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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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FLUTE TRAVERSI…
FORMATION MUSI…
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PIANO & CLAVIERS
Piano seul
79
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19
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9
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1
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46
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29
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27
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23
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20
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18
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18
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16
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12
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10
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9
Clarinette
9
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8
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8
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8
3 Clarinettes (trio)
7
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7
2 Flûtes traversières (duo)
6
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5
Ensemble de saxophones
4
2 Clarinettes (duo)
4
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4
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3
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2
2 Saxophones (duo)
2
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1
Saxophone Tenor
1
Clarinette, Alto et Piano (trio)
1
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1
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1
Hautbois
1
Clarinette, Harpe (duo)
1
Saxophone (partie séparée)
1
2 Flûte à bec (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
Harmonica
1
Clarinette, trompette et piano
1
Flûte traversière
1
Flûte, Violon
1
Hautbois, Clarinette et Piano (Trio)
1
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26
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20
Trompette, Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 trombones
8
Cor anglais, Piano
8
Trompette
7
Ensemble de Trombones
6
Quatuor de Cuivres
5
Trompette, Trombone (duo)
4
Trio de Cuivres
3
Tuba
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 4 cors
3
Cor (partie séparée)
2
Cor
2
Trompette, Violoncelle et Piano
2
Ensemble de Trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone (partie séparée)
2
3 Trompettes (trio)
1
Cor et Orgue
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3 Trombones (trio)
1
4 Tubas
1
2 Trompettes (duo)
1
Trombone
1
3 Cors (trio)
1
Trompette (partie séparée)
1
Tuba (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
43
Alto, Piano
23
Violoncelle, Piano
22
Violon (partie séparée)
21
Violon et Piano
21
2 Violons (duo)
13
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle (partie séparée)
7
Violon, Violoncelle (duo)
6
Alto (partie séparée)
6
Violoncelle
5
Violon
5
Violon, Alto (duo)
5
4 Violoncelles
5
Contrebasse (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
3
Contre Basse
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Harpe, Flûte (duo)
2
Alto seul
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse, Piano (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
786
Orchestre à Cordes
89
Orchestre
81
Orchestre de chambre
44
Ensemble de cuivres
15
Ensemble Jazz
4
Cloches
2
Percussion (partie séparée)
1
Ensemble de Percussions
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AUTRES
Vous avez sélectionné:
Overture in A
Partitions à imprimer
2 444 partitions trouvées
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2426
Grand Adventure Overture
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1152685 Composed by James Walte…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1152685 Composed by James Walter. 20th Century,Classical,Contest,Festival,Traditional. Score and parts. 61 pages. James Walter #752914. Published by James Walter (A0.1152685). An overture that truly describes the feeling of going on a grand adventure. A fanfare of brass opens and closes this overture in a stately nature. The middle sections reflect a more soft nature with beautiful sight seeing and gentle wildlife feeling.
$39.99
35.72 €
#
Orchestre
#
James Walter
#
Grand Adventure Overture
#
James Walter
#
SheetMusicPlus
Tangueo Overture (Orchestral Tango)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.988298 Composed by Arthur Bar…
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String Orchestra - Level 3 - Digital Download SKU: A0.988298 Composed by Arthur Barbosa. Contemporary,Latin,World. Score and parts. 41 pages. ARTHUR BARBOSA NETO #6059277. Published by ARTHUR BARBOSA NETO (A0.988298). An orchestral OVERTURE in a form of tango.
$50.00
44.66 €
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Orchestre à Cordes
#
Arthur Barbosa
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Tangueo Overture
#
ARTHUR BARBOSA NETO
#
SheetMusicPlus
Overture in A
Guitare
Guitar - advanced - Digital Download SKU: S9.Q4872 Composed by Silvius Leopold Weis…
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Guitar - advanced - Digital Download SKU: S9.Q4872 Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q4872. Published by Schott Music - Digital (S9.Q4872). Key: A major.
