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Critical Mass - Score Only
Level 2 - Digital Download SKU: A0.1408403 Composed by Robert A. Howard. 21st Centu…
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Level 2 - Digital Download SKU: A0.1408403 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 2 pages. Robert A. Howard #990982. Published by Robert A. Howard (A0.1408403). Critical Mass is a sculptural installation by Antony Gormley (1995), which as been displayed at Tate St. Ives, Cornwall. It consists of multiple iron casts of the artist's body, in various poses. These are randomly distributed around the gallery space. This flexibly scored piece is a musical reflection of this artwork, in 6 sections (labelled A-F), for any mixed ensemble, with an untuned percussion part (F). Rhythms and pitch material remain similar throughout. However, following an initial solo statement (A), the texture is continually varied within the context of multiple free canons (B-E). The piece concludes with a conventionally notated and conducted unison section (in octaves), as the work comes full circle (F). Note: this document is the full score (with transpositions indicated). No audio track is provided here due to the considerable flexibility and variability of performances. The original score is available via a search of the COMA Music Library.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
2.67 €
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Robert A
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Critical Mass - Score Only
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Robert A. Howard
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SheetMusicPlus
Vivaldi Medley for Marimba Band - Score Only
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. B…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube. These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
$19.99
17.85 €
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Ensemble de Percussions
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Joan Lithgow
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Joan Lithgow
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Vivaldi Medley for Marimba Band - Score Only
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Joan Lithgow Music
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SheetMusicPlus
The Complete Works for Guitar
Guitare
Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra,…
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Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra, op.6, Biography and Bibliography. Composed by Dionisio Aguado (1784-1849). This edition: Sheet music. Downloadable. Op. 1. Chanterelle #Q48854. Published by Chanterelle
English.<br> <br> This volume brings together what is known of Aguado's life, and gives full details about the publication of his music. It also includes the full text of Jose Romanillos' article "Dionisio Aguado - the man". Also included are the following two publications: The Coleccion de Estudios of 1820, which contains 46 studies and an explanatory text. Aguado's earliest known work, it is the fruit of his intensive study of the guitar in Spain. It was previously thought lost and has only recently come to light. The Nuevo Metodo de Guitarra, opus 6, which is a much simpler method than the elaborate one which Aguado had previously published. It consists of 70 pages, with short musical passages and explanatory text. This is Volume 1 of the Complete Works of Dionisio Aguado.
$40.99
36.61 €
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Guitare
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Dionisio Aguado (1784-1849)
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The Complete Works for Guitar
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Chanterelle
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SheetMusicPlus
Poeme Symphonique
100 metronoms - Digital Download Composed by Gyorgy Ligeti (1923-2006). This edition:…
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100 metronoms - Digital Download Composed by Gyorgy Ligeti (1923-2006). This edition: score. Downloadable. Duration 20 minutes. Schott Music - Digital #Q54926. Published by Schott Music - Digital
The formal thinking behind the piece is based on the interaction between individually determined periodic rhythms and a cumulative polyrhythmic overall structure. Although the overall rhythmic structure is on an indeterminate level intermediate - the result of adding individual periods of different length is at any given time random -, it is again determinate on the higher level of the temporal development of the overall from.<br> <br> This overall form consists of the three phases: uniformity - gradual structuring - and uniformity, whereby uniformity in the initial phase arises form the collective blur of the individual periods, and in the final phase is a results of the periodicity of the one remaining ticking metronome. There are no distinct divisions between the three phases: the rhythmical process leads smoothly and gradually from one phase into the next. This appears to be a continuous process but consists of individual, discontinuous moments as each metronome stop suddenly. In the sparsely instrumented final phase with only a few metronomes left ticking, this discontinuity becomes audible, most obviously when the last metronome stops.<br> <br> - Gyorgy Ligeti<br>
$13.99
12.5 €
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Gyorgy Ligeti (1923-2006)
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Poeme Symphonique
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Schott Music - Digital
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SheetMusicPlus
Easy Concert Pieces
Contrebasse, Piano (duo)
Double bass and piano - very easy to easy - Digital Download This edition: Sheet musi…
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Double bass and piano - very easy to easy - Digital Download This edition: Sheet music. Vortragsstucke, Unterricht, Kontrabass. Easy Concert Pieces. Downloadable. Op. 3. Schott Music - Digital #Q54833. Published by Schott Music - Digital
The "Easy Concert Pieces" series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces.<br> Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.<br> Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.<br> Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing.
