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111
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103
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68
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Quatuor de Flûtes : 4 flûtes
32
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28
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28
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25
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20
3 Clarinettes (trio)
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9
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149
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97
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93
Tuba et Piano
91
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80
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53
2 Trompettes (duo)
49
2 Cors (duo)
48
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34
Trompette (partie séparée)
33
Trombone (partie séparée)
30
Quatuor de Cuivres
29
2 Tubas (duo)
21
Trompette, Trombone (duo)
21
Cor anglais, Piano
15
Euphonium, Piano (duo)
14
Trompette, Cor (duo)
12
Cor (partie séparée)
12
Tuba (partie séparée)
8
Tuba et Orgue
6
Cor, Violoncelle (duo)
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3 Trombones (trio)
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Trio de Cuivres
5
Trombone, Tuba (duo)
5
Cor et Basson (duo)
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Quatuor de cuivres: 4 cors
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Euphonium
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Trombone, Cor (duo)
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Quatuor de cuivres: 4 trompettes
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Ensemble de Trombones
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Trombone basse
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3 Tubas (trio)
2
Trompette, Tuba (duo)
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2 Euphoniums (duo)
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Cor Anglais
2
Trompette, Violoncelle (duo)
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4 Tubas
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Trompette, Basson (duo)
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Quatuor de cuivres: 2 trompettes, 2 trombones
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3 Trompettes (trio)
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2 Cors Anglais Et Pianoforte
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Cor et Harpe
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Trombone, Violon (duo)
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3 Cors (trio)
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Trombone et orchestre
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Cor anglais et Harpe (duo)
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Alto seul
100
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89
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81
Contre Basse
79
2 Violoncelles (duo)
63
Trio à Cordes: violon, alto, violoncelle
63
2 Altos (duo)
56
Trio à Cordes: 2 violons, violoncelle
42
Violon, Alto (duo)
35
Alto (partie séparée)
32
Violon, Basson (duo)
25
Violon (partie séparée)
23
Harpe
19
Alto, Violoncelle (duo)
16
Contrebasse (partie séparée)
15
2 Contrebasses (duo)
14
Trio à Cordes: 3 violoncelles
12
Trio à cordes: 3 violins
12
Piano Trio: Violon, Alto, Piano
10
Quatuor à cordes: 4 violons
9
4 Violoncelles
8
Violoncelle, Contrebasse (duo)
8
2 Harpes (duo)
7
Trio à cordes: 3 altos
7
Alto et Basson
7
2 Violons, Piano
5
Trio à Cordes: 2 violons, alto
5
Violon, Guitare (duo)
4
Quatuor à cordes : 4 altos
4
Violoncelle (partie séparée)
4
Harpe, Violon (duo)
4
Flûte, Contrebasse (duo)
4
Harpe, Flûte (duo)
4
Violoncelle , Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Violon, Violoncelle, Clarinette
1
Ensemble de Violoncelles
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2 Altos, Piano
1
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Tuba (duo)
1
Harpe, Violon, Violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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Orchestre d'harmonie
1092
Cloches
159
Orchestre à Cordes
112
Ensemble de cuivres
48
Orchestre
43
Ensemble Jazz
29
Fanfare
21
Batterie (partie séparée)
17
Percussion (partie séparée)
10
Orchestre de chambre
9
Ensemble de Percussions
8
Jazz combo
8
Batterie
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone, Piano
2
Marimba
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2 Xylophones
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Caisse Claire
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Vibraphone et Marimba
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The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.14 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arran…
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
4.47 €
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Alm@music
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SheetMusicPlus
Scottish National Anthem for Brass Band Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digit…