$6.99
6.24 €
#
Guitare
#
Silvius Leopold Weiss
#
Overture in A
#
Schott Music - Digital
#
SheetMusicPlus
Mendelssohn: The Fair Melusina Overture, Op. 32 for Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.551688 Composed by Felix Barthold…
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Piano,Violin - Level 3 - Digital Download SKU: A0.551688 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. 77 pages. Jmsgu3 #5336993. Published by jmsgu3 (A0.551688). Mendelssohn's Op. 32, The Fair Melusina Overture is a concert overture inspired by the legend of Melusine, a water sprite who marries a mortal under certain conditions. The overture is not a literal retelling of the story but rather a reflection of its themes and moods. Mendelssohn held this work in high regard, characterized by its dreamy and fluid musical landscape, reflecting the happiness and unhappiness of the two main characters. The piece was initially received politely, but Mendelssohn subsequently revised it, and it remains the least familiar of his series of concert overtures. The overture is known for its harmonic power and is sometimes rendered in English as The Fair Melusine. The legend of the fair Melusina is a tale of a water sprite who marries a mortal man under the condition that he must never see her on a Saturday. However, he eventually breaks his promise, leading to the tragic fate of Melusina. She is often depicted as a mermaid, a serpent from the waist down, or a dragon, and her story is associated with themes of love, trust, and the consequences of betrayal. The legend has inspired various literary and musical works, including Felix Mendelssohn's The Fair Melusina Overture, which reflects the themes and moods of the story. The tale has been revisited and revised over the centuries and continues to captivate audiences with its tragic and romantic elements.
$26.95
24.07 €
#
Violon et Piano
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
Mendelssohn: The Fair Melusina Overture, Op. 32 for Violin & Piano
#
jmsgu3
#
SheetMusicPlus
A Mohigan Band Overture
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1316155 Composed by Tim Hill. Cla…
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Concert Band - Level 4 - Digital Download SKU: A0.1316155 Composed by Tim Hill. Classical,Contest,Festival,Instructional,Traditional. 170 pages. Tim Hill Arrangements #904893. Published by Tim Hill Arrangements (A0.1316155). A Mohigan Band Overture  was commissioned by the Morgantown High School Band, in Morgantown, WV in January 2022, honoring their upcoming 100 year anniversary of the band program.  Through the last century, the band has been featured in many national appearances, including, the Macy’s Thanksgiving Day Parade, and the 75th Anniversary of the attack on Pearl Harbor in Hawaii.  This stylistic dramatic piece is built on the architecture of an overture in musical theater, or a ballet.  Overture, meaning “opening†is usually an instrumental piece at the beginning of the show performed by the orchestra.  Overtures usually contain bits and pieces of tunes which are heard during the opera or ballet.  It prepares the audience for what is to come.   This piece does the same.  It contains four songs which are iconic to Morgantown High School and their band program.  Those songs are the Morgantown High School Pep Song, The Morgantown High School Alma Mater, God Has Created A New Day (sung during their band camp at breakfast time), The Johnny Appleseed Song (sung during lunch time at their band camp).  These four songs represent a plethora of memories for the students and directors of the program.  Even included is a small musical kick line, a nod towards the Mohiganettes and Majorettes of the Morgantown High School Band.
$100.00
89.32 €
#
Orchestre d'harmonie
#
Tim Hill
#
A Mohigan Band Overture
#
Tim Hill Arrangements
#
SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
8.92 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
8.92 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
8.92 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 6 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
8.92 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 4 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
8.92 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 2 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture in Am/A: The Light Of Inner Mist (Valse & Fugue)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1153607 Composed by Socrates Ar…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1153607 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 104 pages. Socrates Arvanitakis #753872. Published by Socrates Arvanitakis (A0.1153607). As the header and title of this score implies, this is an orchestral overture to a cycle of songs entitled The Light Of Inner Mist which In turn belongs to much bigger structural units, present in the header, i.e. LEMONIA => SUMMER BLAST => A DREAM OF LONG AGO, containing other song cycles with their overtures. Many of these songs are still works in progress, but all thematic material of this particular overture is taken from some of its songs.
$50.00
44.66 €
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Orchestre
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Socrates Arvanitakis
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Overture in Am/A: The Light Of Inner Mist
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Socrates Arvanitakis
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SheetMusicPlus
The Pirates of Penzance Overture
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1416889 Composed by Sir Arthur Seym…
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Piano Solo - Level 3 - Digital Download SKU: A0.1416889 Composed by Sir Arthur Seymour Sullivan. Arranged by Marcus Martin. 19th Century,Opera. Score. 9 pages. Cornelius Edition (uk) #998477. Published by Cornelius Edition (uk) (A0.1416889). The overture to The Pirates of Penzance was composed in 1879 by Sullivan and his musical assistant Alfred Cellier. It follows the pattern of most Savoy opera overtures: a lively opening (the melody of With cat-like tread), a slow middle section (Ah, leave me not to pine alone), and a concluding allegro in a compressed sonata form, in which the themes of How beautifully blue the sky and A paradox, a paradox are combined. The orchestral score is here reduced to solo piano.
