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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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TROMPETTE
TUBA
UKULELE
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XYLOPHONE
Sometimes We Sing
Non classifié
30
Piano & claviers
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16
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9
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3
Orgue
3
Piano Facile
2
Instruments en Do
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1
2 Guitares (duo)
1
Banjo
1
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1
4 Guitares (Quatuor)
1
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Chorale SATB
9
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6
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3
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2
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2
Voix Tenor, Piano
1
+ 1 instrumentations
Retracter
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2
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2
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1
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1
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Retracter
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4
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3
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2
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2
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1
2 Trompettes (duo)
1
2 Tubas (duo)
1
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1
2 Trombones (duo)
1
Cor et Piano
1
+ 6 instrumentations
Retracter
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3
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Violon, Alto (duo)
2
Alto, Piano
2
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1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violoncelle
1
+ 2 instrumentations
Retracter
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Orchestre d'harmonie
6
Orchestre de chambre
4
Orchestre
3
Orchestre à Cordes
2
2 Marimbas
1
Jazz combo
1
+ 1 instrumentations
Retracter
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▽ INSTRUMENTS
ACCORDEON
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CHANT - CHORA…
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|
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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Crtitères actifs :
Sometimes We Sing
Partitions à imprimer
160 partitions trouvées
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151
Sometimes We Sing
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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George Edwin Smith
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Sometimes We Sing
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GloriaDeoMusic
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1225940 Composed by George Edwin Smith. Contemporary,Contest,Festival,Pop. 16 pages. GloriaDeoMusic #8219...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1225940 Composed by George Edwin Smith. Contemporary,Contest,Festival,Pop. 16 pages. GloriaDeoMusic #821978. Published by GloriaDeoMusic (A0.1225940). A challenging but meaningful and fun piece for choir and piano with interludes for a bit of choreography if desired.“Sometimes we sing when we are happy, some-times we sing when others are sad.Raising in song our voices, sharing all the joy we feel when we are together singing as one!â€.
$2.00
We Need A Little Christmas
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Chorale SATB
#
FACILE
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Noël
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Kimberley Locke
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Judith Rounda
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We Need A Little Christmas
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Judith Rounda
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.827748 By Kimberley Locke. By Jerry Herman. Arranged by Judith Rounda. Disney. Octavo. 12 pages. Judith Rounda #...
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Choral Choir (SATB) - Level 2 - SKU: A0.827748 By Kimberley Locke. By Jerry Herman. Arranged by Judith Rounda. Disney. Octavo. 12 pages. Judith Rounda #3691271. Published by Judith Rounda (A0.827748). 2018 Holiday Contest Entry. Sometimes, We Need a Little Christmas r-right this very minute. Have fun with this upbeat arrangement with unison singing, SATB parts, with one slower section.
$12.00
Sometimes We Laugh
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Rick Moose
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Richard Mousseau
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Sometimes We Laugh
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Moose Hide Music Publishing
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1299368 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 3 - SKU: A0.1299368 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Moose Hide Music Publishing #889233. Published by Moose Hide Music Publishing (A0.1299368). Pop. New release by Canadian Songwriter. Full score available from publisher. MP3. down load available on sheetmusicplus. Song available on major streaming services.
$3.00
Sometimes We Laugh
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Rick Moose
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Richard Mousseau
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Sometimes We Laugh
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Moose Hide Music Publishing
#
SheetMusicPlus
Electric Guitar,Guitar Accompaniment,Piano,Voice - Level 3 - SKU: A0.1299369 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contempor...
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Electric Guitar,Guitar Accompaniment,Piano,Voice - Level 3 - SKU: A0.1299369 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Singer/Songwriter. Full Performance. Duration 169. Moose Hide Music Publishing #889235. Published by Moose Hide Music Publishing (A0.1299369). Pop. New release by Canadian Songwriter. Full score available from publisher.
$1.99
6 Simple Songs To Sing & Play On The Guitar including House Of The Rising Sun, Sloop John B
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Contemporain
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Traditional
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Simon James
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6 Simple Songs To Sing & P
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DML
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SheetMusicPlus
Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.1281240 Composed by Traditional. Arranged by Simon James. Classical,Contemporary,Folk,Historic,Tradit...
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Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.1281240 Composed by Traditional. Arranged by Simon James. Classical,Contemporary,Folk,Historic,Traditional. 36 pages. DML #872584. Published by DML (A0.1281240). Songs are about storytelling, sometimes the emotions of a moment, happy or sad, sometimes an entire life in three verses and a chorus. These songs I chose because I like them, some I learnt from my first real guitar teacher, Dylan Todd, at the Guitar Centre in Palma de Mallorca in the late sixties when my family lived there; some from my father who was my other first guitar teacher; some down the years from other musicians. I have kept the accompaniments as simple as possible to go with my book The Art Of Accompaniment On The Guitar, most guitarists could handle them. I have also annotated everything, knowing the history of a song is important and as we increasingly lose the oral tradition I was brought up with the reason I chose certain verses and not others becomes relevant to that understanding. This is a simpler publication than the printed one available from Amazon. All of these songs are out of copyright, those that are in copyright that I would include and have arranged can be found individually through Sheet Music Plus or Sheet Music Direct.