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1215186 By Keith Terrett. By Williamson. Arranged by Keith Terrett. Patriotic,Praise & Worship,Traditional. 10 pages. Keith Terrett #812052. Published by Keith Terrett (A0.1215186). An arrangement of the Scottish National Anthem for Brass Band Quintet. A constituent nation of the United Kingdom, Scotland lacks an official, legislated national song; in fact there are several songs in use as national songs of Scotland. The one most often considered as the unofficial national anthem (and most often presented as Scotland’s anthem at sporting matches) is Flower of Scotland, written by Roy Williamson in 1965 for the popular folk group The Corries. It was first used in a sporting match in 1974 by the Scottish national rugby team in 1974, sung by the team. When the British God Save the Queen was sung before a rugby match in 1988 to represent Scotland, and was met by derision from the crowd, Flower of Scotland was adopted as Scotland’s pregame anthem. Flower of Scotland, however, has not been adopted in any official basis as the Scottish anthem. Other popular national songs of Scotland have sometimes used as unofficial national anthems, the most common being Scotland the Brave (a traditional melody (sheet music) with lyrics writted by Cliff Hanley in 1950). Scotland the Brave was used as the Scottish anthem at the Commonwealth Games until 2010 (when it was replaced by Flower of Scotland) and is most commonly heard on the bagpipe, the Scottish national instrument. When the Scottish Parliament was opened in 1997, another national song (A Man’s A Man for A’ That by national poet Robert Burns) was used, which isn’t usually presented as a Scottish anthem. The choice of this song may have been to duck the controversy of choosing one of the previously mentioned national songs as an official regional anthem, or by using God Save the Queen (the anthem of the United Kingdom, of which Scotland is a part). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.06 €
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Keith Terrett
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Keith Terrett
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Scottish National Anthem for Brass Band Quintet
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Keith Terrett
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SheetMusicPlus
Songs and Dances from Another Time (Suite 1) (Elementary piano solos)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.522203 Composed by Colin Kirkpatric…
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Piano Solo - Level 1 - Digital Download SKU: A0.522203 Composed by Colin Kirkpatrick. Concert,Instructional,Standards. Score. 12 pages. Colin Kirkpatrick Publications #3410943. Published by Colin Kirkpatrick Publications (A0.522203). Youngsters are sure to enjoy these tuneful pieces, crafted especially for the young learner. The music follows on from the much easier pieces in The River at the End of Day. They are ideal for elementary pianists, but of course could be used with beginners of all ages. More experienced students will find them ideal and enjoyable sight-reading exercises or to develop the useful skill of transposing at sight. The colorful pieces are arranged in approximate order of difficulty, so you can feel free to pick and mix according to the needs of the students. Most of the pieces use eighth notes (quavers), quarter notes (crotchets), half notes (minims) and whole notes (semibreves). Each piece takes up just one page. With attractive melodies and interesting harmonies several of them could be strung together to create a suite for a student recital. Many of the fingerings are provided but sometimes the choice of fingering is left for the teacher and student to decide. For more advanced students, these pieces can serve a useful function either as sight-reading exercises or for transposing at sight, a skill that is sometimes neglected. The sample audio clip contains the following pieces from the collection: (1) Dance to the Rising Sun; (2) Song of the Tree Spirits; (3) Mountain Dance; (9) Hymn to the Stars and (10) Night Dance.
$3.99
3.58 €
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Piano seul
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Colin Kirkpatrick
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(2) Song of the Tree Spirits
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Songs and Dances from Another Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Dream Of Olwen
2 Guitares (duo)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5790447. Published by Derek Hasted (A0.797782). THE DREAM OF OLWEN - One of two GUITAR DUETSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I have made two arrangements of this lovely piece. This edition contains the more accessible arrangement - ideal for an intermediate duo or a student/teacher duo. Visit my website (below) to easily find the other version.This fantastic piece was written as an integral part of the film 'While I Live', and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.My arrangement for two guitars captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a wonderful concert piece lasting almost 4 minutes.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment is less rhythmically busy than the original, yet the chords are retained.There are two arrangements in this one edition...Version 1 allocates the music to the players as if they were the left and right hands of the piano piece - ideal for a duo in which one player is technically stronger than the other (for example a student/teacher duet).Version 2 swaps the roles around at the phrase boundaries and suits a well-matched duo.The choice of which you play is yours...The arpeggios are fingered because they generally only work well in one position. The melody, by contrast, is unfingered; it is chromatic and so there is no place on the neck where all the notes are accessible. It’s really a matter of personal choice where you change position and whether you prefer to stay high up the neck or venture down to get a brighter tone.Dedicated to the memory of my maternal grandmother Olwen