$5.99
5.35 €
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Piano seul
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Sir Arthur Seymour Sullivan
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Marcus Martin
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The Pirates of Penzance Overture
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Cornelius Edition
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SheetMusicPlus
The Thieving Magpie Overture (arr Flute Choir)
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.817947 Composed by Gioachino Rosssini. Arranged by Adrian Dee. Multicultural,Romantic Period,World. 110 pages. Adrian Dee #6587987. Published by Adrian Dee (A0.817947). Magpie was premiered at La Scala opera house in Milan, Italy on May 31, 1817 and was an immediate success. The overture has become a staple of the orchestral repertoire, as have many Rosssini overtures. In this arrangement, I have omitted the famous snare drum roll at the beginning, opting instead to stick with just the flute choir instruments. I also simplified the opening rhythmic figure in the interest of ease of consistency across the ensemble. Much of the orchestral piccolo part, often seen in auditions, is preserved in the piccolo part here and I have kept the piece in its original keys. The piece is typical Rossini: lively, challenging, and fun. The total play time is aprox. 9:45. I’d love to hear your feedback! adriandeeflute@gmail.com
$29.95
26.75 €
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Ensemble de Flûtes
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Gioachino Rosssini
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Adrian Dee
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The Thieving Magpie Overture
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Adrian Dee
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SheetMusicPlus
Don Giovanni Overture K527
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.786200 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.786200 Composed by Wolfgang Amadeus Mozart. Arranged by Bill Malcolm. Classical. 39 pages. Bill Malcolm #5045593. Published by Bill Malcolm (A0.786200). This arrangement has a 7:33 duration. The overture has a concert ending instead of going directly into the opera the way Mozart wrote it. A clarinet in A part (which lies better) is included. As usual for an orchestral reduction all parts are busy. If printed 2-sided (1 opposite 4 and 2 opposite 3) the parts should have manageable page turns. This is one of my favorite Mozart overtures. Enjoy it!
$18.00
16.08 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Bill Malcolm
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Don Giovanni Overture K527
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Bill Malcolm
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SheetMusicPlus
Mendelssohn: the Hebrides Overture for Piano Quintet
Strings Piano - Level 5 - Digital Download SKU: A0.550013 Composed by Felix Barthol…
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Strings Piano - Level 5 - Digital Download SKU: A0.550013 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 89 pages. Jmsgu3 #4574575. Published by jmsgu3 (A0.550013). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal's Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape.
$52.95
47.29 €
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: the Hebrides Overture for Piano Quintet
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jmsgu3
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SheetMusicPlus
Mendelssohn: The Hebrides Overture for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.550016 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.550016 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 72 pages. Jmsgu3 #4574631. Published by jmsgu3 (A0.550016). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal’s Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape.
$45.95
41.04 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: The Hebrides Overture for String Quartet
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jmsgu3
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.25 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Academic Festival Overture: 1st F Horn
Cor (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0000582_H1 1st F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0000582_H1 1st F Horn. Composed by Johannes Brahms. Arranged by Vernon Leidig. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0000582_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000582_H1). UPC: 038081231969.Academic Festival Overture was written in 1879 when Brahms was given a degree of doctor of philosophy by the University of Breslau. As a spirit of gratitude, Brahms composed the overture for the occasion. The whole overture is built on themes taken from a memorable collection of German student songs; the songs are developed in a variety of tempos, styles and moods. In the closing section, the melody is presented in a stately and dramatic manner, and the orchestra plays with full force, bringing the overture to a triumphant conclusion.
$3.00
2.68 €
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Cor (partie séparée)
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Johannes Brahms
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Vernon Leidig
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Academic Festival Overture: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
1812 Overture for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.528895…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.528895 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 52 pages. Diego Marani #6639961. Published by Diego Marani (A0.528895). The Year 1812 Solemn Overture, Op. 49, popularly known as the 1812 Overture, is a concert overture in E♠major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky to commemorate the successful Russian defense against Napoleon's invading Grande Armée in 1812.The 15-minute overture is best known for its climactic volley of cannon fire, ringing chimes, and a brass fanfare finale. It has also become a common accompaniment to fireworks displays on the United States' Independence Day. The 1812 Overture went on to become one of Tchaikovsky's most popular works, along with his ballet scores to The Nutcracker, The Sleeping Beauty, and Swan Lake.This arrangement for clarinet quartet reflects faithfully the original and includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$19.99
17.85 €
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Quatuor de Clarinettes: 4 clarinettes
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P
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Diego Marani
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1812 Overture for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
Choral and Finale from "1812 Overture" for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528897 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 10 pages. Diego Marani #6645723. Published by Diego Marani (A0.528897). The Year 1812 Solemn Overture, Op. 49, popularly known as the 1812 Overture, is a concert overture in E♠major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky to commemorate the successful Russian defense against Napoleon's invading Grande Armée in 1812.The 15-minute overture is best known for its climactic volley of cannon fire, ringing chimes, and a brass fanfare finale. It has also become a common accompaniment to fireworks displays on the United States' Independence Day. The 1812 Overture went on to become one of Tchaikovsky's most popular works, along with his ballet scores to The Nutcracker, The Sleeping Beauty, and Swan Lake.This arrangement for sax quartet of choral and finale includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.