$11.99
Sing We Now of Christmas
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Piano seul
#
INTERMÉDIAIRE
#
Noël
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Dillon's Music Group
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Sing We Now of Christmas
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Dillon's Music Group
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.918256 Arranged by Dillon's Music Group. Christmas. Score. 3 pages. Dillon's Music Group #6013033. Published by Dillon's ...
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Piano Solo - Level 3 - SKU: A0.918256 Arranged by Dillon's Music Group. Christmas. Score. 3 pages. Dillon's Music Group #6013033. Published by Dillon's Music Group (A0.918256). Sing We Now of Christmas is a French carol which accompanies the French tradition of handmade nativity scenes in homes and town squares. Singers would sometimes join the biblical characters in the outdoor nativity scene. Creche is also the French term for nursery for young children. It's included in Brenda Dillon's Memories of Christmas Collection- Book 2.About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred listed on her website (www.brendadillon.com).
$3.00
We Gather Together - Jazz Quintet and Singers
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Jazz
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Bradley Sowash
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Bradley Sowash
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We Gather Together - Jazz Quin
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Bradley Sowash
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SheetMusicPlus
Double Bass,Drums,Trumpet,Voice - Level 3 - SKU: A0.750124 By Bradley Sowash. By Eduard Kremser. Arranged by Bradley Sowash. Jazz. 26 pages. Bradley Sow...
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Double Bass,Drums,Trumpet,Voice - Level 3 - SKU: A0.750124 By Bradley Sowash. By Eduard Kremser. Arranged by Bradley Sowash. Jazz. 26 pages. Bradley Sowash #24265. Published by Bradley Sowash (A0.750124). Sometimes associated with Thanksgiving, Christians have been singing this as a gathering song since it was first published in 1597. Often used as the first hymn, this updated tempo version eases the congregation into blended worship. Can be performed as an instrumental or with congregational singing.
$14.99
Lift Every Voice and Sing - lead
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Piano, Voix
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INTERMÉDIAIRE
#
Musique Sacrée
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J
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Leonora Hardy
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Lift Every Voice and Sing - le
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Leonora Hardy
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.776884 Composed by J. Rosamond Johnson. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 2 pages. Leo...
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Piano,Vocal,Voice - Level 3 - SKU: A0.776884 Composed by J. Rosamond Johnson. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 2 pages. Leonora Hardy #6064085. Published by Leonora Hardy (A0.776884). This song is arranged in a user-friendly level of difficulty, with a different take on this meaningful hymn, sometimes referred to as the Black National Anthem. There are three different offerings of this arrangement on SMP--this is the lead sheet version with just the vocal part and guitar chords. The audio has the vocal part represented by a flute, as well as the piano part. There are 2 other versions on SMP -- one with a vocal part as well as the piano and a piano accompaniment which has a right hand melody so it is easy for a group or congregation to follow. All the verses are included, although it is recommended if more than the first verse is desired that the second verse be skipped and the third verse end at we pray and then finish with the last part of the first verse, starting at …Sing a song...
$3.99
Lift Every Voice and Sing - Piano
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Piano, Voix
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INTERMÉDIAIRE
#
Musique Sacrée
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J
#
Leonora Hardy
#
Lift Every Voice and Sing - Pi
#
Leonora Hardy
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.776886 Composed by J. Rosamond Johnson. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 4 pages. Leo...
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Piano,Vocal,Voice - Level 3 - SKU: A0.776886 Composed by J. Rosamond Johnson. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 4 pages. Leonora Hardy #6064081. Published by Leonora Hardy (A0.776886). This song is arranged in a user-friendly level of difficulty, with a different take on this meaningful hymn, sometimes referred to as the Black National Anthem. There are three different offerings of this arrangement on SMP--this version is for the piano with right hand melody and includes the lyrics and guitar chords, The audio has a vocal part represented by a flute, as well as the piano part. There are 2 other versions on SMP -- a lead sheet and a voice and piano accompaniment which also has a right hand melody so it is easy for a group or congregation to follow. All the verses are included, although it is recommended if more than the first verse is desired that the second verse be skipped and the third verse end at we pray and then finish with the last part of the first verse, starting at …Sing a song...