$4.99
4.47 €
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2 Guitares (duo)
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Pamela Page
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Derek Hasted
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The Dream Of Olwen
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Derek Hasted
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SheetMusicPlus
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCor…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.68 €
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Voix Alto, Piano
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
3 Pieces for the Piano - Opus 1
Piano seul
Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Conte…
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Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Contemporary. Score. 31 pages. Eamon Mukhopadhyay #692177. Published by Eamon Mukhopadhyay (A0.1087984). These three pieces are to mimic studies of voicing and touch through lyrical forms. Each specific BPM marking in the tempo is intentionally preceded with ossia rather than ca.. This is to emphasize complete tempo freedom for the performer. The BPM markings are simply given as an initial baseline, showing the general tempo that the composer would perform these pieces at. Neither of the three pieces finish with a triad. Instead, they end with some form of extended harmony, whether it be through a chord or arpeggio. Neither the specific meaning of the piece nor the method to play the piece is included in the piece descriptions following this sentence, as those choices are specific to the performer. Nocturne in A Major (Op. 1 No. 1) uses both contemporary and traditional harmonic concepts, with add9 chords and extended harmonies integrating further color into the piece. Much material of Winter Landscapes in E-Flat Minor (Op. 1 No. 2) is built upon a simple four-note motif (in regards to scale degrees, the motif follows the pattern of 1-7-2-1). To note - this piece never resolves to the traditional E-Flat minor triad. Lastly, Tribute in D major (Op. 1 No. 3), similar to the other two pieces (of the Op. 1 set), uses multiple forms of extended harmonies through chords and arpeggios, such as add9 and dominant thirteenth harmony.
$1.99
1.78 €
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Piano seul
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Eamon Mukhopadhyay
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3 Pieces for the Piano - Opus 1
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Eamon Mukhopadhyay
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SheetMusicPlus
The Choice Wife
Violon et Piano
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1403902 By …
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1403902 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 90. Heather Mueller Music #4GwQVzqm6Lnr34zIy62NQO. Published by Heather Mueller Music (A0.1403902). Key: D major.Title: The Choice Wife Type/Genre: Slip Jig (Irish) Arranger: Heather M Music Composer: Trad (Traditional) Description: Delight in the graceful melodies of The Choice Wife, a charming slip jig deeply rooted in the musical traditions of Ireland. This enchanting tune, known for its elegant melodies and lively rhythms, captures the essence of Irish music and evokes images of joyful gatherings and spirited dancers. Whether you're playing at a session or immersing yourself in the rich tapestry of Irish musical heritage, The Choice Wife invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and dynamic energy of this slip jig transport you to the heart of Ireland's musical landscape. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.
$2.99
2.68 €
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Violon et Piano
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Traditional Fiddle Tunes
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Heather M Music
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The Choice Wife
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Heather Mueller Music
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SheetMusicPlus
Get Together
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1101464 Composed by Chet Po…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1101464 Composed by Chet Powers. Arranged by Jon Arterton. 20th Century,Folk,New Age,Rock. Octavo. 5 pages. Jon Arterton #704840. Published by Jon Arterton (A0.1101464). This song was a hit for the Youngbloods back in 1969. It's an appeal for peace and brotherhood, presenting the polarity of love versus fear, and the choice to be made between them. It is best remembered for the impassioned plea in the lines of its refrain (Come on people now/Smile on your brother/Everybody get together/Try to love one another right now), which is repeated several times in succession. Your audience will be singing along!
