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Benedetto Marcello - Six Sonatas - Cello Or Double Bass
Cello, Piano
[Score]
-
Intermediate/advanced
Schirmer
Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sona...
(+)
Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sonatas for Cello or Double Bass with Piano accompaniment. Songlist Six Sonatas For Cello (Double Bass) And Piano
18.99 EUR - Sold by Woodbrass
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Sergei Rachmaninov: Vocalise Op.34 No.14: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
Boosey and Hawkes
Rachmaninov wrote the wordless Vocalise in 1912 originally for Voice and Piano....
(+)
Rachmaninov wrote the wordless Vocalise in 1912 originally for Voice and Piano. It is probably one of his most popular Vocal works famous for its beautiful soaring melody. This popularity has led the work to be transcribed for several instruments and this edition is for Cello with Piano accompaniment. Set for the ABRSM Cello Syllabus Grade 7.
10.99 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Sonatas For Piano And Violoncello: Cello: Instrumental
Cello, Piano
G. Henle
Alongside Bach’s Solo Suites a further highlight for cellists are Beethov...
(+)
Alongside Bach’s Solo Suites a further highlight for cellists are Beethoven’s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven’s compositional lifetime mirroring important stages of his musical development. This revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which was compiled at the same time. The Urtext edition hasbeen re-engraved but the proven page layout of the previous edition has been preserved. The renowned cellist David Geringas provided completely new fingerings and bowings for the cello part which also has excellent page turns.An unmarked Urtext part is also included.
33.25 GBP - Sold by Musicroom UK
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Barrington Pheloung Edward Elgar: Hilary And Jackie Cello Album: Cello:
Cello, Piano
[Sheet music]
Novello & Co Ltd.
A collection of music from the film for cello and piano.
13.99 GBP - Sold by Musicroom UK
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Julian Lloyd Webber: Cello Song: Cello: Instrumental Album
Cello, Piano
[Sheet music]
Chester
A collection of fourteen pieces for Cello and Piano introducing some lesser-kno...
(+)
A collection of fourteen pieces for Cello and Piano introducing some lesser-known pieces. Suitable for intermediate-advanced players (grade 5-8).
19.99 GBP - Sold by Musicroom UK
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Cello Solos: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
-
Intermediate
Amsco Wise Publications
Easy to intermediate arrangements designed to bring out the finest qualities of ...
(+)
Easy to intermediate arrangements designed to bring out the finest qualities of the cello. Includes folksongs dances and works by Debussy Chopin and Brahms. The cello part is also included on a separate insert.
19.99 GBP - Sold by Musicroom UK
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Camille Saint-Saëns: Le Cygne: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Durand
extrait du Carnaval des animaux-A flowing gliding piece in which Saint-Saens pe...
(+)
extrait du Carnaval des animaux-A flowing gliding piece in which Saint-Saens perfectly evokes the elegant and dignified movements of a Swan. Perhaps the best known of his outstanding suite of tone poems Carnival of Animals. This transcription for Cello and Piano accompaniment.
5.99 GBP - Sold by Musicroom UK
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Camille Saint-Saëns: Allegro Appassionato opus 43: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Durand
Camille Saint-Saens's Allegro Appassionato Op.43 for Cello and Piano.
9.99 GBP - Sold by Musicroom UK
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Max Bruch: The Great Cello Solos: Cello: Instrumental Album
Cello, Piano
[Sheet music]
-
Advanced
Chester
Essential short pieces for the cello selected and edited by Julian Lloyd Webber ...
(+)
Essential short pieces for the cello selected and edited by Julian Lloyd Webber in one attractive volume.
11.99 GBP - Sold by Musicroom UK
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Cello Collection Intermediate Level 2 Cd
Cello, Piano
[Sheet music + CD]
-
Intermediate
Schirmer
Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spe...
(+)
Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spectacles plein, et accompagnements de piano uniquement à être utilisés comme pistes d'accompagnement. / Violoncelle
29.30 EUR - Sold by LMI-partitions
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Witold Lutoslawski: Grave For Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
First performed in April 1981 by Ronan Jablonski and Krystyna Brucinska in Warsa...
