By Hal Hopson / Isaac Watts. Arranged by Lloyd Larson. For SATB choir. Scripture References: Galatians 6:14. Lent, Sacred, Communion. Choral octavo. 8 pages. Published by Hope Publishing Company

Composed by Nick Strimple (1946-). Nick Strimple Sacred Choral. 12 pages. Pavane Publishing #NS0019. Published by Pavane Publishing (HL.148035).

Composed by Issac Watts. Arranged by Brian L. Hanson. For SATB choir with piano accompaniment. Hymns of Faith Choral Series. General, Lent Holy Week. Octavo. 8 pages. Published by Chorister's Guild

By Isaac Watts, Fred Bock. (SATB). Fred Bock Publications. Sacred. Published by Fred Bock Music Company.

SATB choir, voice solo, piano accompaniment - Early intermediate

SKU: GI.G-10552

Arranged by Christin Kieckhafer. Good Friday. Choral. Sacred. Octavo. 16 pages. GIA Publications #10552. Published by GIA Publications (GI.G-10552).

English. Text Source: Alas! and Did My Savior Bleed?, Isaac Watts, 1674-1748, alt., At the Cross, Ralph E. Hudson, 1843-1901, alt. Text by Isaac Watts.

“At the Cross” contains the very rich texts of Isaac Watts and Ralph Hudson. My desire is to treat each verse with utmost respect by highlighting—through music—the suffering, shame, hope, beauty, and glory of the cross. The cross embodies all of these attributes. You will notice there is a somberness that begins at m. 84, mirroring the darkness that ensued while Christ hung on the cross (Mark 15:33). A “darker” sound from the altos is encouraged. This is the turning point in the song, preparing the singers for the response to such a sacrifice. Although the text speaks of grief and debt (starting at m. 93), one can see the hope that builds, with the realization that complete surrender is the only response to such a sacrifice. Much thought and energy (under control) should be expended to aid this verse in building to the climactic point of the song, when hope is found in the cross and the burden has been lifted.

SATB choir (SATB choir)

SKU: HP.C6074C

Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. Lent, Holy Week, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C6074C. Published by Hope Publishing Company (HP.C6074C).

UPC: 763628960742. Words by Isaac Watts.

Familiar hymn tune words by Isaac Watts This inspired choral setting pairs Isaac Watts' well-known hymn text, Alas! And Did My Savior Bleed, with the tune GREENSLEEVES. The familiar text and tune engage us anew bringing fresh insight to this dramatic Lenten lament. This piece comes from Mary's musical My Savior's Love, code no. 8701.

By English Melody. Arranged by Peter Niedmann. For Voices: 2 mixed voices, descant. Organ. Choral Sacred. Level: 6. Published by GIA Publications.

SATB choir, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trumpet 3 in B-flat, trumpet 3 in C, trombone 1, trombone 2, bass trombone, tuba - Early intermediate

SKU: GI.G-10277

Composed by Robert Lowry. Arranged by Brandon Waddles. African American Church Music Series. Tune Name: Marching To Zion. Sacred. Octavo. 16 pages. GIA Publications #10277. Published by GIA Publications (GI.G-10277).

UPC: 785147027713. English. Text Source: Come, ye that love the Lord, Isaac Watts, 1674-1748, alt., We're marching to Zion, Robert Lowry, 1826-1899, alt. Text by Isaac Watts.

SATB choir, piano accompaniment - Early intermediate

SKU: GI.G-9798

Arranged by Hal H. Hopson. Lent, Palm Sunday, Good Friday. Choral. Tune Name: Wayfaring Stranger. Sacred. Octavo. 8 pages. GIA Publications #9798. Published by GIA Publications (GI.G-9798).

UPC: 785147979807. English. Text Source: Isaac Watts, 1674-1748, alt. Text by Isaac Watts.

