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Present Tense

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126

The Present Tense #Guitare notes et tablatures #Geddy Lee #The Present Tense #Alfred Music - Digital Sheet Music #SheetMusicPlus

Guitar TAB - SKU: AX.00-PS-0001797 By Geddy Lee. By Ben Mink and Geddy Lee. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0001797. Publis...(+)

$2.99

Present Tense #Piano, Voix et Guitare #Radiohead #Present Tense #Hal Leonard - Digital #SheetMusicPlus

By Radiohead. This edition: Interactive Download. Pop, Rock. Piano/Vocal/Guitar. 9 pages. Published by Hal Leonard - Digital ...(+)

$4.99

Canto Alegretense #Guitare notes et tablatures #DÉBUTANT #Classique #Antonio Augusto Da Silva Fagun #Marcelo Borba #Canto Alegretense #Marcelo Borba #SheetMusicPlus

Guitar - Level 1 - SKU: A0.1493187 Composed by Antonio Augusto Da Silva Fagundes and Euclides Fagundes Filho. Arranged by Marcelo Borba. Country,Folk,Mu...(+)

$2.99

Canto Alegretense #Piano seul #INTERMÉDIAIRE #Antonio Augusto Da Silva Fagun #SÃ©rgio Matias da Cunha #Canto Alegretense #SÃ©rgio Matias da Cunha #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.1250186 Composed by Antonio Augusto Da Silva Fagundes and Euclides Fagundes Filho. Arranged by SÃ©rgio Matias da Cunha....(+)

$6.99

THROUGH HIS NAME (SATB) – 1 John 2:12-14 #Chorale SATB #INTERMÉDIAIRE #Musique Sacrée #Michael A #THROUGH HIS NAME #M.A. Morizio #SheetMusicPlus

Choral Choir (SATB) - Level 3 - SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437. Published by M...(+)

$1.99

Who Is Jesus? #Joel Raney #Who Is Jesus? #Hope Publishing - Digital #SheetMusicPlus

(Orchestra) - SKU: H1.8941DP Composed by Joel Raney. Musicals for Adults. Lent, Holy Week, Good Friday, Jesus Christ - Cross, Jesus Christ - Death. Chor...(+)

$12.95

Who Is Jesus? #Joel Raney #Who Is Jesus? #Hope Publishing - Digital #SheetMusicPlus

Instrument Parts - SKU: H1.8944DP Composed by Joel Raney. Instrumental parts. 155 pages. Hope Publishing - Digital #8944DP. Published by Hope Publishing...(+)

$175.00

WHO IS JESUS?-ORGAN PART-Digital Download #Joel Raney #WHO IS JESUS?-ORGAN PART-Digit #Hope Publishing - Digital #SheetMusicPlus

SKU: H1.8949DP Composed by Joel Raney. Instrumental parts. 24 pages. Hope Publishing - Digital #8949DP. Published by Hope Publishing - Digital (H1.8949D...(+)

$23.95

Present Tense by Radiohead - Piano/Vocal/Guitar, Singer Pro #Piano, Voix et Guitare #Radiohead #Present Tense #Musicnotes

Performed by: Radiohead: Present Tense Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scori...(+)

$5.99

Affirmation [Brass Quintet] #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE/AVANCÉ #Juan MarÃa Solare #Affirmation [Brass Quintet] #Juan Maria Solare #SheetMusicPlus

Brass Ensemble - Level 4 - SKU: A0.596490 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Graduation,Latin,Standards. Score and parts. 13 pa...(+)

$4.00

String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor

#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201709. Published by Mark O'Connor Musik International (A0.861782). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor35 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170BCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201713. Published by Mark O'Connor Musik International (A0.861784). String Quartet No. 2 Bluegrass (violin 2 part â€“ two vlns, vla, cel) MO170CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor36 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170CCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. Mark O'Connor Musik International #6201721. Published by Mark O'Connor Musik International (A0.861786). String Quartet No. 2 Bluegrass (Score â€“ two vlns, vla, cel) MO170ECello Part (score and parts available)Music by Mark Oâ€™Connor33 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170ECopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 2 "Bluegrass" (viola part - two vlns, vla, cel) #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 2 "Blu #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. M...(+)

