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No New Tale To Tell
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Crtitères actifs :
No New Tale To Tell
Partitions à imprimer
21 partitions trouvées
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1
No New Tale To Tell
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Guitare notes et tablatures
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DÉBUTANT
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Contemporain
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Love & Rockets
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Kevin J Gardner
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No New Tale To Tell
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Kevin J Gardner
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.962492 By Love & Rockets. By Daniel Ash, David Jay, and Kevin Haskins. Arranged by Kevin J Gardner. Contemporary. Guitar Tab....
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Guitar - Level 1 - SKU: A0.962492 By Love & Rockets. By Daniel Ash, David Jay, and Kevin Haskins. Arranged by Kevin J Gardner. Contemporary. Guitar Tab. 2 pages. Kevin J Gardner #4592201. Published by Kevin J Gardner (A0.962492). Classic song transcribed for easy guitar. Great song for anyone that enjoys singing and playing guitar or beginner guitar students.
$4.99
What If There Had Been No Star? (A Christmas Message) (TTBB version)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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David W
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What If There Had Been No Star
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 4 - SKU: A0.1511381 Composed by David W. Barber. A Cappella,Advent,Barbershop,Christmas,Sacred. 3 pages. David...
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Choral Choir,Choral (TTBB Chorus) - Level 4 - SKU: A0.1511381 Composed by David W. Barber. A Cappella,Advent,Barbershop,Christmas,Sacred. 3 pages. David W. Barber #1086554. Published by David W. Barber (A0.1511381). An original Christmas carol with an insightful message. For TTBB with optional keyboard accompaniment. (There's also a setting for SATB.)This is the text: What if there had been no star?(A Christmas Message)What if there had been no star?No magi travelling from afar.No innkeeper, the doors all locked.No shepherds in the fields.No flocks.No Herod’s rage, no children slain.Then would we tell the tale again?No herald angels from on highTo tell the world the Word is nigh.No heavenly message from above.Forget all that. We’d still have love. © David W. Barber (SOCAN)Toronto, December 2023 (Music March 2024)This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com YouTube Link https://youtu.be/aW-i0imLNw0.
$2.99
What If There Had Been No Star? (A Christmas Message)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David W
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What If There Had Been No Star
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1399551 Composed by David W. Barber. 21st Century,A Cappella,Christmas,Religious,Sacred. 3 pages. David W...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1399551 Composed by David W. Barber. 21st Century,A Cappella,Christmas,Religious,Sacred. 3 pages. David W. Barber #982842. Published by David W. Barber (A0.1399551). An original Christmas carol with an insightful message. For SATB with optional keyboard accompaniment. This is the text: What if there had been no star?(A Christmas Message)What if there had been no star?No magi travelling from afar.No innkeeper, the doors all locked.No shepherds in the fields.No flocks.No Herod’s rage, no children slain.Then would we tell the tale again?No herald angels from on highTo tell the world the Word is nigh.No heavenly message from above.Forget all that. We’d still have love. © David W. Barber (SOCAN)Toronto, December 2023 (Music March 2024)This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.
$1.99
Sonata No. 4 for Piano, Opus 105
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Piano seul
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John Mitchell
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Sonata No. 4 for Piano, Opus 1
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Bisel Classics - Digital
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SheetMusicPlus
Piano - SKU: BQ.979-0-50179-711-0 Composed by John Mitchell. This edition: softcover. Bisel New Classics. Score. With Text Language: English / German. O...
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Piano - SKU: BQ.979-0-50179-711-0 Composed by John Mitchell. This edition: softcover. Bisel New Classics. Score. With Text Language: English / German. Opus 105. 32 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-711-0). ISBN 9790501797110.The Sonata No. 4 Op. 105, composed in 2001, presents itself as another work of the series of sonatas that was created by the Californian composer John Mitchell following programmatic principles. The composition with two contrasting movements tells the story of the star Alcyone, the brightest star of the open star cluster of the Pleiades. In Greek mythology Alcyone is remembered as the leader of her sisters, the nymphs and daughters of Atlas and Pleione, and similarly the Arabic etymology of the name (''queen, who defies the evil storm'') tells a tale of might and sovereignty. Astrologically the constellation is assigned to Taurus. Contrasting and opposing both in mood and metrics, Mitchell gave a musical shape to this mighty stellar energy, with a soaring and joyous first movement followed by a second movement that is slow and even reverent with a subdued ending. Please visit the website www.abm-enterprises.net for extensive and updated information on the composer and his works.
