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The Way Life Should Be
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.43 €
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Violon, Clarinette, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
Free As The Wind
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1466523 Composed by Hal Sharper and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1466523 Composed by Hal Sharper and Jerry Goldsmith. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1045091. Published by Timothy Stapay (A0.1466523). Free As The Wind was composed by Jerry Goldsmith, a very prolific composer of film scores. This is the main theme from the movie Papillon starring Steve McQueen and Dustin Hoffman.This arrangement is written for intermediate piano.Yesterday's world is a dream like a river that runs through my mind Made of fields and the white pebbled stream that I knew as a child Butterfly wings in the sun taught me all that I needed to see For they sang sang to my heart oh look at me look at me Free as the wind free as the wind that is the way you should be. Love was the dream of my life And I gave it the best I knew how So it always brings tears to my eyes when I think of it now Gone like the butterfly days And the boy that I once used to be But my heart still hears a voice Telling me look , look and you will see There's no regret that I feel For the bitter sweet taste of it all If you love there's a chance you may fly If you fall, well you fall Rather the butterfly life To have lived for a day and been free For my heart still hears a voice Telling me look and you will see.
$5.99
5.37 €
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Piano seul
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Hal Sharper and Jerry Goldsmith
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Timothy Stapay
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Free As The Wind
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Timothy Stapay
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SheetMusicPlus
The Christmas Wish (Vocal Solo)
Chorale Unison
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol…
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
$5.95
5.33 €
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Chorale Unison
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Carol Troutman Wiggins [ASCAP], Mary White Pustrom
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The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
The Way Life Should Be
Piano seul
Instrumental Solo,Keyboard - Digital Download SKU: A0.1435211 By Wayne Bethanis. By…
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Instrumental Solo,Keyboard - Digital Download SKU: A0.1435211 By Wayne Bethanis. By Wayne Bethanis. Arranged by Wayne Bethanis. Contemporary,New Age. Individual part. 4 pages. King Tut Sound #995226. Published by King Tut Sound (A0.1435211).
$3.50
3.14 €
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Piano seul
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Wayne Bethanis
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Wayne Bethanis
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The Way Life Should Be
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King Tut Sound
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SheetMusicPlus
Free As The Wind
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1477548 Composed by Hal Sharper and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1477548 Composed by Hal Sharper and Jerry Goldsmith. Arranged by Timothy Stapay. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1054944. Published by Timothy Stapay (A0.1477548). Free As The Wind was composed by Jerry Goldsmith, a very prolific composer of film scores. This is the main theme from the movie Papillon starring Steve McQueen and Dustin Hoffman.Yesterday's world is a dream like a river that runs through my mind Made of fields and the white pebbled stream that I knew as a child Butterfly wings in the sun taught me all that I needed to see For they sang sang to my heart oh look at me look at me Free as the wind free as the wind that is the way you should be. Love was the dream of my life And I gave it the best I knew how So it always brings tears to my eyes when I think of it now Gone like the butterfly days And the boy that I once used to be But my heart still hears a voice Telling me look , look and you will see There's no regret that I feel For the bitter sweet taste of it all If you love there's a chance you may fly If you fall, well you fall.
$6.99
6.26 €
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Piano seul
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Hal Sharper and Jerry Goldsmith
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Timothy Stapay
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Free As The Wind
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Timothy Stapay
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SheetMusicPlus
The Kingdom Has A New Son (Cast) from "The Kings" - ACT 2:Song 10
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784836 Composed by McCorkl…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784836 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11763. Published by DF McCorkle Music and eBook Publications (A0.784836). ACT 2: Song 10. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:24 - And David comforted Bathsheba his wife, and went in unto her, and lay with her; and she bore a son, and called his name Solomon. And Yahweh loved him;] [1 Kings 2:1-4 - Now the days of David drew nigh that he should die; and he charged Solomon his son, saying: 2 I go the way of all the earth; be thou strong therefore, and show thyself a man; 3 and keep the charge of Yahweh your God, to walk in His ways, to keep His statutes, and His commandments, and His ordinances, and His testimonies, according to that which is written in the law of Moses, that you may prosper in all that you do, and whithersoever you turn yourself; 4 that Yahweh establish His word which He spoke concerning me, saying: ‘If thy children take heed to their way, to walk before Me in truth with all their heart and with all their soul, there shall not fail thee, said He, a man on the throne of Israel.’] BATHSHEBA becomes pregnant again and DAVID a son, SOLOMON is born to them [The Kingdom has a New Son – Elders]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.68 €
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Chorale SATB
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McCorkle, Dennis F
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The Kingdom Has A New Son
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
A Psalm of Life
Chorale SATB
SATB Chorus & Piano - Digital Download SKU: IZ.VMF221 Composed by Richard Sorce. Oc…
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SATB Chorus & Piano - Digital Download SKU: IZ.VMF221 Composed by Richard Sorce. Octavo. 13 pages. Imagine Music - Digital #VMF221. Published by Imagine Music - Digital (IZ.VMF221). 8.5 x 11 inches.The poem A Psalm of Life by H.W. Longfellow is a testament to viewing life in the most positive way, and not by dwelling on its hardships or past crises. Nowhere is it written that this life journey should or must be viewed in any negative way.Modulations that occur in several areas are meant to emphasize critical ideas of the poem, and the performers should take note of the melodic stress that occurs among the various parts (See measures 33 and 41). Dynamics are important in relaying the meaning of the text and should be observed, although the conductor should feel free to augment these whenever she or he deems it necessary. As always, relaying the meaning of the words through the music should always be considered the primary goal of the performance.
