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TRI ET FILTRES
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Tri et filtres :
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Three Times The Fun
Partitions à imprimer
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1
The King of Love My Shepherd Is ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arra…
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Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arranged by Todd Marchand. Christian, Sacred, General Worship, Funeral. Score, Set of Parts. 9 pages. Published by Con Spirito Music
?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza:
Perverse and foolish oft I strayed,
But yet in love He sought me,
And on His shoulder gently laid,
And home, rejoicing, brought me.
Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA.
It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending.
?2019 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Irish traditional tune
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Todd Marchand
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The King of Love My Shepherd Is ? brass quintet
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Con Spirito Music
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SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Descant recorder - intermediate - Digital Download Method for descant recorder. Thi…
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Descant recorder - intermediate - Digital Download Method for descant recorder. This edition: method. Fun and games with the recorder. Downloadable. Op Tutor Book 2. Schott Music - Digital #Q54874. Published by Schott Music - Digital
English.
A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.
three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.
* Discover the adventure of learning the recorder
* Make real progress through games: breathing
* A mixture of lively new and traditional tunes
* Three supplementery tune books each with a sheet of stickers
* Teacher's commentary
* Join Dotty-do-a-lot and her friends in the exciting world of music
Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.
The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.
In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.
Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.
Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.
In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.
It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.
We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.21 €
#
Flûte à bec Soprano
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Fun and Games with the Recorder
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Schott Music - Digital
#
SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Descant recorder - easy - Digital Download Method for descant recorder. This edition:…
(+)
Descant recorder - easy - Digital Download Method for descant recorder. This edition: performance book. Fun and games with the recorder. Downloadable. Op Tune Book 1. Schott Music - Digital #Q49185. Published by Schott Music - Digital
English.
A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.
three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.
* Discover the adventure of learning the recorder
* Make real progress through games: breathing
* A mixture of lively new and traditional tunes
* Three supplementery tune books each with a sheet of stickers
* Teacher's commentary
* Join Dotty-do-a-lot and her friends in the exciting orld of music
Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.
The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.
In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.
Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.
Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.
In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.
It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.
We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.21 €
#
Flûte à bec Soprano
#
Fun and Games with the Recorder
#
Schott Music - Digital
#
SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Soprano recorder - easy - Digital Download Method for descant recorder. This edition:…
(+)
Soprano recorder - easy - Digital Download Method for descant recorder. This edition: method. Fun and games with the recorder. Downloadable. Op Tutor Book 1. Schott Music - Digital #Q54873. Published by Schott Music - Digital
English.
A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.
Three volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.
&bull. Discover the adventure of learning the recorder
&bull. Make real progress through games: breathing
&bull. A mixture of lively new and traditional tunes
&bull. Three supplementary tune books each with a sheet of stickers
&bull. Teacher's commentary
&bull. Join Dotty-do-a-lot and her friends in the exciting world of music
".Fun and Games with the Recorder". is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of professional instruction for budding performers. Although the recorder is often the instrument with which children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.
The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.
In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessible to both the parent/teacher and the child.
Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, G, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.
Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The Tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompaniment.
In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.
It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. ".Dotty's Note Book". (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.
We wish users of this tutor book every success and happiness with their recorder playing.
$9.99
9.21 €
#
Flûte à bec Soprano
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Fun and Games with the Recorder
#
Schott Music - Digital
#
SheetMusicPlus
The Year of the Trumpeter (piano reduction)
Trompette, Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sac…
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by Musica Nova USA
Year of the Trumpeter (El A?o del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009.
Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.
Linares Rodriguez was a member of the La Armonica Band of Bu?ol. After he retired from playing, hebecame the manager for the society?s buildings. When I first lived in Bu?ol in 1996 we became goodfriends and sometimes took walking excursions together.
Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.
Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.
Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Bu?ol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene? Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composici?n de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$15.00
13.83 €
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Trompette, Piano
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Gregory Fritze
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The Year of the Trumpeter
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Musica Nova USA
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Bor?ades is a trag?die lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Bor?ades are the descendants of Bor?as.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Bor?ades?, written in 1763 when Rameau was 80. ?lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, ?lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$4.99
4.6 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Bor?ades is a trag?die lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Bor?ades are the descendants of Bor?as.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Bor?ades?, written in 1763 when Rameau was 80. ?lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, ?lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
https://youtu.be/qTwqBVt2Clw
$5.99
5.52 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Sonate No. 8, “Pathétique” 2nd Movement - for Piano
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1…
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Piano Solo - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by Flavio Regis Cunha. Romantic Period, Repertoire, Funeral, Graduation, Recital. 8 pages. Published by Flavio Regis Cunha
Ludwig van Beethoven's Piano Sonata no 8 in C minor, op 13 commonly known as Path?tique (although commonly thought to be one of the few works to be named by the composer himself, it was actually named by the publisher, to Beethoven's liking) was published in 1799, though written the year before, when the composer was 27 years old. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. At the time of its publication, Beethoven was pleased with the title Path?tique for his op 13 piano sonata, although in later life, he came to regret it, claiming that all of his works were pathetic.
The Path?tique Sonata is perhaps the earliest of Beethoven's compositions to achieve widespread and enduring popularity. It is widely represented on the concert programs and recordings of professional pianists. As one of the more famous Beethoven pieces, it has been incorporated into several works of popular culture.
The rondo theme of the second movement is one of the most beautiful and famous tunes in the repertoire. This theme is not merely pretty; it is, after the vicious first movement conclusion, a heroic if melancholy affirmation that life goes on, that beneath sorrow and pain, there is still grace and nobility.
This Adagio movement opens with the famous cantabile ("in a singing style") melody. This theme is played three times, interspersed with two modulating episodes: the first going from F minor to E flat major, the second from A flat minor to E major. With the final return of the main theme, the accompaniment becomes richer and takes on the triplet rhythm of the second episode. The brief coda's stylistic diversity is arresting: four bars of Romantic transcendence followed by a strikingly conventional 18th-century close.
$4.99
4.6 €
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Piano seul
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Ludwig van Beethoven
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Flavio Regis Cunha
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Sonate No. 8, “Pathétique” 2nd Movement - for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Three Times The Fun
Ensemble de Percussions
Composed by Harvey Minchin. 21st Century. Score, Set of Parts. 16 pages. Published by Harv…
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Composed by Harvey Minchin. 21st Century. Score, Set of Parts. 16 pages. Published by Harvey Minchin (S0.250529). - Score,Set of Parts - 21st Century - Harvey Minchin
$10.95
10.09 €
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Ensemble de Percussions
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Harvey Minchin
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Three Times The Fun
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Harvey Minchin
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SheetMusicPlus
Solitude is Oneself [piano]
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Co…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. 8 pages. Published by Juan Maria Solare
Solitudeis Oneself: Three piano pieces:
1 NeverUnderestimate the Difficulties of Simple Things
2 Too MuchBut Still Not Enough
3 Waitingfor Perfection is Waiting Forever
Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.
You can "use" this music formeditation, study, learning, sleeping, relax or praying.
The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Ad?riz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").
Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.
NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.
Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.
About the ArtWork / Cover Art of Solitudeis Oneself:
It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.
The music is dedicated to Mr. Cadmiel P?rez from Rep?blica Dominicana.
Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.
In Spotify is here:
https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h
In Bandcamp is here:
https://juanmariasolare.bandcamp.com/album/solitude-is-oneself
If you readSpanish you can find more about this music here:
https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano
$3.00
2.77 €
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Piano seul
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Juan María Solare
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Solitude is Oneself [piano]
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Juan Maria Solare
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SheetMusicPlus
Easy String Trios: Thanksgiving Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello)
Trio à Cordes: violon, alto, violoncelle
Violin, Viola, Cello, String Trio - Early Intermediate - Digital Download Composed by…
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Violin, Viola, Cello, String Trio - Early Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Romantic Period, Christian, Sacred, Folk, Thanksgiving. Score, Set of Parts. 64 pages. Published by Sharon Wilson
This collection of ?Easy String Trios? contains 10 hymns arranged for VIOLIN, VIOLA, and CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for recitals and worship services. The theme of each hymn centers around giving thanks and is equally suited for the Thanksgiving season as well as other times of year to encourage a spirit of gratitude.
