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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
44.82 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
67.23 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
This Can't Be Love
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1488127 By Natalie Cole. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1488127 By Natalie Cole. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1065006. Published by DAVID LEE GINGRAS (A0.1488127). This Can't Be Love is a show tune and a popular song from the 1938 Rodgers and Hart musical The Boys from Syracuse when it was sung by Eddie Albert and Marcy Westcott. The lyrics poke fun at the common depiction of love in popular songs as a host of malignant symptoms, saying, This can't be love because I feel so well. This version was developed from a lead sheet and was simplified so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a few left-hand fills for rhythm - we hope you like what we've done with this grand old tune!
$5.99
5.37 €
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Piano, Voix
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Natalie Cole
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Dave Gingras and John E
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This Can't Be Love
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DAVID LEE GINGRAS
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SheetMusicPlus
New Moses. Song and Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3749 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3749 Composed by Henry Clay Work. Couples, Kitchens, Stoves, Dining room tables, Manners & customs, Etiquette, Quarreling, Love, Marriage, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3749). Work's Popular Songs. No. 83. New Moses. Song and Chorus. Words and Music by Henry C. Work. Published 1865 by Root & Cady in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Couples, Kitchens, Stoves, Dining room tables, Manners & customs, Etiquette, Quarreling, Love, Marriage, Distress. First line reads Now Moses, what makes you so strange and forgetful!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
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Chorale SATB
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Henry Clay Work
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New Moses. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.768506 Composed by Marc-Anto…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
17.93 €
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Orchestre de chambre
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit pour Noël
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KVAMusic Edition
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SheetMusicPlus
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Choir
Chorale 3 parties
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768508 Composed by MarcAnto…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768508 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas,Sacred. Octavo. 38 pages. KVAMusic Edition #4717677. Published by KVAMusic Edition (A0.768508). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$7.00
6.28 €
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Chorale 3 parties
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MarcAntoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit pur Noël
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KVAMusic Edition
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SheetMusicPlus
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Orche
Chorale 3 parties
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768507 Composed by MarcAnto…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768507 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas. Octavo. 112 pages. KVAMusic Edition #4717675. Published by KVAMusic Edition (A0.768507). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$50.00
44.82 €
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Chorale 3 parties
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MarcAntoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit pur Noël
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KVAMusic Edition
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SheetMusicPlus
Gaúcho - Corta Jaca (Brazilian Music)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Digital Download SKU: A0.508952 Composed by Chiquin…
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String Quartet String Quartet - Digital Download SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00
17.93 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chiquinha Gonzaga
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Renato Esteves
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Gaúcho - Corta Jaca
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Renato Esteves
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SheetMusicPlus
Journey to Funk for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.914137 Composed by Tom Swafford. 2…
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Flute,Piano - Level 5 - Digital Download SKU: A0.914137 Composed by Tom Swafford. 20th Century,Jazz. Score and part. 13 pages. Tom Swafford #3575039. Published by Tom Swafford (A0.914137). This entertaining piece for flute and piano begins somewhat abstractly, with dissonant harmonies, and gradually transforms until it is a full-on 1970s style funk groove, and by the end it becomes a bit abstract again. Score and parts should be printed double-sided. Blank pages are included so the piano part will be double sided and the flute will be single sided, for ease of page turns. duration: ca. 5 minutes. www.tomswafford.com ASCAP .
$4.00
3.59 €
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Flûte traversière et Piano
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Tom Swafford
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Journey to Funk for flute and piano
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Tom Swafford
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SheetMusicPlus
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