String Quartet String Quartet - Level 5 - SKU: A0.861785 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 36 pages. Mark O'Connor Musik International #6201717. Published by Mark O'Connor Musik International (A0.861785). String Quartet No. 2 Bluegrass (viola â€“ two vlns, vla, cel) MO170DViola Part (score and parts available)Music by Mark Oâ€™Connor31 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2005 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170DCopyright Â© 2005 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

Joy to the World with the Hallelujah Chorus #Piano seul #INTERMÉDIAIRE/AVANCÉ #Noël #Stephen R Dalrymple #Joy to the World with the Hall #Stephen R Dalrymple #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.818229 By Stephen R Dalrymple. By Isaac Watts and Lowell Mason (from George Frederick Handel). Arranged by Stephen R Dalr...(+)

Piano Solo - Level 4 - SKU: A0.818229 By Stephen R Dalrymple. By Isaac Watts and Lowell Mason (from George Frederick Handel). Arranged by Stephen R Dalrymple (Dalrymple Designs). Christmas. Score. 14 pages. Stephen R Dalrymple #3087649. Published by Stephen R Dalrymple (A0.818229). Joy to the World with The Hallelujah Chorus â™« piano solo arrangement by Stephen R Dalrymple â™« based on the public domain hymn by Isaac Watts and Lowell Mason (from George Frederick Handel) â™« Isaac Watts published the lyrics in 1719. We credit Isaac Watts for helping to popularize â€œhymnsâ€ over â€œPsalmsâ€ in Protestant churches in the 18th Century. The texts of â€œPsalmsâ€ came directly from the Bible; â€œhymnsâ€ were more interpretive and reflective. Whether to allow the use of hymns rather than Psalms in church was a controversial topic of the 17th and 18th centuries! â™« Watts used Psalm 96 and 98 with Genesis 3 to create the lyrics of Joy to the World. For over a hundred years, the lyrics were sung to various Psalm tunes. â™« Lowell Mason published our current version with the melody ANTIOCH in 1848. He attributed the melody to George Frederick Handel by Lowell. We can find several fragments of this melody in Handelâ€™s music, there is no complete statement of the melody in Handel. And so ANTIOCH is now attributed to Mason. â™« The Hallelujah Chorus serves as the introduction and the conclusion of this arrangement. It was first published within Messiah, an oratorio by George Frederick Handel in 1741. The lyrics were created by Charles Jennens from the King James Bible. â™« â€œThe Lord is comeâ€ is the present perfect tense. It seems archaic, yet the present perfect tense has a distinct meaning. It points to a current action that is sustained. It isnâ€™t just that Christ came in the past. But that Christ came and is still here with us. â™« music Â© 2017 (copyright registered in 'I See your Gloryâ€™ collection) â™« recording â„— 2020 Stephen R Dalrymple â™« presentation Â© 2022 Stephen R Dalrymple â™« performed by the composer â™« This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet â™« (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)â™« A duplicate YouTube video in English is available under the title Joie dans le monde https://youtu.be/QrcR5GaKzW4â™« @DalrympleDesigns.

$4.50

Don't Blame Me #Piano seul #FACILE #KHALED MANDI #KHALED MANDI #Don't Blame Me #KHALED ALTAMIMI #SheetMusicPlus

Piano Solo - Level 2 - SKU: A0.1501693 By KHALED MANDI. By KHALED MANDI. Arranged by KHALED MANDI. 21st Century,Baroque,Classical,Multicultural,Traditio...(+)

Piano Solo - Level 2 - SKU: A0.1501693 By KHALED MANDI. By KHALED MANDI. Arranged by KHALED MANDI. 21st Century,Baroque,Classical,Multicultural,Traditional,World. Score. 3 pages. KHALED ALTAMIMI #1077558. Published by KHALED ALTAMIMI (A0.1501693). Don't Blame Me is a piano piece written in a polyphonic style, portraying a musical dialogue between the right and left hands. Each hand presents a distinct musical perspective, engaging in an escalating argument. Through contrasting tones and tense harmonies, both sides convey blame and reproach within a complex musical structure. As the piece progresses, the dialogue gradually seeks resolution, leading to a state of musical stability.

