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BOUZOUKI
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CITHARE
CLAIRON
CLARINETTE
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COR
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FLUTE A BEC
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FLUTE TRAVERSI…
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HARMONICA
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Non classifié
3465
PIANO & CLAVIERS
Piano seul
3383
Piano Facile
641
Orgue
508
Piano, Voix
355
Piano, Voix et Guitare
84
Accompagnement Piano
78
2 Pianos, 4 mains
72
1 Piano, 4 mains
59
Piano Trio: piano, violon, violoncelle
45
Orgue, Trompette (duo)
38
Clavecin
32
Instruments en Do
31
Accordéon
12
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Piano Quatuor: piano, 2 violons, violoncelle
12
Orgue, Piano (duo)
9
Piano grosses notes
6
2 Orgues (duo)
4
Instrument seul et Orgue
4
1 Piano, 6 mains
4
2 Pianos, 8 mains
2
2 Accordéons
1
Clavier
1
Ligne De Mélodie, Piano
1
Piano (partie séparée)
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
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GUITARES
Guitare
451
Guitare notes et tablatures
433
2 Guitares (duo)
102
Ukulele
57
Banjo
40
Ligne De Mélodie, (Paroles) et Accords
32
4 Guitares (Quatuor)
32
3 Guitares (trio)
28
Basse electrique
26
Ensemble de guitares
15
Mandoline
10
Paroles et Accords
4
Dulcimer
3
Piano, Guitare (duo)
3
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Partitions De Groupes
1
Luth
1
Guitare Pedal Steel
1
Orchestre à Plectres
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
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VOIX
Chorale SATB
191
Chorale 3 parties
106
Voix seule
84
Chorale 2 parties
30
Chorale TTBB
25
Voix Tenor, Piano
19
Chorale
19
Chorale Unison
15
Voix Soprano, Piano
12
Chorale SSAA
10
Voix Alto, Piano
8
Voix haute
5
Voix duo
5
Voix Tenor
4
Voix basse, Piano
4
Voix duo, Piano
4
Chorale SSATB
3
Chorale, Orgue
3
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
1
Voix Moyenne
1
Voix Soprano
1
Chorale SATTBB, Clavier
1
Voix Baryton, Piano
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
347
Flûte traversière et Piano
324
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
260
2 Saxophones (duo)
212
Quatuor de Clarinettes: 4 clarinettes
211
Clarinette et Piano
203
Flûte, Hautbois, Clarinette, Basson
199
2 Clarinettes (duo)
186
Clarinette
184
Flûte à Bec
176
Saxophone (partie séparée)
164
2 Flûtes traversières (duo)
157
Saxophone Alto et Piano
154
Hautbois, Piano (duo)
152
Flûte traversière
146
Flûte et Guitare
141
Quintette de Saxophone: 5 saxophones
135
Quatuor de Flûtes : 4 flûtes
130
Saxophone Tenor et Piano
115
Saxophone Alto
110
3 Clarinettes (trio)
106
Quatuor de Flûtes à bec
104
Saxophone Soprano et Piano
96
3 Flûtes à bec (trio)
91
Hautbois (partie séparée)
77
3 Saxophones (trio)
76
Quintette de Clarinettes: 5 clarinettes
66
Clarinette (partie séparée)
66
2 Flûte à bec (duo)
63
Trio de Flûtes: 3 flûtes
58
Flûte, Clarinette (duo)
55
Quintette de Flûte : 5 flûtes
53
Saxophone Baryton, Piano
44
Hautbois, Basson (duo)
43
Clarinette, Basson (duo)
43
Ensemble de Clarinettes
40
5 Flûtes à bec
37
Ensemble de Flûtes
37
Flute (partie séparée)
33
Cor anglais, Piano
32
Saxophone Tenor
30
Hautbois, Clarinette, Basson (trio d'anches)
30
2 Hautbois (duo)
26
Clarinette Basse, Piano
25
Flûte, Violoncelle
25
Flûte, Clarinette et Basson
23
Hautbois, Clarinette (duo)
22
Clarinette, Violoncelle (duo)
21
Flûte à bec Soprano
20
Hautbois
18
Ensemble De Flûte à bec
18
Flûte, Hautbois, Clarinette (trio)
18
Ensemble de saxophones
17
Flûte à bec Alto
16
Hautbois, Violoncelle
12
Flûte, Hautbois, Basson
11
Flûte, Violoncelle, Piano (trio)
11
Clarinette, Violon (duo)
11
Clarinette, Harpe (duo)
10
Flûte à bec Tenor
10
Flûte, Basson et Piano
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte, Violon
9
Saxophone
9
Flûte, Alto (duo)
9
4 Hautbois
9
2 Flûtes traversières, Piano
8
Ensemble de Hautbois
8
Flûte, Violon et Violoncelle
7
Cor Anglais
7
Flûte, Trombone (duo)
7
Flûte, Clarinette, Piano (trio)
7
Flûte à bec Alto, Piano
7
Flûte, Hautbois (duo)
7
Harmonica
6
Piccolo, Piano
6
Hautbois, Flûte
5
Clarinette, Trombone (duo)
5
Hautbois, Harpe
5
Flûte, Violon, Piano
5
Saxophone, Basson (duo)
5
Flûte et Trio à cordes
5
Clarinette, Violoncelle, Piano (trio)
4
Ensemble à vent
4
2 Saxophones, Piano
4
3 Hautbois
4
Flûte irlandaise
4
Flûte, Hautbois, Piano (trio)
4
Flûte à bec Soprano, Piano
4
Hautbois, violon (duo)
3
Clarinette, Basson, Piano (trio)
3
Flûte et Quatuor à Cordes
3
Saxophone Soprano
3
Instruments en Mib
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette Basse
3
Piccolo
2
2 Flûtes à bec, Piano
2
Hautbois et alto (duo)
2
Saxophone et violoncelle
2
2 Clarinettes, Basson
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte traversière, Orgue (duo)
2
Ocarina
2
Flûte traversière, Basse continue
2
Hautbois, Quatuor à cordes
2
Clarinette et Alto
2
Flûte à bec, Guitare (duo)
2
Hautbois, trombone (duo)
2
Saxophone et Piano
2
Flûte à Bec, Piano
2
Clarinette, Guitare (duo)
2
Hautbois, Violon, Piano
2
2 Cors Anglais Et Pianoforte
1
Saxophone et Guitare
1
Flûte, trombone et piano
1
2 Flûtes traversières, Harpe
1
