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Shoe Symphony - Cello
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Largo from The New World Symphony - trumpet and piano
Trompette
Piano,Trumpet - Level 2 - Digital Download SKU: A0.799234 Composed by Antonin Dvora…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.799234 Composed by Antonin Dvorak. Arranged by John Milne. Concert,Instructional,Jazz,Romantic Period. Score and part. 6 pages. Odd Shoe Music #4593439. Published by Odd Shoe Music (A0.799234). This great tune has become stale for me, having been a brass teacher for many years.I have been able to live with it for a bit longer by revisiting the harmony and adding jazz chords.The famous theme presented in an unusual setting!The trumpet part follows the theme straight with a reharmonisation before going into a jazz waltz.It promotes legato playing and is full of dynamics.It should help build stamina and breathing as well as gently extending range for the developing player (rises by step to F sharp).Duration - 2m 50s.
$6.99
6.47 €
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Trompette
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Antonin Dvorak
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John Milne
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Largo from The New World Symphony - trumpet and piano
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Odd Shoe Music
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Flûte traversière
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin …
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
#
Cor
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Basson
Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harr…
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
#
Basson
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Har…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
#
Clarinette
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Be…
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
(+)
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
#
Trompette
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
#
Flûte traversière
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
Alto seul
Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry …
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Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Alto seul
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Har…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Clarinette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Contre Basse
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Benjamin Harry Sajo
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Strings 
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Hautbois (partie séparée)
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Hautbois (partie séparée)
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Violon
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.24 €
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Violon
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.14 €
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Orchestre
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâhis 250th birthday is this yearâbut can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâre falling apart. The title is inspired by a quote thatâs been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâm taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâre authentically a hot mess. And whatâs more of a musical hot mess than a fugue?There are two realities to this piece. Iâll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â¦] Itâs as if someone were beating you with a stick and saying, âYour business is rejoicing, your business is rejoicing,â and you rise, shaky, and go marching off, muttering âOur business is rejoicing, our business is rejoicing.â On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâout of a literal need to surviveâpure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.5 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, è´ºæ°å¹´, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
4.62 €
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Orchestre
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Jeremy Goh
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SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, D…
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Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, è´ºæ°å¹´, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$5.99
5.54 €
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Orchestre d'harmonie
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
#
Jeremy Goh
#
SheetMusicPlus
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