$16.99
15.18 €
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Contrebasse, Piano (duo)
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Easy Concert Pieces
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Schott Music - Digital
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.35 €
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Piano seul
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
European Anthem (Ode to Joy) for Brass Quintet & (opt. Snare drum)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.746484 Composed by Ludvig van Beethoven. Arrange…
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Level 3 - Digital Download SKU: A0.746484 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period,World. 11 pages. Keith Terrett #1955507. Published by Keith Terrett (A0.746484). The regional anthem of the EU arranged for Brass Quintet. The melody used to symbolize the EU comes from the Ninth Symphony composed in 1823 by Ludwig Van Beethoven, when he set music to the Ode to Joy, Friedrich von Schiller's lyrical verse from 1785. The anthem symbolises not only the European Union but also Europe in a wider sense. The poem Ode to Joy expresses Schiller's idealistic vision of the human race becoming brothers - a vision Beethoven shared. In 1972, the Council of Europe adopted Beethoven's Ode to Joy theme as its anthem. In 1985, it was adopted by EU leaders as the official anthem of the European Union. There are no words to the anthem; it consists of music only. In the universal language of music, this anthem expresses the European ideals of freedom, peace and solidarity. The European anthem is not intended to replace the national anthems of the EU countries but rather to celebrate the values they share. The anthem is played at official ceremonies involving the European Union and generally at all sorts of events with a European character. Ode to Joy (German original title: An die Freude) is the anthem of the European Union and the Council of Europe; both of which refer to it as the European Anthem due to the Council's intention that, as a semi-modern composition with a mythological flair, it does represent Europe as a whole, rather than any organisation. It is based on the final movement of Beethoven's 9th Symphony composed in 1823, and is played on official occasions by both organisations. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.03 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ludvig van Beethoven
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Keith Terrett
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it consists of music only
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European Anthem
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Keith Terrett
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
44.61 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
44.61 €
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Flûte, Hautbois, Clarinette, Basson
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Guillaume de Machaut, 1300-1377
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James M
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Bassoon Duo
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Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
44.61 €
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Quatuor de Flûtes : 4 flûtes
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
44.61 €
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Quatuor de Clarinettes: 4 clarinettes
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
44.61 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
44.61 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Guillaume de Machaut, 1300-1377
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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jmsgu3
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SheetMusicPlus
It's The Hard-knock Life
Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.963916
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Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.963916 Composed by Charles Strouse. Arranged by Pamela Grant. Contemporary. Score and parts. 7 pages. Pamela Grant #6510533. Published by Pamela Grant (A0.963916). With an unconditionally giving and cheerful personality, classical pianist Pam Grant has given inspiration to a wide audience, ...with a soaring lyrical tone backed with a fine reserve of power, her performance was a guaranteed success and was, both aesthetically and technically satisfying. Her career consists of everything from performance to instruction and has led her to succeed in an entrepreneurial lifestyle for over forty fifty years. Since 1967, Pam Grant has maintained a successful career as a teacher, performer, arranger and composer. She has not only shared her artistic talents with the world, but has also given back to the community by instilling the importance of musical education.Her dedication to musical growth is illustrated in the countless hours she has spent writing method books, music theory series, chording methods, teaching aids, original solos, and arrangements for duets and duos. Her creative and precise instruction has helped launch many of her students into the music industry and who have become professional musicians. By perpetuating creativity and musical expression, Pam Grant ensures that communication through music will help foster a better tomorrow.
