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51
Lesson ONE S-Cubed Sight Singing Program for Beginners
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Chorale Unison
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DÉBUTANT
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Music in the Middle with Mr D
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Lesson ONE S-Cubed Sight Singi
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Music in the Middle with Mr. D
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. ...
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Choral Choir (Unison) - Level 1 - SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. Octavo. 33 pages. Music in the Middle with Mr. D #457905. Published by Music in the Middle with Mr. D (A0.851245). SCHOOL DISTRICTS! If you are interested in purchasing more than license, you are eligible for excellent discounts. The first S-Cubed license is regular price, but all subsequent licenses are sold at a significant discount. Or reach out directly to me at inthemiddlewithmrd@gmail.com. Please write Multiple License Purchase in the subject line. This discount is also available for schools with more than one music teacher. Recognize what the children don't know. Don't fault them for not knowing it... Then, teach it to them in a fun way they will remember forever. ...That's the philosophy of S-Cubed. Motivate your beginners! That is the goal of S-Cubed Middle School Sight Singing Program! You should purchase this Kodaly Hand/Ladder Chart from Dancing Crayon to help your students on this journey! This lesson is the first in a series of lessons called S-Cubed that Music in the Middle with Mr D is offering for your upper elementary and middle school music students that will help you teach your children how to sight sing 2 part music with syncopated rhythms and skips as wide as an octave in 27 weeks if you see your students daily. It is the perfect game for the first weeks of school! It will help you establish a positive relationship with your students. It will help their focus, and it will teach them valuable skills for sight singing that are critical to the S-Cubed method of Sight Singing! In this lesson, you will learn about the FUN part of the method! You will learn the rules and philosophies associated with the game Forbidden Pattern that will reflect your approach throughout your teaching of the entire method. It is presented in a Power Point that includes YouTube links to Mr D actually teaching the method to real students. It also includes YouTube links of Mr D explaining the rules of the game. This game is the hook for your young singers. They love playing this game because they want to beat the teacher! For the best value, purchase the MEGA Bundle It includes Levels ONE and TWO combine. It is essentially a two to three year commitment depending on how often you see your students and other factors.
$20.00
In the Bleak Midwinter (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Accompagnement Piano
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FACILE
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Noël
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Sharon Wilson
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Sharon Wilson
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In the Bleak Midwinter
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565956 By Sharon Wilson. By Gustav Holst. Arrange...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565956 By Sharon Wilson. By Gustav Holst. Arranged by Sharon Wilson. Advent,Christmas,Folk,Multicultural,Sacred,World. Score and individual part. 6 pages. Sharon Wilson #6602447. Published by Sharon Wilson (A0.565956). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic Christmas tune CRANHAM by Gustav Theodore Holst using the lyrics from Christina Georgina Rossetti's poem In the Bleak Midwinter. The psaltery part was designed for a beginning psaltery player and is written in the key of F major with one flat (B-flat/A-sharp). The piano accompaniment is at the intermediate level.To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C. . .).The psaltery plays the melody for one verse. An optional repeat is included in case a longer selection is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: In the Bleak Midwinter (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than one octave. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is E4 (first E above middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names).This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$3.99
God Is So Good (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Accompagnement Piano
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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God Is So Good
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565798 By Sharon Wilson. By Traditional. Arranged...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565798 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and individual part. 6 pages. Sharon Wilson #6228495. Published by Sharon Wilson (A0.565798). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic praise chorus God Is So Good. The psaltery part was designed for a beginning psaltery player and includes only whole, half, and quarter notes and 1 flat (B♠= A♯). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the third verse and harmony on the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: God Is So Good (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to F5 (the second F above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
The Love Round (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Accompagnement Piano
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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The Love Round
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565805 By Sharon Wilson. By Traditional. Arranged...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565805 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and individual part. 6 pages. Sharon Wilson #6228857. Published by Sharon Wilson (A0.565805). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic praise chorus Love, Love, Love, Love. The psaltery part was designed for a beginning psaltery player and is written in the key of C major, but does include one sharp (G♯ = Aâ™). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: The Love Round (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is E4 (the first E above middle C) to E5 (the second E above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
The Counter of The Point
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directly contradicting the rul
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jon...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
Piano Trio No. 2, "Adventure" for chamber music beginners
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Piano Trio: piano, violon, violoncelle
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FACILE
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Marion Maby
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the middle is less than 1
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Piano Trio No. 2, "Advent
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M. Maby, arr.
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.726658 Composed by Marion Maby. Children,Concert,Contemporary,Instructional,Standards....