$2.35
2.11 €
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Chorale 3 parties
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Chet Powers
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Jon Arterton
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Get Together
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Jon Arterton
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SheetMusicPlus
Frolic (theme From Curb Your Enthusiasm)
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1306598 By Luci…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1306598 By Luciano Michelini. By Larry David, Luciano Michelini, and Wendell Yuponce. Arranged by AZSAP MUSiC. Reggae. 4 pages. AZSAP MUSiC #895942. Published by AZSAP MUSiC (A0.1306598). Embark on a whimsical and entertaining musical adventure with our string trio arrangement of Frolic, the iconic theme from Curb Your Enthusiasm. This lively rendition captures the playful and humorous spirit of the original, making it a perfect choice for performances that seek to infuse a sense of fun and merriment into any setting.Key Features:1. **Lighthearted Joy:** Frolic from Curb Your Enthusiasm is known for its irreverent and humorous vibe. Our string trio arrangement captures the essence of the original while adding a classical touch, resulting in a performance that's both entertaining and fun.2. **Flexible Ensemble:** This arrangement offers flexibility by allowing you to perform it with either the second violin or viola, thanks to the inclusion of both parts. It accommodates a variety of ensemble setups, ensuring you can tailor the performance to your preferences.3. **Ideal for Various Occasions:** Whether you're planning a fun and light-hearted concert, a quirky private event, or even a performance to inject humor into a formal setting, this arrangement adds a playful atmosphere to your repertoire.4. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your trio has meticulously crafted parts that harmonize seamlessly, delivering a polished and expressive performance.5. **Room for Artistic Interpretation:** While remaining true to the original's character, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and humor into the performance.6. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation convenient and efficient.Infuse humor and lightheartedness into your performances with Frolic from Curb Your Enthusiasm and your string trio. This arrangement was thoughtfully designed to bridge the gap between irreverent humor and classical elegance, offering a delightful and entertaining musical experience. Order your copy today and embark on a musical journey that is sure to bring smiles and laughter to your audience and ensemble.
$12.99
11.64 €
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Trio à Cordes: violon, alto, violoncelle
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Luciano Michelini
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AZSAP MUSiC
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Frolic
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AZSAP MUSiC
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SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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CURVE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.12 €
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Ensemble de cuivres
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
We Want A King (Elders) from "The Kings" - ACT 1:Song 3
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784816 Composed by McCorkle,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784816 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 30 pages. DF McCorkle Music and eBook Publications #11639. Published by DF McCorkle Music and eBook Publications (A0.784816). ACT ONE: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 8:4-5 - 4 Then all the elders of Israel gathered themselves together, and came to Samuel unto Ramah, 5 And said unto him, ‘Behold, you are old, and your sons do not walk not in your ways: now make us a king to govern us like all the nations.’] The ELDERS, with their own agenda at heart, use the political climate and fears of the people to force a change in the governmental system. Gathering at SAMUEL’S front door, the ELDERS confront SAMUEL about his sons and demand that a king be appointed over them like all the other nations. [We Want a King – Elders and Samuel]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.68 €
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Piano, Voix
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McCorkle, Dennis F
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We Want A King
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Internationale (for wind instruments)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.522238 Composed by Pierre De Geyt…
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Concert Band - Level 3 - Digital Download SKU: A0.522238 Composed by Pierre De Geyter (1848-1932). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 19 pages. Colin Kirkpatrick Publications #4798263. Published by Colin Kirkpatrick Publications (A0.522238). This well-known anthem is known in many countries of the world. This arrangement is ideal for brass or woodwind quartet but the flexible instrumentation makes it playable by various combinations of conventional wind instruments. The single PDF file includes a four-staff full score in concert pitch, together with the following parts: Part 1 in C (concert); Part 1A in C (8ve higher ); Part 1 in B flat; Part 1 in E flat; Part 2 in C (8ve higher); Part 2 in B flat; Part 2 in E flat; Part 3 in C (bass clef); Part 3 in E flat; Part 3 in B flat (9th above concert); Part 3 in F; Part 4 in C (bass clef); Part 4 in B flat and Part 4 in E flat. There is also a useful and slightly simplified piano reduction This arrangement captures the lively and passionate spirit of the anthem. Arrangements for string quartet and string orchestras are also available though they are not compatible with this one because of the choice of key. 
$6.99
6.26 €
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Orchestre d'harmonie
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Pierre De Geyter
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Colin Kirkpatrick
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The Internationale
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Colin Kirkpatrick Publications
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SheetMusicPlus
Part One: Choices
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1010030 Composed by David O´Farr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1010030 Composed by David O´Farrill. Contemporary. Score. 7 pages. David OFarrill #34267. Published by David OFarrill (A0.1010030). -- Intermediate piano piece in C major composed by David O´Farrill. - -- First part of the compilation Moments Vol. 1 - EP. - -- Piece available to watch on Youtube, listen to Soundcloud or Spotify and buy on iTunes or Googleplay. - -- Decisions come and go. They are quick. Sudden. Subtle. Critic. The choices we take define us. Taking one might turn your life around, or it might ruin it. But you can always start anew. - -- To all who have met a hard choice eye to eye, don´t forget to wink and smile. To my family, for being there for me, even when I don´t deserve it. And as always, to my piano teacher. - -- Website: davidofarrillmusic.weebly.com.