$19.95
The Battle Of New Orleans
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Robert William Rast
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John Fries
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The Battle Of New Orleans
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1410777 Composed by Robert William Rast. Arranged by John Fries. 20th Century,Country,Historic,Pop,Standards. Lead Shee...
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C Instrument - Level 4 - SKU: A0.1410777 Composed by Robert William Rast. Arranged by John Fries. 20th Century,Country,Historic,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993174. Published by John Fries (A0.1410777). TYPE JOHN FIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Battle of New Orleans is a song written by Jimmy Driftwood. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music. Horton's version began with the quoting of the first 12 notes of the song Dixie, by Daniel Emmett. It ends with the sound of an officer leading a count off in marching, as the song fades out.
$3.99
Nocturne in Eb Major, Op. 9, No. 2 (MEDIUM PIANO) [Frédéric Chopin]
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Piano seul
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INTERMÉDIAIRE
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Classique
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mastering this composition, yo
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Frederic Chopin
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Darek
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Nocturne in Eb Major, Op. 9, N
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1259040 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #85...
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Piano Solo - Level 3 - SKU: A0.1259040 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #852303. Published by Darek (A0.1259040). Nocturne in Eb Major, Op. 9, No. 2 (MEDIUM PIANO) [Frédéric Chopin]Intermediate arrangement for pianists of Nocturne in Eb Major, Op. 9, No. 2 by Frédéric Chopin. Intermediate version for pianists. Included: Fingering, Dynamics, Articulation and Youtube tutorial. I invite you to explore the captivating world of Frédéric Chopin's Nocturne in Eb Major, Op. 9, No. 2 through my meticulously curated piano sheet music. As an intermediate pianist, I understand the desire to tackle challenging yet rewarding compositions, and this Nocturne is the perfect choice. Immerse yourself in the beauty and complexity of this iconic piece, expertly transcribed for intermediate-level pianists like yourself. My sheet music offers a comprehensive package that includes fingering, dynamics, and articulation markings, meticulously crafted to guide you towards a polished and expressive performance. With my detailed annotations, you'll gain insight into the delicate nuances that make Chopin's Nocturne truly remarkable. From the softest pianissimos to the most passionate crescendos, these markings enable you to unlock the full musicality and emotion inherent in the composition. To complement the sheet music, I have also prepared a YouTube tutorial exclusively for you. This video guide provides step-by-step demonstrations, offering valuable insights and techniques to enhance your interpretation. Immerse yourself in my comprehensive tutorial, and watch as your performance reaches new heights. Chopin's Nocturne in Eb Major is a timeless masterpiece that transports us to the romantic era, where the piano reigned supreme. By mastering this composition, you'll not only expand your repertoire but also gain a deeper appreciation for the rich heritage of classical music.  I prioritize your musical journey, offering sheet music tailored to your intermediate skill level. I believe in providing a balance between challenge and attainability, allowing you to stretch your abilities while experiencing the joy of playing this exquisite Nocturne. Dive into the enchanting realm of the piano, where each note tells a story and every phrase carries profound emotion. Let Chopin's Nocturne guide you on a path of self-expression and musical discovery. My sheet music provides the perfect opportunity to refine your skills and showcase your talent as an intermediate pianist. Don't miss out on the chance to elevate your performance and embrace the artistry of Chopin's Nocturne. Unlock your potential and experience the satisfaction that comes from conquering a complex piece of music. With my meticulously prepared sheet music and accompanying tutorial, you'll embark on a musical adventure that will captivate both yourself and your audience. Choose excellence, choose expression, and choose my sheet music for the Nocturne in Eb Major, Op. 9, No. 2. Let the piano become your voice, and let this composition be your muse as you continue to evolve as an intermediate pianist. Begin your musical journey today and unlock the profound beauty of Chopin's Nocturne.
$2.00
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
Yuki-Onna (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Pub...
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Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
Yuki-Onna (piano 4-hands)
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. P...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
Nordic Movement 1: Ginnungagap
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Orchestre d'harmonie
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FACILE
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Aric Noble
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It
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Nordic Movement 1: Ginnungagap
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Aric Noble
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric No...
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Concert Band - Level 2 - SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077). Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that withquotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give2 of the other themes to foreshadow it. It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make because in mythology, Surtr, also referred to as Surt, is the fabled fire giant who destroys Asgard. No one knows where hecomes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time forging his sword to burrow into Asgard. I used a break drum to symbolize a hammer hitting an anvil to forge a sword, a lingering sound of Surtr's destiny.After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flipsit to be mo.
