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If I Can't Have You - Score Only
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I Gotta Feeling
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752383 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, and Will Adams. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. 38 pages. RBMusic #5210549. Published by RBMusic (A0.752383). Produced by David Guetta and Frédéric Riesterer, I Gotta Feeling is the second single from the album The E.N.D., the fifth released by The Black Eyed Peas. It debuted at number two on the Billboard Hot 100, behind the group’s song Boom Boom Pow, making the one of only eleven artists who have held the top two positions at the same time. It reached number one in the US charts and won the group the Grammy for the Best Pop Performance by a Duo or Group with Vocals. The album also won Best Pop Vocal Album and Best Short Form Music Video as well as being nominated for Album of the Year and Record of the Year. I Gotta Feeling became the first song to sell over 7 million digital copies in the United States in March 2011 and holds the record as the best digital seller in history. It spent 14 consecutive weeks at the of the Billboard Hot 100, making it the longest-running number-one single of 2009. This arrangement includes oompah sections, as well as alternative parts for tenor horn, treble-clef euphonium, and tubas (both bass and treble clef). A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=uSD4vsh1zDA. Other searchable terms: World Music Awards, Frederic Riesterer, William Adams, Allan Pineda, Jaime Gomez, Stacy Ferguson, will.i.am, Square Prod, Paris, France, Metropolis Studios, London, England, United Kingdom, Take a Dive, Bryan Pringle, The Police, Every Breath You Take, Five Stairsteps, Ooh Child, I'll Go Crazy If I Don't Go Crazy Tonight, Kick-off Party, The Oprah Winfrey Show, Super Bowl XLV, FIRST Robotics Competition World Championships, Queen Elizabeth II, Diamond Jubilee, Jessie J, Southeast Asian Games, J Rey, Soul, Jessica Reynoso, Apl.de.ap, Fergie, Taboo, Hollywood Boulevard, Dipdive, Mikey Mee, Little Minx, Katy Perry, Kid Cudi, Gossip, Dean Caten, Dan Caten, Dsquared2, RuPaul, Ongina, CBS, CNN, Winter Olympics, Vancouver, Sochi, The Big Band Theory, Miami Medical, Horrid Henry, G-Force
$16.99
15.32 €
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The Black Eyed Peas
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Rob Bushnell
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I Gotta Feeling
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RBMusic
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SheetMusicPlus
I Gotta Feeling
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752385 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, and Will Adams. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. 41 pages. RBMusic #5213267. Published by RBMusic (A0.752385). Produced by David Guetta and Frédéric Riesterer, I Gotta Feeling is the second single from the album The E.N.D., the fifth released by The Black Eyed Peas. It debuted at number two on the Billboard Hot 100, behind the group’s song Boom Boom Pow, making the one of only eleven artists who have held the top two positions at the same time. It reached number one in the US charts and won the group the Grammy for the Best Pop Performance by a Duo or Group with Vocals. The album also won Best Pop Vocal Album and Best Short Form Music Video as well as being nominated for Album of the Year and Record of the Year. I Gotta Feeling became the first song to sell over 7 million digital copies in the United States in March 2011 and holds the record as the best digital seller in history. It spent 14 consecutive weeks at the of the Billboard Hot 100, making it the longest-running number-one single of 2009. This arrangement includes oompah sections, as well as alternative parts for tenor horn, treble-clef euphonium and tubas. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=uSD4vsh1zDA. Other searchable terms: World Music Awards, Frederic Riesterer, William Adams, Allan Pineda, Jaime Gomez, Stacy Ferguson, will.i.am, Square Prod, Paris, France, Metropolis Studios, London, England, United Kingdom, Take a Dive, Bryan Pringle, The Police, Every Breath You Take, Five Stairsteps, Ooh Child, I'll Go Crazy If I Don't Go Crazy Tonight, Kick-off Party, The Oprah Winfrey Show, Super Bowl XLV, FIRST Robotics Competition World Championships, Queen Elizabeth II, Diamond Jubilee, Jessie J, Southeast Asian Games, J Rey, Soul, Jessica Reynoso, Apl.de.ap, Fergie, Taboo, Hollywood Boulevard, Dipdive, Mikey Mee, Little Minx, Katy Perry, Kid Cudi, Gossip, Dean Caten, Dan Caten, Dsquared2, RuPaul, Ongina, CBS, CNN, Winter Olympics, Vancouver, Sochi, The Big Band Theory, Miami Medical, Horrid Henry, G-Force
$16.99
15.32 €
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The Black Eyed Peas
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Rob Bushnell
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I Gotta Feeling
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RBMusic
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SheetMusicPlus
And I Love Her
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Bea…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
63.14 €
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Ensemble Jazz
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
If I Can't Have You [accompaniment only] by TutorialsByHugo - Piano Solo
Piano seul
Performed by: TutorialsByHugo: If I Can't Have You [accompaniment only] Digital Sheet…
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Performed by: TutorialsByHugo: If I Can't Have You [accompaniment only] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 3 pages -- Solo Instrumental~~Pop~~Dance-Pop
$9.99
9.01 €
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Piano seul
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TutorialsByHugo
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Piano Solo
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Musicnotes
I Won't Last A Day Without You
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1149231 By The Carpenters. By Pau…
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C Instrument - Level 4 - Digital Download SKU: A0.1149231 By The Carpenters. By Paul Williams and Roger Nichols. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 3 pages. John Fries #749368. Published by John Fries (A0.1149231). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This song was the fifth and final single from the album A Song for You by the Carpenters. It was originally only an album track; 2 years passed before it was released as a single. During 1973-74, the Carpenters found themselves with a busy touring schedule, which kept them from working on new material. As a result, they had no album issued for the year. They decided to choose this song for single release. It works well as a piano solo. If you have need for a special arrangement or wish to see what I have available email me at jfries@ptd.net.
