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Pour Me A Man
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Pour Me A Man
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1322438 By Fred Barton. By F…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1322438 By Fred Barton. By Fred Barton. Arranged by Fred Barton. Broadway,Comedy,Musical/Show,Singer/Songwriter,Standards. Score. 7 pages. Fred Barton Music #910735. Published by Fred Barton Music (A0.1322438). The hit song from Fred Barton's Miss Gulch Returns!, in a key suitable for males.Arranged for vocal and piano.
$6.99
6.26 €
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Piano, Voix
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Fred Barton
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Fred Barton
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Pour Me A Man
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Fred Barton Music
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SheetMusicPlus
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio à cordes. Durée de six minutes à la vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99
20.6 €
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Various, Traditional
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French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
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Samantha Bramley
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SheetMusicPlus
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCor…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11755. Published by DF McCorkle Music and eBook Publications (A0.784832). ACT TWO: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:12-13 - And David said to Uriah: ‘Tarry here to-day also, and to-morrow I will let thee depart.’ So Uriah abode in Jerusalem that day, and the morrow. 13 And when David had called him, he did eat and drink before him; and he made him drunk; and at even he went out to lie on his bed with the servants of his lord, but went not down to his house.] In fear of being exposed, DAVID has her husband brought back from the field with the hope that he will have relations with his wife covering up his own indiscretion. URIAH, a conscientious soldier, returns home, but sleeps outside on his steps out of respect for the men still fighting on the front. Seeing that his ploy has not worked, he has URIAH and some of his men over to the palace for drinks [Pour Me Another One – Troops, Uriah and David]. Getting URIAH drunk, DAVID has him escorted home, but as before he sleeps outside. As a last desperate measure, he sends a letter for JOAB (David’s commander and confidant) back with URIAH to place URIAH on the front line and then have the rest of the troops pull back leaving him exposed. URIAH is killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.68 €
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McCorkle, Dennis F
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and he made him drunk
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Pour me Another One
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
À vos guitares, prêts, jouez! Vol. 4
Guitare
This fourth booklet is dedicated to ensemble playing through five trios and three quartets…
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List: 1. Songe d'une nuit de printemps 2. Nostalgie 3. Tres guitarras 4. Jeu froid (étude rock) 5. Le dernier souffle 6. Manhattan 7. Baile de la passion 8. Corsaires 9. Cerisier Japonais
$9.95
8.92 €
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Guitare
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À vos guitares, prêts, jouez! Vol. 4
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SheetMusicPlus
Pourquoi me réveiller - Werther (Piano Solo)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.762853 By  Piano Notion. By Jule…
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Piano Solo - Level 3 - Digital Download SKU: A0.762853 By  Piano Notion. By Jules Massenet. Arranged by Bobby Cyr. 20th Century,Multicultural,Opera,Romantic Period,World. Score. 2 pages. Bobby Cyr #6101043. Published by Bobby Cyr (A0.762853). Pourquoi me reveiller A simplified piano solo version that you can play. Arranged by Bobby Cyr - Piano Notion
$4.99
4.47 €
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Piano seul
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 Piano Notion
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Bobby Cyr
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Pourquoi me réveiller - Werther
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Bobby Cyr
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
38.53 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Massenet-Pourquoi me reveiller,in f sharp minor,from 'Werther',for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676185 Composed by Jules Mas…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676185 Composed by Jules Massenet. Arranged by Open Cloud. Classical,Romantic Period. Score. 8 pages. Open Cloud #6695689. Published by Open Cloud (A0.676185). This product is a digital sheet music in PDF format. The music was composed by Massenet (Jules Massenet), 1842-1912,for Voice and Piano, published by More Sheet Music Press.