$2.20
1.97 €
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Chorale SATB
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Richard Sorce
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A Psalm of Life
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Imagine Music - Digital
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.19 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.19 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Roll it on Down the Highway (Ahio & Cast) from "The Kings - ACT 2:Song 3
Voix basse, Piano
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784829 Composed by McCor…
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784829 Composed by McCorkle, Dennis F. Broadway,Christian,Gospel,Musical/Show,Rock. 23 pages. DF McCorkle Music and eBook Publications #11749. Published by DF McCorkle Music and eBook Publications (A0.784829). ACT TWO: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Chronicles 13:1-3 - And David consulted with the captains of thousands and of hundreds, even with every leader. 2 And David said unto all the assembly of Israel: ‘If it seem good to you, and if it be of Yahweh our God, let us send abroad everywhere unto our brethren that are left in all the land of Israel, and with them to the priests and Levites that are in their cities that have open land about them, that they may gather themselves unto us; 3 and let us bring back the ark of our God to us; for we sought not unto it in the days of Saul.’] [1 Chronicles 13:7-10 - And they set the ark of God upon a new cart, and brought it out of the house of Abinadab; and Uzza and Ahio drove the cart. 8 And David and all Israel played before God with all their might; even with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets. 9 And when they came unto the threshing-floor of Chidon, Uzza put forth his hand to hold the ark; for the oxen stumbled. 10 And the anger of Yahweh was kindled against Uzza, and He smote him, because he put forth his hand to the ark; and there he died before God.] Realizing the need for a central capital from which to govern, DAVID and the united clans capture the fortress of Zion in Jerusalem. Concerned about the people and solidifying the position, DAVID assembles the commanders and leaders of the people to discuss the possibility of relocating the Ark of the Covenant from the house of Abinadab in Kiriath-jearim, where it had been stored for seventy years, to Jerusalem. DAVID orders a new cart be made for its transport, disregarding the directives from God that only permitted the Levites to move the Ark and only carried with the poles on their shoulders [Role it on Down the Highway – Ahio and David’s Troops]. When the Ark reaches the threshing-floor at Nacon, the oxen stumble and Uzzah puts his hand out to steady it and is instantly killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.68 €
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Voix basse, Piano
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McCorkle, Dennis F
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Roll it on Down the Highway
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Moon's Sun
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1029742 Composed by Nolwazi Nkwanyana. 20th Century,Contemporary,Romantic Period. Score and parts. 15 pages. Nolwazi Nkwanyana #6884175. Published by Nolwazi Nkwanyana (A0.1029742). For Flute, Bb Clarinet and PianoDuration: 4.5 minutesThe relationship between the sun and the moon is a rather fascinating one. One could imagine that the sun, as bright and glorious as it is, shares its light to help the moon come to life at night. A bright full moon is such a splendid and ethereal sight -but it would not be so without the sun. During the darkest nights, the moon and sun work together to provide the night sky with a timeless illumination. You will find that all three instruments have their beautiful individual moments. However, the most brilliant and splendid sections in the piece are a result of their timbres combined and the way their melodic lines intertwine. The piano part is crucial for setting the mood of each section and should be treated with ultimate delicacy and importance. There is no main instrument in this piece. The flute and clarinet come together bringing additional light and life to the majestic landscape that is provided by the piano.
