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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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expert
avec audio
avec vidéo
avec play-along
Non classifié
14135
PIANO & CLAVIERS
Piano seul
16131
Piano Facile
2711
Piano, Voix
2125
Orgue
909
Piano, Voix et Guitare
598
1 Piano, 4 mains
297
Accordéon
285
2 Pianos, 4 mains
157
Piano Trio: piano, violon, violoncelle
144
Instruments en Do
59
Piano Quatuor: piano, violon, alto, violoncelle
50
Accompagnement Piano
46
Piano Quatuor: piano, 2 violons, violoncelle
31
2 Accordéons
28
Clavecin
23
Piano Quintette: piano, 2 violons, alto, violoncelle
20
Orgue, Trompette (duo)
19
Orgue, Piano (duo)
18
Ensemble d'Accordéons
14
1 Piano, 6 mains
12
2 Pianos, 8 mains
11
2 Orgues (duo)
10
Piano grosses notes
6
Accordéon et Orchestre
5
Accordéon, Voix
4
Piano (partie séparée)
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
3
Accordéon, Corde(s)
3
Accordéon, Piano
2
Clavier
2
Ensemble de Pianos
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
1392
Guitare
1318
Basse electrique
266
2 Guitares (duo)
170
Ligne De Mélodie, (Paroles) et Accords
140
4 Guitares (Quatuor)
127
Piano, Guitare (duo)
92
Ukulele
74
3 Guitares (trio)
68
Ensemble de guitares
53
Dulcimer
21
Guitare, Violon, Violoncelle (trio)
10
Paroles et Accords
9
Mandoline
9
Banjo
7
Guitare, Orchestre
6
Guitare, Flûte, Clarinette
5
2 Guitares et Orchestre
4
Mandoline, Guitare (duo)
4
2 Dulcimers (duo)
4
Guitare (partie séparée)
4
Orchestre à Plectres
2
Guitare, Quatuor à cordes
2
Guitare Pedal Steel
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
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VOIX
Chorale SATB
3529
Chorale TTBB
1465
Chorale 3 parties
997
Chorale SSAA
551
Chorale 2 parties
512
Chorale
363
Voix duo
153
Chorale Unison
112
Voix Soprano, Piano
72
Voix seule
61
Voix haute
55
Voix duo, Piano
53
Chorale SSATB
43
Soli, choeur mixte et accompagnement
36
Voix Tenor, Piano
29
Chorale SSAATTBB
28
Voix moyenne, Piano
26
Voix basse, Piano
26
Voix, Guitare
19
Voix Alto, Piano
17
Voix Tenor
16
Chorale SSATTB
15
Voix Mezzo-Soprano, Piano
12
Voix Baryton, Piano
7
Voix haute, Piano
4
Voix basse
4
Male Voice
3
Chorale, Orgue
3
Chorale SSAATB
3
Voix Soprano, Orchestre
3
Chorale SAATB A Cappella
2
Voix Soprano
2
Voix Moyenne
2
Chorale SSAATB A Cappella
1
Chorale SATBB
1
Voix duo, Orgue
1
Chorale SATTBB A Cappella
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
1016
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
720
Flûte traversière et Piano
715
Flûte, Hautbois, Clarinette, Basson
639
Saxophone (partie séparée)
548
Clarinette et Piano
507
Flûte traversière
468
Saxophone Alto et Piano
458
Hautbois, Piano (duo)
449
Quatuor de Clarinettes: 4 clarinettes
444
Saxophone Alto
427
Clarinette
404
Saxophone Tenor et Piano
305
Flûte et Guitare
282
2 Flûtes traversières (duo)
274
Ensemble de Clarinettes
258
Quatuor de Flûtes : 4 flûtes
240
Hautbois (partie séparée)
208
2 Saxophones (duo)
208
Trio de Flûtes: 3 flûtes
205
2 Clarinettes (duo)
194
Quintette de Saxophone: 5 saxophones
190
Ensemble de Flûtes
171
Ensemble de saxophones
145
3 Clarinettes (trio)
144
Saxophone Soprano et Piano
143
Quintette de Clarinettes: 5 clarinettes
128
Clarinette, Guitare (duo)
126
3 Saxophones (trio)
84
Flûte, Clarinette (duo)
78
Flûte, Violon
51
Flûte, Clarinette et Basson
51
Clarinette (partie séparée)
50
Flûte, Violoncelle, Piano (trio)
45
Cor anglais, Piano
45
Hautbois, Basson (duo)
42
Clarinette, Harpe (duo)
36
2 Hautbois (duo)