$6.99
6.26 €
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Piano, Voix
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Jules Massenet
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Open Cloud
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Massenet-Pourquoi me reveiller,in f sharp minor,from 'Werther',for Voice and Piano
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Open Cloud
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.81 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Donizetti-Pour me rapprocher de Marie,in A Major,from 'La fille du régiment',for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.675888 Composed by Gaetano D…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.675888 Composed by Gaetano Donizetti. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6683825. Published by Open Cloud (A0.675888). This product is a digital sheet music in PDF format. The music was composed by Donizetti (Gaetano Donizetti), 1797-1848,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.37 €
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Piano, Voix
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Gaetano Donizetti
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Open Cloud
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Donizetti-Pour me rapprocher de Marie,in A Major,from 'La fille du régiment',for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles Gounod Funeral March for a Marionette, for violin and piano
Violon et Piano
Piano Solo, Violin - Digital Download Composed by Charles Francois Gounod (1818-1893). A…
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Piano Solo, Violin - Digital Download Composed by Charles Francois Gounod (1818-1893). Arranged by Yoel Epstein. Romantic Period, Repertoire, Halloween, Children's Music, Fairy Tales. Score, Set of Parts. 6 pages. Published by Yoel Epstein
Funeral March for a Marionette is,perhaps, composer Charles Gounod's most famous composition. This is largelybecause it was used as the theme song of the popular 1950s television series AlfredHitchkok Presents. Gounod wrote the piece in 1872. Thepiece, originally for piano, describes the story of a marionette who is killedin a duel. In the original score, Gounod included comments in French matchingthe action in the story to the music: · La Marionnette est cassée!!!(The marionette is broken!!!) · Murmure de regrets de la troupe(Murmurs of regret from the troupe) · Le Cortège (The procession) · Ici plusieurs des principaux personnages de la troupes'arrêtent pour se rafraîchir (Here many of the principalpersonages stop for refreshments) · Retour à la maison (Return to the house) The picture on the cover is thefirst page of the original publication. You are welcome to try some of myother arrangements. In addition to the songs offered on this site (you can seethem at http://www.sheetmusicplus.com/search?Ntt=Yoel Epstein), I have arranged three songs from the Holocaust, which I arranged anddistribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa.If you need arrangements of any of these songs for specialcombinations of instruments, feel free to contact and#8233;me,and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$4.99
4.47 €
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Violon et Piano
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Charles Francois Gounod
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Charles Gounod Funeral March for a Marionette, for violin and piano
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Yoel Epstein
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SheetMusicPlus
Potpourri sur un thème suisse
Clarinette
Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53271 …
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Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53271 „Alpenlied. Composed by Joseph Kuffner. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 190. 20 pages. Schott Music - Digital #Q53271. Published by Schott Music - Digital (S9.Q53271). German • Danish.Joseph Küffner was born into a family of musicians in Würzburg. He learned to play several instruments including violin, flute, trombone, guitar and also clarinet. Küffner began working as a military musician in the Elector of Würzburg’s orchestra, moved to the court orchestra in the course of secularization (1806–1814) and later returned to military music in the Bavarian army. From 1825 Küffner worked as a teacher, composer and arranger in Würzburg. He composed symphonies, overtures, military and chamber music for wind instruments and strings with piano or guitar accompaniment. Schott also published his clarinet method ‘Principes Élémentaires de la Musique et Gamme de Clarinette suvis de 24 Duos instructifs (...) pour deux Clarinettes, op. 200‘. The Potpourri sur un thème suisse on a Swiss alpine melody was published in 1838 (plate number 2590). The theme is an old yodelling melody. A melodic introduction is followed by a theme and five variations. In the final Rondo, the triad motives of the opening are taken up again.
$4.99
4.47 €
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Clarinette
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Joseph Kuffner
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Potpourri sur un thème suisse
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Schott Music - Digital
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SheetMusicPlus
La Jambe me Fait Mal
Chorale 3 parties
Choral Choir (SAB) - Digital Download SKU: A0.977677 Composed by Nicolas Saboly? Ar…
