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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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PIANO & CLAVIERS
Piano seul
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1 Piano, 4 mains
2
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GUITARES
Guitare notes et tablatures
16
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4
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3
Mandoline
2
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2
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1
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1
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1
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88
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6
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5
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1
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109
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91
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73
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68
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32
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25
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22
Flûte et Guitare
19
Ensemble de Clarinettes
13
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12
Quatuor de Clarinettes: 4 clarinettes
12
Flûte traversière et Piano
12
Clarinette et Piano
12
Flûte traversière
11
Quatuor de Flûtes : 4 flûtes
11
2 Flûtes traversières (duo)
11
Clarinette, Guitare (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone Alto et Piano
7
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6
Saxophone Tenor
6
Cor anglais, Piano
6
2 Flûte à bec (duo)
6
2 Saxophones (duo)
6
Saxophone Tenor et Piano
6
Clarinette
6
Hautbois (partie séparée)
6
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5
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5
Saxophone Alto
5
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4
2 Hautbois (duo)
4
Saxophone (partie séparée)
4
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4
Flûte, Hautbois (duo)
3
3 Saxophones (trio)
3
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3
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3
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3
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3
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3
Clarinette et Alto
3
Flûte, Alto (duo)
3
Ensemble de Flûtes
3
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3
Clarinette, Violon (duo)
3
Clarinette, Trompette (duo)
2
Trio de Flûtes: 3 flûtes
2
Hautbois
2
Clarinette, Basson (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Basson (duo)
2
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2
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1
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Flûte, Trompette (duo)
1
Flute (partie séparée)
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2 Hautbois, 2 Cors et 2 Bassons
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Flûte, Saxophone (duo)
1
Saxophone et Harpe
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Saxophone Baryton, Piano
1
Quatuor de Flûtes à bec
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
104
Quatuor de Cuivres
66
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette
10
Trompette, Piano
9
Cor
9
Trompette, Trombone (duo)
8
Cor et Piano
6
Cor anglais, Piano
6
Trombone et Piano
6
Trombone
5
Ensemble de Trombones
5
Ensemble de Trompettes
5
2 Trombones (duo)
5
Tuba
5
Ensemble de Cors
4
2 Trompettes (duo)
4
2 Cors (duo)
4
Cor anglais, Guitare (duo)
3
Tuba et Piano
3
Trompette (partie séparée)
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone (partie séparée)
1
Tuba (partie séparée)
1
3 Cors (trio)
1
Trompette, Harpe
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
108
Quintette à cordes: 2 violons, alto, violoncelle, basse
66
Violon
20
Violon et Piano
18
Violoncelle
18
Violoncelle, Piano
16
Violon, Violoncelle (duo)
15
Alto, Piano
14
Violon (partie séparée)
12
2 Harpes (duo)
10
Harpe
9
Alto seul
9
Violon, Alto (duo)
8
2 Altos (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
5
2 Violoncelles (duo)
4
Alto, Violoncelle (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Flûte (duo)
3
Ensemble d'Altos
3
Contrebasse, Piano (duo)
3
Ensemble de Violons
3
Violon, Basson (duo)
3
4 Harpes
3
Contre Basse
3
Harpe, Voix
3
Alto (partie séparée)
3
Alto et Basson
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
4 Violoncelles
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Harpe et mandoline
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
224
Orchestre
95
Orchestre à Cordes
65
Ensemble Jazz
50
Cloches
17
Orchestre de chambre
13
Ensemble de cuivres
11
Fanfare
9
Batterie (partie séparée)
5
Percussion (partie séparée)
3
Batterie
2
Jazz combo
2
Ensemble de Percussions
1
Cajon
1
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AUTRES
Vous avez sélectionné:
The Sound of the Sea
Partitions à imprimer
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2951
Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
31.37 €
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
The Sound of the Sea
Chorale 3 parties
Choral 3-part mixed choir - Digital Download SKU: H1.K217319DP Composed by Mark Wil…
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Choral 3-part mixed choir - Digital Download SKU: H1.K217319DP Composed by Mark Wilson. Piano Accompaniment. Secular, General Worship. Octavo. 8 pages. Hope Publishing - Digital #K217319DP. Published by Hope Publishing - Digital (H1.K217319DP). Janie Foster Knox.Original Anthem.