$24.99
C'è una favola triste
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Piano seul
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Enfant
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Monica Bergo
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C'è una favola triste
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). ...
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Piano Solo - SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you ..... Monica Bergo
$3.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Hello! Ma Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 2...
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Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Cockles And Mussels (Molly Malone)
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Quintette de Cuivres: autres combinaisons
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DÉBUTANT
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Folklorique/Traditionel
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John Lizamore Venter
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Cockles And Mussels
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Peet du Toit
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Tuba - Level 1 - SKU: A0.1377777 Composed by John Lizamore Venter. Arranged by Edmund Forman (Arranger) Peet du Toit ...
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Brass Quintet Euphonium,Flugelhorn,Tuba - Level 1 - SKU: A0.1377777 Composed by John Lizamore Venter. Arranged by Edmund Forman (Arranger) Peet du Toit (Orchestrator). Folk. 7 pages. Peet du Toit #962372. Published by Peet du Toit (A0.1377777). Molly Malone (also known as Cockles and Mussels or In Dublin's Fair City) is a popular song set in Dublin, Ireland, which has become its unofficial anthem.The Molly Malone statue in Grafton Street was unveiled by then Lord Mayor of Dublin, Alderman Ben Briscoe, during the 1988 Dublin Millennium celebrations, when 13 June was declared to be Molly Malone Day. The statue was presented to the city by Jury's Hotel Group to mark the Millennium.On 18 July 2014, the statue was relocated to Suffolk Street, in front of the Tourist Information Office, to make way for Luas track-laying work to be completed at the old location.The song tells the fictional tale of a fishwife who plied her trade on the streets of Dublin and died young, of a fever. In the late 20th century a legend grew up that there was a historical Molly, who lived in the 17th century. She is typically represented as a hawker by day and part-time sex-worker by night. In contrast she has also been portrayed as one of the few chaste female street-hawkers of her day.There is no evidence that the song is based on a real woman, of the 17th century or any other time. The name Molly originated as a familiar version of the names Mary and Margaret. While many such Molly Malones were born in Dublin over the centuries, no evidence connects any of them to the events in the song. Nevertheless, the Dublin Millennium Commission in 1988 endorsed claims made for a Mary Malone who died on 13 June 1699, and proclaimed 13 June to be Molly Malone Day.A variant, Cockles and Mussels, with some different lyrics, appeared in Students' Songs: Comprising the Newest and Most Popular College Songs As Now Sung at Harvard, Yale, Columbia, ... Union, etc in 1884.
$13.00
Cockles And Mussels
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Contemporain
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Sean Michael O'Boyle
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Edmund Forman & Peet du Toit
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Cockles And Mussels
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.802636 Composed by Sean Michael O'Boyle. Arranged by Edmund Forman & Peet du Toit. Contemporary. ...
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Brass Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.802636 Composed by Sean Michael O'Boyle. Arranged by Edmund Forman & Peet du Toit. Contemporary. Score and parts. 7 pages. Peet du Toit #6072831. Published by Peet du Toit (A0.802636). Molly Malone (also known as Cockles and Mussels or In Dublin's Fair City) is a popular song set in Dublin, Ireland, which has become its unofficial anthem.The Molly Malone statue in Grafton Street was unveiled by then Lord Mayor of Dublin, Alderman Ben Briscoe, during the 1988 Dublin Millennium celebrations, when 13 June was declared to be Molly Malone Day. The statue was presented to the city by Jury's Hotel Group to mark the Millennium.On 18 July 2014, the statue was relocated to Suffolk Street, in front of the Tourist Information Office, to make way for Luas track-laying work to be completed at the old location.The song tells the fictional tale of a fishwife who plied her trade on the streets of Dublin and died young, of a fever. In the late 20th century a legend grew up that there was a historical Molly, who lived in the 17th century. She is typically represented as a hawker by day and part-time sex-worker by night. In contrast she has also been portrayed as one of the few chaste female street-hawkers of her day.There is no evidence that the song is based on a real woman, of the 17th century or any other time. The name Molly originated as a familiar version of the names Mary and Margaret. While many such Molly Malones were born in Dublin over the centuries, no evidence connects any of them to the events in the song. Nevertheless, the Dublin Millennium Commission in 1988 endorsed claims made for a Mary Malone who died on 13 June 1699, and proclaimed 13 June to be Molly Malone Day.A variant, Cockles and Mussels, with some different lyrics, appeared in Students' Songs: Comprising the Newest and Most Popular College Songs As Now Sung at Harvard, Yale, Columbia, ... Union, etc in 1884.
