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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
There Are Children at the Door
Partitions à imprimer
19 partitions trouvées
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1
There Are Children at the Door
Chorale SATB
SATB chorus, keyboard - Medium Easy - Digital Download Composed by David M. Cherwien. …
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SATB chorus, keyboard - Medium Easy - Digital Download Composed by David M. Cherwien. Augsburg Choral Library. Octavo. 8 pages. Augsburg Fortress - Digital #9781506465227. Published by Augsburg Fortress - Digital
$1.95
1.75 €
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Chorale SATB
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David M
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There Are Children at the Door
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Augsburg Fortress - Digital
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SheetMusicPlus
We Are Grateful (Church Without Walls)
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.1016176 Composed by Abe …
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.1016176 Composed by Abe Cáceres. Christian,Sacred. Octavo. 7 pages. World House Music #5986349. Published by World House Music (A0.1016176). This song was commissioned to celebrate 162 years of ministry of Our Savior's Lutheran Church (OSLC) in Milwaukee, WI. The final service will is/was on Sunday, July 26, 2020. Although the physical doors will close, the community will continue as will the many ministries begotten here such as The Next Door Foundation, and others. OSLC was my home church for many years, and I was one of the ministers of music there for some time. I played for funerals, baptisms and weddings there. I raised my children there. It was a place where memories of pain and joy embrace. I hope that this song recognizes the pain of the closing, but celebrates the years of vibrant ministry, and leaves us with a sense of hope. God does not dwell in temples but in hearts filled with Agape love. The song can also be used during the pandemic as we strive to be a church in spirit without walls. Biblical references: Romans 8:38-39, Acts 17:24 This product includes the piano vocal score, optional choral parts for closing measures, and the congregational lead sheet for reproduction in church bulletins. Please be sure to report church usage to CCLI. Complete lyrics are available on the YouTube description and at www.worldhousemusic.org Thanks! Dr. Abe
$3.99
3.58 €
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Chorale Unison
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Abe Cáceres
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We Are Grateful
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World House Music
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SheetMusicPlus
Noah And The Ark - A Musical
Chorale 2 parties
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1297608 Composed …
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1297608 Composed by John Fries. Arranged by John Fries. Children,Christian,Praise & Worship,Religious,Sacred. 163 pages. John Fries #887591. Published by John Fries (A0.1297608). Entitled Don't Forget The Albatross!, this delightful, upbeat, easy to perform musical tells the story of Noah And The Ark. All of us are aware that hurches today need to create ways to reach out to the community and production of this easy to produce musical will go a long way towards that goal. There are 6 easy to sing two part songs, 7 scenes, a cast of only 9, and charts for piano, bass, drums and flute. A Director's copy, scene books, vocal charts, charts for piano, bass, drums and flute are all included. I have even included a water color page for you to use on your program. The cast includes a narrator, Noah and his wife, Noah's three sons and their wives. The set is easy to create - all that is needed is the side of the ark with a door at the side and a window near the top. During the song, Two By Two.children dressed as animals enter from the rear of the sanctuary. This will be a great way to increase your outreach efforts within the community.  Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.
$29.99
26.88 €
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Chorale 2 parties
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Two
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John Fries
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John Fries
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Noah And The Ark - A Musical
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John Fries
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SheetMusicPlus
Flute Trio - Fairy Tales
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 C…
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
$25.00
22.41 €
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Trio de Flûtes: 3 flûtes
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Mike Lyons
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Flute Trio - Fairy Tales
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Lyons Music Services
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.17 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.17 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Growing Into Me
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873030 Composed by Sally Whi…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whitwell (A0.873030). Composer’s Note - Growing into meOn a particularly blustery Winter's day, I went to the National Arboretum in my home town of Canberra, Australia, with a bunch of very lovely kids from the Woden Valley Youth Choir (WVYC). Their director Alpha Gregory had asked me to come and do a composition workshop with the kids, to which I had replied with an enthusiastic YES!.I'd done this kind of thing with WVYC before, but this time around I wanted to take it somehow to the next level, to give the piece a real sense of place, a specific and experiential connection to the local community or landscape, and the Arboretum seemed a natural choice for me for an inspirational excursion. I had a family connection to it myself at the time, my cousin Emma worked there and was very passionate about it. Also, it is an outdoorsy kind of place and I have such fond memories of outdoorsy exploratory kinds of activities filling my entire childhood, a very typically Canberran thing. I'm sure the WVYC kids have a similar experience and I hope they know how lucky they are!So we put on our winter coats and scarves and hiked up the mountain, being sure to not only look at what was there, but also to listen, to touch, to smell. It was truly a multi sensory experience. Then we all went down to a local church hall and talked about what we saw and heard and smelt and the kids were just bursting with wonderful ideas for our new song. I've incorporated as many of their ideas as possible into the completed product, as well as my own over-arching theme; the oldest of the trees at the National Arboretum are only a couple of years older than some of the children in the group, so it seemed a nice parallel to make, their growing up alongside each other. It is my hope that the writing of this piece bonds these children to this important and magical place, so ripe with possibility, and that the connection is a lasting and meaningful one for them. It certainly will be for me.-- Sally Whitwell
$1.99
1.78 €
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Chorale 2 parties
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Sally Whitwell
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Growing Into Me
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Sally Whitwell
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SheetMusicPlus
Seven Days Without Prayer
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download…
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99
1.78 €