$2.49
2.23 €
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Piano seul
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David O´Farrill
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Part One: Choices
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David OFarrill
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SheetMusicPlus
The Paths We Take: Solo for Chosen Skins
Multi-Percussion,Percussion Solo - Level 4 - Digital Download SKU: A0.1391893 By Jo…
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Multi-Percussion,Percussion Solo - Level 4 - Digital Download SKU: A0.1391893 By Jordan Morrison. By Jordan Morrison. 21st Century,Contemporary,Contest,Festival,Instructional,Multicultural,World. Individual part. 17 pages. Jordan Morrison Music #975381. Published by Jordan Morrison Music (A0.1391893). This is a multiple percussion solo that is a choose your own adventure musical expedition. You can read the description from the performance notes below and be sure to check out the preview photos to see how this adventure looks along the way.Description: The Paths We Take is a musical reflection on the choices we make in life. One choice leads to another choice and dictates a path. As the piece moves towards an ending, the performer matures and is allowed to make more choices (ex: dynamics, accents, tempo). The section markers Child, Youth, Adult, and Elder should be considered as style indications and a suggested mindset. Instrumentation is left up to the performer so long as the instruments have a skin or plastic head. The bottom notes should be played with a foot pedal.Feel free to connect with me on Instagram @jordan.morrison.music.
$12.00
10.75 €
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Jordan Morrison
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The Paths We Take: Solo for Chosen Skins
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Jordan Morrison Music
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SheetMusicPlus
Hope of the World 12: Your King Comes Riding - original song for SATB choir by Stephen R Dalrymple
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818371 By Stephen R Dalrym…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818371 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred. Octavo. 32 pages. Stephen R Dalrymple #6709745. Published by Stephen R Dalrymple (A0.818371). Hope of the World: 12 Your King Comes Riding original song for SATB choir and piano by Stephen R Dalrymple (with optional parts for Shofar or Trumpet)   sequenced by the composer music © 1999 Stephen R Dalrymple recording ℗ 2022 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple based on Zechariah 9, Psalm 118, and Matthew 21 ♫ Many of the predictions of Zechariah are futuristic, looking far ahead in history. There was no king of Judah in Zechariah’s day. The former exiles who had returned to Judah were under the authority of the Persians. Any king would have to be authorized by the higher secular authority. But Zechariah foresees a king who will enter Jerusalem, riding on a donkey. ♫ The choice of the animal here is important. The donkey is the beast of burden of the common man. (Analogous to an economic or dilapidated automobile.) Horses were primarily used by soldiers; something like a victor riding into town in a tank. Mules (Jewish law forbade the breeding of hybrid animals) were the choice of the wealthy. In Judea, they were evidently imported. David had Solomon ride into Jerusalem on his mule (something like a sports car.) But Zechariah sees Messiah will presenting Himself as king riding the transportation of the common person. On Psalm Sunday, about a week before Jesus’ death, the crowds quoted Zechariah 9 and Psalm 118 as Jesus offered Himself to the nation as king. ♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion. ♫ Includes 1) full score 2) SATB choir part on 2 staves 3) optional shofur part 4) optional trumpet part 5)full score for 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$2.00
1.79 €
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Chorale SATB
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Stephen R Dalrymple
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Stephen R Dalrymple
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Hope of the World 12: Your King Comes Riding - original song for SATB choir by Stephen R Dalrymple
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Stephen R Dalrymple
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SheetMusicPlus
In the Evening by the Moonlight
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.12 €
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Ensemble de cuivres
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James Bland
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F
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
The Kingdom Has A New Son (Cast) from "The Kings" - ACT 2:Song 10
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784836 Composed by McCorkl…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784836 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11763. Published by DF McCorkle Music and eBook Publications (A0.784836). ACT 2: Song 10. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:24 - And David comforted Bathsheba his wife, and went in unto her, and lay with her; and she bore a son, and called his name Solomon. And Yahweh loved him;] [1 Kings 2:1-4 - Now the days of David drew nigh that he should die; and he charged Solomon his son, saying: 2 I go the way of all the earth; be thou strong therefore, and show thyself a man; 3 and keep the charge of Yahweh your God, to walk in His ways, to keep His statutes, and His commandments, and His ordinances, and His testimonies, according to that which is written in the law of Moses, that you may prosper in all that you do, and whithersoever you turn yourself; 4 that Yahweh establish His word which He spoke concerning me, saying: ‘If thy children take heed to their way, to walk before Me in truth with all their heart and with all their soul, there shall not fail thee, said He, a man on the throne of Israel.’] BATHSHEBA becomes pregnant again and DAVID a son, SOLOMON is born to them [The Kingdom has a New Son – Elders]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.68 €