All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
All Creatures of Our God and King
Come, Thou Fount of Every Blessing
Come, Ye Thankful People, Come
Count Your Blessings
Joyful, Joyful, We Adore Thee (Ode to Joy)
Now Thank We All Our God
Praise God, from Whom All Blessings Flow (Doxology)
Praise to the Lord
Rejoice, the Lord Is King
We Gather together
$20.00
18.44 €
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Trio à Cordes: violon, alto, violoncelle
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Various
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Easy String Trios: Thanksgiving Hymns
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Sharon Wilson
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SheetMusicPlus
Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello)
Trio à Cordes: violon, alto, violoncelle
By Sharon Wilson. By Various. Arranged by Sharon Wilson. Easter, Folk, Praise and Worsh…
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By Sharon Wilson. By Various. Arranged by Sharon Wilson. Easter, Folk, Praise and Worship, Sacred, Traditional. Score and parts. 75 pages. Sharon Wilson #5044607. Published by Sharon Wilson
This collection of "Easy String Trios" contains 10 hymns arranged for VIOLIN, VIOLA, and CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for recitals and worship services. The theme of each hymn centers around Jesus? love for us as witnessed in his coming to earth to die on the cross. These hymn arrangements are equally suited for the Easter and Lent season as well as other times of year to celebrate our resurrected Savior and King.
All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Christ the Lord Is Risen Today
Crown Him with Many Crowns
He Is Risen
Into the Woods My Master Went
Jesus Christ Is Risen Today
Jesus Paid It All
O Sacred Head, Now Wounded
Thine Is the Glory
What Wondrous Love Is This
When I Survey the Wondrous Cross
$20.00
18.44 €
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Trio à Cordes: violon, alto, violoncelle
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Sharon Wilson
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Sharon Wilson
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Easy String Trios: Easter Hymns
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Sharon Wilson
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SheetMusicPlus
Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for 2 Violins and 1 Cello)
Trio à Cordes: 2 violons, violoncelle
Violin, Cello, String Trio - Early Intermediate - Digital Download Composed by Variou…
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Violin, Cello, String Trio - Early Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Easter, Lent. Score, Set of Parts. 75 pages. Published by Sharon Wilson
This collection of ?Easy String Trios? contains 10 hymns arranged for 2 VIOLINS and 1 CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for recitals and worship services. The theme of each hymn centers around Jesus? love for us as witnessed in his coming to earth to die on the cross. These hymn arrangements are equally suited for the Easter and Lent season as well as other times of year to celebrate our resurrected Savior and King.
All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN 1, VIOLIN 2, and CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
$20.00
18.44 €
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Trio à Cordes: 2 violons, violoncelle
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Various
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Easy String Trios: Easter Hymns
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Sharon Wilson
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SheetMusicPlus
Hallelujah
Piano Facile
By Leonard Cohen. Arranged by Elena Fortin. Sheet Music Single. 4 pages. Published by …
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By Leonard Cohen. Arranged by Elena Fortin. Sheet Music Single. 4 pages. Published by Elena Fortin
Leonard Cohen was a Canadian singer, songwriter, poet, and novelist. His song, Hallelujah, is very popular among students and performers. It's simple harmonic and melodic structure has allowed it to be a used for holidays, funerals, weddings, worship, and even in the midst of tragedy.
This year, I've been arranging songs that I consider to be important. In my opinion, any song that can be used in so many different situations and appeals to so many different people certainly qualifies as an important contribution to song history!