$4.99
Lift Every Voice and Sing - Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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J
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Leonora Hardy
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Lift Every Voice and Sing - Vo
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Leonora Hardy
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.776885 Composed by J. Rosamond Johnson. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 6 pages. Leo...
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Piano,Vocal,Voice - Level 3 - SKU: A0.776885 Composed by J. Rosamond Johnson. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 6 pages. Leonora Hardy #6064077. Published by Leonora Hardy (A0.776885). This song is arranged in a user-friendly level of difficulty, with a different take on this meaningful hymn, sometimes referred to as the Black National Anthem. There are three different offerings of this arrangement--this version has a vocal part represented on the audio by a flute, as well as the piano part. There are 2 other versions -- a lead sheet and a piano accompaniment which has a right hand melody so it is easy for a group or congregation to follow. All the verses are included, although it is recommended if more than the first verse is desired that the second verse be skipped and the third verse end at we pray and then finish with the last part of the first verse, starting at …Sing a song....
$5.99
We've a Story to Tell to the Nations (Downloadable)
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Orgue
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FACILE
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Robert J
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We've a Story to Tell to the N
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Moderately Easy - SKU: MQ.10-781-2E Composed by Robert J. Powell. Easter. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-781-2E...
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Organ - Moderately Easy - SKU: MQ.10-781-2E Composed by Robert J. Powell. Easter. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-781-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-781-2E). These Gospel hymn arrangements are upbeat and have a lively rhythm. Sometimes there is great benefit in playing a rousing rendition of a hymn that people simply like to hear, whether you might have sung that hymn that day or not! These three will fit the bill: TO GOD BE THE GLORY, MESSAGE (“We’ve a Story to Tell to the Nationsâ€), and CHRIST AROSE (“Up from the Grave He Aroseâ€).
$5.00
A Passing Mood
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Piano seul
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INTERMÉDIAIRE
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Loretta Sampson
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A Passing Mood
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Loretta Sampson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.985443 Composed by Loretta Sampson. Concert,Contemporary,Instructional,Pop,Standards. Score. 3 pages. Loretta Sampson #62...
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Piano Solo - Level 3 - SKU: A0.985443 Composed by Loretta Sampson. Concert,Contemporary,Instructional,Pop,Standards. Score. 3 pages. Loretta Sampson #6214171. Published by Loretta Sampson (A0.985443). Sometimes, when we are happily going along, a dark mood can come upon us. This piece should be played expressively, and has focus on techniques with slurs, pedals, and dynamics.
$1.99
Sometimes When We Touch
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Dan Hill
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Unknown
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Sometimes When We Touch
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Clem & Jun Bascar
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1512707 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Unknown. 20th Century,A Cappella,Contemporary,Contest...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1512707 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Unknown. 20th Century,A Cappella,Contemporary,Contest,Festival,Singer/Songwriter. Score. 5 pages. Clem & Jun Bascar #1087659. Published by Clem & Jun Bascar (A0.1512707). An arrangement as sung by Dan Hill, the singer/song writer of the song. Recommended for male voces.
$5.99
Sometimes When We Touch
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dan Hill
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Unknown
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Sometimes When We Touch
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Clem & Jun Bascar
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1512706 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Unknown. 20th Century,A Cappella,Contemporary,Contest,Festiv...
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Piano Solo - Level 4 - SKU: A0.1512706 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Unknown. 20th Century,A Cappella,Contemporary,Contest,Festival,Singer/Songwriter. Score. 3 pages. Clem & Jun Bascar #1087657. Published by Clem & Jun Bascar (A0.1512706). A piano solo arrangement but could be used as a backing tract for solo voice performance.
$5.99
Sometimes When We Touch
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Trompette, Piano
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INTERMÉDIAIRE
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Dan Hill
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Kaiserin Rebecca
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Sometimes When We Touch
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Kaiserin Rebecca
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.1261180 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwrit...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.1261180 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwriter. Score and part. 6 pages. Kaiserin Rebecca #854250. Published by Kaiserin Rebecca (A0.1261180). For B-flat trumpet solo and piano accompaniment with chords.Key: B flat major. Duration: 3'56.
$8.99
Sometimes When We Touch
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Clarinette et Piano
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INTERMÉDIAIRE
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Dan Hill
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Kaiserin Rebecca
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Sometimes When We Touch
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Kaiserin Rebecca
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1249823 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwri...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1249823 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwriter. Score and part. 6 pages. Kaiserin Rebecca #844222. Published by Kaiserin Rebecca (A0.1249823). For B-flat clarinet solo and piano accompaniment with chords.Key: B flat major. Duration: 3'56.
$8.99
Sometimes When We Touch
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Alto, Piano
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FACILE
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Dan Hill
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Kaiserin Rebecca
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Sometimes When We Touch
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1245485 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Instructional,Pop,Singer/Son...