$5.99

The Launch #Piano seul #AVANCÉ #Film/TV #James Horner #David McCaulley #The Launch #David McCaulley #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1275181 Composed by James Horner. Arranged by David McCaulley. 20th Century,Contemporary,Film/TV. Score. 14 pages. David ...(+)

Piano Solo - Level 5 - SKU: A0.1275181 Composed by James Horner. Arranged by David McCaulley. 20th Century,Contemporary,Film/TV. Score. 14 pages. David McCaulley #867129. Published by David McCaulley (A0.1275181). This advanced piano arrangement presents James Horner's cue from Apollo 13 entitled The Launch. As the film depicts the boarding and takeoff of the Apollo 13 space rocket, Horner's music beautifully tracks along with the scene, going from a patriotic chorale, to sweeping orchestral themes, to rising buildups, to tense action-like themes, then back to a floaty, atmospheric texture. Horner's music here is a testament to his incredible ability to write music perfectly for the drama, and this advanced piano arrangement aims to capture some of that Horner magic. In it you'll find plenty of areas with intricate fingerings, octave leaps, and careful pedaling that are sure to encourage thorough practice.

$14.99

Geddy Lee: The Present Tense - guitar solo (tablature) #Guitare notes et tablatures #FACILE #Rock #Geddy Lee #Virtualsheetmusic

Instantly printable sheet music by Geddy Lee for guitar solo (tablature) of EASY/MEDIUM skill level. / pop,rock

Instantly printable sheet music by Geddy Lee for guitar solo (tablature) of EASY/MEDIUM skill level. / pop,rock

$6.97

Rêverie agitées #Piano seul #INTERMÉDIAIRE/AVANCÉ #Matheus Travassos #Rêverie agitées #Matheus Travassos #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1255012 By Matheus Travassos. By Matheus Travassos. Classical,Contemporary,Romantic Period. Score. 3 pages. Matheus Trava...(+)

Piano Solo - Level 4 - SKU: A0.1255012 By Matheus Travassos. By Matheus Travassos. Classical,Contemporary,Romantic Period. Score. 3 pages. Matheus Travassos #848601. Published by Matheus Travassos (A0.1255012). I present to you RÃªveries agitÃ©es, an expressive ballad for piano solo. As the composer, I wanted to explore the contrasting moods within this composition. Â The sheet music for 'RÃªveries agitÃ©es' was meticulously created using Sibelius software, ensuring accurate representation of the musical score. The MIDI sample, played by Note Performer, offers a respectable rendition of the piece. Â Drawing upon my knowledge of traditional harmony acquired in the first semester of 2018, I crafted this short composition. 'RÃªveries agitÃ©es' employs the evocative sounds of the natural minor and harmonic minor scales, showcasing a compelling interplay of melody and accompaniment. Â The piece follows an A B A' form: the A section establishes a serene and tender atmosphere, while the B section introduces an intense and aggressive dynamic with a falling melody that ends in suspension. Fast passages punctuate this section. Finally, the A' section returns, concluding the composition in a poignant and melancholic mood.

$5.99

Salome Tanz (Dance of the Seven Veils) #Flûte traversière et Piano #AVANCÉ #James Strauss #James Strauss #Salome Tanz #James Strauss #SheetMusicPlus

Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred...(+)

Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer LoÃ¯e Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.

$29.99

Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock. #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Georg Friedrich HÃ¤ndel, Ali #Flavio Regis Cunha #Händel: Atalanta, HWV 35: #Flavio Regis Cunha #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich HÃ¤ndel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...(+)

Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich HÃ¤ndel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich HÃ¤ndel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced IntermediateÂ Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral PartsÂ Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1 Â 0.1.0.0 Â harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich HÃ¤ndel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of HÃ¤ndel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey.Â The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion.Â Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and HÃ¤ndel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.

