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TRI ET FILTRES
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Nostalgia: 2nd Flute
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Salute to TV: 2nd Flute
Flute (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0016690_F2 2nd Flute. Arrang…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016690_F2 2nd Flute. Arranged by Carl Strommen. Light Concert; Nostalgia; Pop; TV. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016690_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016690_F2). UPC: 038081382517.The early years of TV brought us memorable music. Included in this blow-out medley are themes from Masterpiece Theater, M*A*S*H, The Alfred Hitchcock Hour, The Late Show, The Late, Late Show, The Flintstones, and Bonanza. Perfect for a pops concert!Closer; Opener.
$3.00
2.69 €
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Flute (partie séparée)
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Carl Strommen
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Nostalgia
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Salute to TV: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Nostalgia: 2nd Flute
Flute (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0018455_F2 Instructional. 2 pages. …
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Full Orchestra - Digital Download SKU: AX.00-PC-0018455_F2 Instructional. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0018455_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018455_F2). UPC: 038081554310.
$3.00
2.69 €
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Flute (partie séparée)
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Nostalgia: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Under The Boardwalk
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1487482 By The Drifters. By Art…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1487482 By The Drifters. By Artie Resnick and Kenny Young. Arranged by John Hoesly. Pop,Rock,Standards. 114 pages. PRS&B #1064434. Published by PRS&B (A0.1487482). UNDER THE BOARDWALK- for Full Orchestra. Under the Boardwalk is a classic song by The Drifters, released in 1964. The song is renowned for its nostalgic and romantic depiction of a seaside rendezvous. The song captures the essence of a carefree summer and has been used in various films, commercials, and TV shows to evoke a sense of nostalgia and warmth. This arrangement also captures the feeling of the exciting arcade UP ON the boardwalk with a section of whirling woodwinds and brass depicting the rides and excitement of an amusement pier. Piccolo. 1st 2nd Flute, 1st 2nd Oboe, 1st 2nd Clarinet in Bb, Bass Clarinet in Bb, Bassoon, 1st 2nd 3rd 4th Horn In F, 1st 2nd 3rd Trumpet, 1st 2nd Trombone, Bass Trombone, Tuba, Timpani, Percussion 1 (Triangle, Guiro, Orchestra Bells), Percussion 2 (Drum Set or 2 players), Keyboard/ Synthesizer, Harp, Strings.
$70.00
62.74 €
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Orchestre
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The Drifters
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John Hoesly
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Under The Boardwalk
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PRS&B
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SheetMusicPlus
Sonata for Piano Quintet
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
35.85 €
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.12 €
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Alexandra Lehmann
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Plateau of Dances with a Scottish Flavour
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Forton Music - Digital
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SheetMusicPlus
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