digital Download SKU: A0.1313712
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 5 - Digital Download SKU: A0.1313712 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary. 47 pages. Geraldine (Denny) Green at Oakmountmusic #902438. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1313712). ALL PURCHASES COME WITH SCORE AND PARTSThe Sonatina For Clarinet And Bassoon was written between March and June 2018 and is dedicated to my good bassoonist friend Jane Thompson and her family. It was her husband, Astley Jones, who asked me to write the piece as a way of showing her how much we all loved her! I thought that was the sweetest thing and the rest is history!We hoped to give this piece its world premiere at some point in 2018 or 2019, with Jane herself playing the bassoon and myself on clarinet. However, the first major hurdle was Jane having an operation on each hand to cure her Carpal Tunnel Syndrome, and the second big hurdle was Covid-19! Due to life’s normal pressures, the work still awaits its long awaited for premiere.It has three movements, fast, slow, fast, and a total duration of approximately 15 minutes. The clarinet part is for Bflat clarinet.I have also transcribed the bassoon part for bass clarinet so the piece can be played by either combination. It could even be played by two bass clarinets, which would be hilarious!I feel, as a player myself, that its main challenge is in sheer breathing and playing stamina as it certainly gets you working up a sweat by the end, but its comical, quirky character will hopefully make it great fun for players and audience alike.
$24.00
21.51 €
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Clarinette, Basson (duo)
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Geraldine Green
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Sonatina For Clarinet And Bassoon
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Geraldine
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SheetMusicPlus
Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson (for Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and…
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Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Classical,Easter,Wedding. Score. 4 pages. Flavio Regis Cunha #6671021. Published by Flavio Regis Cunha (A0.597593). Bach: Aria from Goldberg Variations, BWV 988 as played by VÃkingur Ólafsson (for Piano).AdvancedFormat: Concert, 9 x 12 inches4 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.Acclaimed for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, a leading pianist and contemporary musical genius, now takes on the monumental task of presenting Bach’s Goldberg Variations. The upcoming season is dedicated entirely to a global tour across six continents, with the eagerly awaited album slated for release in October 2023 on Deutsche Grammophon. Ólafsson shares, I have harbored the dream of recording this piece for 25 years.This album follows the resounding success of Ólafsson’s 2018 DG recording of Johann Sebastian Bach's works, which not only clinched BBC Music magazine’s Album of the Year but also secured Opus Klassik’s Solo Recital award and several other recording of the year accolades. Such achievements led to his well-deserved recognition as Gramophone magazine’s Artist of the Year. Now, Ólafsson directs his distinctive musical vision and meticulous recording finesse toward Bach’s masterpiece, embarking on his first complete work recording, starting with one of the most demanding pieces in the piano repertoire.In the 2023-24 season, Ólafsson sets forth on a Goldberg Variations world tour, gracing renowned concert halls worldwide, including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest, and Teatro Colón, to name a few.Reflecting on the profound impact of the Goldberg Variations, Ólafsson comments, “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, brilliantly employ counterpoint, and evoke exalted poetry, abstract contemplation, and deep pathos – all within meticulously crafted structures of formal perfection. In 30 variations, based on the humble harmonic framework of a simple, graceful aria, Bach transforms limited material into boundless variety like no one before or since. He stands as the greatest keyboard virtuoso of his time.â€This score has been painstakingly reedited. We offer here a clear edition, with indications of ornaments based on the edition by Bärenheiter, 1977.Listen to VÃkingur Ólafsson’s album ‘Goldberg Variations’ here: https://dg.lnk.to/vikingur-goldberg Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/.
$5.99
5.37 €
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Piano seul
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Johann Sebastian Bach and VÃkingur Ólafsson
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Flavio Regis Cunha
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Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson
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Flavio Regis Cunha
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SheetMusicPlus
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