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.726658 Composed by Marion Maby. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 23 pages. M. Maby, arr. #25761. Published by M. Maby, arr. (A0.726658). Night Walk, Escape, Return - are the three movements of this captivating trio for chamber music beginners. The appealing and accessible music depicts each title. The outer movements are about 2.5 minutes long; the middle is less than 1.5 minutes. The piano part is designed for small hands. Night Walk sounds mysterious, with sudden mood shifts and chromatic passages. Escape is a miniature of minimalism. Return brings the adventurers home to a comforting interweaving melody, but with signs that another adventure may be around the corner.
$13.99
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,...
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Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99
All The Things You Are
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Instruments en Do
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FACILE
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1101538 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1101538 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #704916. Published by Davi Rocha Campos (A0.1101538). This score is in G, but, the audio is in Ab How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book. All the things you are.
$3.99
All The Things You Are
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Instruments en Do
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FACILE
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104599 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104599 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707824. Published by Davi Rocha Campos (A0.1104599). This score is in Bb, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. All the things you are. Lead Sheet / Fake Book.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104596 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104596 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Classical,Film/TV,Instructional,Jazz,Musical/Show. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707811. Published by Davi Rocha Campos (A0.1104596). This score is in A, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book. All the things you are.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104621 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104621 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707848. Published by Davi Rocha Campos (A0.1104621). All the things you are by Oscar Hammerstein Ii and Jerome Kern. Lead Sheet / Fake Book. this score is in F#, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104610 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104610 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Instructional,Jazz,Musical/Show,Traditional,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707836. Published by Davi Rocha Campos (A0.1104610). This score is in Db, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$3.99
All The Things You Are
#
Ligne De Mélodie, (Paroles) et Accords
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FACILE
#
Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Instructional,Jazz,Multicultural,Musical/Show,Wedding,World. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707828. Published by Davi Rocha Campos (A0.1104603). This score is in B, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104618 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104618 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707845. Published by Davi Rocha Campos (A0.1104618). Lead Sheet / Fake Book. This score is in F, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104613 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104613 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707839. Published by Davi Rocha Campos (A0.1104613). This score is in D, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104606 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104606 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Classical,Film/TV,Instructional,Jazz,Musical/Show. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707831. Published by Davi Rocha Campos (A0.1104606). This score is in C, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104614 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104614 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707840. Published by Davi Rocha Campos (A0.1104614). This score is in Eb, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104617 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104617 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707844. Published by Davi Rocha Campos (A0.1104617). This score is in E, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$3.99
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1101518 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1101518 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Classical,Film/TV,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #704896. Published by Davi Rocha Campos (A0.1101518). How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book. All the things you are.
$3.99
All The Things You Are
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerom...
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A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. 10 pages. Davi Rocha Campos #704858. Published by Davi Rocha Campos (A0.1101492). All the Things You Are for voice, Bb clarinet, A clarinet, guitar, accordion. Words & music by Oscar Hammerstein li and Jerome Kern. Como ler os acidentes na Partitura How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$12.99
The Crown Main Theme
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Hans Zimmer, Lorne Balfe, and
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Rob Bushnell
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The Crown Main Theme
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Rob Bushnell