$6.99
6.24 €
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perpetuating creativity and musical expression, Pam Grant ensures that communication through music will help foster a better tomorrow
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Charles Strouse
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Pamela Grant
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It's The Hard-knock Life
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Pamela Grant
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SheetMusicPlus
Seeds Along the Way (a musical about the life of David)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1126233 Composed by P…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1126233 Composed by Paul Addison. Arranged by Paul Addison. Broadway,Children,Christian,Musical/Show. Score. 55 pages. Paul Addison #726936. Published by Paul Addison (A0.1126233). Seeds Along the Way is a musical about the life of the biblical King David, written by Paul Addison. David gets to see the major events of his life with the help of his guardian angel, Gabrielle. This manner of storytelling combines elements of It’s a Wonderful Life, A Christmas Carol, and the old TV show This Is Your Life. Each event in David’s life is told through a song. It was originally written as a VBS (Vacation Bible School) musical. Although everyone in Israel is singing his praises, David questions the purpose of his life. Gabrielle shows him that everyone’s life is important, and that the good things that we do are like seeds planted along the way, which may not sprout and grow until much later. After reviewing his past, David is given a glimpse of the future, and realizes that he is one of many who are preparing for the coming of Jesus Christ. The musical is based on the stories from the Bible, mainly from 1 and 2 Samuel, but also including a Psalm and a geneaology listing from Matthew. David throws in a couple of bad puns as he tries to understand what Gabrielle is trying to tell him. The accompaniment is written for piano, but is appropriate for a praise team or a small dance band. The styles are quite varied, including cha-cha, pop, bossa nova, ballad, dirge, blues, jazz, and waltz. The piano accompaniment could be supplemented by percussion instruments (tambourine, maracas, woodblock, cowbell, etc.), as well as guitar, saxophone, and drums. The songs are at an Easy Intermediate level. The only stage requirements are a small balcony or elevated level with a railing or fence, and a floor area for the chorus. The musical consists of 10 scenes, but the two narrator characters remain on the balcony, and the floor area only needs to be changed in case the chorus members use different costumes and/or props for the different scenes. I hope you enjoy this musical. Address any questions to me at paulhaddison@gmail.com.
$12.99
11.6 €
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Piano, Voix et Guitare
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Paul Addison
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Paul Addison
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Seeds Along the Way
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Paul Addison
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SheetMusicPlus
Alla Campana II - Score Only
Level 2 - Digital Download SKU: A0.1405126 Composed by Robert A. Howard. 21st Centu…
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Level 2 - Digital Download SKU: A0.1405126 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Thriller. 3 pages. Robert A. Howard #988154. Published by Robert A. Howard (A0.1405126). This work derives material from the first 'Alla Campana' piece, also available via SMP. Alla Campana II is flexibly scored in up to 5 instrumental parts and consists of a sequence of related bell-like tones. It was originally conceived for outdoor performance and can serve as a fanfare-type work. There is further flexibility in the number of repetitions performers choose to make, and whether to be spatially separated or not. There is also choice concerning whether to follow the suggested procedure of varying cumulative combinations of parts, on each repeat, thus resulting in a textural increase throughout the performance. The document provided is the full score only.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
2.67 €
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Robert A
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Alla Campana II - Score Only
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Robert A. Howard
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.46 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Only Wind for flute sextet
Ensemble de Flûtes
Small Ensemble Alto Flute - Digital Download SKU: A0.483826 Composed by Matt Belzer…
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Small Ensemble Alto Flute - Digital Download SKU: A0.483826 Composed by Matt Belzer. 20th Century. Score and parts. 41 pages. Published by Matobelu Music (A0.483826). Only Wind was commissioned by the flute section of the “President’s Own†United States Marine Band. While composing this piece, I became fascinated by Inuit throat singing. Often practiced by sisters or best friends, it is a kind of friendly competition between two singers. While I did not attempt to capture the timbre or rhythm of that music in this piece, I was nevertheless inspired by its energy and its fast paced, back and forth quality. Only Wind consists of two parts: a meditative, aleatoric introduction, and an exciting, rhythmically driven section loosely following the classic four-strain formal structure of ragtime. (4 flutes, 2 alto flutes).
$22.00
19.65 €
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Ensemble de Flûtes
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Matt Belzer
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Only Wind for flute sextet
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Matobelu Music
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SheetMusicPlus
The First and Only Shoes That Baby Wore
Piano, Voix
Piano and voice - Digital Download SKU: LV.610 Composed by Still Harcourt. Families…
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Piano and voice - Digital Download SKU: LV.610 Composed by Still Harcourt. Families, Chests, Furniture, Nostalgia, Death, Children, Grief, Aged persons. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.610). The First and Only Shoes That Baby Wore. Words by J.E. Larrabee. Music by Still Harcourt. Published 1896 by White City Music Publishing Company, 418 26th Street in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Families, Chests, Furniture, Nostalgia, Death, Children, Grief, Aged persons. First line reads One summer afternoon, I'll not forget it soon.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.35 €
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Piano, Voix
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Still Harcourt
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The First and Only Shoes That Baby Wore
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Grand Old Duke of York
2 Violons (duo)
Violin Duet Violin - Level 1 - Digital Download SKU: A0.1494420 Composed by Traditi…
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Violin Duet Violin - Level 1 - Digital Download SKU: A0.1494420 Composed by Traditional. Arranged by D. Berry. Chamber,Children,March,Traditional. 5 pages. D. Berry #1071012. Published by D. Berry (A0.1494420). The Grand Old Duke of York is a popular children's song with the lyrics: Oh, the grand old Duke of York He had ten thousand men He marched them up to the top of the hill And he marched them down again And when they were up, they were up And when they were down, they were down And when they were only half-way up They were neither up nor down The music reflects the march-like rhythm. Here it's arranged for two violins. The top part is easier and consists of the melody only. This could be played by a pupil. The bottom part is a little more advanced and this could be played by the teacher or by a more advanced student.