33
Flûte, Violoncelle
31
Quintette de Flûte : 5 flûtes
31
Flûte, alto et harpe
30
Saxophone et Guitare
29
Hautbois, Clarinette, Basson (trio d'anches)
28
Cor anglais, Guitare (duo)
27
Hautbois, Flûte
27
Flûte, Hautbois, Clarinette (trio)
26
Saxophone et Piano
26
Hautbois
24
Clarinette, Basson (duo)
24
2 Flûte à bec (duo)
24
Saxophone Baryton, Piano
23
Flûte, Violon, Piano
22
Flûte, Hautbois, Basson
20
Flûte, Clarinette, Piano (trio)
20
Clarinette, Violon (duo)
19
Quatuor de Flûtes à bec
19
2 Saxophones, Piano
19
Cor Anglais
18
Flute (partie séparée)
18
Flûte, Violon et Violoncelle
18
Flûte à Bec
17
Saxophone, Clarinette (duo)
17
Saxophone
17
Ensemble De Flûte à bec
16
Clarinette Basse, Piano
16
Hautbois, Clarinette (duo)
16
Clarinette, Violoncelle (duo)
15
Ensemble à vent
14
2 Flûtes traversières, Piano
14
Flûte, Saxophone (duo)
14
Flûte à bec, Guitare (duo)
14
Clarinette et Alto
12
Flûte à bec Soprano, Piano
12
Piccolo, Piano
12
Flûte, Alto et Piano
11
Flûte, Violon, Violoncelle et Piano
10
3 Flûtes à bec (trio)
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
2 Clarinettes, Piano
10
Clarinette, Trompette (duo)
9
3 Hautbois
9
Flûte, Alto (duo)
9
Saxophone Tenor
9
Clarinette, Violoncelle, Piano (trio)
9
Flûte, Basson et Piano
9
Hautbois, Guitare (duo)
8
Harmonica, Piano
8
Flûte à bec Soprano
8
Piccolo
8
2 Clarinettes, Basson
8
5 Flûtes à bec
7
Flûte traversière, Orchestre
7
Flûte, Violoncelle, Guitare
7
Flûte, Hautbois (duo)
7
Flûte, Hautbois, Piano (trio)
7
Clarinette, Orchestre
6
2 Flûtes traversières, Guitare
6
Flûte à bec Alto
6
Flûte, Harpe et Violoncelle
6
Flûte à Bec, Piano
6
Cor anglais et Harpe (duo)
6
Saxophone et Orgue
6
Flûte, Trompette (duo)
5
Saxophone Soprano
5
Clarinette, Alto et Piano (trio)
5
Clarinette, Orgue
5
Flûte à bec Alto, Piano
5
Flûte, Trombone (duo)
5
Saxophone Baryton
5
Harmonica
5
Flûte, Violon, Guitare
4
2 Cors Anglais Et Pianoforte
4
Hautbois, Violoncelle et Piano
4
Clarinette, Basson, Piano (trio)
4
Hautbois, Basson et Piano
4
2 Hautbois, Piano
4
Flûte, Hautbois, Violon
4
Flûte, Clarinette, Violon (trio)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Hautbois et alto (duo)
3
Clarinette Basse
3
Flûte traversière, Orgue (duo)
3
Flûte et Quatuor à Cordes
3
Flute, harpe et violon
3
Flûte, Alto et Violoncelle
2
Hautbois, Violon, Piano
2
Hautbois, Violoncelle
2
Flûte à bec Tenor
2
Hautbois, Orgue
2
Hautbois, Harpe
2
Clarinette, Quatuor à cordes et Piano
1
Hautbois et Orchestre
1
Clarinette, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette, Basson et Piano
1
Clarinette, Tuba
1
Clarinette, trompette et piano
1
Flûte et Trio à cordes
1
Instruments en Mib
1
3 Flûtes à bec, Piano
1
Saxophone, Tuba (duo)
1
2 Flûtes à bec, Piano
1
Saxophone, Violon (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte, Tuba (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
654
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
652
Trompette, Piano
400
Trompette
278
Trombone et Piano
246
Trombone
221
Cor et Piano
183
Cor
177
Tuba
96
Quatuor de Cuivres: 2 trompettes, Cor, trombone
80
Trompette (partie séparée)
79
Quatuor de cuivres: 4 trombones
77
Euphonium
76
2 Trompettes (duo)
68
Euphonium, Piano (duo)
66
Tuba et Piano
63
Cor anglais, Piano
45
Quatuor de cuivres: 4 cors
44
2 Trombones (duo)
42
Quatuor de Cuivres
38
Trompette, Saxophone (duo)
38
Trompette, Trombone (duo)
36
2 Cors (duo)
33
Ensemble de Trombones
32
Cor anglais, Guitare (duo)
27
Trio de Cuivres
26
3 Trompettes (trio)
25
Trombone (partie séparée)
21
2 Euphoniums et 2 Tubas
