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Vous avez sélectionné:
Jump Then Fall
Partitions à imprimer
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1
Jump Then Fall (Taylor's Version)
Piano, Voix et Guitare
Interactive Download By Taylor Swift. This edition: Interactive Download. Country, Po…
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Interactive Download By Taylor Swift. This edition: Interactive Download. Country, Pop. Piano/Vocal/Guitar. 10 pages. Published by Hal Leonard - Digital
$4.99
4.47 €
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Piano, Voix et Guitare
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Taylor Swift
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Jump Then Fall
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Hal Leonard - Digital
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SheetMusicPlus
Jump Then Fall by Taylor Swift - Piano/Vocal/Chords, Singer Pro
Piano, Voix et Guitare
Performed by: Taylor Swift: Jump Then Fall Digital Sheetmusic - instantly downloadable she…
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Performed by: Taylor Swift: Jump Then Fall Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano;Backup Vocals; 9 pages -- Country-Pop~~Contemporary Country
$5.99
5.37 €
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Piano, Voix et Guitare
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Taylor Swift
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Kittinger's Descent - for 8 Trombones
Large Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.886136 Composed b…
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Large Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.886136 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #2937601. Published by Jason Gary McChristian (A0.886136). In August 1960, U.S. Air Force pilot Joe Kittinger ascended in a high-altitude balloon 102,800 feet above the surface of the earth. As he leapt out of the gondola, Mr. Kittinger felt little sensation of falling due to the lack of air in the stratosphere. Depicting just moments before the 614 mph free-fall, the work opens with slowly forming clusters. Gaining intensity, these chords signify the sensation one must feel looking up to the blackness of space then peering down to the clouds below. Throughout the piece, a subtle trembling effect suggests the buffeting that can occur at high speeds. Kittinger's Descent is a fast-paced, turbulent ride honoring the man who broke records for highest balloon ascent, highest parachute jump, and longest and fastest free-fall by a human without the aid of a machine.
$40.00
35.85 €
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Jason McChristian
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Kittinger's Descent - for 8 Trombones
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Jason Gary McChristian
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.41 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.58 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Taylor Swift: Jump Then Fall (Taylor's Version) - voice, piano or guitar
Piano, Voix et Guitare
Instantly printable sheet music by Taylor Swift for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by Taylor Swift for voice, piano or guitar of MEDIUM skill level. / country,pop
$7.97
7.14 €
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Piano, Voix et Guitare
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Taylor Swift
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Virtualsheetmusic
Plaisir d'amour
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Ã…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Love,Wedding. Score and parts. 23 pages. Sweetwater Brass Press #3689775. Published by Sweetwater Brass Press (A0.808686). This is one of the most beautifully arranged short pieces in the Sweetwater Brass Press catalog. Jean-Paul-Égide Martini wrote Plaisir d'amour in 1784. He took the words from a poem that appears in Célestine, a short novel by Jean-Pierre Claris de Florian. The poem begins, Plaisir d'amour ne dure qu'un moment (The pleasure of love lasts only a moment). Over the years, Martini’s melody has proved popular with other composers, including Hector Berlioz and Louis van Waefelghem. Two relatively recent songs that made use of the plaintiff refrain are the Christian hymn, My God Loves Me and the song Can't Help Falling in Love, which was performed by Elvis Presley in the film, Blue Hawaii. This arrangement is not technically difficult, but it does require discipline and interpretation. As in the original, there are two key changes, F to A-flat and then back to F. The time signature has been changed from Martini’s 6/8 to ¾ but retains all relative note values. Trumpet 1 plays the melody with occasional harmony from Trumpet 2. Horn in F provides arpeggio accompaniment throughout most of the song, with some help from Tuba and Trombone. With respect to high and low notes: Trumpet 1 has one A5 grace note (to a G5 quarter note); Trumpet 2 has three above-staff quarter notes in a row, A5, B5 and A5; Trombone has one F4; and Tuba has a number of F1 notes and one section of octave jumps involving F2 to F3 and A2 to A3. This arrangement was completed in 2018, and performance time runs about 3 minutes, 51 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.95
6.23 €
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Ensemble de cuivres
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Jean-Paul-Égide Martini
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F
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Plaisir d'amour
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Sweetwater Brass Press
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SheetMusicPlus
Marshmello - Happier
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marshmello &…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marshmello & Bastille, Marshmello (Feat. Bastille). Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Happier" by Marshmello (feat. Bastille) on piano!<br> <br> With this piano sheet music, you can play "Happier" on piano.<br> It's an accurate piano arrangement of the whole song which is not too hard to play, and sounds fantastic!<br> <br> The whole melody is included in the piano part, so it sounds great when played as an instrumental version. However, you can also use these piano sheets to accompany singers, or sing along yourself!<br> This sheet music comes with a seperate system for the singer, and includes the song's full lyris.<br> <br> "Happier" is a follow-up to Marshmello's super-hit "Friends" (feat. Anne-Marie), and it's a beautiful collaboration with British indie-band Bastille.<br> <br> Here are the full lyrics to "Happier":<br> <br> Lately, I've been, I've been thinking<br> I want you to be happier, I want you to be happier<br> When the morning comes<br> When we see what we've become<br> In the cold light of day we're a flame in the wind<br> Not the fire that we've begun<br> Every argument, every word we can't take back<br> 'Cause with the all that has happened<br> I think that we both know the way that the story ends<br> Then only for a minute<br> I want to change my mind<br> 'Cause this just don't feel right to me<br> I want to raise your spirits<br> I want to see you smile but<br> Know that means I'll have to leave<br> Know that means I'll have to leave<br> Lately, I've been, I've been thinking<br> I want you to be happier, I want you to be happier<br> When the evening falls<br> And I'm left there with my thoughts<br> And the image of you being with someone else<br> Well, that's eating me up inside<br> But we run our course, we pretend that we're okay<br> Now if we jump together at least we can swim<br> Far away from the wreck we made<br> Then only for a minute<br> I want to change my mind<br> 'Cause this just don't feel right to me<br> I want to raise your spirits<br> I want to see you smile but<br> Know that means I'll have to leave<br> Know that means I'll have to leave<br> Lately, I've been, I've been thinking<br> I want you to be happier, I want you to be happier<br> So I'll go, I'll go<br> I will go, go, go<br> So I'll go, I'll go<br> I will go, go, go<br> Lately, I've been, I've been thinking<br> I want you to be happier, I want you to be happier<br> Even though I might not like this<br> I think that you'll be happier, I want you to be happier<br> Then only for a minute (only for a minute)<br> I want to change my mind<br> 'Cause this just don't feel right to me<br> I want to raise your spirits<br> I want to see you smile but<br> Know that means I'll have to leave<br> Know that means I'll have to leave<br> Lately, I've been, I've been thinking<br> I want you to be happier, I want you to be happier<br> So I'll go, I'll go<br> I will go, go, go<br>
$4.99
4.47 €
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Piano, Voix
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Marshmello & Bastille, Marshmello
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Mario Stallbaumer
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Bastille, Marshmello (Feat
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Marshmello - Happier
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Mario Stallbaumer
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SheetMusicPlus
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