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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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OCARINA
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TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
In As Long As It Takes
Non classifié
35
Piano & claviers
Piano seul
26
Instruments en Do
20
Piano, Voix et Guitare
5
Piano Facile
3
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3
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
+ 2 instrumentations
Retracter
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Guitare notes et tablatures
3
Guitare
1
4 Guitares (Quatuor)
1
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Chorale SATB
11
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2
Voix Soprano, Piano
1
Voix Alto, Piano
1
Chorale 3 parties
1
Chorale TTBB
1
+ 1 instrumentations
Retracter
Vents
Flûte traversière
8
Flûte traversière et Piano
7
Hautbois (partie séparée)
7
Clarinette
5
Hautbois, Piano (duo)
5
Saxophone Alto
5
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette et Piano
3
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3
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2
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+ 13 instrumentations
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6
Cor
6
Tuba
6
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5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
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4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Piano
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres
2
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2
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1
+ 7 instrumentations
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9
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6
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13
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Jazz combo
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Partitions Gratuites
186
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
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EUPHONIUM
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FLUTE
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HARMONICA
HARPE
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LIVRES
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MANDOLINE
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ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
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|
20eme siecle
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878
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|
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|
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|
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INSTRUMENTS
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CONTREBASSE
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VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
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HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
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EUPHONIUM
TROMBONE
TROMPETTE
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FOLK
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BOUZOUKI
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AUTRES
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INSTRUMENTATIONS
|
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|
20eme siecle
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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AFRICAIN
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CLASSIQUE - BAROQUE …
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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Crtitères actifs :
In As Long As It Takes
Partitions à imprimer
312 partitions trouvées
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301
In As Long As It Takes
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Orchestre de chambre
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Classique
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Nico Muhly
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In As Long As It Takes
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Hal Leonard - Digital
#
SheetMusicPlus
Chamber Orchestra,Percussion Ensemble - Composed by Nico Muhly. This edition: scorch. Classical. Score and parts. 20 pages. Published by Hal Leonard -...
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Chamber Orchestra,Percussion Ensemble - Composed by Nico Muhly. This edition: scorch. Classical. Score and parts. 20 pages. Published by Hal Leonard - Digital
$20.50
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Daniell Mattern
#
Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Long Lost Love----Bossa Nova
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Ensemble Jazz
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Jazz
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Latin/Musique du monde
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John Philips
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Long Lost Love----Bossa Nova
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Publi...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Published by John Philips Music Service (A0.947276). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
In the Waters Shimmering
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Quatuor de Flûtes : 4 flûtes
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Daniel Baldwin
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In the Waters Shimmering
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Imagine Music - Digital
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SheetMusicPlus
Flute quartet - SKU: IZ.IMF188 Composed by Daniel Baldwin. Score and Parts. 16 pages. Imagine Music - Digital #IMF188. Published by Imagine Music - Digi...
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Flute quartet - SKU: IZ.IMF188 Composed by Daniel Baldwin. Score and Parts. 16 pages. Imagine Music - Digital #IMF188. Published by Imagine Music - Digital (IZ.IMF188). 9 x 12 in inches.Centuries ago, the elements (earth, water, wind, fire) were proposed to explain the nature and complexity of all matter. It was believe that all of existence sprang from these elements. This quartet in four movements is a music depiction of this philosophical idea long since rejected by modern science.Of Wind and Wings begins with rapid-fire rhythmic chord progressions that lead into a kaleidoscope of colors. Each part is featured at some point. Of Wind and Wings portrays the beauty of what it must be like to soar across the skies and feel the wind beneath your wings.Within the Flame is a soulful representation of the fire element. After an opening chorale depicting a look into a small, calm flame, the movement takes off with the flames reaching ever higher and higher. The movement ends as it began, with a calm, soulful chorale.In the Waters Shimmering looks directly into the shimmering reflection of the sunlight in water. A beautiful lyrical theme is passed around the quartet surrounded by various chorales and duets. One last lovely chorale moment brings the movement to its conclusion.To the Land Beyond, a depiction of the earth element, is full of sparking flourishes and rhythmic interest. This movement is a joyous celebration of nature, life, and all its beauty.Originally written as four individual pieces, but always intended to be a set, The Elements can be performed as individual movements or can be performed as a full four movement presentation.
$12.00
The Winner Takes It All
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Piano, Voix
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Pop musique
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ABBA
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Mario Stallbaumer
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The Winner Takes It All
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.504884 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mario Stallbaumer. Pop. Score. 6 pages. Published by Mario...