2 Clarinettes, Piano
1
Clarinette, trompette et piano
1
Flute, harpe et violon
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Guitare
1
Flûte traversière, Orchestre
1
Flûte, Saxophone (duo)
1
Flûte, Alto et Violoncelle
1
Flûte, Alto et Piano
1
Saxophone, Clarinette (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Tuba
1
Saxophone, Violon (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte, Tuba (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Harpe
1
Flûte à bec Alto, Basse continue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
292
Trompette, Piano
151
Trompette
136
Trombone
111
Trombone et Piano
108
Cor et Piano
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
95
Cor
82
2 Trompettes (duo)
69
Quatuor de cuivres: 4 trombones
59
Trompette (partie séparée)
55
Ensemble de Trombones
54
2 Trombones (duo)
51
Trompette, Trombone (duo)
49
Trombone (partie séparée)
47
Tuba et Piano
46
2 Euphoniums et 2 Tubas
43
Quatuor de cuivres: 4 cors
40
Tuba
40
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Quatuor de Cuivres
35
Cor anglais, Piano
32
Euphonium, Piano (duo)
31
4 Tubas
29
2 Cors (duo)
29
Cor (partie séparée)
28
Quatuor de cuivres: 4 trompettes
19
Trio de Cuivres
19
Tuba (partie séparée)
19
2 Tubas (duo)
19
3 Trombones (trio)
16
Ensemble de Trompettes
15
Trompette, Cor (duo)
14
Trompette, Basson (duo)
11
Trombone, Violon (duo)
10
3 Trompettes (trio)
9
Trompette, Violoncelle (duo)
9
2 Trompettes, Clavier (piano ou orgue)
8
Euphonium, Tuba (duo)
8
Ensemble de Cors
8
Trombone, Cor (duo)
8
3 Cors (trio)
7
3 Tubas (trio)
7
Cor Anglais
7
Trompette, Tuba (duo)
7
Cornet A Pistons
6
Trompette, Saxophone (duo)
6
Cor, Tuba (duo)
5
Trombone, Tuba (duo)
5
Euphonium
5
Cor, Violoncelle (duo)
5
Tuba et Orgue
5
Instruments en Sib
4
Bass Clef Instruments
4
Cor et Basson (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Tubas
3
Trombone, Orgue
2
3 Euphoniums
2
Cor et Harpe
2
Trombone basse et Piano
2
Trompette, Harpe
2
2 Euphoniums (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
2 Cors Anglais Et Pianoforte
1
Trompette, violon (duo)
1
Cor, Violoncelle et Piano
1
4 Euphoniums
1
Trompette, Trombone, Piano
1
Trompette, Orchestre
1
Trombone, Alto (duo)
1
Cor et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
739
Violon et Piano
385
Violon
266
Violon, Violoncelle (duo)
250
Violoncelle, Piano
230
Alto, Piano
213
Trio à Cordes: violon, alto, violoncelle
177
Violoncelle (partie séparée)
155
2 Violons (duo)
149
Violon, Alto (duo)
136
2 Violoncelles (duo)
131
Alto seul
130
Violon (partie séparée)
123
Harpe
93
Violoncelle
89
Alto, Violoncelle (duo)
66
2 Altos (duo)
57
Trio à Cordes: 2 violons, violoncelle
44
Quintette à cordes: 2 violons, alto, violoncelle, basse
41
Contrebasse, Piano (duo)
38
4 Violoncelles
37
Contrebasse (partie séparée)
35
Alto (partie séparée)
34
Trio à Cordes: 3 violoncelles
33
Trio à cordes
26
Quatuor à cordes: 4 violons
25
Harpe, Flûte (duo)
24
Contre Basse
24
Trio à cordes: 3 violins
23
Violon, Guitare (duo)
20
2 Violons, Piano
16
Violoncelle, Contrebasse (duo)
16
Violoncelle et Marimba
15
Piano Trio: Violon, Alto, Piano
14
Alto et Basson
13
Violon, Basson (duo)
13
Trio à cordes: 3 altos
13
Quatuor à cordes : 4 altos
13
2 Contrebasses (duo)
12
Harpe, Violon (duo)
12
Violon, Orgue
11
Ensemble de Violoncelles
10
Violoncelle , Guitare (duo)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
2 Harpes (duo)
8
Trio à Cordes: 2 violons, alto
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
2 Violoncelles, Piano
6
Alto, Guitare (duo)
4
Ensemble d'Altos
4
2 Altos, Piano
4
Harpe et Piano
4
Ensemble de Violons
4
Harpe, Violon, Violoncelle
3
Harpe, Violoncelle (duo)
3
Violoncelle, Orgue
3
3 Contrebasses
2
Violon, Tuba (duo)
1
Alto et Harpe
1
Violon, Violoncelle, Clarinette
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
2 Violons et Basse continue
1
Violoncelle, Orchestre
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
289
Orchestre à Cordes
261
Ensemble de cuivres
107
Orchestre de chambre
85
Orchestre
77
Cloches
45
Marimba
22
2 Marimbas
15
Percussion (partie séparée)
14
Quatuor à Vent : 4 instruments à vents
14
Percussion
13
Timbales (partie séparée)
12
Ensemble Jazz
10
Ensemble de Percussions
10
Quintette à Vent
8
Fanfare
6
Vibraphone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Vibraphone (partie séparée)
4
Jazz combo
2
Instrumentation Flexible
2
Xylophone, Piano
2
Vibraphone et Marimba
2
Batterie
1
Xylophone
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Johann Sebastian Bach
