The Orange Book-The Orange Book contains more than one hundred Irish Dance Tunes and Airs selected and arranged into Sets by Brid Cranitch. This collection contains a varied selection of widely played and lesser known tunes divided into different dance rhythms but predominantly reels to reflect that this is the fourth book in the series and is a slightly higher difficulty. These tunes have been sorted along with similar songs into sets to be played at Irish sessions. The range of the tunes is particularly suitable for the fiddle but can be used on other instruments. Includes Lucy Campbell's Far From Home Maids On The Green and The Mist CoveredMountain.

INDIVIDUAL OR GROUP LEARNINGAll of these pieces for young clarinettists in their earliest stages of learning can be performed as a solo or in unison with others. Some have an optional 2nd part and may also serve as ensemble material.MIXED ENSEMBLE OPTIONWhilst written specifically for the clarinet and addressing the challenges beginner clarinettists would encounter a special section is included of four pieces which are 'key friendly' for beginners on most instruments and are therefore ideal pieces for mixed instrumental groups. These same four pieces will appear in subsequent books for other instruments in the Debut series.For the Teacher …- Sheetmusic for selected piano accompaniments can be DOWNLOADED FOR FREE - just follow the web link provided in the pupil's book!- If preferred the accompaniments of all of the 12 pieces can be purchased in one printed and bound volume

There are many ways of explaining exactly how you should perform swing music but of course itâ??s most fun to learn as you play. With Swing Starters you will become acquainted with the idea of swing feel as you work through the book. The book contains 20 two-part swing exercises and two great bonus pieces. You can also play them as three-part pieces when combined with other instruments.

These eleven sonatas most likely written between 1712 and 1728 have been considered ideally suited for the Flute and a part of the main repertoire for the instrument for well over two hundred years. However they originallystarted out as sonatas for other instruments (violin recorder and oboe) and in different keys.

For Flute-100 Ultimate Blues Riffs for Flute the Beginner Series by musician educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or ???riffs??? that make up Flute playing both from a rhythmic and soloing standpoint.Due to the continued success of his more advanced series 100 Ultimate Blues Riffs Andrew decided to author a similar type of book for beginner students.This book is ideal for the beginner to intermediate music student with most of the examples notated in the easier keys. Besides learning how to play Blues riffs the book is a useful tool for sight readingexercises with many different rhythms.The 12 bar Blues progression and the Blues scale in Andrew???s opinion the two most important aspects of playing the Blues is explained in detail as well as ???straight??? and ???swing??? rhythms.There are five sections to the riffs in the book section 1 contains basic Blues riffs section 2 contains Rhythm and Blues influenced riffs section 3 contains Blues/Boogie Woogie riffs section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is an audio CD that contains all the riffs recorded twice: first sax melody piano guitar bass and drums and second just the rhythm track of piano guitar bass and drums so you can play-a-long.Review of the Sax version of the book by Skip Spratt of The Sax Shed https://saxshed.comAndrew D. Gordon of ADG Productions has recently updated and added to his popular series of books with 100 Ultimate Blues Riffs The Beginner Series. The original publication by the same title is geared toward intermediate to advanced students. Both books feature a companion CD and optional midi files that will help in the practice of these 100 blues riffs.I had the opportunity to preview the tenor saxophone books from the series; however the same books are published for other instruments as well. Saxophonist Frank Villafranca of the Super Groovers demonstrates each riff with the rhythm section first with and opportunity for play-along following each demo track. Andrew Gordon writes ???For people who want to improve their

Divertissement composed by Raymond Gallois Montbrun is a piece for Flute and Piano. Written for the Contest of the Paris Conservatoire it was dedicated to Gaston Crunelle a French professor at the Paris Conservatoire. Quite challenging this piece is perfect for advanced students and would work well for a contest or a recital. It features mild chromaticisms changes of meters and rapid legato triplets and sounds very romantic. Raymond Gallois Montbrun (1918-1994) was a French violinist and composer who won the Premier Grand Prix de Rome and the Grand Prix de Paris. He later became the director of the ParisConservatoire. He composed many symphonic pieces an opera a quartet and many pieces for Solo Piano Violin and Piano and other instruments.

More Than a Play-Along-14 Charles Mingus compositions transcribed for all C instruments. Two CDs feature both quartet and trio versions of the tracks performed by Mingus Big Band members. Also includes musical charts performance notes rare photographs and historical commentary.

The New Real Book is the best-selling legal fake book of all time, with over 100,000 musicians depending on it for accurate, easy-to-read charts for hundreds of the most important tunes in the jazz canon. Don't go to the gig without it!All living composers have approved these charts - many of them are from the composer's own lead sheets.Charts for the standards were derived from a consensus of the best recorded jazz versions.Created by musicians, for musicians. The new standard in fake books! / Instruments En Do

Includes scales for soloing, piano voicings, guitar voicings, sample bass parts for each tune. When needed, there are separate rhythm section charts and /or horn harmony charts to help your band play authentic-sounding versions of the tunes. The rhythm section appendix gives the student a complete overview of all the major Afro-Cuban and Brazilian rhythmic styles, and sample parts for each player. / Instruments En Do

109 chansons de George et Ira Gershwin. Format Real Book / Instruments En C / Partition

For use with all B-flat, E-flat, Bass Clef, and C instruments, Jazz Play-Along Volume 163: John Coltrane Standards is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues, and other split-track choices on the included CD, this first-of-its-kind package makes learning to play jazz easier than ever before. For study purposes, each tune includes a split track with melody cue with proper style and inflection, professional rhythm tracks, choruses for soloing, removable bass part and a removable Piano part. For performance purposes, each tune also has an additional full stereo accompaniment track (no melody) and additional choruses for soloing. All Or Nothing At All But Not For Me Greensleeves In A Sentimental Mood Lush Life My Favorite Things My One And Only Love My Shining Hour Softly As In A Morning Sunrise The Night Has A Thousand Eyes

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Ballads' features arrangements of popular ballads from the nineties including 'My Heart Will Go On' and 'The Wind Beneath My Wings' Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players' confidence and are ideal for the end of term concert. Contents: Amazed; Get Here; I Don't Want To Miss A Thing; My Heart Will Go On; Swear It Again; The Rose; The Wind Beneath My Wings

Suite op. 34 for Flute and Piano-The name Widor is so closely associated with music for the Organ that his many compositions for other instruments can easily be overlooked. The Suite for Flute and Piano presumably composed in1877 stands out amongst chamber music works on account of the wealth of expressive and tonal nuances.The late Romantic work is specially tailored to the possibilities of the Flute; and it is no accident that it wasdedicated to the most important French flautist and flute teacher of the time Paul Taffanel who gave its first performance in 1884. From the very beginning the four-movement Suite has been very popular and now belongs to thecore repertoire for Flute and Piano.