$3.99
3.6 €
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Instruments en Do
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The Carpenters
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John Fries
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I Won't Last A Day Without You
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John Fries
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SheetMusicPlus
If I Can't Have You
Piano, Voix et Guitare
By Bee Gees and Yvonne Elliman. For piano, voice, and guitar (chords only). Film/TV; Pop. …
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By Bee Gees and Yvonne Elliman. For piano, voice, and guitar (chords only). Film/TV; Pop. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.5 €
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Piano, Voix et Guitare
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Bee Gees and Yvonne Elliman
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Pop
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If I Can't Have You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
If I Can't Have You
Piano, Voix et Guitare
By Kelly Clarkson. For piano, voice and guitar (chords only). Pop; Rock. Piano/Vocal/Guita…
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By Kelly Clarkson. For piano, voice and guitar (chords only). Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.5 €
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Piano, Voix et Guitare
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Kelly Clarkson
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Rock
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If I Can't Have You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.02 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English …
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Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
2.25 €
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Guitare notes et tablatures
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Traditional English Carol
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Antony Cull
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.6 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
3 Sacred Choral Pieces
About Digital …
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About Digital Downloads Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List: 1. Blessed Virgin Mary 2. Blessed Son of God 3. If Ye Love Me
$17.00
15.33 €
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3 Sacred Choral Pieces
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SheetMusicPlus
Africa
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.51 €
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Chorale TTBB
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Toto
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Jonathan Kilhams
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Africa
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Jonathan Kilhams
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SheetMusicPlus
His Memory
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00
21.65 €
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Violon et Piano
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Despacito
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yan…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Individual part. 16 pages. Jaan Varts #5719577. Published by Jaan Varts (A0.985306). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$4.99
4.5 €
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Guitare
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
Despacito
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.985305 By Luis Fonsi and Daddy Yankee. …
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Guitar - Level 3 - Digital Download SKU: A0.985305 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab. 22 pages. Jaan Varts #5719575. Published by Jaan Varts (A0.985305). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$6.00
5.41 €
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Guitare notes et tablatures
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
Despacito
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.985303 By Luis Fonsi and Daddy Yankee. …
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Guitar - Level 3 - Digital Download SKU: A0.985303 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Guitar Tab. 71 pages. Jaan Varts #5719569. Published by Jaan Varts (A0.985303). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass). This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov. If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part. Bass (the easiest part) The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one. If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfE Rhythm (intermediate) The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time. If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzI Melody (advanced) The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments. If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$9.00
8.12 €
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Guitare notes et tablatures
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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bass)
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Despacito
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Jaan Varts
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SheetMusicPlus
One Jump Ahead
Saxophone Tenor
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839631 Composed by Alan M…
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839631 Composed by Alan Menken. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6499529. Published by Bobby Hesch (A0.839631). ONE JUMP AHEAD!!! WRITTEN BY THE GREAT ALAN MENKEN & TIM RICE!!! FOR THE MOVIE ALADDIN!!! ONE JUMP AHEAD OF THE BREADLINE, ONE SWING AHEAD OF THE SWORD, I STEAL ONLY WHAT I CAN'T AFFORD!!! LET'S PLAY SOME JAZZ!!! KEY OF A/Bb/Db!!! LOW Bb- HIGH ALTISSIMO A!!! (YOU MAY TAKE THE ALTISSIMO NOTES DOWN AN OCTAVE IF NEED BE) !!! CHALLENGING TEMPO!!! LOTS OF RUNS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG: @bobbyhesch EMAIL QUESTIONS, I CAN HELP!!! HAVE FUN PLAYING THIS GREAT SONG!!! I LOVE IT!!!