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all itâs own. The story of how the work came to be written has to come to us through Bachâs first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dâor in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachâs estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachâs son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all itâs own. The story of how the work came to be written has to come to us through Bachâs first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dâor in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachâs estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachâs son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.86 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all itâs own. The story of how the work came to be written has to come to us through Bachâs first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dâor in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachâs estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachâs son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.86 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all itâs own. The story of how the work came to be written has to come to us through Bachâs first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dâor in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachâs estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachâs son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.86 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Arioso Bach Alto Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by J…
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Alto Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.35 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Arioso Bach Alto Saxophone Quartet
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SheetMusicPlus
Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download …
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Alto Sax, Tenor Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.35 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Arioso Bach Saxophone Quartet 2 Alto 2 Tenor
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SheetMusicPlus
Arioso Bach Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Be…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$7.99
7.48 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Arioso Bach Saxophone Quartet
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SheetMusicPlus
Arioso Bach Soprano Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed b…
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Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.35 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Arioso Bach Soprano Saxophone Quartet
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SheetMusicPlus
Bach Jesu, joy of man's desiring for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Be…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> <br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.35 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Bach Jesu, joy of man's desiring for Saxophone Quartet
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SheetMusicPlus
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digit…
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Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.35 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
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SheetMusicPlus
Johann Sebastian Bach: Two Bach Preludes (COMPLETE) - saxophone quartet
Quatuor de Saxophones: 4 saxophones
Instantly printable sheet music by Johann Sebastian Bach for saxophone quartet of MEDIUM s…
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Instantly printable sheet music by Johann Sebastian Bach for saxophone quartet of MEDIUM skill level. / classical,classical
$13.99
13.09 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Three Bach Chorales (COMPLETE) - saxophone quartet
Quatuor de Saxophones: 4 saxophones
Instantly printable sheet music by Johann Sebastian Bach for saxophone quartet of MEDIUM s…
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Instantly printable sheet music by Johann Sebastian Bach for saxophone quartet of MEDIUM skill level. / classical
$13.99
13.09 €
#
Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, score only
Quatuor de Saxophones: 4 saxophones
Composed by Johann Sebastian Bach (1685-1750). Arranged by Paul Wehage. Baroque Period, Re…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Paul Wehage. Baroque Period, Repertoire. Score. 114 pages. Published by Musik Fabrik (S0.31907). - Score - Baroque Period,Repertoire - Musik Fabrik
$19.95
18.67 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, score only
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Musik Fabrik
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SheetMusicPlus
Johann Sebastian Bach: Sleepers Awake (COMPLETE) instantly for saxophone quartet
Quatuor de Saxophones: 4 saxophones
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the or…
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This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
$7.99
7.48 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (f.score) instantly for saxophone quartet
Quatuor de Saxophones: 4 saxophones
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the or…
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This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
$3.99
3.73 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (parts) instantly for saxophone quartet
Quatuor de Saxophones: 4 saxophones
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the or…
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This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
$5.99
5.61 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Prelude & Fugue VII - Book II (New Edition) for saxophone quartet