My arrangement is written in 6/8 time, with arpeggios in the bass for the most part, and a verse and chorus repeated three times, each time a little bit differently, and with a little bit of melodic variation. The arrangement is intended for intermediate to early advanced players because it has four-note chords, some octave work, and an area where there are bass leaps in the left hand.
If you enjoy this arrangement, please check out my other piano solos on my publisher page. You can also check out my YouTube channel "the-piano-studio.com", or my website at www.the-piano-studio.com.
$4.99
4.6 €
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Piano Facile
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Leonard Cohen
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Elena Fortin
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Hallelujah
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Elena Fortin
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SheetMusicPlus
Bridge Over Troubled Water, Harp Solo
Harpe
By Paul Simon. Arranged by Jodi Ann Tolman. Individual Part, Sheet Music Single, Solo P…
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By Paul Simon. Arranged by Jodi Ann Tolman. Individual Part, Sheet Music Single, Solo Part. 4 pages. Published by Jodi Ann Tolman
This classic hit by Simon and Garfunkel is arranged for solo harp at an early intermediate level. The first verse is written simply, followed by a second verse in the upper register. The third verse is rich and full with rolled chords. This arrangement falls easily under the fingers and is sure to be a joy to play and listen to.
This piece is in the key of D and is playable on both lever and pedal harps. There is just one lever change going from C sharp to C natural that occurs twice in the piece. Pedal harpists will make the same changes on the pedals but three times. All lever and pedal changes are clearly marked.
$6.99
6.44 €
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Harpe
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Paul Simon
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Jodi Ann Tolman
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Bridge Over Troubled Water, Harp Solo
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamar?a released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamar?a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamar?a released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamar?a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamar?a, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamar?a's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamar?a at friend Donald Byrd's urging. Santamar?a started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamar?a later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamar?a recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamar?a included the track on his album Watermelon Man (1962). Santamar?a's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benz?l? Pygmies (1966), by Simha Arom and Genevi?ve Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Twenty-One Christmas Carols for Flexible Brass Duet - Trumpet
2 Trompettes (duo)
Composed by Various. Arranged by Steve Winstead. Christian, Christmas, Sacred. Score. …
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Composed by Various. Arranged by Steve Winstead. Christian, Christmas, Sacred. Score. 14 pages. Steve Winstead #6195099. Published by Steve Winstead
These Twenty-One Christmas Carols are a fun-to-play collection of well-known Christmas and holiday songs arranged in a flexible style, with a traditional feel and contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated at the end of every song.
This trumpet book (222120) is playable by any two brass instruments in the same key, or can beused to pair a Bb trumpet and another instrument using the other flexible brass duetbooks in this series:
Twenty-One Christmas Carols for Flexible Brass Duet, F Horn book (222121)
Twenty-One Christmas Carols for Flexible Brass Duet, Bass Clef Book (222122)
The following carols are included in the collection:
1. Angels We Have Heard on High
2. Away in a Manger
3. Carol of the Bells
4. Deck the Halls
5. The First Noel
6. God Rest Ye, Merry Gentlemen
7. Good King Wenceslas
8. Hallelujah Chorus from The Messiah
9. Hark! The Herald Angels Sing
10. Jingle Bells
11. Jolly Old Saint Nicholas
12. Joy to the World
13. O Come All Ye Faithful
14. O Come, O Come Emmanuel
15. O Holy Night
16. O Little Town of Bethlehem
17. O Tannenbaum
18. Silent Night
19. Wassail Song
20. We Three Kings
21. We Wish You a Merry Christmas.
$13.99
12.9 €
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2 Trompettes (duo)
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Various
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Twenty-One Christmas Carols for Flexible Brass Duet - Trumpet
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Steve Winstead
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SheetMusicPlus
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1
Percussion
Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Chi…
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Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Children's Music, Old-time. Score, Set of Parts. 176 pages. Published by Sharon Wilson
This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers? on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers? keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.
The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is ?easy? with fewer notes. The second verse is ?intermediate? and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the ?easy? verse, an optional ending is provided or it can be skipped to perform the two verses together.