(+)
First performed in April 1981 by Ronan Jablonski and Krystyna Brucinska in Warsaw.
14.99 GBP - Sold by Musicroom UK
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Lloyd Webber Julian Made In England Best Of Cello/Piano
Cello, Piano
-
Intermediate
Amsco Wise Publications
Made in England is a collection of pieces chosen from the recordings Julian Lloy...
(+)
Made in England is a collection of pieces chosen from the recordings Julian Lloyd Webber has made over the last 20 years. This complilation mixes old favourites such as Saint-Saens 'The Swan' with more recent compositions such as Elton John's 'Your Song'. / Violoncelle Et Piano
22.60 EUR - Sold by LMI-partitions
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Lord Of The Rings Instrumental Solos (Le seigneur des anneaux)
Cello, Piano
[Sheet music + CD]
Alfred Publishing
Ce livre fait partie d'une série cordes arrangées pour violon, alto et violonc...
(+)
Ce livre fait partie d'une série cordes arrangées pour violon, alto et violoncelle. Les arrangements sont complètement compatibles les uns avec les autres et peut être joué ensemble ou en solo. Chaque livre propose un accompagnement au piano spécialement conçu qui peut être facilement joué par un professeur ou un étudiant de piano intermédiaire et une partie amovible conçu avec soin complet avec coups d'archet, les articulations, et les touches bien adapté pour le joueur de niveau 2-3. Un CD entièrement orchestrées accompagnement est inclus. Chaque chanson sur le CD comprend une piste de DEMO, qui dispose d'une chaîne de performances live, suivie par la piste Play-Along par lui-même.Ce livre est aussi le cadre d'un Lord Of The Rings séries instrumentales écrites pour flûte, clarinette, sax alto, sax ténor, trompette, cor en fa et le trombone. / Violoncelle Et Piano
30.20 EUR - Sold by LMI-partitions
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Rieding O. - Concerto In B Minor Opus 35 - Violoncelle Et Piano
Cello, Piano
-
Intermediate
Bosworth
13.99 EUR - Sold by Woodbrass
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Taylor-Made
Cello, Piano
Clifton Edition
Pieces for Cello Positions. Par TAYLOR LORNA. Cello part with pull-out piano acc...
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Pieces for Cello Positions. Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C321 A book of pieces each one staying in one position so pupils whatever their age, get to know the geography of the cello fingerboard across the strings in 2nd, 3rd, half, extended 2nd, extended 3rd and extended 4th positions, this is easy to follow, structured material. These cello tunes have fairly easy but effective piano accompaniments. See also 'Go Fourth’ and ‘Tenor Clef’. / Date parution : 2023-10-31/ Recueil / Violoncelle et Piano
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Cello Recital Album Volume 2: Cello: Instrumental Album
Cello, Piano
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Easy
Barenreiter
12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Cello Recital Album Volume 1: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Sheku Kanneh-Mason: Song (KANNEH-MASON SHEKU)
Cello, Piano
[Sheet music]
Faber Music Limited
Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for s...
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Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for solo cello, cello and piano, plus a beautiful cello duet and trio, from the award-winning and internationally acclaimed cellist. This collection presents music from Sheku?s third album, Song, which is a very personal collection that refers to the unique singing tone of the cello. Pieces include Deep River by Samuel Coleridge Taylor, Burt Bacharach?s I Say a Little Prayer and Parry?s Myfanwy, which is arranged for cello trio. / Date parution : 2022-10-25/ Recueil / Violoncelle et Piano
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Advanced
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
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Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Judith Weir: Three Chorales: Cello: Instrumental Work
Cello, Piano
Chester
These three pieces for cello and piano are meditations – personal secular...
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These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
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AntonÃn Dvo?ák: Cello Concerto In B Minor Op.104 (Cello & Piano): Cello:
Cello, Piano
[Sheet music]
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
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Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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