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Choral Choir (SAB) - Digital Download SKU: A0.977677 Composed by Nicolas Saboly? Arranged by Sylvia Miles. Christian,Christmas,Classical,World. Octavo. 2 pages. Sylvia Miles #4890441. Published by Sylvia Miles (A0.977677). La cambo me fai mau in the original Provençal.Probably composed by Nicolas Saboly (1614-1675), poet, composer and chapel-master.Saboly was an interesting figure. Born into a family of herdsmen, he studied theology and became a Jesuit priest. (But in 1634 he left the University of Avignon without taking his degrees - wonder why?) He composed and collected many carols in the Provençal dialect, which form one of the monuments of poetry in that language, and have been repeatedly published right up to the present day.To be sung with humour! and a nice punchy rhythm from the altos.Words:2. Tous les bergers, campés sur la montagne, Tous les bergers ont vu le messager, Qui a crié mettez-vous en campagne, Qui a crié le fils de Dieu est né:3.Pour ma santé les fièvres sont malsaines, Pour ma santé vaut mieux les éviter.J’ai attrapé une fièvre quartaine, J’ai attrapé que j’en reste éclopé:4.Les gens à pied me laissent en arrière, Les gens à pied me laissent le dernier.Un malotru a ri de mes manières, Un malotru tout lourd et tout ventru:5. Mon cheval blanc qui passait ventre a terre, Mon cheval blanc me mènera devant;L’ai acheté d’un qui venait de guerre, L’ai acheté moins cher qu’il n’a couté:6. Quand j’aurai vu le Fils du Dieu le Père, Quand j’aurai vu le Roi du ciel venu,M’en revenant de saluer sa Mère, M’en revenant tout sera différent: Je n’aurai plus de mal, bouteselle bouteselle Je n’aurai plus de mal, bouteselle à mon cheval! Qui a crié mettez-vous en campagne Qui a crié le fils de Dieu est né
$2.99
2.68 €
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Chorale 3 parties
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Nicolas Saboly? Arranged by Sylvia Miles
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Sylvia Miles
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La Jambe me Fait Mal
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Sylvia Miles
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SheetMusicPlus
Dubois: Deuxième Suite pour Instruments à vent (2nd Suite-Winds) II.Chanson Lesbienne - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553958 Composed by Francois Clement Theodore Dubois. Arranged by Ray Thompson. Romantic Period. 7 pages. RayThompsonMusic #6364717. Published by RayThompsonMusic (A0.553958). Originally written for wind octet I have arranged it for wind quintet.This is the second movement.5 movements:Ronde des ArchersChanson LesbiennePetite ValseStella MatutinaMenuet
$4.95
4.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Francois Clement Theodore Dubois
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Ray Thompson
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Dubois: Deuxième Suite pour Instruments à vent
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RayThompsonMusic
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SheetMusicPlus
Dubois: Deuxième Suite pour Instruments à vent (2nd Suite-Winds) I.Ronde des Archers - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553957 Composed by Francois Clement Theodore Dubois. Arranged by Ray Thompson. Romantic Period. 8 pages. RayThompsonMusic #6362629. Published by RayThompsonMusic (A0.553957). Originally written for wind octet I have arranged it for wind quintet.This is the first movement.5 movements:Ronde des ArchersChanson LesbiennePetite ValseStella MatutinaMenuet
$4.95
4.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Francois Clement Theodore Dubois
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Ray Thompson
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Dubois: Deuxième Suite pour Instruments à vent
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RayThompsonMusic
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.54 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Ta Maman for alto, cello and guitar
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Compo…
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
8.96 €
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David Warin Solomons
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Ta Maman for alto, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Op. 41, No. 6: Amour me tue from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-12E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.69 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 41, No. 6: Amour me tue from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Greensleeves - Mélodie anglaise du seizième siècle - Arrangée pour guitare par Micheline Cumant
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.942783 Composed by Anonymous. Arra…
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Solo Guitar - Level 1 - Digital Download SKU: A0.942783 Composed by Anonymous. Arranged by Cumant Micheline. Renaissance,Traditional. Individual part. 1 pages. Micheline Cumant #4756737. Published by Micheline Cumant (A0.942783). Greensleeves is a well-known melody of the 16th century. His author is unknown, some attribute it to the King Henry 8th. .
$1.99
1.78 €
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Guitare
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Anonymous
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Cumant Micheline
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Greensleeves - Mélodie anglaise du seizième siècle - Arrangée pour guitare par Micheline Cumant
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Micheline Cumant
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SheetMusicPlus
A Night’s Tale
Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by C…
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Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
5.33 €
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contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument
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Alfredo Franco
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Cristiano Porqueddu
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Vive Henri IV (Chanson populaire du 16ème siècle)- pour voix et piano ou piano seul.
Small Ensemble High Voice,Piano Accompaniment - Level 1 - Digital Download SKU: A0.9427…
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Small Ensemble High Voice,Piano Accompaniment - Level 1 - Digital Download SKU: A0.942778 Composed by Anonymous 16th. century. Arranged by Cumant Micheline. Children,Renaissance. Score and parts. 1 pages. Micheline Cumant #4641537. Published by Micheline Cumant (A0.942778). A song of the 16th century which was very popular during the 18th century and during the french revolution. For voice and piano, but may be played on piano alone.