$2.95
2.64 €
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Chorale 3 parties
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Mark Wilson
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The Sound of the Sea
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Hope Publishing - Digital
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.02 €
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Chorale SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
Under The Sea
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1349167 Composed by Alan Menken and…
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Easy Piano - Level 1 - Digital Download SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933907. Published by Catherine Wilson (A0.1349167). Under the Sea from The Little Mermaid is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
4.47 €
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Piano Facile
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Alan Menken and Howard Ashman
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Catherine Wilson
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Under The Sea
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Catherine Wilson
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SheetMusicPlus
The Girl from Ipanema for Solo Trumpet & Piano
Trompette, Piano
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Musi…
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99
7.16 €
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Trompette, Piano
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Various
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Keith Terrett
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The Girl from Ipanema for Solo Trumpet & Piano
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Music for all Occasions
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SheetMusicPlus
The End Of The World
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur…
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99
6.26 €
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Piano seul
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
In the Shadow of the Phrygian Sea - Dark Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.573349 Composed by James Michael St…
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Piano Solo - Level 3 - Digital Download SKU: A0.573349 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score. 4 pages. James M Stevens Music ASCAP #5317955. Published by James M Stevens Music ASCAP (A0.573349). Written March 20, 2020, this is an original piano composition in the ancient Greek mode of D Phrygian. It is in a darkly reflective style. Some of the sounds in the melody and harmony you hear might not sound quite right because it is in neither major or minor. This particular mode is not used as much as some of the others because of the minor 2nd in the scale and because there is not a true dominant feeling chord because the V chord does not have a perfect fifth and is naturally a diminished chord. Sometimes I like to write a piece that is just an exercise in 20th century music theory utilizing the ancient modes. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99
4.47 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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In the Shadow of the Phrygian Sea - Dark Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
The Aura of the Sea - Septet
Small Ensemble Cello,Clarinet,Flute,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Small Ensemble Cello,Clarinet,Flute,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.969650 Composed by Christopher Gleeson. Contemporary. Score and parts. 114 pages. Christopher gleeson #2613255. Published by christopher gleeson (A0.969650). This Septet for Piano, Sting Quartet, Flute and Clarinet gives a vivid evocation of a sultry afternoon spent by the Australian seaside. Its harmony is sometimes evocative of modern Jazz sounds as well as contemporary tonal classical melodies.. It is in four movements.
$32.95
29.53 €
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Christopher Gleeson
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The Aura of the Sea - Septet
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christopher gleeson
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SheetMusicPlus
deck the halls sheet music arrangement for Clarinet and Cello
Clarinette, Violoncelle (duo)
B-Flat Bass Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.12903…
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B-Flat Bass Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1290392 By Traditional Music. By Traditional Music. Arranged by Arezzo Music. Chamber,Children,Christmas,Folk,Traditional. 3 pages. Arezzo Music #881104. Published by Arezzo Music (A0.1290392). Deck the halls sheet music arrangement for Clarinet and Cello Deck the Halls Clarinet and Cello Sheet Music: Get into the holiday spirit with this heartwarming arrangement of Deck the Halls for Clarinet and Cello. This delightful duet captures the essence of the season, making it the perfect addition to your festive repertoire. Whether you're performing at a holiday gathering or simply playing for your own enjoyment, this sheet music arrangement allows the sweet tones of the clarinet to blend beautifully with the rich, resonant sound of the cello. Spread warmth and cheer with this timeless Christmas melody, and let the music fill your heart with the joy of the season.deck the halls sheet music arrangement for Clarinet and CelloÂ
$3.99
3.58 €
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Clarinette, Violoncelle (duo)
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Traditional Music
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Arezzo Music
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deck the halls sheet music arrangement for Clarinet and Cello
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Arezzo Music
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SheetMusicPlus
Shades of Autumn
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.859690 Composed by Sydney Stevens. …
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Piano Solo - Level 3 - Digital Download SKU: A0.859690 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 6 pages. Sydney Stevens, Water Music #3875647. Published by Sydney Stevens, Water Music (A0.859690). Contact: sydneystevenspianostudio@gmail.comShades of Autumn: Beautiful, dreamy solo piano by Sydney Stevens(ASCAP).All Rights Reserved.Sounds Like: Helen Jane Long, Laura Sullivan, John Burr, Liz Story, A la Windham Hill, Michele McLaughlin, David NevueFrom Album: Dancers in the Rain Theme: Music portrays the season of autumn moving into the darker season of winter. Mood: Serious, melancholy, dark and mysterious.Musical Traits: Arpeggiated left hand piano and strong melody in right hand. Minor key. Contemporary Classical (tonal with strong themes). New Age acoustics, Romantic, Easy listening. Performance Time: 3:37Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: https://sydneystevenswatermusic.com/https://www.linkedin.com/in/sydney-stevens-532a113a/BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.A natural composer, Stevens finished her music composition degree after years of honing her artistry in the absence of outside influences. After completing her formal training in music composition, Sydney graduated cum laude from University of Redlands in California, receiving the prestigious Sigma Alpha Iota Composer's Award. Stevens also studied music composition at University of York, England and with composer and recording artist Bill Douglas in Boulder, Colorado. In addition to her large body of piano works and vocal songs, Sydney has composed music for chamber and symphony orchestra. Born in Los Angeles, California and raised in Seattle, Washington, Stevens currently resides in the beautiful Columbia River Gorge. A prolific composer, Stevens also teaches private piano lessons to students of all ages.