$11.99
10.75 €
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Nolwazi Nkwanyana
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The Moon's Sun
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Nolwazi Nkwanyana
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
26.84 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Goodness of the Lord (Vocals and Piano)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.958123 Composed by Adam Ju…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.958123 Composed by Adam Judd. Christian,Gospel,Sacred. Octavo. 8 pages. Adam Judd #3129737. Published by Adam Judd (A0.958123). The Goodness of the Lord grew out of the striking statement of faith found in Psalms 27: 13. While much of the psalm indicates that its author was dealing with some serious life issues, in this verse the psalmist affirms a trust in the Lord’s help: not salvation for the next life, but rescue and shelter within the present lifetime. This piece attempts to portray such trust in God during times of struggle and pain.At least two soloists are necessary, but the solo parts may be divided among more singers if desired to suit your ensemble. The piece may be performed successfully using only chorus, soloists, and piano; however, there is also an orchestration available (S0.249231) for trumpet, tenor sax, guitar, and upright bass. Be warned that the tenor sax part is advanced-but someone who regularly handles musical theater woodwind books should have no problem. Including a drum set is recommended if you have someone who can find his or her way through the piece and enhance its gospel flavor; there is no written drum set chart, because the person you would want to play this piece with you won’t need it.Enjoy!
$1.99
1.78 €
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Chorale SATB
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Adam Judd
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The Goodness of the Lord
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Adam Judd
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SheetMusicPlus
The Goodness of the Lord (Orchestration - Score and Parts)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.958124 Composed by Adam Judd. Christ…
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Choral Choir (SATB) - Digital Download SKU: A0.958124 Composed by Adam Judd. Christian,Gospel,Sacred. Octavo. 17 pages. Adam Judd #3129743. Published by Adam Judd (A0.958124). The Goodness of the Lord grew out of the striking statement of faith found in Psalms 27: 13. While much of the psalm indicates that its author was dealing with some serious life issues, in this verse the psalmist affirms a trust in the Lord’s help: not salvation for the next life, but rescue and shelter within the present lifetime. This piece attempts to portray such trust in God during times of struggle and pain.Available here is a full score and parts for the orchestration, including trumpet, tenor sax, guitar, and upright bass. Be warned that the tenor sax part is advanced-but someone who regularly handles musical theater woodwind books should have no problem. Including a drum set is recommended if you have someone who can find his or her way through the piece and enhance its gospel flavor; there is no written drum set chart, because the person you would want to play this piece with you won’t need it. Octavos for the choral singers and soloists can be purchased separately (S0.249225).Enjoy!
$25.00
22.41 €
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Chorale SATB
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Adam Judd
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The Goodness of the Lord
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Adam Judd
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SheetMusicPlus
King Of The Road
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Tr…
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Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
15.23 €
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Randy Travis
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Keith Terrett
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
38.53 €
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Orchestre
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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James Nathaniel Holland
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 124 pages. James Nathaniel Holland #4305803. Published by James Nathaniel Holland (A0.730481). The Discontented Housewife FULL ORCHESTRAL SCORE ONLY, A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$13.35
11.96 €
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Orchestre
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
Nightlife - for Percussion Ensemble
Level 3 - Digital Download SKU: A0.751210 Composed by Patrick Glenn Harper. Jazz,Po…
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Level 3 - Digital Download SKU: A0.751210 Composed by Patrick Glenn Harper. Jazz,Pop,Rock. 111 pages. Patrick Glenn Harper #5198107. Published by Patrick Glenn Harper (A0.751210). Your percussion ensemble and audience will appreciate this extremely catchy and unique musical homage to big-city nightlife. Elements of jazz, pop, and rock are woven throughout the piece, with solo and soli sections featuring the mallets. Your more advanced percussionists will be challenged on the mallet parts, while easier auxiliary parts will give your newer players a chance to be a part of the ensemble as well. NOTE: The bass guitar part works equally well on keyboard synthesizer for those groups who do not have a bassist. All grace notes in the mallet parts should be played slightly before the beat, taking no time away from the actual note following the grace note.