21
2 Tubas (duo)
20
3 Trombones (trio)
20
Cor Anglais
18
Cor (partie séparée)
17
Tuba et Orgue
17
Quatuor de cuivres: 4 trompettes
14
4 Tubas
13
Euphonium, Tuba (duo)
13
Ensemble de Trompettes
11
Tuba (partie séparée)
11
Trombone basse et Piano
10
Trombone, Tuba (duo)
10
2 Trompettes, Clavier (piano ou orgue)
9
Trombone basse
9
Trompette, Tuba (duo)
8
Ensemble de Cors
8
Trombone, Orgue
8
3 Cors (trio)
6
Cor anglais et Harpe (duo)
6
Ensemble de Tubas
5
Trompette, Orchestre
5
2 Cors Anglais Et Pianoforte
4
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
Trombone et orchestre
3
Cor et Harpe
3
Trompette, Cor (duo)
2
Trombone, Violon (duo)
2
Bass Clef Instruments
2
4 Euphoniums
2
Trompette, Trombone, Piano
2
Cor, Orchestre
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Cors, Piano
2
2 Trombones, Piano
2
2 Euphoniums (duo)
2
Trompette, Violoncelle et Piano
2
Clarinette, Cor (duo)
2
Cor, Tuba (duo)
1
Cor, Violoncelle et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Basson (duo)
1
3 Euphoniums
1
Instruments en Sib
1
Trompette, violon (duo)
1
Trompette et Guitare
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3023
Harpe
1377
Violon et Piano
1088
Violon
873
Violoncelle, Piano
588
Alto, Piano
439
Violoncelle (partie séparée)
400
Violon, Violoncelle (duo)
274
Trio à Cordes: violon, alto, violoncelle
248
Alto seul
214
2 Violons (duo)
155
Violoncelle
122
Harpe, Flûte (duo)
118
Violon, Guitare (duo)
112
Contre Basse
109
2 Violoncelles (duo)
102
Violon, Alto (duo)
98
Violoncelle , Guitare (duo)
94
Contrebasse, Piano (duo)
94
Alto (partie séparée)
90
4 Violoncelles
67
Violon (partie séparée)
67
2 Harpes (duo)
59
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
2 Altos (duo)
47
Alto, Violoncelle (duo)
47
Harpe, Violon (duo)
46
Trio à Cordes: 2 violons, violoncelle
45
Alto, Guitare (duo)
43
Piano Trio: Violon, Alto, Piano
38
Trio à Cordes: 3 violoncelles
29
Violoncelle, Contrebasse (duo)
28
Contrebasse (partie séparée)
25
Trio à cordes
16
Trio à cordes: 3 violins
15
2 Contrebasses (duo)
14
Quatuor à cordes: 4 violons
12
2 Violons, Piano
12
Violoncelle, Orchestre
9
Flûte, Contrebasse (duo)
7
Harpe, Voix
7
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
7
Violon, Clarinette, Piano (trio)
7
Alto et orchestre
7
2 Violoncelles, Piano
7
Harpe, Violoncelle (duo)
6
Harpe et Piano
6
Violon, Orgue
6
Trio à Cordes: 2 violons, alto
6
4 Contrebasses
5
Trio à cordes: 3 altos
5
Violoncelle, Orgue
5
Harpe, Quatuor à cordes
4
3 Harpes
4
2 Altos, Piano
4
Harpe (partie séparée)
3
3 Contrebasses
3
Violon, Violoncelle, Clarinette
3
Alto, Orgue
3
Alto et Harpe
2
Harpe, Violon, Violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Harpes
1
Violoncelle, Basse continue
1
Harpe, Trombone (duo)
1
Violon, Trompette et Piano
1
Violon, Clarinette et Guitare
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1887
Orchestre
1479
Orchestre à Cordes
991
Ensemble de cuivres
958
Ensemble Jazz
429
Orchestre de chambre
386
Ensemble de Percussions
313
Fanfare
172
Batterie
165
Cloches
134
Marimba
116
Jazz combo
113
Vibraphone
45
Quintette à Vent
26
Xylophone
22
Percussion (partie séparée)
16
Piano et Orchestre
14
Quatuor à Vent : 4 instruments à vents
13
Xylophone, Piano
11
Percussion
8
Orchestre, Violon
6
Xylophone ou Marimba ou Vibraphone
6
Vibraphone et Marimba
6
Instrumentation Flexible
5
2 Marimbas
4
Timbales
4
Marimba et Orgue
4
Marimba, Piano (duo)
4
Big band
4
3 Marimbas
4
Timbales (partie séparée)
3
Batterie (partie séparée)
2
Trio à Vent: 3 instruments à vents
2