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Piano,Vocal,Voice - SKU: A0.504884 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mario Stallbaumer. Pop. Score. 6 pages. Published by Mario Stallbaumer (A0.504884). With this sheet music, you can play The Winner Takes It All by ABBA on piano! It's an accurate, carefully created piano arrangement of the full song, in the original key of Gb major. The vocal melody is included in the piano part, so it makes for a perfect piano solo cover. Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a staff for the vocals, as well as the song's full lyrics! The Winner Takes It All was the first single from ABBA's 1980 album Super Trouper, which became the best-selling album of that year in the UK. The song became a huge international success, and their last top 10 hit in the US before the band broke up in 1982. It is often assumed that the famous ballad was inspired by the divorce between Björn Ulvaeus (who wrote the song's lyrics) and Agnetha Fältskog (who sang the lead vocals), but Ulvaeus said the song was the experience of a divorce, but it's fiction. 'Cause one thing I can say is that there wasn't a winner or a loser in our case. A lot of people think it's straight out of reality, but it's not. In any case, The Winner Takes It All is a fantastic ballad, an iconic hit from the early 80s, and it makes for a fantastic piano cover!
$4.99
Long Live Cowgirls
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Ian Munsick & Cody Johnson
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Kyle Pudenz
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Long Live Cowgirls
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Centu...
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Guitar - Level 3 - SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908681. Published by ViolinVagabond Music (A0.1320152). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. I got called in to play this tune as an instrumental duo at a wedding. Admittedly, it takes a very specific type of wedding for this to be the vibe for the entrance of the bridesmaids, but perhaps you too may find yourself in this same situation. Fortunately I am here to help!Whether you're performing this with a vocalist or as an instrumental solo/ensemble like me, this chart has everything you need. Chords/lyrics version AND an instrumental (treble clef) lead sheet are included, all for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.My promises to you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Canon in E Major (Contemporary Classical Lvl 4 piano solo)
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Piano seul
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AVANCÉ
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Rhonda Bradley
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Canon in E Major
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Miss Rhonda’s Piano Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.876866 Composed by Rhonda Bradley. Baroque,Classical,Contemporary,Instructional. Score. 3 pages. Miss Rhonda’s Pia...
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Piano Solo - Level 5 - SKU: A0.876866 Composed by Rhonda Bradley. Baroque,Classical,Contemporary,Instructional. Score. 3 pages. Miss Rhonda’s Piano Music #2929287. Published by Miss Rhonda’s Piano Music (A0.876866). Canon in E Major by Rhonda Bradley Advanced Piano3 pages (including cover)Contemporary Classical piano solo Level 4This lively piece is short but challenging and will make the perfect addition to any quality repertoire. In true Canon form, the melody mirrors itself (as in a round) so that the strong and memorable melody takes on a blend of both Classical and Baroque sounds. A unique piece that's perfect for the advanced or professional pianist who's short on time. This piece is only 2 pages long, yet it fills the room with joyful sounds that will stop listeners in their tracks, asking What is that?It's also a great choice for your warm-up routine to get your fingers flying and ready to perform.x
$3.99
It Takes Two
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Clarinette
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INTERMÉDIAIRE
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Camila Cabello Justin Timberla
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Douglas Cameron
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It Takes Two
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Darkstream Music
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.1308242 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin T...
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Clarinet Solo - Level 3 - SKU: A0.1308242 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timberlake, Michael A Elizondo, Michael Pollack, and Mike Elizondo. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. Individual part. 7 pages. Darkstream Music #897477. Published by Darkstream Music (A0.1308242). Play along with the original track with this transcription for solo clarinet of It takes Two from Dreamworks hit movie Trolls Band Together!The Play-Along Series from Darkstream Music provides accurate transcriptions of popular songs, arranged in the same key as the original track, perfect if you want to play along with your favorite songs.For less experienced players many of the songs are also available in our Easy-Play Series, with simplified rhythms and key signatures.
$4.99
It Takes Two
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Flûte traversière
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INTERMÉDIAIRE
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Camila Cabello Justin Timberla
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Douglas Cameron
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It Takes Two
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Darkstream Music
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.1308235 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timb...