Quatuor de Saxophones: 4 saxophones
This is an exclusive arrangement for saxophone quartet of EASY/MEDIUM skill level from the…
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This is an exclusive arrangement for saxophone quartet of EASY/MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: preludio e fuga, well tempered clavier, klavier, clavicembalo ben temperato, bwv 877, bwv877, prelude and fugue, no.7 / classical
$5.99
5.61 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
5 Famous Songs by Bach for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süÃ, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.94 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süÃ, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.94 €
#
Quatuor de Saxophones: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
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5 Famous Songs by Bach for Saxophone Quartet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süÃ, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.94 €
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Quatuor de Saxophones: 4 saxophones
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Christian Petzold, Johann Sebastian Bach, and Martin Luther
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Ander
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5 Famous Songs by Bach for Tenor Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süÃ, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.94 €
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Quatuor de Saxophones: 4 saxophones
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Christian Petzold, Johann Sebastian Bach, and Martin Luther
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Ander
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5 Famous Songs by Bach for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Bach: Air on G string (Sax quartet)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Dig…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Digital Download SKU: A0.493921 Composed by Johann Sebastian Bach. Arranged by Danillo Porto. A Cappella,Baroque,Classical,Praise & Worship,Wedding. 7 pages. Published by Porto, Dan (A0.493921). Composed by Johann Sebastian Bach (1685 - 1750). Baroque Period, Classical, Praise & Workship, A Capella, Wedding, Graduation, Recital, Ambience Music. Individual Part, Lead Sheet, Sax Quartet, Score, Set of Parts. 7 pages. Published by Danillo Porto. Johann Sebastian Bach - Air for G string BWV - 1068 #Air #SaxQuartet #Bach.
$4.99
4.67 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Danillo Porto
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Bach: Air on G string
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Porto, Dan
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SheetMusicPlus
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599â644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708â1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:LâOrgelbüchlein (Le Petit LIvre DâOrgue) BWV 599â644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitlâorganiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Friedâ und Freudâ ich fahrâ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuà den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, beweinâ deinâ Sünde groÃ, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daà mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heilâge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heutâ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wendâ, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heilâgen zehn Gebotâ, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adamâs Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich rufâ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich habâ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et lâEnterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
60.78 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
37.39 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Sax Quartet
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jmsgu3
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SheetMusicPlus
Jesu, Joy of Man’s Desiring for Baritone Saxophone Quartet by Bach BWV 147
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1410429 Composed by Johann Sebastian Bach. Arranged by ããã ããã. Baroque,Chamber,Christian,Easter. 11 pages. Simple Chamberãåç´ãªå®¤å 楽ã #992845. Published by Simple Chamberãåç´ãªå®¤å 楽ã (A0.1410429). This is an arrangement of Bachâs piece, Jesu, Joy of Manâs Desiring BWV 147, adapted for a baritone saxophone quartet. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bachâs works. Even simplified, the arrangement maintains the beauty of Bachâs original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$9.99
9.35 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Jesu, Joy of Man’s Desiring for Baritone Saxophone Quartet by Bach BWV 147
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Simple Chamberãåç´ãªå®¤å 楽ã
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SheetMusicPlus
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