Though this sheet music is notated for Handbells and Boomwhackers?, these arrangements are playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.
This set of scores uses colored noteheads corresponding to the Boomwhackers? color scheme. If you have a set of bells or tubes with a different color scheme, ?Chroma-Notes Stick Ons? can be purchased and applied so the instruments match the Boomwhackers? color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.
Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.
The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided for each song.
Other suggestions and uses:
* have both parts played by bells or both parts played using only Boomwhackers?
* form a choir using multiple sets of bells and/or Boomwhackers? (this would amplify the sound and allow more people to participate)
* use as part of the music education for children at school, home, or church
* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children?s ministries
Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples.
Titles included in this collection:
Alphabet Song
Be Kind to Your Loved Ones
B-I-N-G-O
Doo-dah-day!
Good Morning, Merry Sunshine
He?s Got the Whole World In His Hands
Hickory Dickory Dock
Hokey Pokey
Hot Cross Buns
I Love the Mountains
Itsy Bitsy Spider
Little Robin Red-breast
Old MacDonald
On Top of Old Smokey
Rain, Rain, Go Away
Row, Row, Row Your Boat
Simple Gifts
Skip to My Lou
Take Me Out to the Ball Game
The Water Is Wide
Boomwhackers? is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.
$25.00
23.05 €
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Percussion
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Traditional
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Sharon Wilson
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Folk Songs for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Twenty-One Christmas Carols for Violin Duet
2 Violons (duo)
Violin, String Duet, Violin Duet, Flexible String Duet - Intermediate - Digital Down…
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Violin, String Duet, Violin Duet, Flexible String Duet - Intermediate - Digital Download Composed by Various. Arranged by Steve Winstead. Christian, Sacred, Christmas. Score. 14 pages. Published by Sigma Squared Music
These Twenty-One Christmas Carols are a fun-to-play collection of well-known Christmas and holiday songs arranged in a flexible style, with a traditional feel and contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated at the end of every song.
This book (223117) is suitable for two violins, and can also pair with other C instruments such asflute, oboe, or mallet percussion. It is compatible with the other string duet books in thisseries:
Twenty-One Christmas Carols for Flexible String Duet, Viola book (223118)
Twenty-One Christmas Carols for Flexible String Duet, Cello book (223119)
The following carols are included in the collection:
1. Angels We Have Heard on High
2. Away in a Manger
3. Carol of the Bells
4. Deck the Halls
5. The First Noel
6. God Rest Ye, Merry Gentlemen
7. Good King Wenceslas
8. Hallelujah Chorus from The Messiah
9. Hark! The Herald Angels Sing
10. Jingle Bells
11. Jolly Old Saint Nicholas
12. Joy to the World
13. O Come All Ye Faithful
14. O Come, O Come Emmanuel
15. O Holy Night
16. O Little Town of Bethlehem
17. O Tannenbaum
18. Silent Night
19. Wassail Song
20. We Three Kings
21. We Wish You a Merry Christmas.
$13.99
12.9 €
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2 Violons (duo)
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Various
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Twenty-One Christmas Carols for Violin Duet
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Sigma Squared Music
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SheetMusicPlus
Twenty Christmas Carols for Clarinet Quartet or Choir
Quatuor de Clarinettes: 4 clarinettes
Composed by Various. Arranged by Steve Winstead. Christian, Spiritual, Sacred, Christmas. …
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Composed by Various. Arranged by Steve Winstead. Christian, Spiritual, Sacred, Christmas. Score, Set of Parts. 97 pages. Published by Sigma Squared Music (S0.170131). - Score,Set of Parts - Christian,Spiritual,Sacred,Christmas - Sigma Squared Music
These Twenty Christmas Carols are a fun-to-play collection of well-known Christmas and holiday songs arranged in a flexible style, with a traditional feel and contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated at the end of every song, which is especially useful when accompanying singers. Parts are provided in both normal concert size and 5" x 7" flip folder size, for performing these carols on the move. Alternate parts are provided for E-Flat soprano clarinet and E-flat alto clarinet. The following carols are included in the collection: 1. Angels We Have Heard on High 2. Away in a Manger 3. Deck the Halls 4. The First Noel 5. God Rest Ye, Merry Gentlemen 6. Good King Wenceslas 7. Hallelujah Chorus from The Messiah 8. Hark! The Herald Angels Sing 9. Jingle Bells 10. Jolly Old Saint Nicholas 11. Joy to the World 12. O Come All Ye Faithful 13. O Come, O Come Emmanuel 14. O Holy Night 15. O Little Town of Bethlehem 16. O Tannenbaum 17. Silent Night 18. Wassail Song 19. We Three Kings 20. We Wish You a Merry Christmas
$29.99
27.65 €
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Quatuor de Clarinettes: 4 clarinettes
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Various
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Steve Winstead
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Twenty Christmas Carols for Clarinet Quartet or Choir
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Sigma Squared Music
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SheetMusicPlus
Twenty-Two Christmas Carols for Concert Band
Orchestre d'harmonie
Arranged by Steve Winstead. Christian, Spiritual, Sacred, Christmas. Score, Set of Parts. …
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Arranged by Steve Winstead. Christian, Spiritual, Sacred, Christmas. Score, Set of Parts. 209 pages. Published by Sigma Squared Music (S0.270747). - Score,Set of Parts - Christian,Spiritual,Sacred,Christmas - Sigma Squared Music
Item Number: A0.723563 This incredibly versatile collection of Twenty-Two Christmas Carols is a fun-to-play book of well-known Christmas and holiday songs arranged with a traditional feel and just a dash of contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated for each song, which is useful for creating an audience sing-along or building your own medley. Parts are sufficiently doubled and cued that each song can be played by a stand-alone woodwind or brass choir, small band with limited instrumentation, or varied arrangement from one repetition to the next. Percussion parts are optional, but definitely add a special touch if the equipment and players are available. Whether you need a few tunes to round out your holiday concert, want a whole performance in one book, or lined up a gig to take the band caroling, you'll be reaching for this collection every holiday season! The following carols are included in the collection: 1. Angels We Have Heard on High 2. Away in a Manger 3. Carol of the Bells 4. Deck the Halls 5. The First Noel 6. God Rest Ye, Merry Gentlemen 7. Good King Wenceslas 8. Hallelujah Chorus from The Messiah 9. Hark! The Herald Angels Sing 10. Jingle Bells 11. Jolly Old Saint Nicholas 12. Joy to the World 13. O Come All Ye Faithful 14. O Come, O Come Emmanuel 15. O Holy Night 16. O Little Town of Bethlehem 17. O Tannenbaum 18. Silent Night 19. Up on the House Top 20. Wassail Song 21. We Three Kings 22. We Wish You a Merry Christmas
$295.00
271.96 €
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Orchestre d'harmonie
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Steve Winstead
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Twenty-Two Christmas Carols for Concert Band
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Sigma Squared Music
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SheetMusicPlus
Canon in D for solo violin
Violon
Violin - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arrang…
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Violin - Advanced - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Inacio Saldanha. Baroque Period, Etudes and Exercises, Technique Training, Recital. Individual Part. 3 pages. Published by Inacio Saldanha
Pachelbel's Canon is the common name for an accompanied canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue f?r 3 Violinen mit Generalba?) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from the 19th century.
Pachelbel's Canon, like his other works, although popular during his lifetime, went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-Fran?ois Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable. From the 1970s to the late 2010s, elements of the piece, especially its chord progression, were used in a variety of pop songs. Since the 1980s, it has also been used frequently in weddings and funeral ceremonies in the Western world.
The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne.
$7.99
7.37 €
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Violon
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Johann Pachelbel (1653-1706)
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Inacio Saldanha
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Canon in D for solo violin
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Inacio Saldanha
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SheetMusicPlus
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