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Flute Solo - Level 3 - SKU: A0.1308235 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timberlake, Michael A Elizondo, Michael Pollack, and Mike Elizondo. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. Individual part. 4 pages. Darkstream Music #897466. Published by Darkstream Music (A0.1308235). Play along with the original track with this transcription for solo flute of It takes Two from Dreamworks hit movie Trolls Band Together!The Play-Along Series from Darkstream Music provides accurate transcriptions of popular songs, arranged in the same key as the original track, perfect if you want to play along with your favorite songs.For less experienced players many of the songs are also available in our Easy-Play Series, with simplified rhythms and key signatures.
$4.99
It Takes Two
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Trombone
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INTERMÉDIAIRE
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Camila Cabello Justin Timberla
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Douglas Cameron
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It Takes Two
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Darkstream Music
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.1308241 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin T...
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Trombone Solo - Level 3 - SKU: A0.1308241 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timberlake, Michael A Elizondo, Michael Pollack, and Mike Elizondo. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. Individual part. 4 pages. Darkstream Music #897475. Published by Darkstream Music (A0.1308241). Play along with the original track with this transcription for solo trombone of It takes Two from Dreamworks hit movie Trolls Band Together!The Play-Along Series from Darkstream Music provides accurate transcriptions of popular songs, arranged in the same key as the original track, perfect if you want to play along with your favorite songs.For less experienced players many of the songs are also available in our Easy-Play Series, with simplified rhythms and key signatures.
$4.99
It Takes Two
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Saxophone Alto
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INTERMÉDIAIRE
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Camila Cabello Justin Timberla
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Douglas Cameron
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It Takes Two
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Darkstream Music
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.1308244 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Ju...
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Alto Saxophone Solo - Level 3 - SKU: A0.1308244 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timberlake, Michael A Elizondo, Michael Pollack, and Mike Elizondo. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. Individual part. 4 pages. Darkstream Music #897480. Published by Darkstream Music (A0.1308244). Play along with the original track with this transcription for solo alto sax of It takes Two from Dreamworks hit movie Trolls Band Together!The Play-Along Series from Darkstream Music provides accurate transcriptions of popular songs, arranged in the same key as the original track, perfect if you want to play along with your favorite songs.For less experienced players many of the songs are also available in our Easy-Play Series, with simplified rhythms and key signatures.
$4.99
It Takes Two
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Saxophone Tenor
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INTERMÉDIAIRE
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Camila Cabello Justin Timberla
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Douglas Cameron
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It Takes Two
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Darkstream Music
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.1308247 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, J...
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Tenor Saxophone Solo - Level 3 - SKU: A0.1308247 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timberlake, Michael A Elizondo, Michael Pollack, and Mike Elizondo. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. Individual part. 4 pages. Darkstream Music #897482. Published by Darkstream Music (A0.1308247). Play along with the original track with this transcription for solo tenor sax of It takes Two from Dreamworks hit movie Trolls Band Together!The Play-Along Series from Darkstream Music provides accurate transcriptions of popular songs, arranged in the same key as the original track, perfect if you want to play along with your favorite songs.For less experienced players many of the songs are also available in our Easy-Play Series, with simplified rhythms and key signatures.
$4.99
It Takes Two
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Camila Cabello Justin Timberla
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Douglas Cameron
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It Takes Two
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Darkstream Music
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1308236 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timbe...
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Oboe Solo - Level 3 - SKU: A0.1308236 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timberlake, Michael A Elizondo, Michael Pollack, and Mike Elizondo. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. Individual part. 4 pages. Darkstream Music #897467. Published by Darkstream Music (A0.1308236). Play along with the original track with this transcription for solo oboe of It takes Two from Dreamworks hit movie Trolls Band Together!The Play-Along Series from Darkstream Music provides accurate transcriptions of popular songs, arranged in the same key as the original track, perfect if you want to play along with your favorite songs.For less experienced players many of the songs are also available in our Easy-Play Series, with simplified rhythms and key signatures.
$4.99
It Takes Two
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Violon
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INTERMÉDIAIRE
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Camila Cabello Justin Timberla
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Douglas Cameron
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It Takes Two
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Darkstream Music
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1308248 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Tim...
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Violin Solo - Level 3 - SKU: A0.1308248 By Camila Cabello Justin Timberlake & Kid Cudi. By Dreamworks Pictures, Emily Schwartz, Emily Warren, Justin Timberlake, Michael A Elizondo, Michael Pollack, and Mike Elizondo. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. 4 pages. Darkstream Music #897483. Published by Darkstream Music (A0.1308248). Play along with the original track with this transcription for solo violin of It takes Two from Dreamworks hit movie Trolls Band Together!The Play-Along Series from Darkstream Music provides accurate transcriptions of popular songs, arranged in the same key as the original track, perfect if you want to play along with your favorite songs.For less experienced players many of the songs are also available in our Easy-Play Series, with simplified rhythms and key signatures.