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David Kai
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Beethovens Wig Sing Along Piano Classics
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928572 Composed by Beethoven…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928572 Composed by Beethoven's Wig, Richard Perlmutter. Children,Classical,Instructional,Romantic Period,Standards. Score. 65 pages. Beethoven's Wig, Inc. #6384013. Published by Beethoven's Wig, Inc. (A0.928572). Inspired and wildly imaginative, Beethoven's Wig Sing Along Piano Classics are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. It’s fun to play and sing along! The music for each piano piece is presented as it was originally written by the composer. As a bonus, there is an appendix with pieces transposed into the keys used on Beethoven’s Wig recordings. This allows pianists to play and sing along with the recorded tracks.GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS - MUSIC IN THE COMPOSER’S ORIGINAL KEYSBeep, Beep, Beep (Moonlight Sonata, Beethoven), Just For Elise (Für Elise, Beethoven), La De Da Sonata (Sonata in C, Mozart), A Piano Is Stuck In The Door (The Entertainer, Joplin), My Little Chicken (Chopsticks, de Lulli), Poor Uncle Joe (Funeral March, Chopin), A Fan of Chopin (Prelude Op. 28, No 7, Chopin), Mozart Makes Kids Smart (Alla Turca, Mozart), Minuet For My Pet (Minuet In G, Beethoven), Dvorak The Czechoslovak (Humoresque No. 7, Dvorak), Franz Liszt The Famous Pianist (Hungarian Rhapsody No. 2, Liszt), I Can’t Sleep (Lullaby, Brahms), I Like Art (Promenade From Pictures At An Exhibition, Mussorgsky)APPENDIX - MUSIC IN THE KEYS ON BEETHOVEN’S WIG RECORDINGSJust For Elise - Key of Eb Minor (Für Elise, Beethoven), A Piano Is Stuck In The Door - Key of G (The Entertainer, Joplin), Minuet For My Pet - Key of D (Minuet In G, Beethoven), Dvorak The Czechoslovak - Key of Bb (Humoresque No. 7, Dvorak, Franz Liszt The Famous Pianist - Key of F (Hungarian Rhapsody No. 2, Liszt)
$17.99
16.12 €
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Piano, Voix
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Beethoven's Wig, Richard Perlmutter
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Beethovens Wig Sing Along Piano Classics
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Beethoven's Wig, Inc.
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SheetMusicPlus
Gagarin (Beyond Blue Sky)
Chorale 2 parties
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.510157 Composed by Glyn Lehm…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.510157 Composed by Glyn Lehmann. 20th Century. Octavo. 8 pages. Glyn Lehmann #3507407. Published by Glyn Lehmann (A0.510157). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwMore SPACE RACE song-cycle songs on SheetMusicPlus1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=12. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=13. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.....4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1Gagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50
2.24 €
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Chorale 2 parties
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Sm…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.12 €
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Ensemble de cuivres
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F
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F
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Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Sweetwater Brass Press
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SheetMusicPlus
Gagarin (Beyond Blue Sky)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510169 Composed by Glyn Le…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3542449. Published by Glyn Lehmann (A0.510169). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwGagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50
2.24 €
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Chorale SATB
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
Christmas In Australia
Chorale Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774746 Composed by Guy G…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774746 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888943. Published by Sandra Milliken (A0.774746). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$4.99
4.47 €
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Chorale Unison
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Christmas In Australia
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1121346 Composed by Guy Gros…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1121346 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Christmas,Contemporary. Octavo. 8 pages. Sandra Milliken #722519. Published by Sandra Milliken (A0.1121346). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs. An instrumental accompaniment for Glockenspiel and string ensemble is also available separately.
$2.30
2.06 €
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Chorale 2 parties
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Christmas In Australia
Chorale Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774748 Composed by Guy G…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774748 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888947. Published by Sandra Milliken (A0.774748). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$4.99
4.47 €
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Chorale Unison
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Christmas In Australia
Chorale Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774745 Composed by Guy G…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774745 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888935. Published by Sandra Milliken (A0.774745). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$4.99
4.47 €
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Chorale Unison
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Christmas In Australia
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.774741 Composed by Guy Gross…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.774741 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 8 pages. Sandra Milliken #4887191. Published by Sandra Milliken (A0.774741). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain.Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$2.30
2.06 €
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Chorale 2 parties
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
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SheetMusicPlus
Christmas In Australia
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774744 Composed by Guy Gro…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774744 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandra Milliken #4887201. Published by Sandra Milliken (A0.774744). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.
$2.30
2.06 €
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Chorale SATB
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Guy Gross and John Palmer
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Sandra Milliken
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Christmas In Australia
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Sandra Milliken
#
SheetMusicPlus
Do You Want To Build A Snowman?
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00
12.55 €
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Ensemble de Flûtes
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Kristen Bell
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Lisa Ochoco
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Do You Want To Build A Snowman?
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Lisa L Ochoco
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SheetMusicPlus
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