$39.99

Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro (Trumpet and Continuo reduction) #Trompette, Piano #INTERMÉDIAIRE/AVANCÉ #Georg Friedrich HÃ¤ndel, Ali #Flavio Regis Cunha #Händel: Atalanta, HWV 35: #Flavio Regis Cunha #SheetMusicPlus

Piano,Trumpet - Level 4 - SKU: A0.1288949 By Georg Friedrich HÃ¤ndel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel...(+)

Piano,Trumpet - Level 4 - SKU: A0.1288949 By Georg Friedrich HÃ¤ndel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and part. 6 pages. Flavio Regis Cunha #879791. Published by Flavio Regis Cunha (A0.1288949). DescriptionDo you want to bring Georg Friedrich Handel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras,'HÃ¤ndel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced IntermediateÂ Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral PartsÂ Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1 Â 0.1.0.0 Â harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich HÃ¤ndel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Handel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey.Â The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion.Â Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and HÃ¤ndel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.ARRANGEMENT DETAILSÂ Arrangement Format Chamber OrchestraDifficulty Advanced IntermediateGENRE DETAILSGenres Baroque, Classical, Contest / Festival, Instructional, WeddingFULL SCORE AND ORCHESTRAL PARTS AVALIABLE FOR PURCHASE AT:https://www.sheetmusicplus.com/title/handel-atalanta-hwv-35-ouverture-largo-allegro-as-played-by-alisson-balson-and-trevor-pinnock-digital-sheet-music/22581106?aff_id=728965

$5.99

Let all the world in every corner sing - Anthem for SATB #Chorale SATB #INTERMÉDIAIRE #Martin Shaw #John Ross #Let all the world in every cor #John Ross #SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1393984 Composed by Martin Shaw (1875-1958). Arranged by John Ross. 20th Century,Christian,Religious,Sacr...(+)

Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1393984 Composed by Martin Shaw (1875-1958). Arranged by John Ross. 20th Century,Christian,Religious,Sacred. 10 pages. John Ross #977437. Published by John Ross (A0.1393984). In 1915 the English composer Martin Shaw (1875-1958) wrote the hymn-tune High Road. Its vigorous and intensely lively tune is a perfect match for the words Let all the world in every corner sing by the English poet and priest George Herbert (1593-1633). High Road appeared in various hymnals of the early 20th century but has since slipped out of common use. The present arrangement expands the hymn-tune into an SATB anthem.

$1.99

Violin Concerto #Fazil Say #Violin Concerto #Schott Music - Digital #SheetMusicPlus

Picc. Â· 2 Â· 1 Â· Engl. Hr. Â· 2 Â· 1 Â· Kfg. - 4 Â· 2 Â· 1 Â· 1 - P. S. (Vibr. Â· Marimba Â· hg. Beck. Â· Tamb. Â· kl. Tr. Â· gr. ...(+)

Picc. Â· 2 Â· 1 Â· Engl. Hr. Â· 2 Â· 1 Â· Kfg. - 4 Â· 2 Â· 1 Â· 1 - P. S. (Vibr. Â· Marimba Â· hg. Beck. Â· Tamb. Â· kl. Tr. Â· gr. Tr. Â· Rototoms Â· Bar Chimes Â· Woodbl. Â· KudÃ¼m Â· Bendir Â· Darbuka) (4 Spieler) - Hfe. Â· Cel. - Str. violin and orchestra - SKU: S9.Q7002 1001 Nights in the Harem. Composed by Fazil Say. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Op. 25. Duration 28 minutes. Schott Music - Digital #Q7002. Published by Schott Music - Digital (S9.Q7002). My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazadeâ€™s One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance â€“ in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds. As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudÃ¼m or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments. As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Ã–Ã§al we have utilised this material to create a trio version for violin, piano and percussion. FazÄ±l Say.

$33.99

String Quartet No.2 #Quatuor à cordes: 2 violons, alto, violoncelle #AVANCÉ #Contemporain #Frederick Paul Naftel #String Quartet No.2 #Frederick Naftel #SheetMusicPlus

String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...(+)

String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded celloâ€™s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel

$19.99

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