$4.99
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Wind Quintet - Summer in Bloom
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - Summer in Bloom
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Pub...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.
$30.00
Prelude in C Major, Op. 1, No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Swedberg
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Prelude in C Major, Op. 1, No.
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248121 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842684. P...
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Piano Solo - Level 4 - SKU: A0.1248121 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842684. Published by Niska Music Publishing (A0.1248121). This charming little prelude was not actually the first one I wrote for this collection, but rather a replacement for the original which felt out of place with the rest of the pieces. At first glance, it appears to be a study in thirds for the right hand while the left left hand keeps a steady underlying motion, but it is much more than that. There is a feeling of a journey, as though a leaf is floating down a stream. It starts out simple enough, with an air of peace and the image of sunlight on the water. There are moments when the trees block out the sun and the leaf goes in and out of the shimmering reflections, caught in the pull of the current, but nevertheless carried along without any concern as to where it is heading.The music takes on a minor feel as the leaf enters the rapids and is tossed about from whirlpool to whirlpool, nearly being submerged but always finding its way to the surface before finally breaking free and continuing it’s journey with the same sense of tranquility with which it began.
$3.99
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256...
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Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
Business In Town
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Piano seul
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INTERMÉDIAIRE
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Ragtime
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Donald Ashwander
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Business In Town
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1295702 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886000. Published by The Dona...
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Piano Solo - Level 3 - SKU: A0.1295702 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886000. Published by The Donald Ashwander Estate (A0.1295702). Business In Town is a solo piano ragtime composition that takes the listener on a nostalgic journey back to the Great Depression era in Bessemer, Alabama. This musical piece is inspired by the childhood memories of Ashwander, who recalls spending time on his grandparent's farm during those challenging times.The piece begins with a lively and rhythmic introduction, representing the excitement and anticipation of a young child yearning for adventure. The syncopated melodies and playful piano rhythms evoke the youthful energy and restlessness of the composer as he dreamed of escaping the farm life for the excitement of the city. The use of ragtime syncopation adds a playful and nostalgic element to the composition, evoking the spirit of the 1930s.As the composition progresses, the listener can hear the sound of a horse's hooves and the creaking of a wagon as it embarks on its journey. The main theme of the piece, introduced by the piano, captures the bumpy and unpredictable nature of the road, with unexpected twists and turns in the melody symbolizing the potholes, ruts, rocks, and crannies that Maud (the horse) and the wagon encounter along the way.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
A Million as One--Vocal/Piano/Chord chart
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Lyndell Leatherman
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A Million as One--Vocal/Piano/
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Leatherman Music Services
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.829306 Composed by Lyndell Leatherman. Christian,Praise & Worship,Sacred. Octavo. 11 pages. Leatherman Music Ser...
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Choral Choir (SATB) - Level 3 - SKU: A0.829306 Composed by Lyndell Leatherman. Christian,Praise & Worship,Sacred. Octavo. 11 pages. Leatherman Music Services #5730999. Published by Leatherman Music Services (A0.829306). A song on the subject of unity in the Church and how it takes everyone working together to accomplish the mission. It can be performed by choir or praise team, or both, and the congregation could join on the refrain. A full orchestration is also available; one large PDF containing the full score and all the parts must be purchased separately. The composer, Lyndell Leatherman, has been involved in church music and publishing for over 40 years and counting. You can go to his Facebook business page–Leatherman Music Services–to see a video of the premier of this work (or go directly to https://www.facebook.com/leathermanmusicservices/videos/557895137599517/,) along with more of his available compositions.
$1.99
Nico Muhly: In As Long As It Takes (Score and Parts) - percussions
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Percussion
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INTERMÉDIAIRE
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Classique
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Nico Muhly
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Virtualsheetmusic
Instantly printable sheet music by Nico Muhly for percussions of MEDIUM skill level. / classical
Instantly printable sheet music by Nico Muhly for percussions of MEDIUM skill level. / classical
$22.99
Unaccompanied Tuba Suite #1 in B-flat Major
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Tuba
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INTERMÉDIAIRE
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Jason Allie
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Unaccompanied Tuba Suite #1 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Publis...
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Tuba Solo - Level 3 - SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
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In As Long As It Takes