$4.99
4.46 €
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2 Violons (duo)
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Traditional
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D
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The Grand Old Duke of York
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D. Berry
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SheetMusicPlus
Sounds of Africa - by Tim Webster
Chorale SATB
Choral,Mixed Chorus Choir,Choral - Level 2 - Digital Download SKU: A0.1494326 Compo…
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Choral,Mixed Chorus Choir,Choral - Level 2 - Digital Download SKU: A0.1494326 Composed by Tim Webster. 21st Century,Children,Contemporary. 27 pages. Pitch Perfect Music Services #1070923. Published by Pitch Perfect Music Services (A0.1494326). Sounds of Africa is a song for youth choir with guitar/piano accompaniment, written by Tim Webster, and transcribed and typeset by Pitch Perfect. It is from the Magic of Muziki collection, under the theme Cheering Yourself Up, and explores some Swahili phrases picked up by the writer during his childhood in Kenya. This download consists of: PDFs of the piano and vocal score, the vocal score with guitar chords only, and lyrics sheet. Run time 3:32.©2019 Tim Webster. All rights reserved.
$8.99
8.03 €
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Chorale SATB
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Tim Webster
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Sounds of Africa - by Tim Webster
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Pitch Perfect Music Services
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SheetMusicPlus
Magic of Muziki (Song) - by Tim Webster
Chorale 2 parties
Choral Choir,Choral,SA Chorus - Level 2 - Digital Download SKU: A0.1494313 Composed…
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Choral Choir,Choral,SA Chorus - Level 2 - Digital Download SKU: A0.1494313 Composed by Tim Webster. 21st Century,Children,Contemporary. 11 pages. Pitch Perfect Music Services #1070909. Published by Pitch Perfect Music Services (A0.1494313). Magic of Muziki is a song for youth choir with guitar/piano accompaniment, written by Tim Webster, and transcribed and typeset by Pitch Perfect. It is the title song from the Magic of Muziki collection, under the theme Cheering Yourself Up. This download consists of: PDFs of the piano and vocal score, the vocal score with guitar chords only, and lyrics sheet. Run time 2:20.©2019 Tim Webster. All rights reserved.
$8.99
8.03 €
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Chorale 2 parties
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Tim Webster
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Magic of Muziki
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Pitch Perfect Music Services
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SheetMusicPlus
Daily Exercises
Clarinette
Clarinet in Bb - easy to intermediate - Digital Download From the Clarinet Method. …
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Clarinet in Bb - easy to intermediate - Digital Download From the Clarinet Method. This edition: Sheet music. Musikpadagogik, Klarinette, Clarinet. Downloadable. Op. 63. Schott Music - Digital #Q25351. Published by Schott Music - Digital
When the clarinet method was revised and newly published, the Daily Exercises, which were originally a part of the Clarinet Method Op. 63 by Carl Baermann, were published as a separate edition. The essential improvement consists in the arrangement of the individual exercises, which simplifies their use in teaching practice. As with the two volumes of the Clarinet Method, the musical text is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. By adding exercises with fourths, fifths, sevenths and octaves, the Daily Exercises contain everything that is necessary for the thorough technical education of a clarinettist and thus are an independent volume that can be used either as a supplement to the Baermann method or totally independently of it.<br> <br> Thanks to the revision by Robert Erdt, the result is a textbook that is oriented towards the original as regards content and, at the same time, has been adjusted to the current times with regard to language, education and instrumental technique so that this clarinet method by Carl Baermann can maintain its position in modern clarinet lessons as important educational literature for the classical clarinet.
$17.99
16.07 €
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Clarinette
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Daily Exercises
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Schott Music - Digital
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.28 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
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