SATB choir - Level 2

SKU: CA.315220

Composed by Jean-Jacques Rousseau. Separate edition with choral collection. Sacred vocal music, Christmas Carols, Advent, Christmas. Full score. Duration 2 minutes. Carus Verlag #CV 03.152/20. Published by Carus Verlag (CA.315220).

ISBN 9790007176235. Key: F major. Language: English. Text: Watts, Isaac. Text: Isaac Watts.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS115F

Composed by Deborah Baker Monday. Sws. Carl Fischer First Plus String Orchestra Series. Full score. 8 pages. Duration 2 minutes, 6 seconds. Carl Fischer Music #FAS115F. Published by Carl Fischer Music (CF.FAS115F).

ISBN 9781491154885. UPC: 680160913435. 9 x 12 inches. Key: E minor.

Rejoice, East and West pairs two of the most popular holiday pieces. O Come, O Come Emmanuel is one of the staples of music for the season of Advent. Its plaintive melody represents the subdued tone of Advent, waiting and anticipating during the four weeks before Christmas Day. The modal character has roots in Ancient Greece and is characteristic of the music from Middle Eastern countries. The melody of Joy to the World is attributed to George Frideric Handel. It first appeared in 1719 in a collection by Isaac Watts, who adapted the text. It is one of the most published Christmas hymns in North America and is one of the most iconic songs for celebrating the birth of Christ. The connection between these two contrasting pieces is rejoice. In Emmanuel the modal tones arrive at a major chord and the words exclaim Rejoice, rejoice! This is where a bridge is composed to arrive at a jubilant introduction of Joy to the World. This arrangement teaches students dynamic contrast, tempo changes, slurs and ties.
Rejoice, East and West pairs two of the most popular holiday pieces.  “O Come, O Come Emmanuel” is one of the staples of music for the season of Advent.  Its plaintive melody represents the subdued tone of Advent, waiting and anticipating during the four weeks before Christmas Day.  The modal character has roots in Ancient Greece and is characteristic of the music from Middle Eastern countries. The melody of “Joy to the World” is attributed to George Frideric Handel.  It first appeared in 1719 in a collection by Isaac Watts, who adapted the text.  It is one of the most published Christmas hymns in North America and is one of the most iconic songs for celebrating the birth of Christ. The connection between these two contrasting pieces is “rejoice.” In “Emmanuel” the modal tones arrive at a major chord and the words exclaim “Rejoice, rejoice!” This is where a bridge is composed to arrive at a jubilant introduction of “Joy to the World.” This arrangement teaches students dynamic contrast, tempo changes, slurs and ties.

Composed by Amy Lynne Engelsdorfer. Augsburg Choral Library. Octavo. Published by Augsburg Fortress (AU.9781506422206).

Choir; brass; percussion; timpani

SKU: HP.C6081C

Composed by Steven Strite. Piano with Optional Brass & Percussion. General Worship, God, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C6081C. Published by Hope Publishing Company (HP.C6081C).

UPC: 763628960810. Words by Isaac Watts.

Original anthem words by Isaac Watts This familiar text has been set to a new tune in this high energy arrangement. The moderately syncopated vocal lines soar above a rhythmic accompaniment bringing life and renewed awareness to God's power and might. Optional brass and percussion may be included to heighten the sense of majesty in this song of praise to God, our Creator. Brass parts: Conductor's Score, 2 B-flat Trumpets, 2 Trombones, Sus. Cymbal and Timpani.

SATB choir, tenor voice solo, piano accompaniment - Early intermediate

SKU: GI.G-9772

Composed by Ralph Hudson. Arranged by Thomas Whitfield. African American Church Music Series. Tune Name: Hudson. Sacred. Octavo. 12 pages. GIA Publications #9772. Published by GIA Publications (GI.G-9772).

UPC: 785147977209. English. Text Source: Alas! and Did My Savior Bleed, Isaac Watts, 1674-1748, alt. Text by Isaac Watts.