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Piano,Viola - Level 2 - SKU: A0.1245485 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Instructional,Pop,Singer/Songwriter. Score and part. 6 pages. Kaiserin Rebecca #840366. Published by Kaiserin Rebecca (A0.1245485). For viola solo and piano accompaniment with chords.Key: D major. Duration: 3'56.
$8.99
Sometimes When We Touch
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Saxophone Tenor et Piano
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FACILE
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Dan Hill
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Kaiserin Rebecca
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Sometimes When We Touch
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1256177 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwri...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1256177 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwriter. Score and part. 6 pages. Kaiserin Rebecca #849645. Published by Kaiserin Rebecca (A0.1256177). For tenor saxophone solo and piano accompaniment with chords.Key: B flat major. Duration: 3'56.
$8.99
Sometimes When We Touch
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Dan Hill
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Kaiserin Rebecca
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Sometimes When We Touch
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Kaiserin Rebecca
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1254216 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwrit...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1254216 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwriter. Score and part. 6 pages. Kaiserin Rebecca #847811. Published by Kaiserin Rebecca (A0.1254216). For alto saxophone solo and piano accompaniment with chords.Key: B flat major. Duration: 3'56.
$8.99
Sometimes When We Touch
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Dan Hill
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Kaiserin Rebecca
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Sometimes When We Touch
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Kaiserin Rebecca
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1250404 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwriter. Score ...
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Oboe,Piano - Level 3 - SKU: A0.1250404 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwriter. Score and part. 6 pages. Kaiserin Rebecca #844718. Published by Kaiserin Rebecca (A0.1250404). For oboe solo and piano accompaniment with chords.Key: C major. Duration: 3'56.
$8.99
Sometimes When We Touch
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Violon et Piano
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FACILE
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Dan Hill
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Kaiserin Rebecca
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Sometimes When We Touch
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1243850 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwriter. 6 pa...
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Piano,Violin - Level 2 - SKU: A0.1243850 By Dan Hill. By Barry Mann and Dan Hill. Arranged by Kaiserin Rebecca. Contemporary,Pop,Singer/Songwriter. 6 pages. Kaiserin Rebecca #838822. Published by Kaiserin Rebecca (A0.1243850). For violin solo and piano accompaniment with chords.Key: D major. Duration: 3'56.
$8.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
After All That I Have Been to You
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Chorale TTBB
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INTERMÉDIAIRE
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1912, Chris Smith, and Jack Dr
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Donald A
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After All That I Have Been to
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Cen...
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Choral Choir (TTBB) - Level 3 - SKU: A0.928946 Composed by 1912, Chris Smith, and Jack Drislane. Arranged by Donald A. Mills (aka Beachtanned). 20th Century,A Cappella,Classical. Octavo. 5 pages. Donald A Mills #50389. Published by Donald A Mills (A0.928946). TTBB a cappella, duration 2:14 Life is full of ups and downs. It is certainly true that the few downs in life allow us to more fully appreciate all of the more numerous ups in life. Sometimes we sing about the difficult parts of life as well as the great ones. The loss of a relationship is one of life's most traumatic downers. But all is not lost, life will go on, and we will survive even this. Just believe... This ballad in three-quarter waltz time is great for a men's quartet or chorus. Tags: After All That I've Been To You! TTBB a cappella barbershop close harmony beachtanned Donald A. Mills.
$2.99
Joy to the World
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Isaac Watts
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Travis Patton
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Joy to the World
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Travis Patton
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1420329 By Isaac Watts. By George Frideric Handel. Arranged by Travis Patton. Chamber,Christian,Contemporary,Instru...
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String Orchestra - Level 4 - SKU: A0.1420329 By Isaac Watts. By George Frideric Handel. Arranged by Travis Patton. Chamber,Christian,Contemporary,Instructional,Religious. 15 pages. Travis Patton #1001797. Published by Travis Patton (A0.1420329). Joy to the World arranged for string orchestra or string quartet. This somber setting of this typical joyous hymn reflects moments in life when pain, sorrow, or remorse overtake one’s ability to sing “Joy to the Worldâ€. Sometimes, we must sing this lyric despite our current circumstances in hopes of what is to come. Musically, there are plenty of opportunities to work on melodic playing and bow technique through phrasing and dynamic swells. A hemiola is prominent in the last half of the piece between lower strings and middle voices. After some harmonic tension, an accelerando, and a release, the melody peacefully resolves. Arranged by Travis Patton. Find more at www.travispatton.comLive performance by Belmont University String Chamber Orchestra.
$64.99
Mozartina
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Orchestre
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AVANCÉ
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Otoniel Rojas
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Mozartina
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Otoniel Rojas
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Oto...
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Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.
$9.99
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Sometimes We Sing