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1487431 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by Rob Bushnell. 21st Century,Film/TV,Historic. Brass Band. 53 pages. Rob Bushnell #1064378. Published by Rob Bushnell (A0.1487431). The Crown is a Netflix Original Series, released between 2016 and 2023, that follows the reign of Queen Elizabeth II from 1947 to 2005.The six seasons cover historic events such as the abdication of Edward VIII, Queen Elizabeth’s coronation, the Suez Crisis, the Aberfan disaster, the Queen’s Silver Jubilee, the marriage of Lady Diana Spencer and Charles (Prince of Wales), Michael Fagan breaking into Buckingham Palace, the Annus Horribilis, the divorce of the Waleses, the death of Princess Diana, and stories concerning Prince William, Prince Harry and Kate Middleton.The series has been nominated for 457 awards, winning 132 of them, including 21 Primetime Emmy Awards, and 8 Golden Globe Awards.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. Other searchable terms: Elizabeth the Second, by the Grace of God, of the United Kingdom of Great Britain and Northern Ireland and of her other realms and territories Queen, Head of the Commonwealth, Defender of the Faith, Lillibet, Sir Winston Churchill, Anthony Eden, Harold Macmillan, Margaret Thatcher, Mohamed Al-Fayed, Dodi Al-Fayed, Tony Blair, Clair Foy, Matt Smith, Philip, Duke of Edinburgh, Vanessa Kirby, Princess Margaret, Eileen Atkins, Queen Mary, Jeremy Northam, King George VI, Ben Miles, Group Captain Peter Townsend, Greg Wise, Lord Mountbatten, Jared Harris, King George VI, John Lithgow, Alex Jennings, Prince Edward, Duke of Windsor, Wallis Simpson, Lia Williams, Anton Lesser, Pip Torrens, Tommy Lascelles, Olivia Colman, Tobias Menzies, Helena Bonham Carter, Ben Daniels, Jason Watkins, Harold Wilson, Marion Bailey, Erin Doherty, Charles Dance, Josh O'Connor, Clancy Brown, Lyndon B. Johnson, Mark Lewis Jones, Edward Millward, Derek Jacobi, Edward Heath, Camilla Shand, Gillian Anderson, Emma Corrin, Stephen Boxer, Denis Thatcher, Emerald Fennell, Camilla Parker Bowles, Charles Dance, Tom Brooke, Tom Burke, Richard Roxburgh, Bob Hawke, Kevin McNally, Guy Siner, Imelda Staunton, Jonathan Pryce, Lesley Manville, Dominic West, Jonny Lee Miller, John Major, Olivia Williams, Claudia Harrison, Natascha McElhone, Penny Knatchbull, Lady Romsey, Marcia Warren, Elizabeth Debicki, Salim Daw, Khalid Abdalla, Timothy Dalton, Prasanna Puwanarajah, Martin Bashir, An Interview with HRH The Princess of Wales, Tsar Nicholas II of Russia, Anatoliy Kotenyov, Boris Yeltsin, Bertie Carvel, Ed McVey, Prince William of Wales, Luther Ford, Prince Harry of Wales, Meg Bellamy.
$44.99
Where Is Hope? - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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Mark R Lewis
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Mark R Lewis
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Where Is Hope? - TTBB Ensemble
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Mark R Lewis
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1516691 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1516691 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,Religious,Sacred. 11 pages. Mark R Lewis #1090864. Published by Mark R Lewis (A0.1516691). The text for “Where Is Hope?” is adapted from the Lamentations Chapter 3 and is an expression of hopelessness, almost depression. The text starts out with the singer feeling lost, alone, and in pain. As the song progresses, the singer remembers God’s promises to always help and be with us. By the end of the song, the singer has regained hope and is triumphant and comforted. First and foremost, the music is very much intended to support the lyrical content of this song.Throughout the song, the key switches from major to minor (both parallel and relative) quite frequently. The piece starts with a very free section with almost no tempo alternating between just voices and simple piano accompaniment. The middle sections have stricter tempo and more active piano accompaniment and the final section increases in speed and excitement with piano truly accompanying the voices instead of just mostly mirroring them. Throughout the piece, meter always follows word stress so there are a surprising number of time signature changes with lyrical clarity always being more important than strict meter. All that said, the rhythms are not too difficult throughout the song and while there are some dissonant harmonies, the musical lines themselves should be singable by most intermediate choirs. The most challenging voice part is probably the tenor 1 line which spends a lot of time in the higher ranges. There are a few optional parts for the tenor 1s that will truly test the range of the singers.
$2.99
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Art is a fire!
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Chorale SATB
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INTERMÉDIAIRE
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David Nelson Jex
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Art is a fire!
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David Jex
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2...
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Choral Choir (SATB) - Level 3 - SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2154591. Published by David Jex (A0.925770). 2016 Choral Contest EntryArt is a fire! is a bold statement on the importance of Art in our lives and society.Composed for SATB Chorus and Piano it is of moderate difficulty, with a length of 3 1/2 minutes.. The text is from a poem written by our older son, Matthew. He has a gift to express ideas and emotions in words that I do not, and I was very pleased and excited when he gave me permission to set his poem to music. The music is in an overall ternary form, with the fiery outer sections tempered with a more spiritual middle segment. The piano plays an important but supporting accompanying role. The music is somewhat tonally oriented, with an E minor basis for the more passionate outer sections. These sections also require the choir to sing some chromatic melodic and harmonic lines and constructions. The rhythm also varies somewhat, asking the chorus to express these emotional portions of the piece. The flowing middle section has a more consistent tempo and is centered in C major. This key seems to have the qualities of innocence and peace, which offsets the more restless and fiery E minor of the rest of this work. This more meditative center section also has a more triadic basis than the somewhat contrapuntal textures surrounding it. It invites the music performers and listeners to experience the joy of Music and Art, while the closing music and text sing of the passion and energy of the artistic experience.
$2.99
On the Seashore of Endless Worlds (SATB Choir)
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Chorale SATB
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INTERMÉDIAIRE
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Colin Kirkpatrick
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On the Seashore of Endless Wor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #60285...
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Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
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