$4.95
4.44 €
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Piano seul
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Sydney Stevens
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Shades of Autumn
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Sydney Stevens, Water Music
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SheetMusicPlus
Through the Night (All Through the Night)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015846 Through the Night - …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015846 Through the Night - (All Through the Night). By Jim Brickman. Arranged by Jim Brickman. Christmas. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015846. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015846). ISBN 9781470619831. UPC: 038081497273.Jim Brickman celebrates the sounds of the season with On a Winter's Night. This folio captures the magic of the holidays with all of Jim's amazing piano work faithfully arranged. Titles: Joy to the Night * All I Want for Christmas Is You * That Silent Night * Away in a Manger/Bring a Torch, Jeanette, Isabella * Bethlehem Sunrise * I Wish It Was Christmas All Year * Blue Christmas * Ol' Saint Nick * Night Before Christmas * Christmas in Brazil * Holly, Ivy & Mistletoe * A Celtic Night (OAche ChiAoin) * Roses in December * Through the Night * Clouds.
$3.99
3.58 €
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Piano, Voix et Guitare
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Jim Brickman
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Jim Brickman
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Through the Night
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Another Day
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
4.44 €
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Voix Alto, Piano
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Amber Sea off "Seven Expression Studies"
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1025540 Composed by Alejandro Gold…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1025540 Composed by Alejandro Goldenberg. 20th Century,Contemporary. Individual part. 1 pages. Alejandro Goldenberg #4848855. Published by Alejandro Goldenberg (A0.1025540). Amber Sea belong to Seas, Seven Expression Studies. It began in front of the sea, and just in front of the sea three of them appeared. Image and Sound were the triggers of the state that became Sound.
$1.99
1.78 €
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Guitare
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Alejandro Goldenberg
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Amber Sea off "Seven Expression Studies"
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Alejandro Goldenberg
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SheetMusicPlus
Sea Otter Slide
Piano seul
Piano Solo - Early Intermediate - Digital Download SKU: F0.S4172 Composed by Jeanne…
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Piano Solo - Early Intermediate - Digital Download SKU: F0.S4172 Composed by Jeanne Costello. Sheet Music. Spotlight Solo Sheets. Solo Sheet. 3 pages. The FJH Music Company - Digital #S4172. Published by The FJH Music Company - Digital (F0.S4172). UPC: 674398227693.Sea Otter Slide is a quick, light, and fanciful early intermediate level solo written in 6/8 time and in C minor. The clever use of chromatics throughout produces the quick sliding sound effect, portraying the image of a sea otter skimming through the water. Students will love this piece! About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$2.95
2.64 €
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Piano seul
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Jeanne Costello
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Sea Otter Slide
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The FJH Music Company - Digital
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SheetMusicPlus
The River
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.44 €
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Voix Alto, Piano
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99
44.8 €
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Quatuor de Saxophones: 4 saxophones
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort for Sxophone Quartet
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Sounds of the Sea
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1114481 Composed by Heidi Stedman. …
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Piano Solo - Level 2 - Digital Download SKU: A0.1114481 Composed by Heidi Stedman. Children,Instructional,New Age. Score. 3 pages. Heidi Stedman #716362. Published by Heidi Stedman (A0.1114481). Sounds of the Sea is an atmospheric modal student piano piece written for the later beginner or early intermediate player. The three sections of the piece represent different parts of the ocean - the flowing waves, an open expanse of water, and a kelp forest. The piece includes flowing melodic lines, tempo changes, and one section with a LH melody. 3 pages.