3 Percussions
2
Voix Mezzo-Soprano, Orchestre
2
2 Percussions
2
Marimba ou Xylophone et Piano
1
Voix et Orchestre
1
Orchestre Symphonique
1
Marimba, Saxophone (duo)
1
Vibraphone (partie séparée)
1
Caisse Claire, Piano
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
CONTEMPORAIN - 20-21EME SIECLE
Piano et Orchestre
Partitions à imprimer
14 partitions trouvées
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1
Fantasia for Piano and Orchestra
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069115 Composed by Joseph Hull. Contemporary. Full Performance. Duration 318. Genesis #3514027. Published by Genesis (A0.1069115). This is the third movement from Fantasia for Piano and Orchestra. The full work contains four movements. .
$1.99
1.86 €
#
Piano et Orchestre
#
Joseph Hull
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Fantasia for Piano and Orchestra
#
Genesis
#
SheetMusicPlus
Spanish Dance for Piano and Orchestra
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Trombone,Trumpet,Tuba,Viola,Vio…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069110 Composed by Joseph Hull. Contemporary. Full Performance. Duration 234. Genesis #3017735. Published by Genesis (A0.1069110).
$3.99
3.74 €
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Piano et Orchestre
#
Joseph Hull
#
Spanish Dance for Piano and Orchestra
#
Genesis
#
SheetMusicPlus
Spanish Dance for Piano and Orchestra
Piano et Orchestre
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trombone,T…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Digital Download SKU: A0.983241 Composed by Joseph Hull. Contemporary. Score and parts. 20 pages. Genesis #3017725. Published by Genesis (A0.983241). This piece for Piano and orchestra captures the rhythms and flavors of Spain. It is 3 min. 52 secondsin length. The piece was originally written for piano solo. .
$7.73
7.24 €
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Piano et Orchestre
#
Joseph Hull
#
Spanish Dance for Piano and Orchestra
#
Genesis
#
SheetMusicPlus
Tribute to Chopin (Omaggio a Chopin) for piano and orchestra
Piano et Orchestre
Small Ensemble Double Bass,Flute,Horn,Piano - Level 2 - Digital Download SKU: A0.981508…
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Small Ensemble Double Bass,Flute,Horn,Piano - Level 2 - Digital Download SKU: A0.981508 Composed by Helios D'Andrea. 20th Century,Contemporary. Score and parts. 5 pages. D'Andrea Helios #4846343. Published by D'Andrea Helios (A0.981508). Nice music composed for piano and orchestra
$15.00
14.05 €
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Piano et Orchestre
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Helios D'Andrea
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Tribute to Chopin
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D'Andrea Helios
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SheetMusicPlus
Ballade for Piano and Orchestra No.1
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069109 Composed by Joseph Hull. Contemporary. Full Performance. Duration 47. Genesis #3014325. Published by Genesis (A0.1069109). This work was begun in 2003. Since that time it has undergone a number of revisions, culminating in its final form in 2016. It has three movements labeled: 1. Andante con moto 2. Allegro 3. Un poco allegretto. I do not think of this as a concerto but a freely expressed piece tied to no particular form. The piano is dominant throughout providing ample opportunity for virtuosity. A full orchestra is employed .
