Medley-A selection of the Bee Gees greatest hits arranged by Ronald Kauffmann in a medley for SATB choir with Piano accompaniment.

Written for Tim Seelig in celebration of his 20 years as Artistic Director of the Turtle Creek Chorale this inspirational ballad's lyrics capture the many different musical moments choral singers teachers directors andlisteners have experienced in the genre. “Love has always been the reason we sing.” Available separately: SATB solo; StudioTrax CD. Duration: ca. 3:50.

Edward Bairstow 's anthem Lord, Thou Hast Been Our Refuge re-engraved for SATB Choir and Organ. This piece incorporates text from Psalms 90, 102 and 144. / Choeur Mixte (SATB) Et Orgue

John Rutter's Lord Thou Hast Been Our Refuge for SATB choir solo Trumpet and Organ. Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary this impressive and stately setting of verses from Psalm 90 culminates in a jubilant maestoso final section. The work would suit any festive service or concert. Suitable for general use.

Juxtaposing a contemporary styled lyric with the ancient echoes of the “Kyrie ” Lee Dengler has created an anthem of singular impact and scope. The poignant text ponders Jesus' innocence asks difficult questions andencourages repentance and humility. Particularly meaningful during the Lenten season this tender and memorable anthem may be used anytime the focus is on God's grace. An alternate English text is provided for the Kyrie ifdesired. “It Should Have Been Me” is intimate and expressive and is sure to stir both listener and singer alike.

Composed in 2001 Ben Moore's The Lake Isle Of Innisfree sets the poem by W.B. Yeats for Tenor soloist and Orchestra. This 2016 arrangement is for SATB choir with Piano accompaniment.'I will arise and go now and go to Innisfree And a small cabin build there of clay and wattles made:Nine bean-rows will I have there a hive for the honey-bee;And livealone in the bee-loud glade'

Invocation was written for the Choir of The Queen’s College Oxford and represents the culmination of the composer’s time as a research fellow at the college when he worked closely with the choir. Phillip had long been a devotee of Edward Thomas’s evocative poem Adlestrop with its dreamy pastoral feel invoking the very essence of a sultry English country afternoon. It seemed a natural choice to set not least because it mentions the two counties in which he has spent the last seven years Gloucestershire and Oxfordshire. Phillip wanted the workfurther to emphasise the link with everything we might class as a stereotypical English countryafternoon cricket on the green church bells birdsong and warm beer the mythical ‘middle-England’. His work in no way tries to depict this rather to distil the feeling it is a rhapsody on a theme of English country life that men went to war to preserve something very different from the more rugged landscape he grew up with in the Lake District. The work is called Invocation because it is precisely that a spell or charm something that bewitches the listener and that the composer hopes stays long in the mind rather like Adlestrop or indeed Adlestrop itself.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Phillip Cooke was born in Cumbria in 1980 spending his formative years there. He has had works played across the country by many of the country’s top choirs and ensembles. New works in 2011 were featured in the London Festival of Contemporary Church Music John Armitage Memorial Concert Series Choir

Edited by Thurston Dart 23 madrigals for SSA by Bateson, Byrd, East, Hilton, Holborne, Johnson, Jones, Morley, Porter, Tomkins, Ward, Weelkes, Wilbye and Youll. CONTENTS BATESON, Thomas Nightingale BYRD, William Benedictus EAST, Michael See Amaryllis shamed How merrily we live HILTON, John If it be love HOLBORNE, William Gush forth, my tears Since Bonny-boots was dead JOHNSON, Robert Full fathom five Where the bee sucks JONES, Robert Sweet Kate MORLEY, Thomas It was a lover and his lass Lady, those eyes See mine own sweet jewel This love is but a wanton fit Though Philomela lost her love PORTER,Walter When first I saw thee TOMKINS, Thomas Sure there is no god of love WARD, John Fly not so fast Go wailing accents WEELKES, Thomas Those sweet delightful lilies Though my carriage be but careless WILBYE, John Away, thou shalt not love me YOULL, Henry While joyful springtime lasteth

Cyril Ornadel and Kelvin Reynolds. A new ecological musical in two acts set 30 years into the future. The rivers and land are polluted and the children of the village have never seen a flower bee or sheep. Twelve lively musicalnumbers plus reprises by Cyril Ornadel composer of such famous West End musicals as ‘Pickwick’. Songs include ‘The Factory’ ‘Live For Today’ ‘Rainbow Valley’ ‘Tree Spirits’ and ‘For Tomorrow’. Four principal parts and 12further speaking roles. Orchestral parts on hire.