$1.99
1.78 €
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Anonymous 16th
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Cumant Micheline
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Vive Henri IV
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Micheline Cumant
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SheetMusicPlus
5 Easy Studies, Opus 50
Louise Farrenc was a profoundly influential French composer, performer, professor, and aut…
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Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés
Song List: 1. Andantino grazioso 2. Andantino 3. Allegretto 4. Poco allegro 5. Allegro moderato
$7.95
7.12 €
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5 Easy Studies, Opus 50
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SheetMusicPlus
He's A Pirate
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, H…
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Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Film/TV. 31 pages. DanJonesGuitarist #914884. Published by DanJonesGuitarist (A0.1326741). The Theme from Pirates of the CaribbeanArranged for Guitar Ensemble by Dan Jones www.danjonesguitarist.comArrangé pour ensemble de guitares par Dan Jones www.danjonesguitarist.comThe Theme from Pirates of the Caribbean is arranged for l'Ensemble Guitare de Basse-Goulaine. I would like to thank them for asking me to make the arrangement and for their hard work.Le thème de Pirates des Caraïbes est arrangé pour l'Ensemble Guitare de Basse-Goulaine. Je voudrais les remercier de m'avoir demandé de faire l'arrangement et pour leur travail.A single download of the sheet music will give you:(1) A title page(2) A score in notes and TAB(3) A score with notes only (to help directors with page turns)(4) All parts in notes and TAB(5) All parts with notes only.Un seul téléchargement de la partition vous donnera :(1) Une page de titre(2) Une partition en notes et TAB(3) Une partition avec notes uniquement (pour aider les réalisateurs à tourner les pages)(4) Toutes les parties avec les notes et TAB(5) Toutes les parties avec notes uniquement.www.danjonesguitarist.com.
$7.95
7.12 €
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Guitare
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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Dan Jones www
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He's A Pirate
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DanJonesGuitarist
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SheetMusicPlus
Anne-Louise Brillon de Jouy: Sonata no. 8 in a minor for piano or harpsichord
Piano seul
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534711 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #6359041. Published by Musik Fabrik Music Publishing (A0.534711). SONATA NO. 8 IN A MINOR I. [Allegro]II. Minuetto e Trio The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.
$9.10
8.16 €
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Piano seul
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: Sonata no. 8 in a minor for piano or harpsichord
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cantique de Noel / O Holy Night - Key of A
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 2 - Digital Download SKU: A0.1350336 By Peggy Duquesnel. By Tr…
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C Instrument - Level 2 - Digital Download SKU: A0.1350336 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet / Fake Book. 1 pages. Duquesnel Music Publishing #935128. Published by Duquesnel Music Publishing (A0.1350336). This traditional French Carol  Cantique de Noel is known in english as O Holy Night. This is easy to read and play with piano or guitar and sing-a-long. Good for children's choirs, school and adult vocal ensembles. See the interpretaiton of the french lyrics in english below.Cantique de Noel Mi-nuit Chre-tiens c'est l'heu-re so-len-nel-le Ou l'hom-me Dieu des-cen dit jus-qu'a nous Pour ef-fa-cer la tache o-ri-gi-nel-le Et de son pere ar-re-ter le cour-roux Le monde en-tier tres sail-le d'es-pe-ran-ce A Cet-te nuit qui lui donne un sau-veur Peu- plea ge-noux at-tends ta de-li-vran-ce NO-EL NO-EL Voi-  ci le re- demp-teur NO-EL NO-EL Voi-ci le-le re-demp-teur.English Translation:Midnight, Christians, its the solemn hourWhen God-man descended to usTo erase the stain of original sinAnd to end the wrath of his FatherThe entire world thrills with hopeOn this night that gives it a SaviourPeople kneel down, wait for your deliveranceChristmas, Christmas, here is the RedeemerChristmas, Christmas, here is the Redeemer.
$3.99
3.58 €
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Ligne De Mélodie, (Paroles) et Accords
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Peggy Duquesnel
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Peggy Duquesnel
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Cantique de Noel / O Holy Night - Key of A
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Duquesnel Music Publishing
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SheetMusicPlus
Randy Newman : Toy Story - You've Got A Friend In Me (Voix Randy Newman, acc. piano et orchestre)
Piano seul
Téléchargez la partition Piano Toy Story - You've Got A Friend In Me (V…
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Téléchargez la partition Piano Toy Story - You've Got A Friend In Me (Voix Randy Newman, acc. piano et orchestre) de Randy Newman. Partition pour Piano avec accomp. orchestre -- Musique de film
5.99 €
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Piano seul
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Randy Newman
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Toy Story
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Tomplay
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