$4.99
4.5 €
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Saxophone Tenor
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Alan Menken
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Bobby Hesch
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One Jump Ahead
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Bobby Hesch
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SheetMusicPlus
Extinction Events - Clarinet Quartet - Mvt 1 Buzzy Delights
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.5…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581934 Composed by John Gibson. Contemporary. 31 pages. JB Linear #3456341. Published by JB Linear (A0.581934). Extinction Events (1st movement - Buzzy Delights (honey bees) by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players. This is the first movement only...the others may be purchased separately: It Isn't Easy Being a Cuckoo, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.Buzzy Delights (honey bees) – Bees are industrious and play a key role in propagating plants, while the queen stays in the hive in her pentagonal glory and sings a song in 5/4 time. Honey Bees have been having issues with some types of insecticides and diseases and whole areas of hives have died off. Humans would be in a bad way if they buzzed off and went extinct.You may watch a video on YouTube: https://youtu.be/j-zLUcxiMas
$15.25
13.75 €
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Quatuor de Clarinettes: 4 clarinettes
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John Gibson
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Extinction Events - Clarinet Quartet - Mvt 1 Buzzy Delights
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JB Linear
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.3 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.581935 Compose…
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (A0.581935). Extinction Events (2nd movement - It Isn't Easy Being a Cuckoo by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players, although the 2nd movement is easier. This is the second movement only...the others may be purchased separately: Buzzy Delights, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Cuckoos are quiet reminders of spring when they first appear at the Marsden, United Kingdom area where they have a Cuckoo fair every year. Their habitat is shrinking at an alarming rate as their numbers slowly decrease. In the music, the cuckoos in the 3rd clarinet part get progressively sad sounding and simply disappear. Special fingerings are provided for the 3rd clarinet player.You may watch a video on YouTube: https://youtu.be/MOCTanOBIyk
$14.00
12.63 €
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John Gibson
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Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
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JB Linear
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SheetMusicPlus
Celtic Christmas SATB and piano with optional instruments
Alto Voice,Bass Voice,Cello,Flute,Piano,Soprano voice,Tenor Voice,Violin - Level 2 - Digit…
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Alto Voice,Bass Voice,Cello,Flute,Piano,Soprano voice,Tenor Voice,Violin - Level 2 - Digital Download SKU: A0.1270503 Composed by Connie Boss. Arranged by Connie Boss. Advent,Christmas. 182 pages. Connie Boss #862886. Published by Connie Boss (A0.1270503). This book contains Christmas music with a Celtic feel to them. They are for SATB voices and piano and also has parts for either violin, flute or cello to play along with the song. All of the parts are included with each song, but only one instrument is needed to play the part. There are 15 songs included in the book which is a total of 52 minutes. Most are familar public domain songs, but there are also original songs I have composed. I can only include one mp3 with this upload, but you can listen to the music on YouTube. I don't have vocals recorded for SATB, but I do for SSAA so you can hear what it will sound like. The songs are also listed for sale individually, so you can listen to each one by searching here with my name to hear it that way if you prefer. Any questions or requests, please email cdboss@cvalley.netYouTube playlist link - https://youtube.com/playlist?list=PLlYnLRoGREBhlNPg6ubUbfSif5ktxYi9HSong List1.    Away in a Manger2.    Brightest and Best3.    Bring a Torch Jeanette Isabella4.    Christ Child’s Lullaby5.    Christmas Angels - new6.    Christmas Carols7.    Emmanuel, Please Come to Us - new8.    Go Tell it on the mountain9.    How am I Worthy - new10.  In the stillness of the night - new11.  Little Did She Know - new12.  O Holy Night13.  Peace on Earth - new14.  Think About That Day - new15.  We Three Kings.
$15.00
13.53 €
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Connie Boss
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Connie Boss
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Celtic Christmas SATB and piano with optional instruments
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Connie Boss
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SheetMusicPlus
Soon We Will Be Done (Downloadable)
Chorale SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle …
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SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
2.89 €
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Chorale SATB
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
The Complete Instrumentalist Book Two
Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring…
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Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 106 pages. DaCapo Primary Music #904157. Published by DaCapo Primary Music (A0.1315421). This book contains 66 songs for the instrumentalistThe Complete Instrumentalist Two is the second book in a series for instrumental players, designed to help develop excellent musicianship.It is written in stick notation* with an additional five line stave so that pupils or teachers can write out the music in whichever clef or key they choose to use. The songs are grouped by the number of notes in the piece and are mostly diatonic with a few pentatonic and modal pieces.As with all of the DaCapo books it is left to the teachers to decide which section of the book to start with. Tempos and dynamic markings are also left to the teachers and pupils. We have suggested activities that can be applied to the entire repertoire and there are some extra ideas for specific pieces included on some pages, along with extra information for the pupil.In many instances the songs have been reworded as it was felt that the subject matter or use of language was a barrier for some pupils. There are a few pieces where this may still be true but we have decided against rewording because of the cultural or historical aspect of the song and the opportunity to educate children beyond the music (e.g. spirituals).Whilst every attempt has been made to source music in the public domain we would like to know if errors have been made. We hope that you enjoy the next step to becoming a Complete Instrumentalist.Jane Cutler Carl Herring 2012*stick notationThe purpose of stick notation is to build excellent inner hearing. You can't guess the intervals – they have to be known or learned via the solfa in order to hear the music from the page. Pupils can then translate and transfer this to their instrument and then onto a five-line stave.• We show the rhythm only - with solfa syllables under the relevant note• No note head used unless for a minim, dotted minim or semibreve• The home note or tonic of each piece is indicated by an emboldened solfa syllable e.g. d r m f s shows do as the tonic • Where notes fall under or above the home note or tonic, they are indicated thus: s, d’• A tick’( I ) has been used instead of bar lines.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
7.21 €
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DaCapo Primary Music
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The Complete Instrumentalist Book Two
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DaCapo Primary Music
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.5 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
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