$13.00
Waiting
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Piano seul
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INTERMÉDIAIRE
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Kim S
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Waiting
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961679 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038065. Published b...
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Piano Solo - Level 3 - SKU: A0.961679 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038065. Published by Kim S. Bean (A0.961679). Waiting, 2 pages, is an intermediate piece in the key of D minor, is the fifth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Waiting, is in 6/8 time, opens with the tolling of a bell in a clock tower. Students will learn to make an audience wait , creating suspense. The music begins a frantic staccato motif that requires the student to cross their hands quickly. The piece ends in the key of F major as a hope filled surprise. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
Leaving
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Piano seul
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INTERMÉDIAIRE
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Kim S
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Leaving
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961677 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 1 pages. Kim S. Bean #6038061. Published b...
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Piano Solo - Level 3 - SKU: A0.961677 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 1 pages. Kim S. Bean #6038061. Published by Kim S. Bean (A0.961677). Leaving, 1 page, is an intermediate piece in the key of D minor, is the third piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Leaving, is in 4/4 time,is filled with dramatically rolled chords.this is a sorrowful piece that gives students a chance to explore more expressive interpretation. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! The Dark Knight, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
The Dark Knight
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Piano seul
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INTERMÉDIAIRE
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Kim S
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The Dark Knight
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961678 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038063. Published b...
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Piano Solo - Level 3 - SKU: A0.961678 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038063. Published by Kim S. Bean (A0.961678). The Dark Knight, 2 pages, is an intermediate piece in the key of G minor, is the fourth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, The Dark Knight, is in 4/4 time, with broken diminished chords. Students will develop the skill to play chords with a clean sound, curved fingers as well as creating a mood of suspense. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, Waiting, His Journey and Return, Everlasting Promise and Glorious Celebration.
$4.99
His Journey and Return
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Piano seul
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INTERMÉDIAIRE
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Kim S
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His Journey and Return
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961680 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 4 pages. Kim S. Bean #6038069. Published b...
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Piano Solo - Level 3 - SKU: A0.961680 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 4 pages. Kim S. Bean #6038069. Published by Kim S. Bean (A0.961680). His Journey and Return, 4 pages, is an intermediate piece in the key of F, is the sixth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, His Journey and Return, is in 4/4 time, gallops triumphantly into this suite to dispel evil once and for all. Staccatos, tenutos and accents abound. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, Everlasting Promise and Glorious Celebration.
$4.99
Toot, Toot, Tootsie!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Pirates Of The Caribbean
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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G
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Lorenzo Bocci
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Pirates Of The Caribbean
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1515047 Composed by G. Zanelli, Hans Zimmer, and K. Badelt. Arranged by Lorenzo Bocci. Film/TV. 263 pages. Lorenzo Bocc...
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Concert Band - Level 4 - SKU: A0.1515047 Composed by G. Zanelli, Hans Zimmer, and K. Badelt. Arranged by Lorenzo Bocci. Film/TV. 263 pages. Lorenzo Bocci #1089520. Published by Lorenzo Bocci (A0.1515047). PIRATES OF THE CARIBBEAN - From Walt Disney Pictures' Pirates Of The Caribbean: The Curse Of The Black Pearlfor Concert Band - Grade 4 - - More Film MusicComposed by Klaus Badelt, Hans Zimmer, Geoffrey Zanelli. Arranged by Lorenzo Bocci. Film. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 11'45''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium 1, 2, Bass, Double Bass, Timpani, Percussion 1 (Cymbals, Bass Drum), Percussion 2 (Sus. Cymb., Triangle) Percussion 3 (Snare Drum, Open Charleston), Percussion 4 (Tubolar Bells, Tom Tom)Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium 1, 2 T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C., Cello (does not appear on score)Pirates of the Caribbean: The Curse of the Black Pearl is a 2003 American fantasy swashbuckler film directed by Gore Verbinski. Produced by Jerry Bruckheimer and distributed by Walt Disney Pictures. The film stars Johnny Depp, Geoffrey Rush, Orlando Bloom, and Keira Knightley. The film was a massive box-office success, it received generally positive reviews from critics, with particular praise going to the performance of Depp, who won a Screen Actors Guild Award. He was also nominated for awards at the Academy Awards, the BAFTAs, and the Golden Globes. The film was followed by four sequels: Dead Man's Chest (2006), At World's End (2007), On Stranger Tides (2011), and Dead Men Tell No Tales (2017).Subscribe to my YouTube Channel to stay updated on new releases.
$109.00
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No New Tale To Tell