$37.95
34.01 €
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Patrick Glenn Harper
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Nightlife - for Percussion Ensemble
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Patrick Glenn Harper
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SheetMusicPlus
The Hunt
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
8.95 €
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Orchestre de chambre
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Together We Can Change the World
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1353397 Composed by…
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Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1353397 Composed by Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Contemporary,Pop. 17 pages. Lytingale Music #938156. Published by Lytingale Music (A0.1353397). Written for SSAA chorus. Theme: empowerment, activism. We are the ones who can fix this world!Accompanied by piano, with optional violin (or flute) partAvailable formats: full score with piano, lead sheet (no piano, for singers), violin part, piano reduction. The mp3 is a rough mix of the parts recordings created for rehearsal (which are available).My community chorus memorizes, so I write with repetition and consistency! Our chorus found this exciting and inspirational to sing. This piece was also chosen to be performed as a mass chorus piece for the national Sister Singers Network Festival 2023 in Cleveland.Lyrics:Movin' and a-shakin' and a-shakin' and a-movin',Movin' and a-shakin' and a-shakin' and a-movin', Movin' and a-shakin' and a-shakin' and a-movin',  Movin' and a-shakin' and a-shakin' and a-movin', Rock on, sisters! Rock on! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. We are the ones  Who get things done.We are the ones  Who make it run.We are the ones  Who work together. Together we can change the world. Honor the mothers. Honor the mothers who carried us through, to get us to a world of possibility where we can see how to be more, how to live free. We stand on the shoulders. We stand on the shoulders of women who died, and women who cried out for freedom, for justice, for life. Some of us rock the cradle. Some of us rock the boat. Giving what we are able   to do, to see, to be. Standing on the rock of community.Standing on the rock of community. We're standing on the rock of community.  Makin' a way to grow and live the power,    the power of our own truth. Together we can change the world. Liberty! Together we can change the world. Equality! Together we can change the world. Community! Together we can change the world. Fix this world. There's a whole lot to do.Fix this world. Gonna make it new.Fix this world. It's up to me and you. I witnessed.  Because it needed to be done.I spoke out.  Because it needed to be done. I stood up.   Because it needed to be done. I did what needed, I did what needed, I did what needed to be done.Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! We are the ones  Who get things done.We are the ones  Who make it run.We are the ones  Who work together, Together we can change the world. Movin' and a-shakin' and a-shakin' and a-movin', Together we can change the worldMovin' and a-shakin' and a-shakin' and a-movin', Together we can change the world.Together, Together, Together, Together,Together we can change the world. (2021) Lois J Henrickson (Lytingale).
$1.99
1.78 €
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Chorale SSAA
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Lois J Henrickson
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Lois J Henrickson (Lytingale)
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Together We Can Change the World
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Lytingale Music
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SheetMusicPlus
Consider The Lillies
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. …
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Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. 20th Century,Baroque,Christian,Religious,Renaissance. Individual part. 4 pages. Chris Salerno Music #796031. Published by Chris Salerno Music (A0.1196871). Program NotesConsider The Lillies is inspired by Jesus’ sermon on the mount, specifically, His explanation of the futility of worrying. He uses two illustrations from nature, birds and flowers, as examples of living in quiet contentment. In each case, Jesus admonishes us to take a moment to either look at or consider. Both actions require us to engage in contemplation. The piece is cast loosely in the Loure dance form, with long pauses interrupting each phrase portion. The piece is an illustration of taking time to consider something in a deep and meaningful way. A technically simple tune embodies the quiet life of contented trust in God and contemplation. Consider The Lillies mimics the act of hearing an idea, then pausing to consider it. Both performer and audience are given time to contemplate the musical phrase portions during the moment of silence that follows each musical idea.Performance NotesWhen performing Consider The Lillies, approach each phrase portion as a melody in and of itself. The main tempo marking at the beginning, Adagio Rubato, allows the performer to  naturally act out the process of hearing an idea, then pausing for contemplation. Executing a strict tempo is not necessary. However, each phrase should be performed without drastic tempo changes.
$5.00
4.48 €
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Flûte traversière
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Chris Salerno
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Consider The Lillies
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Chris Salerno Music
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SheetMusicPlus
Why Should Friendship's Chain Be Broke? Song and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.17296 Composed by R. G. Staples. Portrai…
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Piano and voice - Digital Download SKU: LV.17296 Composed by R. G. Staples. Portraits, Friendship, Time, Human life cycle, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17296). Why Should Friendship's Chain Be Broke? Song and Chorus. By R.G. Staples. Published 1856 by Henry McCaffrey in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Friendship, Time, Human life cycle, Death. First line reads Oh! why should friendship's chain be broke, or dimpling smiles give way.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
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Piano, Voix
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R
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R
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Why Should Friendship's Chain Be Broke? Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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