$3.99
3.58 €
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Piano seul
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Heidi Stedman
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Sounds of the Sea
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Heidi Stedman
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.4 €
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Orchestre de chambre
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.58 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
The Sound Of Music
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.720460
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.720460 Composed by Richard Rodgers. Arranged by Ralph Raymond Hays. Broadway,Film/TV,Musical/Show. 8 pages. Ralph Raymond Hays #3424721. Published by Ralph Raymond Hays (A0.720460). Lovingly crafted by an arranger who once portrayed Friedrich Von Trapp in a theatrical production, this setting of one of Rodgers and Hammerstein’s most recognized and cherished tunes is certain to captivate performers and audience members alike. The introduction will evoke images of alpine vistas and an obligato will bring to mind the semblance of a laughing brook. Rodgers’ vaulting melody and lush, piquant harmonies are further enriched by the arranger’s ornamental countermelodies and tonal embellishments. Sounding both familiar and fresh to the engaged listener, and befitting myriad occasions, this arrangement of The Sound of Music will enhance the repertoire of any ensemble.This arrangement can be combined with others to form a Sound of Music Suite. :https://www.sheetmusicplus.com/search?Ntt=brass+quintet+sound+of+music+ralph+Raymond+hays
$12.99
11.64 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Richard Rodgers
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Ralph Raymond Hays
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The Sound Of Music
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Ralph Raymond Hays
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SheetMusicPlus
Air on the G String (HARD PIANO) from Suite No. 3 (BWV 1068) [Johann Sebastian Bach]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1257386 Composed by Johann Sebastia…
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Piano Solo - Level 4 - Digital Download SKU: A0.1257386 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 4 pages. Darek #850720. Published by Darek (A0.1257386). Embark on an exhilarating musical expedition with the Air on the G String, an awe-inspiring composition from Suite No. 3 (BWV 1068) by the legendary Johann Sebastian Bach. Prepare to be spellbound as you immerse yourself in the intricate melodies and technical challenges of this hard difficulty piano arrangement, crafted for pianists who crave a formidable musical adventure.Designed for seasoned pianists seeking to push their boundaries, this hard difficulty piano sheet music unlocks the full potential of Bach's masterwork. Explore the complexities of this iconic composition, from the lightning-fast passages to the demanding fingerings, as you showcase your virtuosity and command over the instrument.The Air on the G String stands alone in its ability to evoke a profound range of emotions, from gentle introspection to triumphant grandeur. Its timeless beauty and ethereal charm mesmerize listeners, drawing them into a captivating story told through every resounding note and nuanced phrase.Unleash your passion and dive into the captivating narrative as you breathe life into this formidable masterpiece. Let your fingers dance across the keys, interpreting the cascading melodies and expressive harmonies with the utmost precision and artistry, capturing the hearts and imaginations of your audience.Whether you're preparing for a demanding performance or simply seeking to conquer a musical Everest, this hard difficulty piano sheet music will challenge and inspire you. Embrace the exhilarating journey that awaits, and revel in the satisfaction of conquering Bach's magnificent creation.Keywords: Air on the G String, hard difficulty piano sheet music, Suite No. 3, BWV 1068, Johann Sebastian Bach, exhilarating, musical expedition, intricate melodies, technical challenges, formidable musical adventure, seasoned pianists, push boundaries, full potential, lightning-fast passages, demanding fingerings, virtuosity, command over the instrument, timeless beauty, ethereal charm, profound range of emotions, gentle introspection, triumphant grandeur, captivating story, resounding note, nuanced phrase, passion, formidable masterpiece, breathe life, precision, artistry, hearts and imaginations, demanding performance, musical Everest, challenge, inspire, exhilarating journey.
$5.00
4.48 €
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Piano seul
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Johann Sebastian Bach
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Darek
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Air on the G String
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Darek
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SheetMusicPlus
Song of the Sea for Intermediate Violin Solo
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.509258 Composed by Janice Malan. I…
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Violin Solo - Level 3 - Digital Download SKU: A0.509258 Composed by Janice Malan. Instructional,Standards. 5 pages. Janice Malan #5891583. Published by Janice Malan (A0.509258). This original sea song is a nice moderato piece for intermediate violin which introduces the young student to a theme and variation style. It also gives the student a chance to show off their use of vibrato, smooth slurring techniques and rhythm. The last note is a harmonic which gives them a chance to learn a soft touch and a beautiful sound of the harmonic. Enjoy!
$5.99
5.37 €
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Violon
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Janice Malan
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Song of the Sea for Intermediate Violin Solo
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Janice Malan
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
58.21 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
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