$3.99
3.74 €
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Piano et Orchestre
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Joseph Hull
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Ballade for Piano and Orchestra No.1
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Genesis
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SheetMusicPlus
Piano Concerto
Piano et Orchestre
Composed by Alan Beggerow. 20th Century. Score and parts. 320 pages. Alan Beggerow #…
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Composed by Alan Beggerow. 20th Century. Score and parts. 320 pages. Alan Beggerow #3664045. Published by Alan Beggerow
$39.95
37.41 €
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Piano et Orchestre
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Alan Beggerow
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Piano Concerto
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Alan Beggerow
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SheetMusicPlus
Piano Music with Orchestra
Piano et Orchestre
(Piano: Left Hand). Composed by Paul Hindemith (1895-1963). This edition: piano reduct…
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(Piano: Left Hand). Composed by Paul Hindemith (1895-1963). This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Op. 29. Duration 18 minutes. Schott Music - Digital #Q19660. Published by Schott Music - Digital
$55.99
52.43 €
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Piano et Orchestre
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Piano Music with Orchestra
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Schott Music - Digital
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SheetMusicPlus
Klaviermusik mit Orchester
Piano et Orchestre
(Piano: Left Hand) and Orchestra. Composed by Paul Hindemith (1895-1963). This editi…
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(Piano: Left Hand) and Orchestra. Composed by Paul Hindemith (1895-1963). This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Op. 29. Duration 18 minutes. Schott Music - Digital #Q21351. Published by Schott Music - Digital
$15.99
14.97 €
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Piano et Orchestre
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Paul Hindemith
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Klaviermusik mit Orchester
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2
Piano et Orchestre
For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study …
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For Piano and Orchestra. Composed by Mikis Theodorakis (1925-). This edition: study score. Music Of Our Time. Downloadable. Duration 28 minutes. Schott Music - Digital #Q7222. Published by Schott Music - Digital
$49.99
46.81 €
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Piano et Orchestre
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Mikis Theodorakis (1925-)
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Concerto No. 2
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Schott Music - Digital
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.46 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
The "What's Your Answer?" Game Show (Fairy Tale Edition)
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children's Music, Movies/TV, 21st Century. Early Intermediate. Sheet Music Single. Published by Exultet Music
$3.99
3.74 €
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Piano et Orchestre
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Stephen DeCesare
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The "What's Your Answer?" Game Show
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Exultet Music
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SheetMusicPlus
The "What's Your Answer?" Game Show (School Edition)
Piano et Orchestre
By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children…
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By Stephen DeCesare. For Piano, Voice, Flute, Choral. Instructional, Secular, Children's Music, Movies/TV, 21st Century. Early Intermediate. Sheet Music Single. Published by Exultet Music
$4.95
4.64 €
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Piano et Orchestre
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Stephen DeCesare
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The "What's Your Answer?" Game Show
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Exultet Music
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SheetMusicPlus
Piano Concerto ... Mozartiana (2007) for piano solo and chamber orchestra
Piano et Orchestre
By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Perio…
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By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. 2 Flute (2. also piccolo) 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Tromb
$9.99
9.35 €
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Piano et Orchestre
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Thomas Oboe Lee
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Piano Concerto ... Mozartiana
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SheetMusicPlus
Piano Concerto ... Mozartiana (2007) for piano solo and orchestra
Piano et Orchestre
By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Perio…
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By Thomas Oboe Lee. For Piano, Orchestra. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. Published by Thomas Oboe Lee
$9.99
9.35 €
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Piano et Orchestre
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Thomas Oboe Lee
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Piano Concerto ... Mozartiana
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Thomas Oboe Lee
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SheetMusicPlus
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