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Vous avez sélectionné:
Passacaglia: 1st Violin
Partitions à imprimer
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Passacaglia: 1st Violin
Violon (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0017684_VN1 Instructional. 1 page…
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String Orchestra - Digital Download SKU: AX.00-PC-0017684_VN1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017684_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017684_VN1). UPC: 038081523910.
$5.99
5.37 €
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Violon (partie séparée)
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Passacaglia: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Passacaglia for violin and guitar
Violon, Guitare (duo)
Composed by David Warin Solomons (1953-). 21st Century. Score, Set of Parts. 7 pages. Publ…
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Composed by David Warin Solomons (1953-). 21st Century. Score, Set of Parts. 7 pages. Published by David Warin Solomons (S0.20408). - Score,Set of Parts - 21st Century - David Warin Solomons
$8.00
7.17 €
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Violon, Guitare (duo)
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David Warin Solomons
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Passacaglia for violin and guitar
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David Warin Solomons
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SheetMusicPlus
FUNERAL QUARTET Strings
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1109144 Composed by Alan Edgar. Baroque,Chamber. 10 pages. Alan Edgar Ted Moon #711690. Published by Alan Edgar Ted Moon (A0.1109144). I have shamelessly combined ideas from three famous pieces poular for funerals: Pachelbel's Canon, Elgar's Nimrod from the Enigma Variations and Chopin's Marche Funebre from his 2nd Pianoforte Sonata. So it is a passacaglia, having a solemn repeating 4 bars in the bass; 8 variations on a 4 bar phrase; and an accompanied canon having each variation repeated twice, in the second violin and viola after delays, while a new variation appears in the 1st Violin. All in D minor, but a tierce de Picardie ends the piece. Only 3 minutes: after all that work!
$6.00
5.38 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Alan Edgar
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FUNERAL QUARTET Strings
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Alan Edgar Ted Moon
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SheetMusicPlus
Piano Trio in F# Minor
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1255883 Composed…
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Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1255883 Composed by Nicholas White. 21st Century,Chamber,Classical. 76 pages. Nicholas White Music #849356. Published by Nicholas White Music (A0.1255883). A trio for violin, cello, and piano in four movements.1. Introduction & Allegro2. Siciliano with Double Recitative3. Adagio4. Introduction & Passacaglia.
$30.00
26.89 €
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Piano Trio: piano, violon, violoncelle
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Nicholas White
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Allegro
2
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Piano Trio in F# Minor
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Nicholas White Music
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SheetMusicPlus
Passacaglia for Strings: 1st Violin
Violon (partie séparée)
By Michael Senturia. For String Orchestra. Instructional. Part. 2 pages. Published by Alfr…
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By Michael Senturia. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
5.37 €
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Violon (partie séparée)
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Michael Senturia
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Passacaglia for Strings: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sonata for Piano Quintet
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
35.85 €
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Guthrie: Chaconne for French Horn & Organ
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1317758 Composed by James M.…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1317758 Composed by James M. Guthrie. 21st Century,Contemporary,Romantic Period. Score and part. 6 pages. Jmsgu3 #906440. Published by jmsgu3 (A0.1317758). The musical form of Chaconne is a type of composition that involves variations on a repeated short harmonic progression, often involving a reasonably short repeating bassline or harmonic progression. It is a continuous variation, usually in triple meter, and is generally characterized by a short, repeating bass line or harmonic progression. The Chaconne is a dance form within the Baroque period often found as a component of Baroque dance suites. It is a slow, stately Baroque dance often used to convey intense emotions, ranging from joy and celebration to melancholy and contemplation. The Chaconne form, similar to that of the passacaglia, was used by composers in the Baroque period and later. Johann Sebastian Bach’s “Chaconne†from the Partita in D Minor for unaccompanied violin is an example of the masterly use of the Chaconne as a variation form. François Couperin’s harpsichord music includes many chaconnes en rondeau, such as “La Favoriteâ€. Later composers revived the form, including Johannes Brahms, in the last movement of his Fourth Symphony.
$32.95
29.53 €
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Cor et Piano
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James M
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Guthrie: Chaconne for French Horn & Organ
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jmsgu3
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SheetMusicPlus
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