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Chorale SATB
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McCorkle, Dennis F
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The Kingdom Has A New Son
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
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2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
#
SheetMusicPlus
Up the Body and Down the Page
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1013929 Composed by Tsoof Baras. Concert,Contemporary,Instructional,Standards. Score and parts. 16 pages. Tsoof Baras #6663587. Published by Tsoof Baras (A0.1013929). Players - 4Instrumentation - Body Percussion‘Up the Body and Down the Page’ is a body percussion piece for percussion quartet. This piece involves the playing of one’s body as an instrument. For musicians, this piece is short, easy to setup, exciting for the crowd, a bit of a workout, fun to play and a challenge.My aim for this piece was to emulate the concept of ‘seeing sounds’ by only creating sound in the light. It was a challenge to get the lighting effect that provided us with a sharp difference between light and dark.Because it is such a physical piece, I would encourage the performers to add in choreography and to exercise the power of choice in terms of sticking (‘handings’ and ‘footings’) and the choice between standing and sitting. The performers may also experiment with visual mediums like talcum powder and other sound choices like using toy hammers instead of hands and choosing extremely thick shoes.
$45.00
40.33 €
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Ensemble de Percussions
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Tsoof Baras
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Up the Body and Down the Page
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Tsoof Baras
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SheetMusicPlus
The Munsters Theme
2 Guitares (duo)
Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797778 Composed by Ja…
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Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797778 Composed by Jack Marshall. Arranged by Derek Hasted. Contemporary,Film/TV. 17 pages. Derek Hasted #5770601. Published by Derek Hasted (A0.797778). The MUNSTERS Theme - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes There are two arrangements in this single item...Beethoven it isn’t, but it’s a fun novelty item to play in a school concert or even an informal adult concert.This arrangement is based on one I wrote for my Guitar WorkshopThere are two versions of the piece in this file - they’re identical apart from who plays what whenVersion 1 is ideal for a Student/Teacher duet - the Teacher plays the bass part, and the student takes the tune (or vice-versa!)Version 2 is great for a performance at any level between two players with comparable tone and volume - the parts swap over when the music is repeated - you'll see the change at the point marked B in the scores.I’ve left the fingering for the players to decide - we all have different abilities and the choice about when to go up the neck is always going to be a personal one.I hope you enjoy playing this piece!
$4.99
4.47 €
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2 Guitares (duo)
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Jack Marshall
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Derek Hasted
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The Munsters Theme
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Derek Hasted
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SheetMusicPlus
Rewrite The Stars
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1305309 By Zac …
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1305309 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #894748. Published by Sarah Cellobat Chaffee (A0.1305309). Written by Benj Pasek and Justin Paul for the feature film The Greatest Showman, Rewrite The Stars is an exciting anthem in which Phillip, played by Zac Efron, works to convince his lover that they are meant to be together despite the odds against them. This catchy song was a huge hit even independently of the movie, reaching the Billboard Hot 100 and receiving a Teen Choice Award for Best Collaboration. It has also become a popular song for weddings, chosen by couples to symbolize their bright future together...so you can't go wrong having this one in your gig books! Originally written for a wedding ceremony, this Cellobat arrangement for violin and cello duet maintains the soaring melodies and exciting driving beat of the original, and it even features beautiful cello solos at the beginning and the end! Intermediate-level arrangement; this will be playable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
8.95 €
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Violon, Violoncelle (duo)
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Zac Efron & Zendaya
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Sarah Cellobat Chaffee
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Rewrite The Stars
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Sarah Cellobat Chaffee
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SheetMusicPlus
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