$12.99
11.6 €
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Quatuor de Saxophones: 4 saxophones
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P
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Diego Marani
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Choral and Finale from "1812 Overture" for Saxophone Quartet
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Diego Marani
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SheetMusicPlus
Choral and Finale from "1812 Overture" for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528901
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528901 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 13 pages. Diego Marani #6645737. Published by Diego Marani (A0.528901). The Year 1812 Solemn Overture, Op. 49, popularly known as the 1812 Overture, is a concert overture in E♠major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky to commemorate the successful Russian defense against Napoleon's invading Grande Armée in 1812.The 15-minute overture is best known for its climactic volley of cannon fire, ringing chimes, and a brass fanfare finale. It has also become a common accompaniment to fireworks displays on the United States' Independence Day. The 1812 Overture went on to become one of Tchaikovsky's most popular works, along with his ballet scores to The Nutcracker, The Sleeping Beauty, and Swan Lake.This arrangement for brass quintet of choral and finale includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.
$14.99
13.39 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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P
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Diego Marani
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Choral and Finale from "1812 Overture" for Brass Quintet
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Diego Marani
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SheetMusicPlus
French Overture for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.887271 Composed by Michele Wi…
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String Orchestra - Level 3 - Digital Download SKU: A0.887271 Composed by Michele Willis. Baroque,Classical,Contemporary. Score and parts. 9 pages. Teton Music #3637155. Published by Teton Music (A0.887271). Original contemporary composition written in the french overture style. Excellent option for schools and educators teaching this musical form to students and audiences.History of the French overture musical formThe French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in styles (slow in dotted rhythms and fast in fugal style), and the first ends with a half-cadence (i.e., on a dominant harmony) that requires an answering structure with a tonic ending. The second section often but not always ends with a brief recollection of the first, sometimes even repeating some of its melodic contentInstrumentation:-Violin I-Violin II-Viola-Cello-Double Bass.
$19.95
17.82 €
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Orchestre à Cordes
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Michele Willis
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French Overture for String Orchestra
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Teton Music
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SheetMusicPlus
Overture in the Classical Style (Grade 2.5 Medium Easy)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1085290 Composed by L.C. Harnsb…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1085290 Composed by L.C. Harnsberger. Classical,Contest,Festival,Romantic Period. Score and parts. 65 pages. LCH Music #689433. Published by LCH Music (A0.1085290). L. C. Harnsberger’s Overture in the Classical Style is a new composition for young orchestra written in the style of the great classical composers Haydn, Schubert, and Beethoven. After a short slow introduction, the music bursts into a fast Allegro that features infectious melodies that you will soon be humming. The driving rhythms and interesting harmonies make the piece fun to play and hear. Overture in the Classical Style is perfectly written for younger ensembles with attention to instrument ranges, rhythms, and effective doublings. The piece is fully scored so your entire group gets to play including a full percussion section. There are also optional parts for two alto saxes, tenor sax, baritone sax, alto clarinet, bass clarinet, and baritone TC. The optional parts conveniently double the horns, bassoons, and trombone 2. Overture in the Classical Style is the perfect piece to open or close the next concert featuring your young orchestra.
$65.00
58.06 €
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Orchestre
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L
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Overture in the Classical Style
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LCH Music
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SheetMusicPlus
Tchaikovsky: Overture from Nutcracker Suite for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549625 Composed by Peter Il…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549625 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515357. Published by jmsgu3 (A0.549625). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite.  Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
29.43 €
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Cor anglais, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nutcracker Suite for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Overture from Nutcracker Suite for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549632 Composed by Peter Ily…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549632 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515725. Published by jmsgu3 (A0.549632). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite.  Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
29.43 €
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Cor et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nutcracker Suite for French Horn & Piano
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jmsgu3
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SheetMusicPlus
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